After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he was hired by Mitch Miller, then head of A & R at Columbia Records as their home arranger, and he worked with several artists, including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies.
Amongst the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray, and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums "Tony" by Tony Bennett, "Blue Swing" by Eileen Rodgers, "Swingin' for Two" by Don Cherry. and half the tracks of "The Big Beat" by Johnnie Ray.
In these early years he also produced some similar sounding records for Columbia's Epic label under the name of Jay Raye (which stands for "Joseph Raymond") amongst them a backing album and singles with Somethin' Smith & The Redheads, an American male vocal group.
Because of the success of his backings Mitch Miller allowed him to make his own record, and this became the successful "'S Wonderful", a collection of standards that were recorded with an orchestra and a wordless singing chorus (four men, four women). He released many more albums in the same vein, including "Dance The Bop" (1957), "'S Marvelous" (1957, gold album), "'S Awful Nice" (1958), "Concert in Rhythm" (1958, gold album), "Hollywood in Rhythm" (1958), "Broadway in Rhythm" (1959), and "Concert in Rhythm, Volume II" (1959, gold album).
In 1959 he started the Ray Conniff Singers (12 women and 13 men) and released the album "It's the Talk of the Town. This group of word— not just syllable — singing singers brought him the biggest hit he ever had in his career: "Somewhere My Love" (1966). The title track of the album was written to the music of Lara's Theme from the film Doctor Zhivago (1965), and was a top 10 single in the US. The album also reached the US top 20 and went platinum, and Conniff won a Grammy. The single and album reached high positions in the international charts (a.o. Australia, Germany, Great Britain, Japan) as well. Also extraordinarily successful was the first of four Christmas albums by the Singers, "Christmas with Conniff" (1959). Nearly fifty years after its release, in 2004, Conniff posthumously was awarded with a platinum album/CD.
Musically different highlights in Conniff's career are two albums he produced in cooperation with Billy Butterfield, an old buddy from earlier swing days. "Conniff Meets Butterfield" (1960) featured Butterfield's solo trumpet and a small rhythm group; "Just Kiddin' Around" (after a Conniff original composition from the 1940's), released 1963, featured additional trombone solos by Ray himself. Both albums are pure light jazz and did not feature any vocals.
Later in the 1960's he produced an average of two instrumental and one vocal album a year. Among these are (Original albums only):
* "'s Wonderful" (1956)
* "Dance the Bop!" (1957)
* "'s Marvelous" (1957)
* "'s Awful Nice" (1958)
* "Concert in Rhythm, Vol.1" (1958)
* "Broadway in Rhythm" (1958)
* "Hollywood in Rhythm" (1958)
* "It's The Talk of the Town" (1959)
* "Conniff Meets Butterfield" (1959)
* "Christmas with Conniff" (1959)
* "Concert in Rhythm, Vol.2" (1959)
* "Young at Heart" (1960)
* "Say It with Music (A Touch of Latin)" (1960)
* "Memories Are Made of This" (1960, gold album)
* "Somebody Loves Me" (1961)
* "'S Continental" (1961)
* "So Much in Love" (1962, gold album)
* "Rhapsody in Rhythm" (1962)
* "We Wish You a Merry Christmas" (1962, gold album)
* "The Happy Beat" (1962)
* "You Make Me Feel So Young" (1963)
* "Speak to Me of Love" (1963)
* "Friendly Persuasion" (1964)
* "Invisible Tears" (1964)
* "Love Affair" (1965)
* "Music From 'Mary Poppins', 'The Sound of Music', 'My Fair Lady' & Other Great Movie Themes" (1965)
* "Here We Come A-Caroling" (1965)
* "Happiness Is" (1965)
* "Ray Conniff's World of Hits" (1966)
* "En Español (The Ray Conniff Singers Sing It in Spanish)" (1966)
* "This Is My Song" (1967)
* "Ray Conniff's Hawaiian Album" (1967)
* "It Must Be Him" (1967, gold album)
* "Honey" (1968, gold album)
* "Turn Around Look at Me" (1968)
* "I Love How You Love Me" (1968)
* "Live Europa Tournee 1969/Concert in Stereo" (1969)
* "Jean" (1969)
* "Concert In Stereo: Live At 'The Sahara Tahoe'" (1969)
* "Bridge Over Troubled Water" (1970)
* "We've Only Just Begun" (1970)
* "Love Story" (1970)
* "Great Contemporary Instrumental Hits" (1971)
* "I'd Like to Teach the World to Sing" (1971)
* "Love Theme from "The Godfather" (1972)
* "Alone Again (Naturally)" (1972)
* "I Can See Clearly Now" (1972)
* "Ray Conniff in Britain" (1973)
* "You Are the Sunshine of My Life" (1973)
* "Harmony" (1973)
* "The Way We Were" (1973)
* "The Happy Sound of Ray Conniff" (1974)
* "Ray Conniff In Moscow" (1974)
* "Laughter in the Rain" (1975)
* "Another Somebody Done Somebody Wrong Song" (1975)
* "Love Will Keep Us Together" (1975)
* "I Write the Songs" (1975)
* "Live in Japan" (1975)
* "Send in the Clowns" (1976)
* "Theme from 'SWAT' and Other TV Themes" (1976)
* "After the Lovin'" (1976)
* "Exitos Latinos" (1977)
* "Ray Conniff Plays the Bee Gees and Other Great Hits" (1978)
* "I Will Survive" (1979)
* "The Perfect '10' Classics" (1980)
* "Exclusivamente Latino" (1980)
* "Siempre Latino" (1981)
* "The Nashville Connection" (1982)
* "Musik für Millionen" (partly produced for a German TV show in 1982)
* "Amor Amor" (1982)
* "Fantastico" (1983)
* "Supersonico" (1984)
* "Campeones" (1985)
* "Say You Say Me" (1986)
* "30th Anniversary Edition" (1986)
* "Always in My Heart" (1987)
* "Interpreta 16 Exitos De Manuel Alejandro" (1988)
* "Ray Conniff Plays Broadway" (1990)
* "'S Always Conniff" (1991)
* "Latinisimo" (1993)
* "40th Anniversary" (1995)
* "Live in Rio (aka Mi Historia)" (1997)
* "I Love Movies" (1997)
* "My Way" (1998)
* "'S Country" (1999)
* "'S Christmas" (1999)
* "Do Ray Para O Rei" (2000).
Between 1957 and 1968, he had 28 albums in the American Top 40, the most famous one being "Somewhere My Love" (1966). He topped the album list in Britain in 1969 with "His Orchestra, His Chorus, His Singers, His Sound". He also was the first American popular artist to record in Russia—in 1974 he recorded "Ray Conniff in Moscow" with the help of a local choir. His later albums like "Exclusivamente Latino", "Amor Amor" and "Latinisimo" made him very popular in Latin-American countries, even more so after performing in the Viña del Mar International Song Festival. In Brazil and Chile he was treated like a young pop superstar in the 1980s and 1990s when he was in his 70s and 80s. He even played live with his orchestra and eight-person chorus in large football stadiums as well as in Viña del Mar.
Ray Conniff was a quiet, modest sympathetic artist. He always worked in the background so that in the fifties there were rumours that this man didn't even exist and his name was just a name fake as then his orchestral sound was so sensational. Nevertheless he sold about 70 million albums world-wide and continued recording and performing until his death in 2002.
He died in Escondido, California, and is interred in the Westwood Village Memorial Park Cemetery in Los Angeles, California.
In 2004, a memorial two-CD compilation set, "The Essential Ray Conniff", was released, featuring many rare and previously unreleased tracks. "The Singles Collection, Vol.1" was released on the Collectables label in 2005. This also features many rare tracks.
It's Too Late
Ray Conniff Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's somethin' wrong here, there can be no denyin'.
One of us is changin', or maybe we've just stopped tryin'.
And it's too late, baby now, it's too late,
Though we really did try to make it.
Somethin' inside has died, and I can't hide,
And I just can't fake it, oh, no, no.
It used to be so easy, livin' here with you.
You were light and breezy, an' I knew just what to do.
Now you look so unhappy, and I feel like a fool.
And it's too late, baby now, it's too late,
Though we really did try to make it.
Somethin' inside has died, and I can't hide,
And I just can't fake it, oh, no, no.
There'll be good times again for me and you,
But we just can't stay together; don't you feel it too?
Still I'm glad for what we had and how I once loved you.
And it's too late, baby now, it's too late,
Though we really did try to make it. (we can't make it)
Somethin' inside has died, and I can't hide,
And I just can't fake it, oh, no, no, no, no, no, no.
It's too late baby, it's too late now darling
It's too late.
The lyrics to Ray Conniff's song It's Too Late express some of the emotions that come with a relationship that has ended. The first stanza talks about staying in bed and trying to pass time, but there is no denying that something is wrong in the relationship. One of them is either changing or they just stopped trying. This shows that one or both parties in the relationship have given up and are no longer actively trying to make the relationship work. The second stanza is a reflection on how the relationship used to be easy and breezy, but now one person looks unhappy and the other feels like a fool. This illustrates how the once good relationship has deteriorated to a point where there is no longer any joy.
In the chorus, the person singing that it's too late, meaning that the relationship has already ended, even though they did try to make it work. Something inside of them has died and they can no longer hide it or fake it. The emotion in the chorus highlights how it is impossible to convince oneself that the relationship is still working when it clearly is not. The last stanza expresses that there will be good times ahead despite their relationship being over. They both know that they can no longer stay together, and the singer is happy for the time they shared and how they once loved, but now it's too late.
Overall, the lyrics to It's Too Late portray the sad feelings that come with a relationship ending. They capture the emotions of loss, regret, and moving on.
Line by Line Meaning
Stayed in bed all mornin' just to pass the time.
I stayed in bed, not because I was tired, but to avoid thinking about our relationship.
There's somethin' wrong here, there can be no denyin'.
Our relationship is going through a crisis that we can't ignore.
One of us is changin', or maybe we've just stopped tryin'.
Either one of us has changed or we both have lost interest in trying to make our relationship work.
And it's too late, baby now, it's too late,
Our relationship is beyond repair, it's too late now to fix anything.
Though we really did try to make it.
We attempted to mend our relationship, but we failed.
Somethin' inside has died, and I can't hide,
Our love for each other has died, and I can't pretend it hasn't happened.
And I just can't fake it, oh, no, no.
I can't pretend and pretend everything is alright.
It used to be so easy, livin' here with you.
Our life together was once effortless and enjoyable.
You were light and breezy, an' I knew just what to do.
You were carefree and easygoing, and I figured out how to please you.
Now you look so unhappy, and I feel like a fool.
You seem miserable now, and I feel foolish for not understanding why.
There'll be good times again for me and you,
Our relationship may improve, and we will have good days.
But we just can't stay together; don't you feel it too?
However, we can't remain together, and you also realize it.
Still I'm glad for what we had and how I once loved you.
Despite our disagreements, I'm still happy for the wonderful moments we shared and that I loved you.
It's too late baby, it's too late now darling
It's too late now, my love; we can't undo what's done.
It's too late.
Our relationship failed, and now it's too late to fix it.
Lyrics © Peermusic Publishing, Warner Chappell Music, Inc.
Written by: DAVID JOHANSEN, JOHNNY THUNDERS
Lyrics Licensed & Provided by LyricFind
Charlie Ramella
El ritmo que ha impuesto Ray en este albúm es magnifico !!! Cada tema reboza de juventud !!!
ELCIDVIVAR
Cierto... Saludos cordiales desde México 🇲🇽
Daniel Camargo
Preciosa!!! Bella!!! Excelente album...Great Contemporary Instrumentals Hits
ELCIDVIVAR
Muchas gracias por el comentario. Saludos cordiales desde México 🇲🇽
Guillermo Delgado Vélez
RAY CONNIFF, AL FRENTE DE SU ORQUESTA Y COROS REALIZÓ ESTE MAGNÍFICO DE "IT'S TOO LATE" ("ES DEMASIADO TARDE", EN ESPAÑOL), ESCRITO POR LA VOCALISTA NORTEAMERICANA CAROLE KING. LA IMPETUOSA MUSICALIDAD DE SU ARREGLO ES SENCILLAMENTE DESLUMBRANTE.
ELCIDVIVAR
Gracias por el comentario. Saludos cordiales desde México 🇲🇽