After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he was hired by Mitch Miller, then head of A & R at Columbia Records as their home arranger, and he worked with several artists, including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top 10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies.
Amongst the hit singles he backed with his orchestra (and eventually with a male chorus) were "Yes Tonight Josephine" and "Just Walkin' in the Rain" by Johnnie Ray; "Chances Are" and "It's Not for Me to Say" by Johnny Mathis; "A White Sport Coat" and "The Hanging Tree" by Marty Robbins; "Up Above My Head," a duet by Frankie Laine and Johnnie Ray, and "Pet Me, Poppa" by Rosemary Clooney. He also backed up the albums "Tony" by Tony Bennett, "Blue Swing" by Eileen Rodgers, "Swingin' for Two" by Don Cherry. and half the tracks of "The Big Beat" by Johnnie Ray.
In these early years he also produced some similar sounding records for Columbia's Epic label under the name of Jay Raye (which stands for "Joseph Raymond") amongst them a backing album and singles with Somethin' Smith & The Redheads, an American male vocal group.
Because of the success of his backings Mitch Miller allowed him to make his own record, and this became the successful "'S Wonderful", a collection of standards that were recorded with an orchestra and a wordless singing chorus (four men, four women). He released many more albums in the same vein, including "Dance The Bop" (1957), "'S Marvelous" (1957, gold album), "'S Awful Nice" (1958), "Concert in Rhythm" (1958, gold album), "Hollywood in Rhythm" (1958), "Broadway in Rhythm" (1959), and "Concert in Rhythm, Volume II" (1959, gold album).
In 1959 he started the Ray Conniff Singers (12 women and 13 men) and released the album "It's the Talk of the Town. This group of word— not just syllable — singing singers brought him the biggest hit he ever had in his career: "Somewhere My Love" (1966). The title track of the album was written to the music of Lara's Theme from the film Doctor Zhivago (1965), and was a top 10 single in the US. The album also reached the US top 20 and went platinum, and Conniff won a Grammy. The single and album reached high positions in the international charts (a.o. Australia, Germany, Great Britain, Japan) as well. Also extraordinarily successful was the first of four Christmas albums by the Singers, "Christmas with Conniff" (1959). Nearly fifty years after its release, in 2004, Conniff posthumously was awarded with a platinum album/CD.
Musically different highlights in Conniff's career are two albums he produced in cooperation with Billy Butterfield, an old buddy from earlier swing days. "Conniff Meets Butterfield" (1960) featured Butterfield's solo trumpet and a small rhythm group; "Just Kiddin' Around" (after a Conniff original composition from the 1940's), released 1963, featured additional trombone solos by Ray himself. Both albums are pure light jazz and did not feature any vocals.
Later in the 1960's he produced an average of two instrumental and one vocal album a year. Among these are (Original albums only):
* "'s Wonderful" (1956)
* "Dance the Bop!" (1957)
* "'s Marvelous" (1957)
* "'s Awful Nice" (1958)
* "Concert in Rhythm, Vol.1" (1958)
* "Broadway in Rhythm" (1958)
* "Hollywood in Rhythm" (1958)
* "It's The Talk of the Town" (1959)
* "Conniff Meets Butterfield" (1959)
* "Christmas with Conniff" (1959)
* "Concert in Rhythm, Vol.2" (1959)
* "Young at Heart" (1960)
* "Say It with Music (A Touch of Latin)" (1960)
* "Memories Are Made of This" (1960, gold album)
* "Somebody Loves Me" (1961)
* "'S Continental" (1961)
* "So Much in Love" (1962, gold album)
* "Rhapsody in Rhythm" (1962)
* "We Wish You a Merry Christmas" (1962, gold album)
* "The Happy Beat" (1962)
* "You Make Me Feel So Young" (1963)
* "Speak to Me of Love" (1963)
* "Friendly Persuasion" (1964)
* "Invisible Tears" (1964)
* "Love Affair" (1965)
* "Music From 'Mary Poppins', 'The Sound of Music', 'My Fair Lady' & Other Great Movie Themes" (1965)
* "Here We Come A-Caroling" (1965)
* "Happiness Is" (1965)
* "Ray Conniff's World of Hits" (1966)
* "En Español (The Ray Conniff Singers Sing It in Spanish)" (1966)
* "This Is My Song" (1967)
* "Ray Conniff's Hawaiian Album" (1967)
* "It Must Be Him" (1967, gold album)
* "Honey" (1968, gold album)
* "Turn Around Look at Me" (1968)
* "I Love How You Love Me" (1968)
* "Live Europa Tournee 1969/Concert in Stereo" (1969)
* "Jean" (1969)
* "Concert In Stereo: Live At 'The Sahara Tahoe'" (1969)
* "Bridge Over Troubled Water" (1970)
* "We've Only Just Begun" (1970)
* "Love Story" (1970)
* "Great Contemporary Instrumental Hits" (1971)
* "I'd Like to Teach the World to Sing" (1971)
* "Love Theme from "The Godfather" (1972)
* "Alone Again (Naturally)" (1972)
* "I Can See Clearly Now" (1972)
* "Ray Conniff in Britain" (1973)
* "You Are the Sunshine of My Life" (1973)
* "Harmony" (1973)
* "The Way We Were" (1973)
* "The Happy Sound of Ray Conniff" (1974)
* "Ray Conniff In Moscow" (1974)
* "Laughter in the Rain" (1975)
* "Another Somebody Done Somebody Wrong Song" (1975)
* "Love Will Keep Us Together" (1975)
* "I Write the Songs" (1975)
* "Live in Japan" (1975)
* "Send in the Clowns" (1976)
* "Theme from 'SWAT' and Other TV Themes" (1976)
* "After the Lovin'" (1976)
* "Exitos Latinos" (1977)
* "Ray Conniff Plays the Bee Gees and Other Great Hits" (1978)
* "I Will Survive" (1979)
* "The Perfect '10' Classics" (1980)
* "Exclusivamente Latino" (1980)
* "Siempre Latino" (1981)
* "The Nashville Connection" (1982)
* "Musik für Millionen" (partly produced for a German TV show in 1982)
* "Amor Amor" (1982)
* "Fantastico" (1983)
* "Supersonico" (1984)
* "Campeones" (1985)
* "Say You Say Me" (1986)
* "30th Anniversary Edition" (1986)
* "Always in My Heart" (1987)
* "Interpreta 16 Exitos De Manuel Alejandro" (1988)
* "Ray Conniff Plays Broadway" (1990)
* "'S Always Conniff" (1991)
* "Latinisimo" (1993)
* "40th Anniversary" (1995)
* "Live in Rio (aka Mi Historia)" (1997)
* "I Love Movies" (1997)
* "My Way" (1998)
* "'S Country" (1999)
* "'S Christmas" (1999)
* "Do Ray Para O Rei" (2000).
Between 1957 and 1968, he had 28 albums in the American Top 40, the most famous one being "Somewhere My Love" (1966). He topped the album list in Britain in 1969 with "His Orchestra, His Chorus, His Singers, His Sound". He also was the first American popular artist to record in Russia—in 1974 he recorded "Ray Conniff in Moscow" with the help of a local choir. His later albums like "Exclusivamente Latino", "Amor Amor" and "Latinisimo" made him very popular in Latin-American countries, even more so after performing in the Viña del Mar International Song Festival. In Brazil and Chile he was treated like a young pop superstar in the 1980s and 1990s when he was in his 70s and 80s. He even played live with his orchestra and eight-person chorus in large football stadiums as well as in Viña del Mar.
Ray Conniff was a quiet, modest sympathetic artist. He always worked in the background so that in the fifties there were rumours that this man didn't even exist and his name was just a name fake as then his orchestral sound was so sensational. Nevertheless he sold about 70 million albums world-wide and continued recording and performing until his death in 2002.
He died in Escondido, California, and is interred in the Westwood Village Memorial Park Cemetery in Los Angeles, California.
In 2004, a memorial two-CD compilation set, "The Essential Ray Conniff", was released, featuring many rare and previously unreleased tracks. "The Singles Collection, Vol.1" was released on the Collectables label in 2005. This also features many rare tracks.
Someone to Watch Over Me
Ray Conniff Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Still were often told, seek and ye shall find
So I'm going to seek a certain lad I've had in mind
Looking everywhere, haven't found him yet
Hes the big affair I cannot forget
Only man I ever think of with regret
I'd like to add his initial to my monogram
There's a somebody I'm longing to see
I hope that he turns out to be
Someone who'll watch over me
I'm a little lamb who's lost in the wood
I know I could always be good
Someone who'll watch over me
Although he may not be the man some
Girls think of as handsome
To my heart he carries the key
Won't you tell him please to put on some speed
Follow my lead, oh, how I need
Someone to watch over me
The lyrics to Ray Conniff's song Someone to Watch Over Me describe a search for love and protection through a vulnerable perspective. The first verse expresses the common notion that love is blind and yet love is still worth pursuing. The singer is searching for a specific person that she has had in mind for a while, but hasn't been able to find yet. The second verse depicts the man in question as the only one she regrets losing, and she wants to add his initial to her monogram. She then questions where her protector, or shepherd, is in this situation, as she feels like a lost lamb.
The chorus reveals the true desire of the singer: for someone to watch over her. She sees herself as a little lamb who is lost in the wood and needs someone to guide and protect her. She hopes that the somebody she's longing to see will be the one who can offer that protection, and she hopes that he will turn out to be the one who will watch over her. The bridge reveals that although other girls may not see the man as handsome, he has the key to her heart, and she urges him to put on some speed and follow her lead.
Line by Line Meaning
There's a saying old says that love is blind
A popular saying claims that love can't see faults.
Still were often told, seek and ye shall find
Yet we are often advised to search for love.
So I'm going to seek a certain lad I've had in mind
Therefore, I will look for a particular man I've been thinking of.
Looking everywhere, haven't found him yet
I have been looking everywhere but haven't found him yet.
Hes the big affair I cannot forget
He is the significant event I cannot forget.
Only man I ever think of with regret
He is the only man I think of with regret.
I'd like to add his initial to my monogram
I would like to add his initial to my monogram as a symbol of my affection.
Tell me, where is the shepherd for this lost lamb?
Where is the guide that can lead me to him?
There's a somebody I'm longing to see
There is someone I am longing to see.
I hope that he turns out to be
I hope he proves to be the person I've been looking for.
Someone who'll watch over me
A person who will look after me.
I'm a little lamb who's lost in the wood
I feel like a helpless little lamb wandering in the forest.
I know I could always be good
But I know that I can be a good person.
Someone who'll watch over me
I need someone to take care of me.
Although he may not be the man some
Even though he may not be the kind of man some girls desire.
Girls think of as handsome
Who some girls think is handsome.
To my heart he carries the key
He holds the key to my heart.
Won't you tell him please to put on some speed
Please tell him to hurry up.
Follow my lead, oh, how I need
Please follow my instructions, as I have a great need.
Someone to watch over me
I need someone to watch over me and care for me.
Lyrics © Warner Chappell Music, Inc.
Written by: Ira Gershwin, George Gershwin
Lyrics Licensed & Provided by LyricFind
Henry Victorio
ray conniff eres inolvidable un excelente tema
Ken Newell
Many thanks to you for your feedback and comments. I know exactly what you mean about memories associated with music and I am delighted that this album has brought back those fond memories for you.
Jose Salame
Thanks a million for this beautiful music, which brings back unforgettable memories. I was attending the University of Minnesota in Minneapolis, in 1959 as a foreign student, and enjoyed listening to this recording ('s marvelous) all day long, with a very special american girl I'll never forget. I hadn't heard it again because somehow I lost the LP. Best regards from Guayaquil, Ecuador.
Eunice Couto
Obrigada por postar estas músicas lindas
João Paulo Cosmelli
Glenn Miller, Ray Anthony, Billy Vaughan, Ray Conniff, caramba, como foi linda a munha adolescência.
Rodolfo Mendez
Magnificent song
Thanks for the sharing
Ken Newell
Thanks for listening
Zachary Gerhart
Someone got me ‘s marvelous quite recently from another state as a present. I really appreciate this song for its true 1950s aesthetic!
Michael Connor
Why do I keep going back to this music because it’s so good and never dates
Jose Salame
Once again many thanks. I am a sort of romantic fellow, and associate all the meaninful people in my life with songs: my deceased parents, girls I've dated with something romantic, the one my wife and I share with delight, and so on..... You and I seem to be two of a kind. God bless you.