The band is described, along with Low and American Music Club, as one of the linchpins of the slowcore movement, a subgenre of Indie Rock characterized by downbeat melodies, slow tempos, and often minimalist arrangements. The genre was shaped by musical influences like Folk Rock, Contemporary Folk, and later on, Indie Folk, creating a subdued atmosphere that clashed against most of the comparatively brash Alternative Rock that was popular at the time. Kozelek used this group primarily as a vehicle for his very personal and emotional songs of despair, pain and suffering.
While in Atlanta, Kozelek became friends with Anthony Koutsos, a drummer. He then moved to San Francisco, adding guitarist Gorden Mack and bassist Jerry Vessel to complete the line-up for Red House Painters. After forming, the group played the San Francisco scene extensively, and recorded demos from 1989 to 1992, building up an impressive amount of material. Once they were signed to 4AD Records in 1992, they put out five-and-a-half LPs worth of material in two-and-a-half years--between September 1992 and March 1995, they released three LPs, one double LP, and one EP on 4AD.
Their first 4AD release was an album made up of select demos titled Down Colorful Hill. It was a compilation of haunting melodies complemented by Kozelek's eerie yet rich and emotional vocals. In 1993, the group came out with two self-titled records (now commonly referred to as "Red House Painters I" or "Rollercoaster" and "Red House Painters II" or "Bridge" (based on their cover artwork), solidifying Kozelek's reputation as a talented songwriter with their harrowing autobiographical tales of his troubled life and errant living with no punches being pulled. The music, which ran the gamut from beautiful acoustic folk-rock to intense, dissonant, lengthy soundscapes, effectively conveyed the sadness of the lyrics.
In 1994, they released an EP entitled Shock Me and in 1995, the introspective Ocean Beach, which saw Kozelek's songs becoming more acoustic-based and folk influenced, and featured far less of the lengthy, dreamlike epics of the group's first two albums. His lyrics also showed a considerable shift in tone, as he increasingly began to write about the power of memory and the significance of geography, a subject that would become an obsession in his subsequent recordings.
While Kozelek was beginning work on a solo project, he parted ways with 4AD Records after a somewhat tumultuous relationship. Entitled Songs for a Blue Guitar, which was released on Island Records subsidiary Supreme Recordings in 1996. It was more of a guitar-driven rock album that they released under the Red House Painters name to give the album more publicity. A year later, they came up with Old Ramon, arguably their most accessible, optimistic recording to date. However, major label mergers during the late 90's would leave them without a record label, and it wasn't until 2001 that they were able to release the album on Sub Pop.
Prior to the release of Old Ramon, Kozelek released a solo six-song EP entitled Rock 'n' Roll Singer in 2000. The record was comprised of three original acoustic compositions with minor full-band arrangements and three covers: two AC/DC covers from the Bon Scott era and one John Denver cover. Following the release of the first solo EP, Kozelek released his first solo album six months later. The record, entitled What's Next to the Moon, was released in January of 2001, but would greatly surprise fans. What's Next to the Moon was comprised entirely of shimmering, melancholy acoustic AC/DC covers from the Bon Scott era. The record was also greatly uncharacteristic of Kozelek (though he was prone to enjoy covering songs by his favorite artists) in that it is the shortest full length to date clocking in at just over thirty minutes. Even the first Red House Painters album with only six tracks was more than 45 minutes in length. Both solo albums were released by Badman Records.
4AD would release the best-of package, "Retrospective", on a double-disc in 1999. Kozelek subsequently organized and appeared on a John Denver tribute album, played a part in Cameron Crowe's film Almost Famous and also appeared as a rock musician in the Steve Martin vehicle Shopgirl. He contributed to both a benefit album for AIDS and an album of classic rock covers.
In 2003 Kozelek and Koutsos, along with Geoff Stanfield and Tim Mooney, reformed as Sun Kil Moon, releasing the acclaimed album Ghosts of the Great Highway on Jetset Records. In a 2005 interview with The Onion's AV Club, Kozelek confirmed that he considers Sun Kil Moon essentially the Red House Painters, but that he changed the band name to grab the interest of critics who had gotten bored with, or stopped paying attention to, the Painters. The move was successful, as Ghosts of the Great Highway would be his best-selling album yet, while garnering extremely positive reviews.
Red
Red House Painters Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Clouds come apart to rain falling just as hard
I only got memories I'm still not clear of
Red carpet brings this woman into perspective
Turns on the bed, she hadn't felt that neglected
The opening lines of Red House Painters' song, "Red Carpet," depict the singer reminiscing about a past lover. The opening line, "You lived north of here but it looks the same," suggests that while the lover may be geographically distant, their memory is as vivid as ever. However, memories can be hazy, and the subsequent verse captures the strain of such a recollection. "Clouds come apart to rain falling just as hard/I only got memories I'm still not clear of" evokes a sense of being haunted by a memory, struggling to navigate the present while the past looms overhead.
The chorus of "Red Carpet" adds another layer to the song, with the singer using the titular red carpet as a metaphor for how the lover is brought into perspective. The lyric is cryptic, but it could suggest that the memory of the lover only feels real or relevant when seen through a particular lens or context—a red carpet, in this case. And yet, despite this newfound clarity, there's a sense that it's too late. "Turns on the bed, she hadn't felt that neglected," the chorus continues. The bed as a symbol of intimacy underlines this notion, with the implication being that the singer failed to prioritize their relationship with the lover and has since lost them.
Line by Line Meaning
You lived north of here but it looks the same
You used to live in a different place, but now this place reminds me of you.
Clouds come apart to rain falling just as hard
The clouds are breaking up, but the rain is still as intense as before.
I only got memories I'm still not clear of
I only have memories of you, but I'm still not sure what to make of them.
Red carpet brings this woman into perspective
Seeing this woman on the red carpet helps me to understand who she really is.
Turns on the bed, she hadn't felt that neglected
When she turned on the bed, it became clear that she had been feeling neglected for a while now.
Lyrics © ROUGH TRADE PUBLISHING, Kobalt Music Publishing Ltd.
Written by: Mark Edward Kozelek
Lyrics Licensed & Provided by LyricFind
@viewer-r
She shadows me in the mirror
She never leaves on the light
And some things that I say to her
They just don't seem to bite
It's all mixed up
It's all mixed up
It's all mixed up
She tricks me into thinkin'
I can't believe my eyes
I wait for her forever
But she never does arrive
It's all mixed up
It's all mixed up
It's all mixed up
She says to leave it to me
(leave it to me)
Everything'll be alright
(be alright)
She says to leave it to me
(leave it to me)
Everything'll be alright
She's always out makin' pictures
She's always out makin' scenes
She's always out the window
When it comes to makin' dreams
It's all mixed up
It's all mixed up
It's all mixed up
She says to leave it to me
(leave it to me)
Everything'll be alright
(be alright)
She says to leave it to me
(leave it to me)
Everything'll be alright
(be alright)
She says to leave it to me
(leave it to me)
Everything'll be alright
(be alright)
She says to leave it to me, yeah
(leave it to me)
Everything'll be alright
(be alright)
If you leave it to me
(leave it to me)
Everything'll be alright
(be alright)
Yeah, if you leave it to me
(leave it to me)
(be alright)
@timkingsemail
Had a band mate burn this onto a CD in the late 90’s with two words written on the CD: “Must listen”
20+ years later I still must listen to this great tune.
@Nateg69
Amazing!
@GracefulMusefulQueen-xm3uf
was it rhp alnbum or mixed artists?))
@ralphcarneymovies1919
I watched this video so many times after my brother died. The angel comforted me.
@Nateg69
Rip to your brother 🙏🏼
@Ferruccio_Guicciardi
This song is the core soundtrack and soul of the movie "Excess Baggage" (1997) starring Alicia Silverstone and Benicio del Toro.
The plot is the story of a bratty teenager fakes her own kidnapping, but gets mistakenly kidnapped for real instead.
@TheGreyguitarist
Thank heavens for "On-Demand" TV. I watched the movie and was very impressed by this version of the Cars Song "All Mixed Up" Red House Painters did an awesome job on this. I really like this video as well.
@highlander6047
Great film 🙂
@reginabarron9389
Yes, it's, a good movie! 😃
@MrGenexxx
Underrated film. Amazing soundtrack.