Formed in 1968 in Los Angeles, California, by the brothers Patrick Vasquez (bass and vocals) and Lolly Vasquez (guitar and vocals), the name Redbone itself is a joking reference to a Cajun term for a mixed-race person, the band's members being of mixed blood ancestry. The band referenced Cajun and New Orleans culture many times in their lyrics and performing style. Pat and Lolly had previously performed and recorded under the stage surname Vegas, in part to downplay the Latin American association of their birth surname, Vasquez.
Redbone played primarily rock music with R&B, Cajun, Jazz, tribal, and Latin roots. Their first commercial success came with the single Maggie from their second album, Potlatch, in 1970, and two other hit singles followed - The Witch Queen of New Orleans (1971, #21 on the Billboard Hot 100) and "Come and Get Your Love" (1974, #5 on the Billboard Hot 100). "Come and Get Your Love", written by Lolly Vasquez stayed in the Billboard chart for 24 weeks, and was awarded a gold disc by the R.I.A.A. on 22 April 1974.
Lolly Vasquez was one of the first guitarists to make extensive use of the distinctive Leslie rotating speaker effect in his electric guitar amplification set-up. Vegas played improvised, jazz-influenced guitar. Drummer Peter DePoe (born 1943, Neah Bay, Washington) is credited with pioneering the "King Kong" style of drumming, which features sharply accented polyrhythms involving the bass and snare drums and is similar to funk styles of drumming. The band referred to DePoe's "King Kong Beat" in their lyrics to the song "Prehistoric Rhythm" on their debut album.
In 1973 Redbone released the politically oriented We Were All Wounded at Wounded Knee, recalling the massacre of Lakota Sioux Indians by the Seventh Cavalry in 1890. The song ends with the subtly altered sentence "We were all wounded 'by' Wounded Knee". The song reached the #1 chart position in Europe but did not chart in the U.S. where it was initially withheld from release and then banned by several radio stations. Original drummer Peter DePoe left to be replaced by Butch Rillera. Following this the band achieved much of their commercial success. Tony Bellamy (guitar, piano and vocals) was later forced to retire due to illness.
The band's current remaining membership is led by Pat Vegas alone (Lolly left in 1995, Tony Bellamy sometime after that), Raven Hernandez (guitar, vocals and songwriter) joined Redbone in 1996 to replace Lolly Vegas after he suffered a stroke that left him unable to tour with the band. Although Redbone has had some limited activity in recent years, their songwriting and touring output is slight compared with that of the early 1970s. A proposed reunion tour in 2003 did not occur.
Evidence suggests the existence of an "imposter band" illegally touring the United States and posing as Redbone under the name (or alias) "Denny Freeman". Freeman, who Pat Vegas confirmed to be unaffiliated with Redbone in an interview with the Montana Standard, most recently defrauded the county-fair board of the Butte Silver-Bow County Fair in Butte, Montana under pretenses of being a co-founding member of Redbone, yet he was never a band member.
Prior to forming Redbone, Pat and Lolly Vegas released an album in the mid 1960s entitled Pat & Lolly Vegas At The Haunted House (Mercury MG 21059/SR 61059). Of the twelve songs on the album, six are originals by the Vegas brothers. Pat and Lolly Vegas also released several 7" singles from 1961 to the mid 1960s. One of them is titled "Robot Walk" / "Don't You Remember" (Apogee Records A-101).
The first self titled album by Redbone was released as a double album in North America and as a single LP in Europe. Their third album, Message from A Drum, was released in Europe with another title (The Witch Queen of New Orleans) and a different cover than the one released in the U.S. and Canada.
One of the 1970s drummers, George Spannos, released his own hit album Passion in the Dark in 1983 under the name Danny Spanos, having a Top 40 hit single with Hot Cherie.
----------------------------------------------------------------------
Deutsche Version:
Bandgeschichte
Die Initiatoren von Redbone waren die Brüder Lolly Vegas (bürgerlich Candido Albelando Vasquez, * 2. Oktober 1939 in Los Angeles, Kalifornien; † 4. März 2010 ebenda – Vocals, Gitarre) und Pat Vegas (bürgerlich Patrick Morales Vasquez, * 17. März 1941 (oder 1946) in Coalinga, Kalifornien – Vocals, Bass). Schon seit den frühen 1960er Jahren machten die beiden Brüder unter verschiedenen Band- und Projektnamen wie The Avantis oder The Sharks sowie ab 1964 unter ihrem Künstlernamen Vegas zusammen Plattenaufnahmen. So zum Beispiel 1966 die LP Pat & Lolly Vegas at the Haunted House, die neben selbstverfassten Titeln Coverversionen damals aktueller Hits von Wilson Pickett, James Brown oder den Rolling Stones enthält. Als Studiomusiker wirkten sie bei Aufnahmen von Elvis Presley und Sonny & Cher mit. Die beiden Brüder waren ebenfalls erfolgreiche Songschreiber. Der Titel Niki Hoeky (auch Niki Hokey geschrieben) wurde von mehreren bekannten Interpreten wie Bobbie Gentry, Aretha Franklin (Lady Soul, 1968) oder The Ventures (Swamp Rock, 1969) aufgenommen und war 1967 in der Version von P.J. Proby ein Top-40-Hit[5] in den US-Billboard-Charts.
Ende 1968 stellten sie mit Tony Bellamy (bürgerlich Robert Anthony Bellamy, * 12. September 1941 (oder 1940) in Orange City, Kalifornien – Gitarre, Vocals) und Pete "Last Walking Bear" DePoe (* 1943 im Makah-Reservat in Neah Bay, Washington – Schlagzeug) schließlich eine Band zusammen. In ironischer Anspielung auf ihre ethnische Herkunft wählten sie den Bandnamen Redbone. Im frankophonen Kulturkreis der Cajuns (Cajun Country, Louisiana) ist „Rehbon" ein abfälliger Ausdruck für einen Menschen gemischt-ethnischer Herkunft. „Redbone" ist davon die US-amerikanisierte Form. Schlagzeuger DePoe, der das Trommeln bei Zeremonien und Powwows gelernt hatte, gehört als einziger "echter" Indianer bei Redbone zum Indianervolk der Cheyenne[6][7]. Die anderen Bandmitglieder haben teils latein-amerikanische Wurzeln und verwandtschaftliche Verbindung verschiedenen Grades zu den Yaqui und Shoshone[8] und bezeichnen sich als Stadtindianer.
Beim CBS-Sublabel Epic Records unterzeichneten sie 1969 einen Schallplattenvertrag und ihr selbstbetiteltes Debüt-Doppelalbum erschien 1970 mit ausnahmslos selbstgeschriebenen Songs, darunter ihre eigene Version von Niki Hoeky sowie der auch als Single ausgekoppelte Titel Crazy Cajun Cakewalk Band. Auf dem Albumcover ist ein mit Federn beschmückter roter Knochen abgebildet. Am 26. August 1970 traten sie – in Europa noch weitgehend unbekannt – beim letzten und größten Isle of Wight Festival auf.
Die Musik von Redbone ist eine unikate Mischung aus Rock, Rhythm 'n' Blues, Funk, Jazz, Cajun-Musik, lateinamerikanischen Rhythmen und Elementen indianischer Stammesfolklore. Ihre überwiegend selbstgeschriebenen Lieder sind oft sprachlich wie thematisch von der Cajun-Kultur geprägt, erzählen von Stammesriten, nordamerikanischer Indianergeschichte und sozialer Ungerechtigkeit. Ihr Bandimage betonten sie konsequent mit authentischer Indianerbekleidung und entsprechender Bühnenausstattung.
Bereits Ende 1970 erschien die zweite LP Potlatch. Der Song Alcatraz behandelt die Besetzung der Insel Alcatraz durch indianische Aktivisten (Indians of All Tribes) seit dem 20. November 1969, die u.a. auch von der Rockband Creedence Clearwater Revival unterstützt wurde und am 11. Juni 1971 durch Räumung seitens der US-Regierung endete. Mit der ausgekoppelten Single Maggie erzielte die Gruppe Ende 1970/Anfang 1971 einen ersten Achtungserfolg in den amerikanischen Single-Hitparaden.[4] Anfang 1972 erreichte Maggie als Wiederveröffentlichung Platz 45 auch in der deutschen Hitliste.[2]
Aus der dritten LP Message from a Drum (1971) stammt der Titel The Witch Queen of New Orleans, in dem die Voodoo-Priesterin Marie Laveau besungen wird. Der Song entwickelte sich Ende 1971 zum weltweiten Hitparadenerfolg und erreichte Platz 2 im Vereinigten Königreich[3], Platz 13 in Deutschland[2], und in den Billboard Hot 100 Rang 21[4].
Aus familiären Gründen spielte Pete DePoe auf dem vierten Album Already Here (1972) nur auf den fünf Titeln von Seite 1 Schlagzeug.[9] Auf Seite 2 sprang für ihn Arturo Perez ein, der für kurze Zeit auch bei Liveauftritten mitspielte.[10] Die Singleauskopplung Fais Do war in den Niederlanden ein kleiner Hitparadenerfolg.
Der Non-Albumtrack We Were All Wounded at Wounded Knee (1973) thematisiert das Massaker bei Wounded Knee (South Dakota) im Jahre 1890 durch das 7. US-Kavallerieregiment an Angehörigen des Minneconjou-Indianerstammes (Lakota/Sioux). Die Single stand 5 Wochen lang auf Platz 1 in der Hitparade der Niederlanden[11] und in Deutschland kam er bis auf Rang 21[2]. In den USA wurde das Lied nicht veröffentlicht und von vielen Radiosendern boykottiert.
Während den Aufnahmen zur fünften Studio-LP Wovoka 1973 verließ Schlagzeuger DePoe die Band endgültig und wurde durch Butch Rillera (* 8. November 1945) ersetzt. Der aus diesem Album ausgekoppelte, in lateinamerikanischem Tanzrhythmus eingespielte und etwas gefälligere Song Come and Get Your Love war 1974 mit Platz 5 die kommerziell erfolgreichste Single von Redbone in den USA und verkaufte sich über eine Million Mal.[4]
Rillera hatte die Gruppe nach dem 1974er Album Beaded Dreams Through Turquise Eyes schon wieder verlassen und der Platz am Schlagzeug wurde fortan öfter neu besetzt. Hinzu kam Keyboarder und Perkussionist Aloisio Aguiar. Nach der 1977er LP Cycles wurde es jedoch zunehmend stiller um Redbone. 1995 verließ Lolly Vegas aus gesundheitlichen Gründen die Gruppe. Wenig später trennten sich auch die verbliebenen Ur-Mitglieder Pat Vegas und Tony Bellamy. Pat Vegas tourte später gelegentlich mit einer neu zusammengestellten Gruppe unter dem Namen Redbone, zu der ab 2003 Mark Guerrero gehörte.
Alben
Redbone - 1970
Potlatch - 1970
Message from a Drum - 1971 (auch als The Witch Queen of New Orleans veröffentlicht, 1972)
Already Here - 1972
Wovoka - 1973
Beaded Dreams Through Turquise Eyes - 1974
Come and Get Your Redbone - 1975
The Best of Redbone - 1976
Cycles - 1977
Redbone Live - 1994 (Aufnahmen 1977)
Great Songs (Come and Get Your Love) - 1995
Golden Classics - 1996
To the Bone - 1998
Redbone and Wet Willie: Take Two - 2002
The Essential Redbone - 2003
One World - 2005
Singles
Crazy Cajun Cakewalk Band - 1970
Maggie - 1970, 1971 und 1972
Light as a Feather - 1971
The Witch Queen of New Orleans - 1971
Message from a Drum - 1972
Fais Do - 1972
When You Got Trouble - 1972
Niji Trance - 1972
Poison Ivy - 1973
We Were All Wounded at Wounded Knee - 1973
Wovoka - 1973
Come and Get Your Love - 1974
One More Time - 1974
Suzi Girl - 1975
I've Got to Find the Right Woman
Redbone Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I feel like crying so bad
I miss you so
And this I know
I'm insane, I′m in pain, I'm uptight, I'm not right
Oh
I′ve got to find the right woman
That individual made just for me
Oh, we will resist of a voice company
I am gonna love you
Sometimes when I think about the past
It makes my head go round
What you say? What you know?
What you name? What you game?
This I go through every day now
Wrong time, wrong kind,
Wrong mind, wrong side
Oh
I've got to find the right woman
That individual made just for me
I′ve got to find the right woman
Oh, we will resist of a voice company
I am gonna love you
Sometimes when I hitting on to ya
Feel like (...)
Bang bang, shoot 'em up
Bang bang, kill ′em up
Anyway, that's where I feel about it
Take ′em upland now
Move 'em in and move 'em out
Oh
I′ve got to find the right woman
That individual made just for me
I′ve got to find the right woman
Oh, we resist of a voice company
I am gonna love you
I've got, got, got, got, got, got, got (I′ve got to find the right woman)
Got, got, got, got, got, got, got
(That individual made just for me)
I've got to find the right woman
That individual made just for me
I′ve got to find the right woman
Oh, we resist of a voice company
The lyrics to "I've Got to Find the Right Woman" by Redbone discuss the singer's yearning for a romantic partner who truly fits them. The song opens with the singer describing their loneliness, saying that they sometimes feel like crying because they miss their hypothetical partner so much. The singer then expresses that they know they are not in a stable emotional state, saying that they are "insane" and "in pain." They assert that they need to find the right woman, someone who was made specifically for them. The singer believes that when they do find the right woman, they will have someone to resist the "voice company" (possibly outside influences or pressure from society) with.
In the second verse, the singer reflects on their past experiences with love, which they describe as being tumultuous and confusing. They state that they are constantly asking themselves questions about their relationships: "What you say? What you know? / What you name? What you game?" Despite this, the singer remains resolute in their belief that they must find the right woman. The bridge of the song features vague imagery of violence ("Bang bang, shoot 'em up / Bang bang, kill 'em up"), though it's unclear how this relates to the song's central theme.
Overall, "I've Got to Find the Right Woman" is a song about searching for a partner who truly complements and understands you. The singer is experiencing intense loneliness and frustration with their past relationships, but they remain determined to find someone who was made specifically for them.
Line by Line Meaning
Sometimes when I'm all alone
In moments of solitude, loneliness overtakes me
I feel like crying so bad
My emotional anguish is so intense that I desire to weep
I miss you so
There is a deep sense of absence within me, as I long for you
And this I know
I am fully aware of my emotional state and what I require
I'm insane, I'm in pain, I'm uptight, I'm not right
The toll of my emotional trauma has left me unstable and distressed
Oh
An exclamation of exacerbated yearning
I've got to find the right woman
I am seeking the perfect romantic partner for me
That individual made just for me
Someone who is designed to suit my specific needs and desires
Oh, we will resist of a voice company
Together we will be strong and overcome all obstacles
I am gonna love you
I will shower you with an abundance of deep affection
Sometimes when I think about the past
When I reflect on my history
It makes my head go round
It becomes overwhelming and disorienting
What you say? What you know?
What are your thoughts and opinions on the matter?
What you name? What you game?
Who are you and what are you about?
This I go through every day now
These thoughts and questions weigh heavily upon me, daily
Wrong time, wrong kind, Wrong mind, wrong side
I have made mistakes in the past and chosen poorly in my romantic endeavors
Sometimes when I hitting on to ya
When I am trying to pursue your affection
Feel like (...) Bang bang, shoot 'em up Bang bang, kill 'em up
I can't help feeling like love is a battlefield and I must fight for it
Anyway, that's where I feel about it
Regardless of the challenges, I remain steadfast in my pursuit of love
Take 'em upland now Move 'em in and move 'em out
I am ready to take the next steps in my romantic journey and move forward
I've got, got, got, got, got, got, got (I've got to find the right woman)
I am determined and focused on my quest for the perfect romantic partner
Got, got, got, got, got, got, got (That individual made just for me)
I am confident that there is someone out there designed specifically for me
I've got to find the right woman
I am on a mission to find my ideal romantic match
Oh, we resist of a voice company
Together, we will overcome any and all obstacles in our way
Writer(s): Lolly Vegas
Contributed by Keira O. Suggest a correction in the comments below.
@redboneband9825
Every November is "Native American Month"-- so, listen to the "Native American Themed' songs of Redbone, including:
1. JERICO
2.WOVOKA
3.MESSAGE FROM A DRUM
4. CHANT 13TH HOUR (WHICH INTRODUCED FIRST EARTH DAY IN 1970)
5. RED AND BLUE (ALSO INTRODUCED FIRST EARTH DAY IN 1970)
6.WE WERE ALL WOUNDED AT WOUNDED KNEE
7. CUSTER HAD IT COMING
8. NIJI TRANCE
9. ALCATRAZ (dealing with Native American protest & occupation of Alcatraz island)
Of course, there are MANY other great songs: my favorites are " When You Got Trouble", "One More Time", "Crazy Cajun Cakewalk Band", "Maggie", Witch Queen of New Orleans", and "One Monkey"- Take a listen!
@Mattissaved
This could be one of the best songs ever that no one has heard….the band should be in the rock & roll hall of fame.
@AnnieCappuccino
Lolly's voice is an irresistable force.
@AnnieCappuccino
Phyllis Hall Great description. Can't get enough of it.
@katmartinez908
yes makes me wonder on that 'universal joy' from Lolly in "ooh" OOH indeed
@laseri2089
Wish that these songs got more recognition, they have a great sound.
@mac4491
Red bone got a certain amazing sound to them. Big respect to them for doing something unique and representing the Native American community while doing so.
@luifollower2206
I love that bass grove. He made love to that bass. Slapp like now
@1ksubz553
Really love the bass! Yeayyyy man slapppppp it!
@lgallo351
Love Redbone! Great song again!
@bradnelson2637
Awesome song