Redman's solo career continued throughout the remainder of the decade, with each of his albums selling at least half a million copies. His musical style has remained very consistent, rarely deviating from a combination of Redman's unique braggadocious wit and hard, P-funk-influenced beats. In addition to releasing albums under his own name, he is part of the group Def Squad (along with Keith Murray and Erick Sermon) with whom he released the 1998 album El Nino, and also has formed a close partnership with labelmate Method Man (of the Wu-Tang Clan) with whom he released the 1999 album Blackout!. The long-awaited follow-up, Blackout! 2, apeared in 2009.
He has also collaborated extensively, both with hip-hop artists and with artists from other genres; the long list of artists and groups he has worked with includes Wyclef Jean, Snoop Dogg, Scarface, The Offspring, Christina Aguilera, Eminem, Gorillaz, D'Angelo, Me'shell Ndegeocello, 2Pac, Jodeci, Cypress Hill, De La Soul, KRS One and IAM.
In 2001 Redman co-starred with Method Man in the stoner comedy film How High, which featured the pair playing two marijuana-addled students attempting to survive at Harvard. Method Man and Redman also appear in the Def Jam Vendetta video game series, often as Tag Team partners, and briefly had their own television sitcom, Method & Red, on Fox during the 2004-2005 season.
Redman is also featured on the video game "True Crime: New York City", in which the central character interacts with an undercover street cop based upon the rap star, who also provides the voice for him.
Aliases
* Funk Doc
* Funk Doctor Spock
* Doc
* Reggie
* Reggie Noble
* Soopaman Luva
Discography:
Albums
* 1992: Whut? Thee Album
* 1994: Dare Iz a Darkside
* 1996: Muddy Waters
* 1998: Doc's Da Name 2000
* 1998: El Nino (with Eric Sermon and Keith Murray)
* 1999: Blackout! (Method Man & Redman)
* 2001: Malpractice
* 2007: Red Gone Wild
Singles
* 1992: "Blow Your Mind"
* 1993: "Time 4 Sum Aksion"
* 1993: "Tonight's da Night"
* 1994: "Rockafella"
* 1995: "Can't Wait" (US #94)
* 1995: "How High" (with Method Man) (US #13)
* 1996: "Funkorama" (from Insomnia: The Erick Sermon Compilation Album)
* 1996: "It's Like That (My Big Brother)" (US #95)
* 1997: "Pick It Up"
* 1997: "Whateva Man" (US #42)
* 1998: "I'll Bee Dat!"
* 1999: "Da Goodness"
* 1999: "Let Da Monkey Out"
* 2001: "Let's Get Dirty (I Can't Get in Da Club)" (US# 97)
* 2001: "Smash Sumthin'"
* 2007: "Put it Down"
Filmography
* 1999: Colorz of Rage
* 1999: PIGS
* 2000: Boricua's Bond
* 2001: Statistic: The Movie
* 2001: How High
* 2002: Stung
* 2003: Thaddeus Fights the Power!
* 2004: Method & Red
* 2004: Seed Of Chucky
* 2006: High Times Stony Awards (Cohost)
[2]
REDMAN is a Japanese rock-band formed in 2013. The members have different backgrounds which are reflected in their music. They have influences from heavy rock, emo, pop, but are always powerful.
“RED” stands for the passion they have.
Vo. Satoshi Ishikawa (ギルガメッシュ)
Gt. Ryo Sugihara (Towalens)
Gt. Rihito Sonoki (ex-SPLAY)
Ba. Soichiro Yoshioka (Towalens)
Dr. Keito Oukuma (THE HEROES SYNDICATE)
Yesh Yesh Ya'll
Redman Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo, hard beats like this keep my mentality raw
I G off C 4 lyrics to blow off them Lex door
My tex-ture be the kind that explore
MC's, I blow 'em out, metaphor after metaphor
I'm more wetter than your boy bigger
So how you figure you can fuck with this rap unemployed nigga
But I got chickenheads criminals and broke friends
That love to get ends, keep the seventeens spinnin'
Pull out from my jaw linin', commence to splittin'
Brains and body parts that motion couldn't picture
Cause when I'm shittin' niggas hit more decks than a skipper
Mr. and Mrs. Howe, Mary-Anne and Ginger
Gilligan, you need the Professor to take the rigor-
Mortis out, I got orders to kill em softly
I wouldn't leave a trace if I died and police chalked me
Who's the Boss G? You better radio the walkie talkie
For these Fatal Attract MC's that stalk me
Got a big dick in your bitch clit
When I flip this I got more work than a Olympic gymnast
Bust it, I cut the mustard, on any track
Milkier than Similac when I'm next up to bat
"Redman is on the mic and I'ma"
"Dope motherfucker, yeah, you best ask somebody"
"Yes, yes, y'all, and you don't stop"
Fuck the talk I walk whatever I claim to do
Knock a mule on her ass and turn the pussy black and blue
You couldn't run up if your Fighter was Virtua
I'm a round-the-clock lyricist, I sleep in my work boots
It's a Thin Line Between Love and Hate
It's a thin line between the trigger and the finger of a thirty-eight
Dust by far, my rap repertoire
Be the art of murderin' makin' it hard for you to spar
We can chill and puff the ganja, but don't be mad when the
Funk Doctor Spock smoke it with your baby mama
Get off my dick and tell your bitch to come here
Male groupies gettin' shaky when I come from the rear
Hah, that get on your nerve neighbour that play the
Music loud as fuck three in the mornin' off a paper
With mad Zul in the L-S-C
In the downtown area, scannin' the perimeter
All my boos with the open toed shoes
If you ain't gettin' that pussy eaten right, let me show you
Then let you taste these, this Brown Fox said
"Ain't No Nigga like the" -- Funk Doctor Spock G
"Yes, yes, y'all, and you don't stop"
As I dive into the crowd
I wanna see who the fuck gettin' loud
Who the fuck runnin' off at their mouth?
I let my nigga 50 Cent knock that ass out
Word bond, bitches talkin' bout pourin out Cristal
And Dom P they better stick to Chandon
Blackin' out wildin', smackin' out weaves
Breakin' niggas cheap ass chains and medallions
You're just a part time sucker in the game
Shit is real motherfucker start namin' names
And if you name my name I whoop ass like Steven Seagal
Give you Under Siege 2 without the fuckin' train
Let your brains hang from the 808 bang
And if I wrecked your cipher then my Squad is to blame
"Yes, yes, y'all, and you don't stop"
We'll be right back with some more funk shit
For all you stankin' asses after we pay these bills
In "Yesh Yesh Ya'll," Redman demonstrates his dominance in the rap world by presenting his unique style of wordplay and lyricism, characterized by elaborate metaphors and wordplay. The chorus repeats the phrase "Yes, yes, y'all, and you don't stop," which is a common refrain used in the rap genre. Redman uses this track to assert his skills in the rap game, using intricate wordplay and surreal imagery to establish his authority as an MC.
Throughout the song, Redman boasts about his lyrical prowess and skill as an emcee. He goes hard, spitting rhymes that are raw and unrelenting, backed by the hard-hitting beats that build an intense atmosphere. Redman does not shy away from using elaborate metaphors, playing with words and twisting them into surreal and often humorous images that are characteristic of his style. He goes beyond simple bragging and explores darker themes like murder and drug addiction, showing that he's not one-dimensional.
Overall, "Yesh Yesh Ya'll" is a powerful track that showcases Redman's ability to rhyme skillfully and his willingness to push boundaries. With its memorable chorus and hard-hitting beats, it's a classic track that remains relevant to this day.
Line by Line Meaning
Yo, hard beats like this keep my mentality raw
I stay in the rap game with hard beats like this to keep my style hard and fresh
I G off C 4 lyrics to blow off them Lex door
I give off rhymes that are so powerful and energetic that they could blow the doors off a luxury car
My tex-ture be the kind that explore
My rhymes and lyrical style are always exploring and pushing new boundaries
MC's, I blow 'em out, metaphor after metaphor
I am so skilled with my rhymes that I can take out any other rapper using clever metaphor after metaphor
I'm more wetter than your boy bigger
I am fresher and more skilled in the rap game than any other rapper out there
So how you figure you can fuck with this rap unemployed nigga
How can you even think of competing with me when I am the best and you are just a wannabe?
I should own a fly bitch house and a Benz
I am so skilled that I should have all the luxuries that come with being a successful rapper
But I got chickenheads criminals and broke friends
Despite my skill, I surround myself with people who are not as successful as me
That love to get ends, keep the seventeens spinnin'
My friends love to make money and keep the wheels turning by any means necessary
Pull out from my jaw linin', commence to splittin'
When I start to spit my rhymes, I am unstoppable and leave other rappers in awe
Brains and body parts that motion couldn't picture
My rhymes are so powerful that they can leave people in shock and disbelief
Cause when I'm shittin' niggas hit more decks than a skipper
Other rappers cannot compete with my skills or the power of my rhymes
Mr. and Mrs. Howe, Mary-Anne and Ginger
I reference classic TV shows to underscore my skills as a rapper and just show off my cultural knowledge
Gilligan, you need the Professor to take the rigor-Mortis out
I reference more classic TV shows to underscore my skills as a rapper and just show off my cultural knowledge
I got orders to kill em softly
I am so skilled that it's like I have been personally charged with the task of destroying other rappers
Who's the Boss G? You better radio the walkie talkie
I am the one in charge, so if you want to compete, you need to step up and call me out by name
For these Fatal Attract MC's that stalk me
Other rappers are trying to take me down, but they cannot succeed against my skills
Got a big dick in your bitch clit
I have so much skill as a rapper that people cannot even compete with me in the bedroom
When I flip this I got more work than a Olympic gymnast
My rhymes are so complex and powerful that they require more skill and work than even an Olympic-level gymnast
Bust it, I cut the mustard, on any track
I can spit fire and take down any rapper or competition put in front of me
Milkier than Similac when I'm next up to bat
My rhymes are so smooth and skilled that they are even better than baby formula when I am rapping
"Redman is on the mic and I'ma"
I am the best and most skilled rapper out there, and I am here to prove it
"Dope motherfucker, yeah, you best ask somebody"
I am just that good that if you don't know who I am, you need to ask somebody and find out
"Yes, yes, y'all, and you don't stop"
I am just getting started and will not stop until I am the best rapper in the game
Fuck the talk I walk whatever I claim to do
I am not just a rapper who talks a big game - I back up my words with my actions
Knock a mule on her ass and turn the pussy black and blue
My skills and rhymes are so strong that I could even dominate a female mule in a fight
You couldn't run up if your Fighter was Virtua
Even in a virtual fight, you still cannot compete with my skills and rhymes
I'm a round-the-clock lyricist, I sleep in my work boots
I am constantly working and putting in time to perfect my skills as a rapper
It's a Thin Line Between Love and Hate
I reference a classic film to show off my cultural knowledge and underscore the thin line between success and failure in the rap game
It's a thin line between the trigger and the finger of a thirty-eight
One wrong move or mistake can be the difference between success and failure in the rap game
Dust by far, my rap repertoire
My rhymes are unmatched and far beyond what any other rapper can achieve
Be the art of murderin' makin' it hard for you to spar
My rhymes are so powerful that other rappers cannot even compete with me on the same level
We can chill and puff the ganja, but don't be mad when the Funk Doctor Spock smoke it with your baby mama
I am so smooth and skilled that I can even seduce another rapper's girlfriend or wife
Get off my dick and tell your bitch to come here
Stop trying to compete with me and tell your girlfriend or wife to come to me instead
Male groupies gettin' shaky when I come from the rear
Even other male rappers are intimidated by me and cannot compete with my skills
Hah, that get on your nerve neighbour that play the Music loud as fuck three in the mornin' off a paper
I am so skilled and powerful that even my neighbors cannot stand up to my skills and style
With mad Zul in the L-S-C
I reference my crew and how we are always together and unstoppable
In the downtown area, scannin' the perimeter
We are always vigilant and on the lookout for any competition or threats to our rhymes
All my boos with the open toed shoes
I reference the women who are attracted to me and how they are always dressed to impress
If you ain't gettin' that pussy eaten right, let me show you
I am so smooth and skilled that I can even teach other men how to satisfy a woman in the bedroom better than they can
Then let you taste these, this Brown Fox said
I am so skilled and attractive that women cannot resist me and want to taste what I have to offer
"Ain't No Nigga like the" -- Funk Doctor Spock G
I am the one and only Funk Doctor Spock G, and there is no other rapper like me
As I dive into the crowd
I am so skilled and confident that I can even jump into a crowd and still come out on top
I wanna see who the fuck gettin' loud
I am challenging other rappers and want to see who has the skills to compete with me
Who the fuck runnin' off at their mouth?
Who is talking a big game but does not have the skills to back it up?
I let my nigga 50 Cent knock that ass out
I have allies and friends who can back up my skills and even take down other rappers who are a threat
Word bond, bitches talkin' bout pourin out Cristal
Other rappers and even their girlfriends cannot compete with my skills and are forced to talk about other things
And Dom P they better stick to Chandon
Other rappers and their girlfriends should stick to cheaper alcohol, as they cannot afford or match the quality of Cristal and Dom Perignon
Blackin' out wildin', smackin' out weaves
I am so skilled and powerful that I can even make women go crazy and wild in my presence
Breakin' niggas cheap ass chains and medallions
I am so skilled that I can even take down other rappers' jewelry and accessories
You're just a part time sucker in the game
Other rappers are not on my level and are just trying to make a name for themselves in the game
Shit is real motherfucker start namin' names
If you want to really compete with me and my skills, you need to put your name out there and step up to the challenge
And if you name my name I whoop ass like Steven Seagal
If you try to compete with me and call me out by name, I will take you down and make you regret it
Give you Under Siege 2 without the fuckin' train
I am so skilled and powerful that I can take out other rappers without even needing a train or other outside factors to help me out
Let your brains hang from the 808 bang
My rhymes are so powerful that they can literally make your head explode
And if I wrecked your cipher then my Squad is to blame
If you try to compete with me and my crew, you are just asking for trouble and will end up losing
"Yes, yes, y'all, and you don't stop"
I am still going strong and will not stop until I am the best rapper in the game
We'll be right back with some more funk shit
I am so good that I can even take a break and come back with even more skills and brilliance
For all you stankin' asses after we pay these bills
Even the bills and mundane aspects of the rap game cannot hold me back or stop me from succeeding
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: REGGIE NOBLE, LONNY LYNN, ERICK SERMON, ERNST WILSON
Lyrics Licensed & Provided by LyricFind