With compositions for dances by Carolyn Carlson, Pina Bausch and Philippe G… Read Full Bio ↴With compositions for dances by Carolyn Carlson, Pina Bausch and Philippe Genty, film scores and 14 albums to his name, René Aubry is a popular, prolific and discreet composer. This native son of Epinal has forged his own path as a self-taught composer of songs without words.
And yet like other sound artists cast in the same mould (from François de Roubaix to Pascal Comelade or even Ennio Morricone), René Aubry has settled into our musical world.
As a young man, he developed a passion for the guitar but was more attracted to the soft arpeggios of Leonard Cohen than the biting riffs of Led Zeppelin.
Together with his brother, he set out to work “in the footsteps of Catherine Ribeiro and François Béranger”.
However, it was his encounter with Carolyn Carlson that propelled him along a less crowded path. René Aubry became “a composer of ballet music”, while at the same time making it a point of honour to produce albums for the pure pleasure of listening to music.
As a composer, player of numerous instruments, and his own sound engineer, René Aubry works alone on his albums, blending classical harmonies with modern instrumentation, samples of voices or violins “taken from Beethoven, Stravinsky or Puccini”. Archivists tear their hair out in despair because his work has a place on all the record shops shelves: classical, ballet, new age, new music, rock, French variety, and world music.
The urge to appear on stage came to him later and despite himself. In the early nineties, when the organisers of the “Festival of Possible Music”, Time Zone, in Bari, Italy, asked him to give a concert, he initially refused. However, after much persuasion, he eventually gave in “after nearly three years of discussions over the telephone!” In 1994, he finally shared the festival’s line-up with Philip Glass, Nusrat Fateh Ali Khan and David Byrne. Not bad for a baptism of fire!
In 1997, he composed Signes, a ballet by Carolyn Carlson, with the première held at the Opera Bastille, winning an award at the "Victoires de la Musique Classique et du Jazz" in 1998.
His albums Plaisirs d’amour and Invités sur la Terre were the starting point for a return to more acoustic compositions as a result of his determination to continue his stage experience. The timid tinker, who handled his musical craft on his own, learned how to make instrumentalists work on his music and, above all, to appreciate contacts with the public. He performed one concert after another, travelling all over Europe with his septet.
And as soon as he seemed to have settled into this “system”, this unpredictable artist, with his love of freedom, again astonished everybody with Seuls au Monde, a sombre and electric record marked by the 11th of September. In this record, he went back to his programming and tinkering to share with us his alarmist but lucid view of our world.
His Projection Privée, a fantasy centred on San-Antonio, the famous character of Frédéric Dard, was released in 2004 and included the original soundtrack of the film Malabar Princess.
Allow yourself, today, to be tempted by the new Opus of René Aubry, whose liberated career is a reminder that this atypical artist, constantly acclaimed by a local public, deserves more than ever to be celebrated!
In reality, Memoires du futur is an album with ethereal overtones, a timeless work, punctuated by songs, including Viendras-tu avec moi?, a highly influential title that is breathtaking and out-of-the-ordinary, like its performer.
And yet like other sound artists cast in the same mould (from François de Roubaix to Pascal Comelade or even Ennio Morricone), René Aubry has settled into our musical world.
As a young man, he developed a passion for the guitar but was more attracted to the soft arpeggios of Leonard Cohen than the biting riffs of Led Zeppelin.
Together with his brother, he set out to work “in the footsteps of Catherine Ribeiro and François Béranger”.
However, it was his encounter with Carolyn Carlson that propelled him along a less crowded path. René Aubry became “a composer of ballet music”, while at the same time making it a point of honour to produce albums for the pure pleasure of listening to music.
As a composer, player of numerous instruments, and his own sound engineer, René Aubry works alone on his albums, blending classical harmonies with modern instrumentation, samples of voices or violins “taken from Beethoven, Stravinsky or Puccini”. Archivists tear their hair out in despair because his work has a place on all the record shops shelves: classical, ballet, new age, new music, rock, French variety, and world music.
The urge to appear on stage came to him later and despite himself. In the early nineties, when the organisers of the “Festival of Possible Music”, Time Zone, in Bari, Italy, asked him to give a concert, he initially refused. However, after much persuasion, he eventually gave in “after nearly three years of discussions over the telephone!” In 1994, he finally shared the festival’s line-up with Philip Glass, Nusrat Fateh Ali Khan and David Byrne. Not bad for a baptism of fire!
In 1997, he composed Signes, a ballet by Carolyn Carlson, with the première held at the Opera Bastille, winning an award at the "Victoires de la Musique Classique et du Jazz" in 1998.
His albums Plaisirs d’amour and Invités sur la Terre were the starting point for a return to more acoustic compositions as a result of his determination to continue his stage experience. The timid tinker, who handled his musical craft on his own, learned how to make instrumentalists work on his music and, above all, to appreciate contacts with the public. He performed one concert after another, travelling all over Europe with his septet.
And as soon as he seemed to have settled into this “system”, this unpredictable artist, with his love of freedom, again astonished everybody with Seuls au Monde, a sombre and electric record marked by the 11th of September. In this record, he went back to his programming and tinkering to share with us his alarmist but lucid view of our world.
His Projection Privée, a fantasy centred on San-Antonio, the famous character of Frédéric Dard, was released in 2004 and included the original soundtrack of the film Malabar Princess.
Allow yourself, today, to be tempted by the new Opus of René Aubry, whose liberated career is a reminder that this atypical artist, constantly acclaimed by a local public, deserves more than ever to be celebrated!
In reality, Memoires du futur is an album with ethereal overtones, a timeless work, punctuated by songs, including Viendras-tu avec moi?, a highly influential title that is breathtaking and out-of-the-ordinary, like its performer.
Prima Donna
René Aubry Lyrics
We have lyrics for 'Prima Donna' by these artists:
ALLFLAWS You sold out and it made you rich, You got…
Andrew Lloyd Webber ANDRE: Your public needs you! FIRMIN: …
Andrew Lloyd Webber & Cast of "Mystery after gala night" It says, "Mystery of sopranos fli…
Cass McCombs Prima Donna dodged a call from the Investor Were you struck…
Chester Bay There's a little girl that I know about You wanna quote…
Chevelle Running out again, should 've solved this right Suddenly con…
Chicago You've got the look, they'll never forget You want to be…
Christina Aguilera Tonight it's on Play my song It's a celebration I worked a l…
David Shawty & Yungster Jack I'm on fuck shit causing drama You're in my business you're…
Firmin Andre Raoul Carlotta Giry Meg and Phantom "Mystery after gala night" It says, "Mystery of sopranos fli…
Hot Leg I had to leave you You didn't give me a choice Surrounded…
Hot Legs I had to leave you You didn't give me a choice Surrounded…
Ian Gillan I tried to believe you but you're so…
J-Zone It's been a minute the hottest still with a cold…
Marcella Detroit (M. Detroit) Prima Donna What gives you the right Never m…
Michael Crawford & Sarah Brightman "Mystery after gala night" It says, "Mystery of sopranos fli…
Ramin Karimloo/Siera Boggess/Andrew Lloyd Webber ANDRE: Your public needs you! FIRMIN: …
Royane Prima donna Me and ma bitches yea we hot like…
Sarah Brightman/Michael Crawford "Mystery after gala night" It says, "Mystery of sopranos fli…
Tipling Rock And I'm taking my time, waiting for you Words can't describe…
Uriah Heep I'll go down fightin' But rather be delightin' All the peopl…
Vince Staples Kick cack ce cool, watch a nigga get it I be…
Vince Staples A$AP Rocky Kick cack ce cool, watch a nigga get it I be…
Chicago You've got the look, they'll never forget You want to be…
Uriah Heep I'll go down fightin' But rather be delightin' All the peopl…
We have lyrics for these tracks by René Aubry:
Anikouni Ani couni chaouani Awawa bikana caïna E aouni bissini Ani c…
Avant la pluie, Partie 2 Woh woh woh woh, qu'est-ce que tu fais? Arrête! Qu'est-ce qu…
Death Valley Dying′s so rock and roll Stretching out into forever I said …
I Saw You I'm with yo-o-ou This is all I do know For the ye-e-ears Thi…
Le Vent Si, par hasard Sur l'Pont des Arts Tu croises le vent, le…
Le Vent (Georges Brassens) Si, par hasard Sur l'Pont des Arts Tu croises le vent, le…
Non ti amo piu Cuando ti voglio pensare C'e sempre una cansone (ohohoh ahah…
Tango Romantico Everybody needs some Si es muy romántico Everybody needs som…
Tree Song testo_" Tree Song" von René Aubry If I were a tree, in…
Trou De Memoire If you had my love and I gave you all…
Vent Si, par hasard Sur l'Pont des Arts Tu croises le vent, le…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@lapislazuli455
Fantastic music! Outstanding visuals.
Love the paintings!
@hestianggrahini5821
Beautiful music ... I love it.
@MegaMozart13
Браво!!!! Bravissimo!!!!
@WalkingNice
Fantastic music!
@tulaysinmaz9664
Marvelous music most beautiful paintings💯💯💯❤❤👏👏👏👏👍
@ymi8238
Right in my childhood
@olgamichou8180
lovely!
@pantanera1
che piacere sentire questa musica !!
@renataambrosini2063
Bello!!! Grazie