1) A Britis… Read Full Bio ↴There are 7 artists/bands under the name of Renaissance:
1) A British progressive rock band - The first incarnation of Renaissance came out of the ashes of The Yardbirds in early 1968 when drummer Jim McCarty and guitarist/vocalist Keith Relf formed an acoustic based band. They added keyboardist John Hawken, bassist Louis Cennamo and vocalist Jane Relf (Keith's sister). This band released two albums (Renaissance (1969) and Illusion (1971)) before breaking up. Some of the members reformed as Illusion.
McCarty then reformed the band with singer Binky Cullom, bassist Jon Camp, keyboardist John Tout, drummer Terence Sullivan, and guitarist/composer Michael Dunford. Cullom was promptly replaced by Annie Haslam, then McCarty himself left soon after, but this group went on to become the "classic" lineup of Renaissance. They recorded a string of successful albums starting with the LP Prologue (1972). Throughout numerous personnel changes in the 70s, Haslam, Dunford and Camp remained the core of the band.
Their particular brand of mixing classical and classically-inspired music with melodic rock is arguably one of the most successful attempts at this sort of fusion. In the 80s, the band saw their popularity wane with a turn to shorter song forms dominated by synthesizers. After breaking up in the mid-80s, various combinations have reformed for concerts and recordings.
2) A Mexican rock band ( Mexican Renaissance)
3) A Japanese band. (Japanese Rеnaissance)
4) A Serbian medieval/renaissance assemble
5) Renaissance - The band was originally formed back in November 1991 by Chriss Ons (guitar) who decided to leave the band he was in at the time, Chronic Death. His band mates Dirk Vollon (bass) and Jürgen De Wispelare (drums) joined the new project, followed by Domingo Smets (guitar). The idea was to musically break out of restraining thrash/death metal sound and to incorporate more harmonic content & epic song structure into the songwriting, something which seemed impossible if staying in Chronic Death. The band set out to rehearse and by early '92 had some song ideas together, most of which would wind up on the bands debut demo Archway later that year. By late '92 The band got offered a split 7" EP (with the band Ancient Rites) on a small Belgian label, After Dark Records, and used the demo track "Windows" for that release. Meanwhile the band had also been brought to the attention of Hans de Wyngaert of the new label Shiver Records. A deal to release the 13 minute epic track "Tired Blood / Vaudeville" (split over 2 sides) on a 7" single was signed in early '93. Both EP's sold really well, yet while keeping on searching to find new band members, it was mainly Chriss who, assisted by Dirk, would continue writing new material using a small 4 track recorder. Despite the fact that it looked like the trio Chriss/Dirk/Santiago had become a studio project until other musicians were found, Shiver records offered them a CD deal. During the summer of '93, about a year after the bands first demo; Chriss and Dirk recorded a 40-minute piece called "The Death Of Art". The initial idea was to make a concept album and to focus on just the music, and add vocals later. A friend of the band, Canadian writer and philosophy student John Hymers, was asked to write a poem entitled "The Death Of Art", which would serve as working material for vocalist Santiago. After the final vocal tracks had been recorded, Chriss finished the project by himself due to a lack of input and interest from Dirk. The album finally saw release on Shiver Records in February 1994. The first pressing of the CD sold out in a matter of months, and the album has been repressed and licensed since (including a Polish issue in cassette format). Chriss took a break from writing and recording for about a year, only to start doing so again by mid '95, with Dirk Vollon sporadically collaborating. For the time being, the project name was also changed to Rinascimento, to avoid confusion with the other Renaissance, a band that released material mainly during the 70's. Tons of stuff was recorded over the following years, but, reluctant to release another record without the ability to perform any of it live, most of this demo material was shelved or not entirely completed - Chriss didn't really feel the "need" to make the music commercially available on a label so in 1998, a double CDR set aptly titled "Rinascimento - demos 1995-1998" was distributed among just a few friends of the band. Due to other interests and activities, the whole project was laid to rest by late 1998 ... (from the official website - http://renaissance_online.tripod.com/biography.html )
6) Renaissance - an Acapella Christian Quartet - In 1985 a new birth of music took place in Los Angeles, California that would change the landscape of acappella gospel music forever.
The quartet is comprised of soprano and first tenor Sharon Harris, first and second tenor George Pendergrass, baritone Adam Thompson, and first and second tenor Ronald Walker. All four are noted alumni of Southwestern Christian College in Terrell, Texas.
Every member of the group is also a distinguished lead singer in a league all their own. In addition to the Renaissance project, members of the group have also left an indubitable imprint on the world of Christian music. Not only has he released several solo albums, Ronald Walker has deposited a treasury of well-known songs particularly among church groups, sadly many of which still go without his credit today. Sharon Harris has lent her angelic voice to several projects including Los Angeles' own Southside Church of Christ Choir, Reflections, enjoyed a brief stint with Straight Company, and was a featured vocalist on "Acappella Gospel," produced by George Pendergrass and Keith Lancaster. Adam Thompson has provided "the bottom" on Ron Walker's projects, is a worship leader in Reseda, California, in addition to pursuing an acting career in Hollywood. Probably the most notable member of Renaissance to date is George Pendergrass who is known to people everywhere as the lead singer of the internationally known group, Acappella. His powerful voice is immediately recognizable and needs no introduction in most circles of the music industry. Featured on over 15 albums on the Acappella Music Group, George has also performed with U2, Michael W. Smith, on a Disney soundtrack and with a host of other well-known recording artists.
7) An all-female accapella group from the University of Maine, Orono.
At The Harbour
Renaissance Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Seas are drifting glass
The tides were turning to the storm
Winds were moving fast
Women waiting at the harbour
Silent stand around
Weather storms another day
For men the sea had found
The barrels spread the bait
The seagulls warningg echoed round
Winds that wouldn't wait
People gathered at the harbour
Waiting for the tide
Eyes half closed against the spray
And tears they cannot hide
Hulls were creaking crashing sails
Rains were slating down
The oilskins flapping, decks awash
Slanting turning round
Thunder roaring at the harbour
Women drawn in fear
Huddle up to wait the time
And pray the sky will clear
Howling winds and the raging waves
Cracked upon the boats
And torn from safety, torn from life
Men with little hope
Ghostly echoes at the harbour
Whispering of death
Women weeping holding hands
Of those they still have left
Shadows falling at the harbour
Women stand around
Weather storms another way
For men the sea have drowned
Renaissance's song "At The Harbour" captures the essence of a stormy day at sea from the perspective of the women left behind at the harbor. The lyrics describe the scene at the harbor as the fishermen set off for the sea. The daybreak is beautiful and the seas are calm. But as the tides turn and the winds pick up, the women are left to wait anxiously for their loved ones to return safely ashore. As the storm rages on, the women are consumed by fear and dread, fearing the worst for their loved ones who are out at sea. The lyrics depict the inner turmoil of the women as they experience a mix of emotions such as fear, anxiety, and hopelessness.
The lyrics of "At The Harbour" highlight the struggle and sacrifices of the fishermen and the women in their lives. The fishermen endure the hardships of the sea to make a living, while their loved ones wait anxiously at the harbor, hoping for their safe return. The song is a tribute to the resilience of the fishermen and their families who navigate the unforgiving seas and endure the constant threat of danger and loss. It is a poignant reminder of the fragility of life and the bonds of love that endure even in the face of adversity.
Line by Line Meaning
Out at daybreak to the sun
Leaving at the very first light of day to go out on the ocean.
Seas are drifting glass
The sea is calm, serene and still, shining like glass.
The tides were turning to the storm
The currents of the ocean were changing and the storm was approaching.
Winds were moving fast
The air was speeding up and the winds were getting stronger.
Women waiting at the harbour
Women were gathered together at the harbour waiting for the men to return.
Silent stand around
They stood silently, hoping and praying for the safety of their loved ones.
Weather storms another day
They must face yet another day of treacherous and harsh weather.
For men the sea had found
The men had made a life at sea and it had become an integral part of their identity.
Fishermen were laying nets
The fishermen were working hard, setting their nets to catch fish.
The barrels spread the bait
They spread the bait in the barrels to lure fish.
The seagulls warningg echoed round
The seagulls cried out as if warning them of an impending storm.
Winds that wouldn't wait
The winds were unrelenting, coming on fast and strong.
People gathered at the harbour
Other people gathered together to see if their loved ones were returning or to work at the port.
Waiting for the tide
They were waiting for the right time when the tide was high enough to bring their boats back to shore.
Eyes half closed against the spray
Their eyes were almost closed as the waves spattered over them.
And tears they cannot hide
Some may have shed tears they couldn't hide, while others may have been filled with fear.
Hulls were creaking crashing sails
The boats creaked as the waves crash into them and the sails fluttered in the wind.
Rains were slating down
The rain was heavy and pounding down.
The oilskins flapping, decks awash
The oilskins flapped and the decks were filled with water, creating a great deal of danger.
Slanting turning round
The boats turned and tilted dangerously due to the strong winds and waves.
Thunder roaring at the harbour
Thunder roared as the storm reached the harbor and the winds became even stronger.
Women drawn in fear
The women were terrified and felt powerless.
Huddle up to wait the time
They huddled together, seeking comfort and warmth until their men return.
And pray the sky will clear
They pray that the storm subsides, the skies clear up, and the sea will be calm again.
Howling winds and the raging waves
The strong winds and raging waves were making it difficult to steer and manage the boats.
Cracked upon the boats
The boats were being battered and cracked by the force of the waves and winds.
And torn from safety, torn from life
The men were in grave danger, at risk of losing their lives due to the violent waves and winds they faced.
Men with little hope
The men at sea had little hope of survival in the midst of the devastating storm.
Ghostly echoes at the harbour
The echo of cries and voices carried by the wind can be heard at the harbor.
Whispering of death
The fear of death and the possibility of losing loved ones is ever present in their minds.
Women weeping holding hands
The women cry and comfort each other, holding hands and standing together in solidarity.
Of those they still have left
They mourn the loss of those who did not make it back to shore, but also appreciate and treasure those who survived and returned.
Shadows falling at the harbour
As the storm subsides, shadows fall at the harbor as the sun sets and darkness falls.
Weather storms another way
Future weather conditions may not be as treacherous, but fate may present them with other challenges and problems.
For men the sea have drowned
The sea became a graveyard for some of the men that went out to work on it - they drowned and never came back to their families.
Lyrics © Sony/ATV Music Publishing LLC
Written by: MICHAEL DUNFORD, BETTY MARY THATCHER
Lyrics Licensed & Provided by LyricFind
JohnJL1957
Maybe I'm just getting old, but where is the creativity and talent like this today? I listen to a lot of different music, but no voice has ever touched me like Annie's!!!!!
Michael E.
Joni Mitchell or Elisabeth Frazer comes to mind!
fmtf niuprog
In the 70s there was also Karen Carpenter, she was unique and also an excellent drummer
Zack Zallie
Lana del Rey is not as progressive as most artists, but her music is very artistically beautiful and emotional, I hope you could try some of her music, because she is the only hope for today's music industry.
Anki Hansen
Try Steven Wilson
Antonio Carlos Sá Peixoto
It is no a matter of getting old, we have developed good taste for good music, so nothing seem to feed our appetite !
Goytá F. Villela Jr.
I discovered and fell in love with Debussy because of this song. "La Cathédrale Engloutie" still brings me to tears every time. Then comes Annie's perfect, heavenly voice, with that extra-charming accent to boot. A sad song which, however, always lifts my spirits out of its sheer beauty. Thank you, Annie, for bringing so many sublime moments to my life!
Paula Cunha
I always loved the band and Annie's voice
Nilson CURY BASTOS
Eu houvi este disco numa viagem para o interior de minas até gastar agulha, muito lindo, é um dos grupos mais antigos tirando os rolingstones, tem uma musicalidade rica demais e o vocal é impressionante.
Leo Reis Leite Jr
Cresci ouvindo, Renascence Nilson, gastei muitas agulhas também rsrsrs!!!