Son of a jazz trumpeter, Rennie started life playing tenor saxophone and si… Read Full Bio ↴Son of a jazz trumpeter, Rennie started life playing tenor saxophone and sitting with his Father’s various bands around Southern England. Later he formed various funk bands playing sax and keyboards.. After making rudimentary House music on the wrong kind of drum machines with soon to be Rhythm Section members Ellis Dee, Richie T, and Nick Newton, they had interest from (amongst others) the new British house label Guerrilla. Preferring to release their own material they formed Rhythm Section Recordings and became part of the wave of breakbeat house that went on to become known as Hardcore in the early ‘90’s.
Their third release ‘Comin’ On Strong’ was a anthem and would have charted top 40 if they’d known about ‘bar codes’ on records. Rhythm Section played at pretty much every main party between ’90-92’ on the same bill as The Prodigy, Moby, Altern 8, Shades Of Rhythm and Bizzare Inc.
As the drugs sped up, so did the music. When the bpms reached a ridiculous 150, Rhythm Section decided to call it a day and separately went back to making music at House tempo.
In 1993 Rennie founded Thursday Club Recordings (TCR) as a medium for putting out his own material. Recording now as ‘Thursday Club’ he had a big tune with ‘Thursday Theme’ which was chased by Virgin.
A chance PA in Florida was another turning point in 1994. Hearing a thriving breaks scene at its original tempo galvanized Rennie into going back to pure breaks. 'A Place Called Acid' (1995) was one of the biggest breakbeat tunes around.
He also set up 'Friction' with Adam Freeland, Tayo and Ian Williams which pretty much kick-started the whole 'Nu Skool' scene. He also coined the term 'Nu Skool' along with his fellow Friction partners as a way of describing their music.
He's released records on Whole9yards, City Of Angels, Chrysalis/EMI, Mob and China Records to name but a few. He's collaborated with many top producers including legend Arthur Baker,BLIM (on that massive 'Eskimo' track and the equally huge ‘2Freaks’) and with Meat Katie Following on from the huge ‘Black Widow’, Rennie also decided it was time to go back into the studio with Uberzone and their follow-up ‘Cous Cous’ received support from the likes of everyone from the Plump DJ’s to Pete Tong and Sasha!
He continues to DJ all over the world and wow audiences with his dancefloor-friendly funk-infused breaks sets. He is resident at Rome’s premier night, Agatha and runs a hugely successful clubnight, 'Hum', which takes place in London. He is also part of the team responsible for the ‘Breaksday’ concept – so far 3 parties have been held, one at WMC in Miami which was one of the most talked about parties of the conference and more recently at The Glade Festivals which were both huge[1] successes.
He has been voted ‘Most Valuable/Influential Person’ at The International Breaks Awards four years running and last year also picked up awards for Best Single (2Freaks) and Best Remix.
Rennie released a mix album on Perfecto ‘Perfecto Breaks’ which received huge support across the board and has recently remixed the likes of Braund Reynolds, Rich Thair and Ferry Corsten’s ‘Rock Your Body’ which got caned by all the top jocks. Lately he has completed new collaborations with the likes of Lee Coombs, scored the opening sequence for the movie ‘Football Factory’ and his second artist album ‘Pilgremage’ was released to high acclaim on TCR – his label that is 13years young and is fast approaching its 100th release – an incredible feat for any independent label. And of course he continues to be chairman of the local ‘Dwarf-Hurling’ association.
Pilgrem has just formed a live band ‘Rennie Pilgrem & The TCR Allstars’ who’ve been astounding audiences with their performances – his first live shows in 10years! So far they’ve wowed audiences at Glastonbury, Glade Festival & Fabric amongst others – and with press reviews calling them ‘outstanding’ and ‘A Revelation’ and crowd reactions being incredible, this is one band that are bound to cause waves….
Rennie’s was recently asked to do a new track for the new Wipeout Pure PSP consol and has just released a new mix album in celebration of TCR’s 100th release. Radio 1 just asked him to do the hallowed ‘Essential Mix’ which got critical acclaim from around the world. He is about to start work on his third artist album which is slated for release in 2006.
Their third release ‘Comin’ On Strong’ was a anthem and would have charted top 40 if they’d known about ‘bar codes’ on records. Rhythm Section played at pretty much every main party between ’90-92’ on the same bill as The Prodigy, Moby, Altern 8, Shades Of Rhythm and Bizzare Inc.
As the drugs sped up, so did the music. When the bpms reached a ridiculous 150, Rhythm Section decided to call it a day and separately went back to making music at House tempo.
In 1993 Rennie founded Thursday Club Recordings (TCR) as a medium for putting out his own material. Recording now as ‘Thursday Club’ he had a big tune with ‘Thursday Theme’ which was chased by Virgin.
A chance PA in Florida was another turning point in 1994. Hearing a thriving breaks scene at its original tempo galvanized Rennie into going back to pure breaks. 'A Place Called Acid' (1995) was one of the biggest breakbeat tunes around.
He also set up 'Friction' with Adam Freeland, Tayo and Ian Williams which pretty much kick-started the whole 'Nu Skool' scene. He also coined the term 'Nu Skool' along with his fellow Friction partners as a way of describing their music.
He's released records on Whole9yards, City Of Angels, Chrysalis/EMI, Mob and China Records to name but a few. He's collaborated with many top producers including legend Arthur Baker,BLIM (on that massive 'Eskimo' track and the equally huge ‘2Freaks’) and with Meat Katie Following on from the huge ‘Black Widow’, Rennie also decided it was time to go back into the studio with Uberzone and their follow-up ‘Cous Cous’ received support from the likes of everyone from the Plump DJ’s to Pete Tong and Sasha!
He continues to DJ all over the world and wow audiences with his dancefloor-friendly funk-infused breaks sets. He is resident at Rome’s premier night, Agatha and runs a hugely successful clubnight, 'Hum', which takes place in London. He is also part of the team responsible for the ‘Breaksday’ concept – so far 3 parties have been held, one at WMC in Miami which was one of the most talked about parties of the conference and more recently at The Glade Festivals which were both huge[1] successes.
He has been voted ‘Most Valuable/Influential Person’ at The International Breaks Awards four years running and last year also picked up awards for Best Single (2Freaks) and Best Remix.
Rennie released a mix album on Perfecto ‘Perfecto Breaks’ which received huge support across the board and has recently remixed the likes of Braund Reynolds, Rich Thair and Ferry Corsten’s ‘Rock Your Body’ which got caned by all the top jocks. Lately he has completed new collaborations with the likes of Lee Coombs, scored the opening sequence for the movie ‘Football Factory’ and his second artist album ‘Pilgremage’ was released to high acclaim on TCR – his label that is 13years young and is fast approaching its 100th release – an incredible feat for any independent label. And of course he continues to be chairman of the local ‘Dwarf-Hurling’ association.
Pilgrem has just formed a live band ‘Rennie Pilgrem & The TCR Allstars’ who’ve been astounding audiences with their performances – his first live shows in 10years! So far they’ve wowed audiences at Glastonbury, Glade Festival & Fabric amongst others – and with press reviews calling them ‘outstanding’ and ‘A Revelation’ and crowd reactions being incredible, this is one band that are bound to cause waves….
Rennie’s was recently asked to do a new track for the new Wipeout Pure PSP consol and has just released a new mix album in celebration of TCR’s 100th release. Radio 1 just asked him to do the hallowed ‘Essential Mix’ which got critical acclaim from around the world. He is about to start work on his third artist album which is slated for release in 2006.
Sacred
Rennie Pilgrem Lyrics
We have lyrics for 'Sacred' by these artists:
Albatross When I am alone I think about Every single change in…
Amel Larrieux Is there nothing sacred anymore When celebrities are deifie…
AR KEDABAR AR KEDABAR La Diva del Mar Mira mira mira Como te cautiva mw…
Benjamin Blower and the Army of the Broken Hearted O sacred head once wounded With grief and pain weighed down …
Blimes and Gab Hook: Keep the right ones around ya, ones who gone keep…
Blind Guardian The realm's bleeding It suffers - Old and weak No furth…
Caedmon's Call This house is a good mess It's the proof of life No…
Citizen Soldier Chasing ghosts, chasing dreams What is next? What might be? …
Civilization One An awful dream appears in the day Where man sees hope…
Depeche Mode Sacred, holy To put it in words To write it down That is…
dr.j (The Dark Lord's seventh Dream-Journey to Illumination) [TH…
Dr.J (The Universal Mind Records) When I speak. Will not turn a cheek! The soul. My bones. My …
E.SO Sky's the place we're gonna fly Sweetest dream is in your…
Elder Island These fine days I'm fond enough of them, salt and raised I'm…
Erasure We close our eyes and fantasise To see what dreams will…
FAMILY ROOM - Depeche Mode Sacred, holy To put it in words To write it down That is…
Hillzy This is a Mr Masinh production It's Hillzy in the building …
HÆLOS Pray I pray Come back to me Day by day Come back to…
In Hearts Wake Hear me now! When the brightest city has fallen and…
Jill Phillips It's the cliched writing on the wall Funny how it's…
Jon Shuemaker This used to be a special place Used to be my…
LaVey Mmm, the floor This shit is fucking ridiculous, bro Ready to…
Law And Order [WORDS & MUSIC - WILLIAMS] Memories of childhood, a place s…
Lita Ford Til death do us part and not enough But the Hallmark cards…
Living Colour How many times must we tell them Are they never gonna…
Monument To Thieves This is sacred This is sacred to me This is sacred ground …
Moonspell [Chorus] Sacred Holy To put it in words To write it down Tha…
Morgan McCarthy I'm in and I'm out of my head I'm touchin' myself…
Nina Nesbitt Flauntin' my body, my body to people who just Think I'm…
Pierrot 青白く君を月が映していた いつまで待っても動きはしなかった やがて眠気におそわれる どれだけの痛みを 君に感じさせたろう…
polearm You tried to taint what I consider sacred Take it all…
Rome Holman Yeah This energy sacred Not something for you to play with S…
Ryan Delmore We have come to worship The Majesty on high To…
S.S.O. Hear what I'm saying I was always true I was never playing…
Sacred Striking fear in the hearts of men The war machine will…
Sailon You tried to hide it but you could´nt keep it all…
Savannah Ré Look No long talking, baby, take it off Yeah, uh Know you go…
SETH DIZON When I fucking cry You've got me good You've got me guessin…
Sweetbox Like a wind that's slowly blowing Your breath upon my skin…
T.Y.E Look deep inside, how it feels, how you make it…
The Beau-Marks Nevertheless it’s sacred The path I’m lost upon Nevertheless…
The Castells Sacred (whoa oh whoa) Our love is sacred (whoa oh whoa) Chur…
The Voice I meant to fight it to the finish but you…
Todd Thibaud Well I've been trying to imagine The way things'll go in…
Tokio Hotel I'm still awake for you We won't make it together We can't…
V.I.P.N 太陽 その下に拡がる有限の場所達 無限の時間 生まれた ばかりの音色には ノイズはまだ介入できないはず Ah,闇を泳ぎ辿…
Visual Cliff Intro: (Whispers) Nothing Sacred Verse 1 Crossing the earth…
Xavier Rudd I believe we are one and we are sacred I'll hold…
Xavier Rudd feat. The United Nations And I believe we are one and we are sacred And…
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@CanaldeSTEmpla1-xn3eb
Some music ❤
@randyj420
Smooth breaks like this are and were very hard to come by. Wish this was more of a thing among the nu-skool producers during that heyday. There was plenty of room for some more chill stuff like this. Proud owner of the vinyl.
@pabloonatenunez6219
Amazing...
@dzvanas
lol ,,, time is just a construct beside thiss tune
@dxmfrost
where dreams get made
@Dragoomba
godlike