Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German compos… Read Full Bio ↴Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his later works were later known, "music dramas").
Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).
His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music.
Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg).
Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre.
Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).
His compositions, particularly those of his later period, are notable for their complex textures, rich harmonies and orchestration, and the elaborate use of leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music.
Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, run by his descendants. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg).
Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre.
Lohengrin Prelude To Act III
Richard Wagner Lyrics
We have lyrics for these tracks by Richard Wagner:
Act III Mild und leise Wie er lächelt Wie das Auge Hold er öffnet Se…
Auf Hohem Felsen Lag Ich Träumend Erik Auf hohem Felsen lag' ich träumend, sah…
Blick ich umher in diesem edlen Kreise Wolfram Blick ich umher in diesem edlen Kreise, w…
Götterdämmerung: Act Three Mild und leise Wie er lächelt Wie das Auge Hold er öffnet Se…
Lohengrin: In Fernem Land, Unnahbar Euren Schritten LOHENGRIN (In feierlicher Verklärung vor sich Herblickend) I…
Mild und leise Mild und leise Wie er lächelt Wie das Auge Hold er öffnet Se…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@micharzymczyk8916
Many of you refer to wedding tune from the prelude but I think rather the first part is a focus worthy. It's genuinely energetic and motivating.
@Dinker27
The beginning gives me a sledding vibe with how explosive it is.
@n0denz
Yes, that's why I listen to this piece. Honestly I'd rather get married under the booming sound of trombones anyway.
@americaneclectic
The “wedding” theme is actually the procession into the marital bedchamber!!🙂
@thomascollins4325
They don't write music like this anymore!!! Wonderful piece!!!😊
@FantadiRienzo
I don'*t know why, but Wagner's music just makes me feel happiness and euphoria
@lupebutterfly9161
I don't know about all Wagner's music, but this particular piece is incredibly uplifting. When I was a child my dad used to play a record with Lohengrin, I listen to it...often. I hope I can convince my son and his fiancée to include this piece for their wedding.
@61zulu77
Do u feel the same way with "Siegfried's Funeral Music" from Götterdämmerung?
@carlos.8117
ME TOO!!!!! an extasis incredible!!!!
@MuzikaII
In this Prelude Wagner makes wide and brilliant use of dynamic contrasts to set the scene for the wedding of the hero and heroine.
Simply wonderful!