Summertime
Rick Nelson Lyrics


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Summertime, and the livin' is easy
Fish are jumpin' and the cotton is high
Oh! Your Daddy's rich and your Ma is good lookin'
So, hush little baby, don't you cry...

One of these mornin's you're gonna rise up singin'
Then you'll spread your wings, and you'll take to the sky
But 'till that mornin' there's a nothin' can harm you,
with Daddy and Mammy standin' by...

But 'till that mornin' there's a nothin' can harm you,




with Daddy and Mammy standin' by...
Standing by...

Overall Meaning

The lyrics of Summertime by Rick Nelson are quite straightforward and paint a picture of a lazy, carefree summer day in the countryside. The opening line says it all: "Summertime, and the livin' is easy." The singer sets the scene by describing the idyllic surroundings - the fish are jumping and the cotton is high, implying a time of plenty and leisure. The following line adds a touch of irony, as the singer also notes that the baby's parents are rich and good-looking, suggesting that life is especially easy for them. The closing line of the first verse, "So, hush little baby, don't you cry," reinforces the sense of tranquility and contentment.


The second verse of the song imagines a brighter future for the baby, one where they can "rise up singin'" and "take to the sky." However, until that day comes, there's nothing to worry about, as the baby's "Daddy and Mammy" will always be there to take care of them. In this way, the song reassures the listener that they are loved and protected, even in a world where things might not always be easy or predictable.


Overall, Summertime is a simple but effective song that captures the spirit of summer and the innocence of childhood. Its gentle melody and uplifting lyrics make it a popular choice for covers and adaptations in various genres, from jazz to pop to R&B.


Line by Line Meaning

Summertime, and the livin' is easy
It's summertime, and life is a breeze


Fish are jumpin' and the cotton is high
Nature is at its peak, with fish jumping and cotton growing tall


Oh! Your Daddy's rich and your Ma is good lookin'
You come from a privileged family with wealthy and attractive parents


So, hush little baby, don't you cry...
There's nothing for you to worry about, so don't cry


One of these mornin's you're gonna rise up singin'
At some point in the future, you'll wake up in a good mood and start singing


Then you'll spread your wings, and you'll take to the sky
You'll finally be able to live your dreams and soar like a bird


But 'till that mornin' there's a nothin' can harm you,
Until that moment comes, you have nothing to fear


with Daddy and Mammy standin' by...
Your parents will always be there to protect and support you


Standing by...
They will always be standing by your side




Contributed by Alex N. Suggest a correction in the comments below.
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Comments from YouTube:

MikeBlitzMag

A prime example of why Rick Nelson finished in first place (in a dead heat tie with Hank Williams) as Blitz Magazine's pick for Best Solo Artist of the 20th Century. He is greatly, greatly missed.

Señor Reasonable

By far one of the very best songs of 1962.

James Holder

who came to check this out while watching the Ritchie Blackmoore story??

Alan Husband

I did :-)

dee pee

ayuh !

matt cooper

@dee pee yep, me too!

Serhat Çevikel

Me too :)

Mahkan Yazdani

It's a catchy riff I must admit..

16 More Replies...

Miguel Dos Pachangas

I've heard this 15 times or so.
Love James and Ricky. Love this song, a definition of Americana that has rightly become a standard. James Burton and Ricky Nelson are pillars of American pop , and R & B themselves The riff works for the Blue Magoos song, which is way cool. The Am-G part of the chorus takes it to an interesting place. Kinda surprising this change isn't more utilized. It's realized to further potential by Purple, which defined their new direction of sonic bliss. It strikes me as forced here at best, as does the "Hey Joe" part as Ritchie puts it. ( I hear Memphis' opening lick; the Johnny Rivers version, more specifically.) The thing that strikes me about the 100 or so versions of Summertime I've heard, is how far that arrangement has been utterly stretched, virtually re-written, and given all sorts of ornate inflections. My biggest musical question, is how did Janis Joplins version get to where it is ?

Rodrigo Barrios

Beautiful comment.

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