1. An American… Read Full Bio ↴There are several artists by the name Robert Johnson:
1. An American blues singer, guitarist and songwriter (1911-1938) amongst the most famous of Delta blues musicians; ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time; considered by some to be the "Grandfather of Rock 'n' Roll"
2. An English lutenist and composer of the late Tudorian and early Jacobean eras (c.1580-c.1634)
3. A 1970s Memphis-based American guitarist
4. A former drummer for KC and the Sunshine Band
1. Robert Johnson (Robert Leroy Johnson, Hazlehurst, Mississippi, May 8, 1911- Greenwood, Mississippi, August 16, 1938) was an American blues singer, guitarist and songwriter, among the most famous of Delta blues musicians.
His landmark recordings from 1936â1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend.
The first songs to appear were Terraplane Blues and Last Fair Deal Gone Down, Terraplane Blues became a moderate regional hit, selling 5,000 copies.
Other songs Johnson recorded were Come On In My Kitchen, Kind Hearted Woman Blues, I Believe I'll Dust My Broom, and Cross Road Blues.
Come on in My Kitchen included the lines:
"The woman I love took from my best friend / Some joker got lucky, stole her back again / You better come on in my kitchen, it's going to be rainin' outdoors."
In Crossroad Blues, another of his songs, he sang:
"I went to the crossroads, fell down on my knees / I went to the crossroads, fell down on my knees / I asked the Lord above, have mercy, save poor Bob if you please / Uumb, standing at the crossroads I tried to flag a ride / Standing at the crossroads I tried to flag a ride / Ain't nobody seem to know me, everybody pass me by."
Stones In My Passway and Me And The Devil are both about betrayal, a recurrent theme in country blues. Hell Hound On My Trail utilises another common theme: fear of the Devil. Other themes in Johnson's music include impotence (Dead Shrimp Blues and Phonograph Blues) and infidelity (Terraplane Blues, If I Had Possession Over Judgement Day and Love in Vain).
The most widely-known legend surrounding Robert Johnson says that he sold his soul to the Devil at the crossroads of U.S. Highway 61 and U.S. Highway 49 in Clarksdale, Mississippi in exchange for prowess in playing the guitar. Actually, the location Johnson made reference to is a short distance away from that intersection. The Faustian legend was told mainly by Son House, but finds no corroboration in any of Johnson's work, despite titles like Me and the Devil Blues and Hellhound on My Trail. With this said, the song Cross Road Blues is both widely and loosely interpreted by many as a descriptive encounter of Johnson selling his soul.
The older Tommy Johnson (no relation, although it is speculated that they were cousins), by contrast, also claimed to have sold his soul to the Devil. The story goes that if one would go to the crossroads a little before midnight and begin to play the guitar, a large black man would come up to the aspiring guitarist, retune his guitar and then hand it back. At this point (so the legend goes) the guitarist had sold his soul to become a virtuoso (A similar legend even surrounded virtuoso violinist NiccolĂČ Paganini a century before.
His death remains a matter of controversy. Some accounts state that he was given poisoned whiskey at a dance by the husband of a woman he had been secretly seeing. Others claim that it was just The Devil collecting his debt after the old legend of Robert Johnson dealing with the devil.
However, the latest, and unfortunately less dramatic and more plausible theory (published by David Connell in the British Medical Journal) is that Robert Johnson suffered from Marfan's Syndrome. Marfan's is a genetic disorder characterized by disproportionately long limbs, long thin fingers, a tall stature â all of which can be seen in the two photos that exist of Robert Johnson. Marfan's Syndrome is a cause of heart defects, and a complication such as an aortic dissection could lead to Robert Johnson's excruciatingly painful death.
Eleven 78s were released on the Vocalion label during his lifetime, with a twelfth issued posthumously. All songs are copyrighted to Robert Johnson, and his estate.
The Complete Recordings: A double-disc box set was released on August 28, 1990, containing almost everything Robert Johnson ever recorded, with all 29 recordings, and 12 alternate takes. (There is one further alternate, of
Traveling Riverside Blues which was released on Sony's King of the Delta Blues Singers CD and also as an extra in early printings of the paperback edition of Elijah Wald's "Escaping the Delta."
Grammy Awards:
1990 â Best Historical Album The Complete Recordings (Sony/Columbia) Legacy Winner
Grammy Hall of Fame:
1998 â Cross Road Blues (Single) (1936, Vocalion)
National Recording Registry:
The Complete Recordings of Robert Johnson (1936-1937) was included by the National Recording Preservation Board in the Library of Congress' National Recording Registry in 2003.
The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant."
The Rock and Roll Hall of Fame included four songs by Robert Johnson in the 500 songs that shaped rock and roll:
Sweet Home Chicago (1936),
Cross Road Blues (1936),
Hellhound on My Trail (1937),
Love in Vain (1937)
The Blues Foundation Awards:
Robert Johnson: Blues Music Awards
1991 Vintage or Reissue Album The Complete Recordings Winner
Honors and inductions
On September 17, 1994 the U.S. Post Office issues a Robert Johnson 29-cent commemorative postage stamp.
2006 â Grammy Lifetime Achievement Award Winner accepted by son Claud Johnson
2000 â Mississippi Musicians Hall of Fame Inducted
1986 Rock and Roll Hall of Fame Inducted Early Influences
1980 â Blues Hall of Fame Inducted
He was also ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time.
Considered by some to be the "Grandfather of Rock 'n' Roll", his vocal phrasing, original songs, and guitar style have influenced a broad range of musicians, including Muddy Waters, Bob Dylan, Jimi Hendrix, Led Zeppelin, The Rolling Stones, Johnny Winter, Jeff Beck, and Eric Clapton.
2. Robert Johnson (c.1580-c.1634) was an English lutenist and composer of the late Tudorian and early Jacobean eras. He was the son of John Johnson.
3. Memphis-based Robert Johnson has been recording since the early '70s. Some early appearances were on recordings by the Hot Dogs, a band that featured Jack Holder and Greg Reding, later to cross the Mississippi River and become members of the raunchy hard-rocking Black Oak Arkansas.
By the late '70s, Johnson had recorded a single with the Bell Heirs and had established a somewhat regular playing relationship with a rhythm section featuring bassist Dave Cochran and drummer Blair Cunningham. The Infinity label released the premier Johnson effort as a leader, an album entitled Close Personal Friend, yet a collection entitled The Memphis Demos, which came out the following year, is considered to be a much better representation of his work, not the first time a musician's more casual performances beat out a supposedly more serious album project.
4) Robert Johnson was a former drummer for KC and the Sunshine Band
Cross Roads Blues
Robert Johnson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I went to the crossroad, fell down on my knees
Asked the Lord above, "Have mercy, now, save poor Bob if you please"
Yeah, standin' at the crossroad, tried to flag a ride
Ooh-ee, I tried to flag a ride
Didn't nobody seem to know me, babe, everybody pass me by
Standin' at the crossroad, baby, risin' sun goin' down
I believe to my soul, now, poor Bob is sinkin' down
You can run, you can run, tell my friend Willie Brown
You can run, you can run, tell my friend Willie Brown
That I got the crossroad blues this mornin', Lord, baby, I'm sinkin' down
And I went to the crossroad, mama, I looked East and West
I went to the crossroad, baby, I looked East and West
Lord, I didn't have no sweet woman, ooh well, babe, in my distress
Robert Johnson's song Cross Road Blues is a poignant tale of a man who is desperately seeking help and guidance from the Lord above as he stands at the crossroads in life. The lyrics depict a lonely and despairing man who is searching for salvation, but to no avail. He is sinking down, and nobody seems to know or care about his plight.
The first verse reflects the singer's desperation as he falls on his knees at the crossroad and pleads with the Lord to have mercy and save him. The second verse shows his attempts to flag a ride, but no one seems to recognize him or offer him a helping hand. The third verse reinforces his despair as he realizes that he is sinking down and that his soul is in peril.
Line by Line Meaning
I went to the crossroad, fell down on my knees
Bob goes to the crossroad, where he prays on his knees. This place is where he hopes to find a resolution to his problems.
Asked the Lord above, "Have mercy, now, save poor Bob if you please"
Bob invokes God to help him find a way out of his difficult situation. He hopes to find mercy and salvation.
Yeah, standin' at the crossroad, tried to flag a ride
Bob tries to hitch a ride, but no one will stop for him. He is alone and struggling.
Didn't nobody seem to know me, babe, everybody pass me by
Bob feels like no one recognizes him or his struggles. He is ignored by everyone around him.
Standin' at the crossroad, baby, risin' sun goin' down
As the sun sets and darkness approaches, Bob feels like he is sinking deeper into despair. He is running out of time and options.
I believe to my soul, now, poor Bob is sinkin' down
Bob truly feels like he is sinking into a state of hopelessness. He is struggling to find a way out and is losing faith in himself.
You can run, you can run, tell my friend Willie Brown
Bob doesn't see a way out of his situation and seems to be giving up. He tells Willie Brown to run away and leave him behind.
That I got the crossroad blues this mornin', Lord, baby, I'm sinkin' down
Bob continues to feel helpless and like he is sinking further into despair. He tells the Lord that he is struggling and needs help.
And I went to the crossroad, mama, I looked East and West
Bob looks in all directions for a way out of his predicament. He is desperate and willing to try anything to find a solution.
Lord, I didn't have no sweet woman, ooh well, babe, in my distress
Bob doesn't have anyone to turn to for help or support. He is alone in his struggles and feels like he has no one to rely on.
Lyrics © BMG Rights Management, CONCORD MUSIC PUBLISHING LLC
Written by: Robert Johnson
Lyrics Licensed & Provided by LyricFind
@adityakharade9868
I went to the crossroad, fell down on my knees
I went to the crossroad, fell down on my knees
Asked the Lord above, "Have mercy, now, save poor Bob if you please"
Ooh, standin' at the crossroad, tried to flag a ride
Ooh-ee, I tried to flag a ride
Didn't nobody seem to know me, babe, everybody pass me by
Standin' at the crossroad, baby, risin' sun goin' down
Standin' at the crossroad, baby, eee-eee, risin' sun goin' down
I believe to my soul, now, poor Bob is sinkin' down
You can run, you can run, tell my friend Willie Brown
You can run, you can run, tell my friend Willie Brown
That I got the crossroad blues this mornin', Lord, babe, I'm sinkin' down
And I went to the crossroad, mama, I looked east and west
I went to the crossroad, baby, I looked East and West
Lord, I didn't have no sweet woman, ooh well, babe, in my distress
@moisesperesramos6
Robert Johnson Ă© uma lenda do Blues. Sua forma de tocar Ă© inigualĂĄvel. Grande influĂȘncia na mĂșsica de Eric Clapton.
@popculturecollectableslc1310
This is THE song that made rock. That is literally what and all you need to know.
@DeeMan210
he sold his soul
@PJ818
Yes and no. So very raw that it lacks any danceable energy to it. Louis Jordan is really the root of a lot of rockâs early elements, if not the youthful rebellion part.
@benkelly7182
Papa Legba
@blackflagsnroses6013
@PJ818 when it comes to guitar blues is the template of rock. In fact not only guitar, but blues played an important factor in R&B (such as Louis Jordan) which became rock n roll. The blues guitar however was the most influential instrument in subsequent heavier hard rock staples. Blues created Rock and Heavy Metal what it was. The majority of popular music can be traced to the blues template. And Robert Johnson was the virtuoso who took the guitar to itâs limits in his time. The development and progression of popular music goes: Blues > Ragtime > Jazz (Big Band; Boogie-Woogie; Jump Blues) > R&B > Rock N Roll > Rock > Heavy Metal
Another branch of pop music as R&B developed and was blended with Gospel to create Soul > Funk > Dance (Disco; Techno; EDM) > Hip Hop
And of course in general the generic corporate genre of pop music itself that developed from all these influences to produce standard pop hits. All these and everything in between built from the Blues foundation, of which Johnson was one of many pioneers, but one of the most prolific of his times.
@adrv5721
@darrien Ê and?
@snazzy_spaz7854
You could say he had ungodly talent.
@Kippu1
got it!
@The.Badger.
Apparently so........