1. An American… Read Full Bio ↴There are several artists by the name Robert Johnson:
1. An American blues singer, guitarist and songwriter (1911-1938) amongst the most famous of Delta blues musicians; ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time; considered by some to be the "Grandfather of Rock 'n' Roll"
2. An English lutenist and composer of the late Tudorian and early Jacobean eras (c.1580-c.1634)
3. A 1970s Memphis-based American guitarist
4. A former drummer for KC and the Sunshine Band
1. Robert Johnson (Robert Leroy Johnson, Hazlehurst, Mississippi, May 8, 1911- Greenwood, Mississippi, August 16, 1938) was an American blues singer, guitarist and songwriter, among the most famous of Delta blues musicians.
His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend.
The first songs to appear were Terraplane Blues and Last Fair Deal Gone Down, Terraplane Blues became a moderate regional hit, selling 5,000 copies.
Other songs Johnson recorded were Come On In My Kitchen, Kind Hearted Woman Blues, I Believe I'll Dust My Broom, and Cross Road Blues.
Come on in My Kitchen included the lines:
"The woman I love took from my best friend / Some joker got lucky, stole her back again / You better come on in my kitchen, it's going to be rainin' outdoors."
In Crossroad Blues, another of his songs, he sang:
"I went to the crossroads, fell down on my knees / I went to the crossroads, fell down on my knees / I asked the Lord above, have mercy, save poor Bob if you please / Uumb, standing at the crossroads I tried to flag a ride / Standing at the crossroads I tried to flag a ride / Ain't nobody seem to know me, everybody pass me by."
Stones In My Passway and Me And The Devil are both about betrayal, a recurrent theme in country blues. Hell Hound On My Trail utilises another common theme: fear of the Devil. Other themes in Johnson's music include impotence (Dead Shrimp Blues and Phonograph Blues) and infidelity (Terraplane Blues, If I Had Possession Over Judgement Day and Love in Vain).
The most widely-known legend surrounding Robert Johnson says that he sold his soul to the Devil at the crossroads of U.S. Highway 61 and U.S. Highway 49 in Clarksdale, Mississippi in exchange for prowess in playing the guitar. Actually, the location Johnson made reference to is a short distance away from that intersection. The Faustian legend was told mainly by Son House, but finds no corroboration in any of Johnson's work, despite titles like Me and the Devil Blues and Hellhound on My Trail. With this said, the song Cross Road Blues is both widely and loosely interpreted by many as a descriptive encounter of Johnson selling his soul.
The older Tommy Johnson (no relation, although it is speculated that they were cousins), by contrast, also claimed to have sold his soul to the Devil. The story goes that if one would go to the crossroads a little before midnight and begin to play the guitar, a large black man would come up to the aspiring guitarist, retune his guitar and then hand it back. At this point (so the legend goes) the guitarist had sold his soul to become a virtuoso (A similar legend even surrounded virtuoso violinist Niccolò Paganini a century before.
His death remains a matter of controversy. Some accounts state that he was given poisoned whiskey at a dance by the husband of a woman he had been secretly seeing. Others claim that it was just The Devil collecting his debt after the old legend of Robert Johnson dealing with the devil.
However, the latest, and unfortunately less dramatic and more plausible theory (published by David Connell in the British Medical Journal) is that Robert Johnson suffered from Marfan's Syndrome. Marfan's is a genetic disorder characterized by disproportionately long limbs, long thin fingers, a tall stature — all of which can be seen in the two photos that exist of Robert Johnson. Marfan's Syndrome is a cause of heart defects, and a complication such as an aortic dissection could lead to Robert Johnson's excruciatingly painful death.
Eleven 78s were released on the Vocalion label during his lifetime, with a twelfth issued posthumously. All songs are copyrighted to Robert Johnson, and his estate.
The Complete Recordings: A double-disc box set was released on August 28, 1990, containing almost everything Robert Johnson ever recorded, with all 29 recordings, and 12 alternate takes. (There is one further alternate, of
Traveling Riverside Blues which was released on Sony's King of the Delta Blues Singers CD and also as an extra in early printings of the paperback edition of Elijah Wald's "Escaping the Delta."
Grammy Awards:
1990 — Best Historical Album The Complete Recordings (Sony/Columbia) Legacy Winner
Grammy Hall of Fame:
1998 — Cross Road Blues (Single) (1936, Vocalion)
National Recording Registry:
The Complete Recordings of Robert Johnson (1936-1937) was included by the National Recording Preservation Board in the Library of Congress' National Recording Registry in 2003.
The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant."
The Rock and Roll Hall of Fame included four songs by Robert Johnson in the 500 songs that shaped rock and roll:
Sweet Home Chicago (1936),
Cross Road Blues (1936),
Hellhound on My Trail (1937),
Love in Vain (1937)
The Blues Foundation Awards:
Robert Johnson: Blues Music Awards
1991 Vintage or Reissue Album The Complete Recordings Winner
Honors and inductions
On September 17, 1994 the U.S. Post Office issues a Robert Johnson 29-cent commemorative postage stamp.
2006 — Grammy Lifetime Achievement Award Winner accepted by son Claud Johnson
2000 — Mississippi Musicians Hall of Fame Inducted
1986 Rock and Roll Hall of Fame Inducted Early Influences
1980 — Blues Hall of Fame Inducted
He was also ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time.
Considered by some to be the "Grandfather of Rock 'n' Roll", his vocal phrasing, original songs, and guitar style have influenced a broad range of musicians, including Muddy Waters, Bob Dylan, Jimi Hendrix, Led Zeppelin, The Rolling Stones, Johnny Winter, Jeff Beck, and Eric Clapton.
2. Robert Johnson (c.1580-c.1634) was an English lutenist and composer of the late Tudorian and early Jacobean eras. He was the son of John Johnson.
3. Memphis-based Robert Johnson has been recording since the early '70s. Some early appearances were on recordings by the Hot Dogs, a band that featured Jack Holder and Greg Reding, later to cross the Mississippi River and become members of the raunchy hard-rocking Black Oak Arkansas.
By the late '70s, Johnson had recorded a single with the Bell Heirs and had established a somewhat regular playing relationship with a rhythm section featuring bassist Dave Cochran and drummer Blair Cunningham. The Infinity label released the premier Johnson effort as a leader, an album entitled Close Personal Friend, yet a collection entitled The Memphis Demos, which came out the following year, is considered to be a much better representation of his work, not the first time a musician's more casual performances beat out a supposedly more serious album project.
4) Robert Johnson was a former drummer for KC and the Sunshine Band
Me and the Devil
Robert Johnson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When you knocked upon my door
Early this morning, ooh
When you knocked upon my door
And I said "hello Satan
I believe it's time to go"
Me and the Devil
Me and the Devil, ooh
Was walking side-by-side
I'm going to beat my woman
Until I get satisfied
She said "you don't see why
That I will dog her 'round"
Now baby you know you ain't doin' me right, now
She say "you don't see why, hoo
That I would dog her 'round"
It must-a been that old evil spirit
So deep down in the ground
You may bury my body
Down by the highway side
Baby, I don't care where you bury my body when I'm dead and gone
You may bury my body, hoo
Down by the highway side
So my old evil spirit
Can get a Greyhound bus and ride
The song 2-13 Me And The Devil Blues (Alternate Take) by Robert Johnson speaks about the internal struggle that he faces between moral righteousness and temptation. The lyrics start with the singer opening the door to Satan, indicating that he has been tempted by evil. The second verse mentions that he is walking with the Devil himself. The Devil is often depicted in popular culture as an embodiment of temptation and wrongdoing, making it clear that the singer has given in to his inner demons. The third verse is one of the most disturbing ones where the singer suggests that he is going to beat his woman until he's satisfied. This indicates that he is indulging in immoral actions and will not stop until he is content. Later in the song, the woman, who is being abused, claims that her man is not treating her right. The singer, instead of apologizing, blames his actions on the "old evil spirit" that lurks around him.
The singer of the song is in a constant state of flux, indicating that he has not yet found a resolution to his internal battle. On one hand, there is a clear understanding of what is right and wrong, and on the other hand, there is an uncontrollable eagerness to indulge in what is being presented to him as an option. Overall, the song serves as a commentary on the inner turmoil that individuals experience when trying to confront their desires.
Line by Line Meaning
Early this morning
At the start of the day
When you knocked upon my door
When someone came looking for me
And I said hello Satan
I chose to follow the path of evil
I believe it's time to go
I am going towards the inevitable end
Me and the Devil
I and the darkness within
Was walkin' side by side
I was in close company with evil
And I'm going to beat my woman
I will hurt the ones I love
Til I get satisfied
Until I feel better about myself
She said you don't see why
She tried to make me understand
That she would dog me 'round
Why she didn't treat me better
It must-a be that old evil spirit
The darkness within me
So deep down in the ground
Buried deep inside me
You may bury my body
I don't care where my physical form ends up
Down by the highway side
As long as my spirit can travel
So my old evil spirit
The darkness within me
Can get a Greyhound bus and ride
And continue its journey in the world
Lyrics © CONCORD MUSIC PUBLISHING LLC, Peermusic Publishing
Written by: ROBERT JOHNSON
Lyrics Licensed & Provided by LyricFind
@therealityofthings9574
Remeber this was in the 30’s
When vocalized music wasn’t a thing yet
Jazz dominated
No one sang like this yet
That came later in the 40’s when everyone copied the blues and ppl like him
For the course of hundreds of years western music was just instruments
From the 15th century to 19th
Then something changed and america sparked vocal music and it’s been blasting off higher and higher ever since
@benasslick67
Imagine listening to this song at 3am all alone just staring at the screen while Robert is just staring back at you then suddenly he winks or blinks....fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck that.
@miguelma3237
that is fucked up
@MeTV470
lol
@pklmiguelyttm8358
Ok i know that nobody will believe but i dit it.....and is so FUCKING scary man....all the time you think that you're been watch......and i think that was just my mind but i looked to my left side and....i saw something behind my bed.......
@adreannawatters9089
Bruh😭😭😭great u put the picture in my head😅😅😂😂😂
@iamkpopidol
Ben Asslick me rn
@El_BlackRose
When you realize he’s not only the first artist to sell his soul, but the first member of the 27’s club 😳
@ianbryantdba5996
I’m saying bruh!!!!!
@altrn8prsnlty
What's the 27's club?
@hanniballslecter9019
@@altrn8prsnlty look it up it's all celebs that have died aged 27 you'll be surprised how many there is