You're Mine
Robert and Johnny Lyrics


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You come on like a dream, peaches and cream
Lips like strawberry wine
You're sixteen, you're beautiful and you're mine

You're all ribbons and curls, ooh, what a girl
Eyes that sparkle and shine
You're sixteen, you're beautiful and you're mine
You're my baby, you're my pet
We fell in love on the night we met
You touched my hand, my heart went pop
Ooh, when we kissed I could not stop

You walked out of my dreams and into my arms
Now you're my angel divine
You're sixteen, you're beautiful and you're mine

You're my baby, you're my pet
We fell in love on the night we met
You touched my hand, my heart went pop
Ooh, when we kissed I could not stop

You walked out of my dreams, and into my car
Now you're my angel divine
You're sixteen, you're beautiful, and you're mine
You're sixteen, so beautiful, and you're mine
You're sixteen, you're beautiful, and you're mine




All mine, all mine, all mine
All mine, all mine, all mine

Overall Meaning

The song You're Mine by Robert and Johnny is a classic love ballad that is about a 16-year-old girl who has captured the heart of the singer. The opening lines of the song, "You come on like a dream, peaches and cream/Lips like strawberry wine" describe the girl's beauty and sweetness. The singer then goes on to portray her as an innocent and youthful girl with "ribbons and curls" and "eyes that sparkle and shine." He sings about how she is everything he could ever want in a partner and more, and how she completely won him over with just one touch of his hand and a kiss.


The chorus "You're my baby, you're my pet/We fell in love on the night we met/You touched my hand, my heart went pop/Ooh, when we kissed I could not stop" encapsulates the intense emotions and passion that the singer feels for this young girl. He sees her as his angel, divine, and most importantly, his. The lyrics are timeless and have touched the hearts of many audiences over the years.


Line by Line Meaning

You come on like a dream, peaches and cream
You seem like the perfect girl, sweet and alluring


Lips like strawberry wine
Your lips are as vivid and intoxicating as strawberry wine


You're sixteen, you're beautiful and you're mine
You're young, gorgeous, and now you belong to me


You're all ribbons and curls, ooh, what a girl
You're a vision of femininity, charming and delightful


Eyes that sparkle and shine
Your eyes twinkle and radiate with beauty


You're my baby, you're my pet
I see you as my sweet and loyal companion


We fell in love on the night we met
Our connection was so instant that we fell in love the moment we met


You touched my hand, my heart went pop
The simple touch of your hand made my heart skip a beat


Ooh, when we kissed I could not stop
Our kiss was so passionate that I couldn't help but continue


You walked out of my dreams and into my arms
I dreamed of someone like you, and now you're with me in reality


Now you're my angel divine
You're an angel in my eyes, and you're perfect to me


You're sixteen, so beautiful, and you're mine
You may be young, but you're incredibly beautiful, and now you're mine


All mine, all mine, all mine
I cherish you completely and exclusively




Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Richard Sherman, Robert Sherman

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@pagliaccinodlemantra

Maybe it's not a beloved movie (AFTER HOURS) by the Mainstream Scorsese fans, but, man... AFTER HOURS is such a great movie. Such a personal, spiritual and cinematic masterpiece.

@tuanjim799

Watching it right now for the first time in a while. I rank it as one of Scorsese's finest without a doubt. I remember first seeing it and not even knowing it was a Scorsese film at the time, just being like, "Wow, this is so fucking cool, what a great gem of a film." Then years later actually getting really into cinema and finding out who made it. It's seriously so brilliant, it's like reading a really great novella or something. Definitely some heavy "Kafkaesque" vibes in it.

@captaincorleone7088

Agreed! The "Mainstream Scorsese fans" probably think that his work begins with Goodfellas and are likely oblivious to his non crime/gangster related filmography. Whilst I enjoy all of that fare, I wish that he'd make more alternative stuff like this. The subversion of Chekov: a man goes on a journey: the most outlandish journey but yet plausible and just wants to survive the journey.

@aaditya6732

its one of my favourites he has done

@nikshmenga

Best find from "After Hours" 2018.

@odysotirop

—Why don't you just go home?
—Pal, I've been asking myself that all night.

@MINIMOTOMADNESS

probably one of the best films ever,if it was a painting it would be hanging up.......way ahead of its time....

@vinzelrato

- Why don't you get there ?
- Because the guy who lives there, his girlfriend killed herself because of me.
- I see. That's out then.
- That's right : that is out. That is not a possibility !

@davesimmons1520

i saw this brilliant movie in 1985 manchester. i was bunking off school and snuck into a local cinema called the one to five oxford road. obviously never heard of marti then. but it instantly became my favourite movie of all time. friends didn't understand,but you had to be there. a movie i never get tired of watching and a song i'll never get tired of listening to...

@hernanrilla4963

great story man. Thanks for sharing. I love Martin too!

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