Roberto Roena (born January 16, 1940 in Mayagüez, Puerto Rico) is a salsa m… Read Full Bio ↴Roberto Roena (born January 16, 1940 in Mayagüez, Puerto Rico) is a salsa music percussionist, orchestra leader, and dancer. Roena was one of the original members of El Gran Combo. He later became the leader of his own band, "Roberto Roena y Su Apollo Sound", arguably one of the best Latin salsa bands in Puerto Rico. Roena has also been a long-time member of the Fania All Stars, a salsa supergroup that has enjoyed worldwide success since the 1970s. In 1969, he went on to form a band by the name of "Roberto Roena y Su Apollo Sound", arguably one of the best Latin salsa bands in Puerto Rico. Roberto Roena’s new orchestra was baptized "El Apollo Sound" because the launch of NASA's Apollo 11 lunar mission coincided with the day of the band’s first rehearsal. The band eventually recorded hits such as Y Tu Loco Loco, Traicion, Que Se Sepa and Herencia Rumbero.
Roberto Roena has also been a long-time member of the Fania All Stars, the showcase group for the Fania Records label, which has enjoyed worldwide success since the 1970s. He recorded his signature song, "Coro Miyare", with the group; live performances of the song featured Roena playing the bongos and dancing with his uncle, legendary salsa dancer Aníbal Vázquez, in a choreographed section that almost always received standing ovations from the audience.
Mr. Roena took a giant step in the fusion of salsa with jazz, in the 1970s, by joining forces with African superstar (saxophonist) Manu Dibango of "Soul Makossa" fame.
Even without knowing how to read or write music, and probably because of it, Roena knew how to surround himself with excellent musicians and arrangers. "Apollo Sound" featured musicians from the ensemble of Tito Puente, "Cortijo y Su Combo", "El Gran Combo" and "Los Sunsets", among others. Some of the well renowned arrangers and composers who nourished his repertoire were Mario Ortiz, Bobby Valentín, Elias Lopés, Luis “Perico” Ortiz and Papo Lucca. With "Apollo Sound", Roberto introduced a “new” sound to salsa music by utilizing two trumpets, a trombone and a saxophone, a combination he took from the influence of the wind section of the rock group Blood, Sweat and Tears (in honor of which his band recorded a successful version of “Spinning Wheel”).
Roberto always considered variety as the key to success, leading him to include in his musical repertoire everything from go-go to the romantic, the same in English as in Spanish. Roberto Roena and his Apollo Sound’s first album produced hits of great impact like “Tú loco loco y yo tranquilo,” “El escapulario,” and “El sordo.” In fact, it was Apollo Sound who popularized the Bobby Capó classic, “Soñando con Puerto Rico.”
Apollo Sound recorded under the label International Records (a subsidiary of Fania) for a decade, in which they harvested successes like “Traición,” “Chotorro,” “Mi Desengaño,” “Fea,” “Marejada feliz,” “Cui cui,” and “El progreso,” among others. His popularity on the radio waves came accompanied with tours around the United States and Latin America.
Complementing the musicality of the salsa group was always the showmanship inherent in Roberto Roena. Dying his hair in new colors, playing percussion in his underwear and sporting a harness so he could “fly” around the stage of New York City's Madison Square Garden were some of the tricks that he used to stand out among the other groups in vogue. In fact, a noted journalist that followed Apollo Sound once remarked that they were “the first group in Puerto Rico with a system of psychedelic lights and go-go girls.”
Beginning in the 1980s, Roberto Roena and his Apollo Sound experienced a fade in popularity, reflecting a crisis that was sweeping through the salsa movement in general. Nevertheless, Roberto maintained himself by collaborating and recording independently with local groups. In 1990, Roena tried to revive the concept of Apollo Sound. He opened a concert for British rock singer Sting at the Coliseo Roberto Clemente, where he presented his hit salsa version of "Every Breath You Take" (with an amused Sting watching from the sidelines).
In 1994, he celebrated 25 years with his orchestra in a successful concert at the Centro de Bellas Artes in San Juan. This performance was recorded and released, validating his music for a new generation.
Roberto Roena has also been a long-time member of the Fania All Stars, the showcase group for the Fania Records label, which has enjoyed worldwide success since the 1970s. He recorded his signature song, "Coro Miyare", with the group; live performances of the song featured Roena playing the bongos and dancing with his uncle, legendary salsa dancer Aníbal Vázquez, in a choreographed section that almost always received standing ovations from the audience.
Mr. Roena took a giant step in the fusion of salsa with jazz, in the 1970s, by joining forces with African superstar (saxophonist) Manu Dibango of "Soul Makossa" fame.
Even without knowing how to read or write music, and probably because of it, Roena knew how to surround himself with excellent musicians and arrangers. "Apollo Sound" featured musicians from the ensemble of Tito Puente, "Cortijo y Su Combo", "El Gran Combo" and "Los Sunsets", among others. Some of the well renowned arrangers and composers who nourished his repertoire were Mario Ortiz, Bobby Valentín, Elias Lopés, Luis “Perico” Ortiz and Papo Lucca. With "Apollo Sound", Roberto introduced a “new” sound to salsa music by utilizing two trumpets, a trombone and a saxophone, a combination he took from the influence of the wind section of the rock group Blood, Sweat and Tears (in honor of which his band recorded a successful version of “Spinning Wheel”).
Roberto always considered variety as the key to success, leading him to include in his musical repertoire everything from go-go to the romantic, the same in English as in Spanish. Roberto Roena and his Apollo Sound’s first album produced hits of great impact like “Tú loco loco y yo tranquilo,” “El escapulario,” and “El sordo.” In fact, it was Apollo Sound who popularized the Bobby Capó classic, “Soñando con Puerto Rico.”
Apollo Sound recorded under the label International Records (a subsidiary of Fania) for a decade, in which they harvested successes like “Traición,” “Chotorro,” “Mi Desengaño,” “Fea,” “Marejada feliz,” “Cui cui,” and “El progreso,” among others. His popularity on the radio waves came accompanied with tours around the United States and Latin America.
Complementing the musicality of the salsa group was always the showmanship inherent in Roberto Roena. Dying his hair in new colors, playing percussion in his underwear and sporting a harness so he could “fly” around the stage of New York City's Madison Square Garden were some of the tricks that he used to stand out among the other groups in vogue. In fact, a noted journalist that followed Apollo Sound once remarked that they were “the first group in Puerto Rico with a system of psychedelic lights and go-go girls.”
Beginning in the 1980s, Roberto Roena and his Apollo Sound experienced a fade in popularity, reflecting a crisis that was sweeping through the salsa movement in general. Nevertheless, Roberto maintained himself by collaborating and recording independently with local groups. In 1990, Roena tried to revive the concept of Apollo Sound. He opened a concert for British rock singer Sting at the Coliseo Roberto Clemente, where he presented his hit salsa version of "Every Breath You Take" (with an amused Sting watching from the sidelines).
In 1994, he celebrated 25 years with his orchestra in a successful concert at the Centro de Bellas Artes in San Juan. This performance was recorded and released, validating his music for a new generation.
Ponte Duro
Roberto Roena y Su Apollo Sound Lyrics
We have lyrics for 'Ponte Duro' by these artists:
Fania All-Stars Ponte Duro Ponte Duro Ponte Duro Ponte Duro Ponte Duro Ponte…
We have lyrics for these tracks by Roberto Roena y Su Apollo Sound:
Amor En Banca Rota Reconocer que el total de lo que uno ha vivido Fueron…
Avisale A Mi Contrario Avísale a mi contrario que aquí estoy yo. Avísale a mi…
Como Te Hago Entender Cómo te hago entender Que a nadie extraño más Que…
Con los Pobres Estoy Agüita de ajonjolí Para los pobres soy, para los pobres soy …
Consolación Si no tuviera ese amor, aunque me cause dolor Si no…
Cui Cui Del manantial del alma, salen las lagrimas, las buenas inten…
El Que Se Fue Hay días en los que la vida se llena de…
El sordo Ah la la la la lo le le! Lo último es Oye,…
El Valor Que No Se Ve Hay días en los que la vida se llena de…
Ese Soy Yo Yo sé que nunca fui de ti nada Me lo inventé,…
Guaguanco Del Adios Con lágrimas no se curan heridas opino que no se debe…
Herencia Rumbera Rumberos de mucha rumba, congueros y bongoseros. Rumberos de…
La Distancia Aunque de tu pueblo al mío Hay un paso, hay un…
Lamento de Concepcion Como si todo en la vida le faltara Concepción eleva la…
Marejada Feliz Potente cual marajada fué su amor la playa de mi cariño…
Nadie Sabe Nadie sabe cuánto caminé Ni tampoco, lo que yo sufrí Cicatri…
Que Me Lo Den En Vida QUE ME LO DEN EN VIDA Roberto Roena Se que algún…
Que se sepa Si si, si do re do si do do La do…
Si Yo Pudiera Ay si yo pudiera, Cuanto daría! Si yo pudiera llevar alegri…
Traición Yo te tuve en un altar Como a un Dios yo…
Tu Loco Loco y Yo Tranquilo Y tu loco loco, pero yo tranquilo Y tu loco loco,…
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