Robyn's parents are actors, and she herself was involved in acting at the age of 9, with an extra role in Kronbruden at the Swedish theatre Dramaten. In 1991, at the age of 12, Robyn recorded the theme song named "Du kan alltid bli nummer ett" ("You can always be number one") for the Swedish television show Lilla Sportspegeln. In the same year she performed this song on television show Söndagsöppet. Robyn was rediscovered by Swedish pop singer Meja in the early 90s. Meja and her band Legacy of Sound visited Robyn's school and were involved with a musical workshop.
Following the completion of her middle school education, Robyn signed to Ricochet Records Sweden, a subsidiary of BMG. She collaborated with producers Max Martin and Denniz Pop. Writing duties were assisted by Ulf Lindstrom and Johan Ekhe, who also helped to produce the album, and they stayed on board with Robyn until 2003.
Robyn started her career in the pop music industry at the age of 16. She signed a record deal with RCA Records in 1994 to release her debut single "You've Got That Somethin'" in Sweden, followed by her breakthrough single "Do You Really Want Me (Show Respect)". In October 1996 she released her debut album Robyn Is Here. Robyn's US breakthrough came in 1997, when the dance-pop singles "Show Me Love" and "Do You Know (What It Takes)" reached the top 10 on the Billboard Hot 100.
Her second album My Truth was released in May 1999 in Sweden, with subsequent releases elsewhere in Europe. The single "Electric" was a hit across Europe, and propelled My Truth to second position in Sweden. Despite her success in the US market with her debut album, My Truth did not receive an international release.
In 1999, Robyn contributed to Christian Falk's debut solo album Quel Bordel, appearing on the tracks "Remember" and "Celebration". In 2000, she appeared on the track "Intro/Fristil" on Petter's self-titled album. In 2001, Robyn contributed the song "Say You'll Walk the Distance" to the soundtrack for the film On the Line.
In November 2002, Robyn swapped labels at BMG (from RCA to Jive Records) and released her third album Don't Stop The Music in Sweden. She issued the singles "Keep This Fire Burning" and "Don't Stop The Music" in Scandinavia and mainland Europe. The lead single "Keep This Fire Burning" was covered by British soul singer Beverley Knight.
The decade-long relationship between Robyn and BMG ceased in 2004. When they reacted negatively to "Who's That Girl", which showcased a new electropop sound, Robyn decided to release music on her own. In early 2005, she announced she would be leaving Jive Records to start her own record label, Konichiwa Records. In May 2004, Robyn's Best was released in America. It is essentially a condensed version of her debut album, containing no material from her later releases. In 2006, following her departure from BMG, the compilation Det Bästa Med Robyn (The Best of Robyn) was released in Sweden.
Robyn released the single "Be Mine!" in March 2005, followed a month later by her fourth studio album Robyn. This album became her first number one album upon its release in Sweden. Collaborators of this album include names like Klas Åhlund from Teddybears, the Swedish duo The Knife and former Cheiron producer Alexander Kronlund. Sampling influences from electronic, rap and R&B music, Robyn received rave reviews, and gained the singer three Swedish Grammy Awards in 2006 for "Årets Album" (Best Album), "Årets Kompositör" (Best Writer, alongside Klas Åhlund) and "Årets Pop Kvinnlig" (Best Pop Female). Robyn released three more singles from the eponymous album: "Who's That Girl", "Handle Me" and "Crash and Burn Girl".
In 2006 she featured on the Basement Jaxx track "Hey You", taken from their album Crazy Itch Radio. The year also marked the release of Christian Falk's second album People Say, on which Robyn contributed the tracks "Dream On" and "C.C.C.". In December 2006, she released The Rakamonie EP in the UK.
In March 2007, Robyn released the single "Konichiwa Bitches" in the UK, followed by the revised edition of the album Robyn in April 2007. This version contains slightly altered versions of two of the original songs and two new tracks: "With Every Heartbeat" (a collaboration with Kleerup) and "Cobrastyle" (a cover of a 2006 single by Swedish rockers Teddybears). The second single from this revised album was "With Every Heartbeat", issued in late July 2007 and reaching number one on the UK singles chart. Follow-up singles "Handle Me", "Be Mine!", "Who's That Girl" and "Dream On" were top thirty hits. Also in 2007, Robyn contributed vocals to Fleshquartet's single "This One's For You", from their album Voices of Eden.
The Rakamonie EP was released in January 2008 in the US under Cherrytree Records, a subsidiary of Interscope, and the US edition of her self-titled album was released in April 2008. "With Every Heartbeat (with Kleerup)", "Handle Me" and "Cobrastyle" were top ten club hits, and the former received airplay at US pop and dance radio stations. She was also featured on "Sexual Eruption (Fyre Department remix)" by Snoop Dogg.
Robyn completed a short US tour to promote the album Robyn, and was the supporting act for Madonna's Sticky & Sweet Tour at select European dates in 2008. In January 2009, Robyn won a Swedish Grammis Award for Best Live Act 2008. In 2009 she featured on the single "The Girl and the Robot" from the album Junior by Norwegian electronic band Röyksopp.
In 2010 Robyn announced she planned to release three albums in the same year. To promote the first part, she released the songs "Fembot", "Dancehall Queen" (produced by Diplo) and "None of Dem" (featuring Röyksopp) to digital outlets as promotional singles on 13 April 2010. Klas Åhlund was the main producer of all Body Talk albums.
Robyn released Body Talk Pt. 1, on 14 June 2010 in the Nordic countries through EMI and on 15 June 2010 in the US through Interscope. This mini-album was preceded on 1 June 2010 by the lead single "Dancing On My Own". The song became Robyn's first number one hit in Sweden, and her fourth top ten hit in both the UK and the US, peaking at #8 on the UK Singles Chart and at #3 on Billboard's Hot Dance Club Songs chart. Later The Guardian and Slant Magazine rated "Dancing On My Own" as the best song of 2010, and Pitchfork Media ranked it 4th in their Top 100 Tracks of 2010. On 30 August 2010, Robyn performed at Polar Music Prize 2010 a cover of "Hyperballad", with Björk being in the audience.
On 6 September 2010, Body Talk Pt. 2 was released in the UK. It was preceded on 5 September 2010 by the single "Hang With Me", a dance version of an acoustic song from Body Talk Pt. 1. This album also contains a duet with Snoop Dogg on "You Should Know Better (feat. Snoop Dogg)". On 12 September 2010 Robyn performed a remixed version of "Dancing On My Own" with deadmau5 at MTV Video Music Awards 2010.
Robyn released on 22 November 2010 (US and Scandinavia) the third and final part of the Body Talk series, entitled Body Talk. The album includes five songs from each previous Body Talk parts, along with five new songs. The new tracks have been made available separately as Body Talk Pt. 3 in the United States and Germany. The album was promoted mainly by the release of the single "Indestructible" on 1 November 2010. Body Talk received extremely favorable reviews from most music critics and featured on many year-end lists.
On 1st April 2011, Robyn issued the single "Call Your Girlfriend".
Official site: http://www.robyn.com
Anytime You Like
Robyn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's no right moment to break my heart
Boy, you can tell me anytime you like
We could talk any day of the week
I cry myself to sleep in my pink silk sheets
Boy, you can tell me anytime you like
Boy, you can tell me anytime you like
Under pressure
Alright
Under pressure
You and I
Under pressure
I was uptight
Under pressure, yeah
I keep quiet and hope you forget
You know that kitchen table, let's buy it
Boy, you can tell me anytime you like
Anytime
If I was brave I wouldn't keep my mouth shut
I'm selfish, I don't wanna give you up
Boy, you can tell me anytime you like x2
Under pressure
Alright
Under pressure
You and I
Under pressure
Love is uptight
Under pressure
Yeah
Under pressure, yeah
Under pressure
Alright
Under pressure
You and I
Under pressure
This love is uptight
Under pressure
Yeah
Hey baby
How'you doing?
How was you day?
What'you do?
I said I love you
Yeah?
What'you thinking about? x2
Tell me what's on your mind
Won't you tell me what's on your mind?
I love you so much
Boy, you can tell me
Boy, you can tell me anytime you like
The first verse of the song Anytime You Like by Robyn speaks of the hesitation the singer's lover feels to share his feelings with her. She implies that her lover is waiting for the right moment to break her heart, and she is ready to hear it anytime he likes. In the second verse, she talks about how she cries herself to sleep in her pink silk sheets, conveying a sense of vulnerability and emotional turmoil. She reassures her lover that he can tell her anything anytime he likes, emphasizing that she is there for him.
The chorus talks about being under pressure, both from internal and external forces, and how it affects love. The singer acknowledges that she keeps quiet, hoping her lover will forget and move on. However, she suggests that they buy a kitchen table together, indicating a desire to build a future with him. In the second verse, she admits to being selfish and not wanting to give him up, adding a layer of complexity to their relationship. The bridge has the singer and her lover engaged in a conversation, with her asking him about his day, thoughts, and feelings, underlining the importance of communication in a relationship.
Line by Line Meaning
It's like you're waiting for me to start
You seem to expect me to initiate difficult conversations or take action in our relationship.
There's no right moment to break my heart
There isn't a good time to tell me something that could be hurtful, but I'd prefer honesty over prolonging the inevitable.
Boy, you can tell me anytime you like
I want you to feel comfortable sharing your thoughts or feelings with me, regardless of when it is.
We could talk any day of the week
We can communicate and work on our relationship at any time, not just when convenient for one or the other.
I cry myself to sleep in my pink silk sheets
I'm hurting and feel alone, even in safe spaces like my bed.
Under pressure
Alright
Under pressure
You and I
Under pressure
I was uptight
Under pressure, yeah
Our relationship is strained and stressful, we both struggle to communicate effectively and it's affecting our mental states.
I keep quiet and hope you forget
I'm avoiding confrontation because I don't want to upset you or worsen our situation, but that's not a long term solution.
You know that kitchen table, let's buy it
I want to focus on creating a happy and functional home together, despite our relationship issues.
If I was brave I wouldn't keep my mouth shut
I need to work on being more honest and assertive in our relationship, rather than avoiding conflict.
I'm selfish, I don't wanna give you up
I acknowledge that I have flaws and can be self-centered, but I still care about you deeply and don't want to lose you.
Under pressure
Alright
Under pressure
You and I
Under pressure
Love is uptight
Under pressure
Yeah
We're struggling in our relationship, but we're willing to work through it because we love each other.
Hey baby
How'you doing?
How was you day?
What'you do?
I said I love you
Yeah?
What'you thinking about? x2
Tell me what's on your mind
Won't you tell me what's on your mind?
I love you so much
I want to connect with you on a deeper level and understand your thoughts and feelings. I care about you deeply and want to work through our relationship problems together.
Boy, you can tell me
Boy, you can tell me anytime you like
I want to remind you that I'm here for you and that you can share anything with me, no matter what.
Lyrics © Universal Music Publishing Group
Written by: JOHAN ANDERS LILJEDAHL, PATRIK JENS BERGER, ROBIN MIRIAM CARLSSON
Lyrics Licensed & Provided by LyricFind
monsieur ministre
That spoken part in the breakdown is the most heart-wrenching thing I've ever heard in a pop song. There's even a little breath of exasperation when the breakdown begins, as if the person she's addressing just entered the room. Robyn has a unique skill of story-telling not unlike what an accomplished actor would bring - probably thanks to her actor/director parents. You are instantly placed in that heartbreaking situation when listening. This is truly a remarkable piece of art.
Melvin
One of her best songs... the ending gives me the chills
kdj009
I luvv this song..Robyn is amazing. Thanks for sharing!
FreshMind Ideas
Awesome <3 looping it at our agency :)
astrolabe1976
has an 80s Prince like vibe to it
Eyrún Þóra Guðmundsdóttir
my fav. on her album :) <3<3
dangerousclever
incredible!
René Engel
I love her from all of my heart.
Ajay S Nair
Anyone listening in 2021? I love this from the first time I heard in 2011...
GCapriccio
This is one of the most gracious songs I've ever heard from any musician and or song writer. I was in awe when I heard this song. I'd like to tell you again and again what it's like to listen to your music. I'm sure that what ever you write in your next album would be like the rest of your career. I'm going to try to find you in the record store or some sort of mega market. I'd like to find you off the clock of the ever lasting internet beast.I'm going to be short, why can't I stop.