Robyn's parents are actors, and she herself was involved in acting at the age of 9, with an extra role in Kronbruden at the Swedish theatre Dramaten. In 1991, at the age of 12, Robyn recorded the theme song named "Du kan alltid bli nummer ett" ("You can always be number one") for the Swedish television show Lilla Sportspegeln. In the same year she performed this song on television show Söndagsöppet. Robyn was rediscovered by Swedish pop singer Meja in the early 90s. Meja and her band Legacy of Sound visited Robyn's school and were involved with a musical workshop.
Following the completion of her middle school education, Robyn signed to Ricochet Records Sweden, a subsidiary of BMG. She collaborated with producers Max Martin and Denniz Pop. Writing duties were assisted by Ulf Lindstrom and Johan Ekhe, who also helped to produce the album, and they stayed on board with Robyn until 2003.
Robyn started her career in the pop music industry at the age of 16. She signed a record deal with RCA Records in 1994 to release her debut single "You've Got That Somethin'" in Sweden, followed by her breakthrough single "Do You Really Want Me (Show Respect)". In October 1996 she released her debut album Robyn Is Here. Robyn's US breakthrough came in 1997, when the dance-pop singles "Show Me Love" and "Do You Know (What It Takes)" reached the top 10 on the Billboard Hot 100.
Her second album My Truth was released in May 1999 in Sweden, with subsequent releases elsewhere in Europe. The single "Electric" was a hit across Europe, and propelled My Truth to second position in Sweden. Despite her success in the US market with her debut album, My Truth did not receive an international release.
In 1999, Robyn contributed to Christian Falk's debut solo album Quel Bordel, appearing on the tracks "Remember" and "Celebration". In 2000, she appeared on the track "Intro/Fristil" on Petter's self-titled album. In 2001, Robyn contributed the song "Say You'll Walk the Distance" to the soundtrack for the film On the Line.
In November 2002, Robyn swapped labels at BMG (from RCA to Jive Records) and released her third album Don't Stop The Music in Sweden. She issued the singles "Keep This Fire Burning" and "Don't Stop The Music" in Scandinavia and mainland Europe. The lead single "Keep This Fire Burning" was covered by British soul singer Beverley Knight.
The decade-long relationship between Robyn and BMG ceased in 2004. When they reacted negatively to "Who's That Girl", which showcased a new electropop sound, Robyn decided to release music on her own. In early 2005, she announced she would be leaving Jive Records to start her own record label, Konichiwa Records. In May 2004, Robyn's Best was released in America. It is essentially a condensed version of her debut album, containing no material from her later releases. In 2006, following her departure from BMG, the compilation Det Bästa Med Robyn (The Best of Robyn) was released in Sweden.
Robyn released the single "Be Mine!" in March 2005, followed a month later by her fourth studio album Robyn. This album became her first number one album upon its release in Sweden. Collaborators of this album include names like Klas Åhlund from Teddybears, the Swedish duo The Knife and former Cheiron producer Alexander Kronlund. Sampling influences from electronic, rap and R&B music, Robyn received rave reviews, and gained the singer three Swedish Grammy Awards in 2006 for "Årets Album" (Best Album), "Årets Kompositör" (Best Writer, alongside Klas Åhlund) and "Årets Pop Kvinnlig" (Best Pop Female). Robyn released three more singles from the eponymous album: "Who's That Girl", "Handle Me" and "Crash and Burn Girl".
In 2006 she featured on the Basement Jaxx track "Hey You", taken from their album Crazy Itch Radio. The year also marked the release of Christian Falk's second album People Say, on which Robyn contributed the tracks "Dream On" and "C.C.C.". In December 2006, she released The Rakamonie EP in the UK.
In March 2007, Robyn released the single "Konichiwa Bitches" in the UK, followed by the revised edition of the album Robyn in April 2007. This version contains slightly altered versions of two of the original songs and two new tracks: "With Every Heartbeat" (a collaboration with Kleerup) and "Cobrastyle" (a cover of a 2006 single by Swedish rockers Teddybears). The second single from this revised album was "With Every Heartbeat", issued in late July 2007 and reaching number one on the UK singles chart. Follow-up singles "Handle Me", "Be Mine!", "Who's That Girl" and "Dream On" were top thirty hits. Also in 2007, Robyn contributed vocals to Fleshquartet's single "This One's For You", from their album Voices of Eden.
The Rakamonie EP was released in January 2008 in the US under Cherrytree Records, a subsidiary of Interscope, and the US edition of her self-titled album was released in April 2008. "With Every Heartbeat (with Kleerup)", "Handle Me" and "Cobrastyle" were top ten club hits, and the former received airplay at US pop and dance radio stations. She was also featured on "Sexual Eruption (Fyre Department remix)" by Snoop Dogg.
Robyn completed a short US tour to promote the album Robyn, and was the supporting act for Madonna's Sticky & Sweet Tour at select European dates in 2008. In January 2009, Robyn won a Swedish Grammis Award for Best Live Act 2008. In 2009 she featured on the single "The Girl and the Robot" from the album Junior by Norwegian electronic band Röyksopp.
In 2010 Robyn announced she planned to release three albums in the same year. To promote the first part, she released the songs "Fembot", "Dancehall Queen" (produced by Diplo) and "None of Dem" (featuring Röyksopp) to digital outlets as promotional singles on 13 April 2010. Klas Åhlund was the main producer of all Body Talk albums.
Robyn released Body Talk Pt. 1, on 14 June 2010 in the Nordic countries through EMI and on 15 June 2010 in the US through Interscope. This mini-album was preceded on 1 June 2010 by the lead single "Dancing On My Own". The song became Robyn's first number one hit in Sweden, and her fourth top ten hit in both the UK and the US, peaking at #8 on the UK Singles Chart and at #3 on Billboard's Hot Dance Club Songs chart. Later The Guardian and Slant Magazine rated "Dancing On My Own" as the best song of 2010, and Pitchfork Media ranked it 4th in their Top 100 Tracks of 2010. On 30 August 2010, Robyn performed at Polar Music Prize 2010 a cover of "Hyperballad", with Björk being in the audience.
On 6 September 2010, Body Talk Pt. 2 was released in the UK. It was preceded on 5 September 2010 by the single "Hang With Me", a dance version of an acoustic song from Body Talk Pt. 1. This album also contains a duet with Snoop Dogg on "You Should Know Better (feat. Snoop Dogg)". On 12 September 2010 Robyn performed a remixed version of "Dancing On My Own" with deadmau5 at MTV Video Music Awards 2010.
Robyn released on 22 November 2010 (US and Scandinavia) the third and final part of the Body Talk series, entitled Body Talk. The album includes five songs from each previous Body Talk parts, along with five new songs. The new tracks have been made available separately as Body Talk Pt. 3 in the United States and Germany. The album was promoted mainly by the release of the single "Indestructible" on 1 November 2010. Body Talk received extremely favorable reviews from most music critics and featured on many year-end lists.
On 1st April 2011, Robyn issued the single "Call Your Girlfriend".
Official site: http://www.robyn.com
Handle Me
Robyn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sure, you own a cool bar and I hear you get far with every waitress
Yeah, I saw you on the poster your song is the bomb and you're outrageous
Sure, I see you're livin' large with your crib and your cars
And that's just great but
Let me tell you how it be
You won't get with this you see
Yeah, you make your big move and I see you're not used to being rejected
Sure, you makin' that call to your guy and I'm sure you're well connected
Yeah, judging from that line you just passed you are well known and respected
Sure, would me and my girls come participate in something you directed
Let me tell you how it be
You won't get with this you see
'Cause you can't handle me
It's a simple fact
That you can't seem to handle me
No matter how you act with them
You can't handle me
You gotta make me feel you got my back
But you're a selfish narcissistic psycho freaking boot-licking Nazi creep
And you can't handle me
Yeah, I think you're kinda cute when you try and act like you ain't lookin'
Sure, I think you're kinda fly and your ride sure is off the hookin'
Yeah, bet you could take my mind off things for some time and take me shoppin'
Sure, you writin' those rhymes and the acts you produce are really kickin'
But
Let me tell you how it be
You won't get with this you see
'Cause you can't handle me
It's a simple fact
That you can't seem to handle me
No matter how you act with them
You can't handle me
It's a simple fact
That you can't seem to handle me
No matter how you act with them
You can't handle me
You gotta make me feel you got my back
But you're a selfish narcissistic psycho freaking boot-licking Nazi creep
And you can't handle me
Yeah, I heard about some guy that you beat pretty bad and got in the papers
Sure, you own a cool bar and I hear you get far with every waitress
Yeah, I saw you on the poster your song is the bomb and you're outrageous
Sure, I see you're livin' large with your crib and your cars
And that's just great but
Let me tell you how it be
You won't get with this you see
'Cause you can't handle me
It's a simple fact
That you can't seem to handle me
No matter how you act with them
You can't handle me
It's a simple fact
That you can't seem to handle me
No matter how you act with them
You can't handle me
You gotta make me feel you got my back
But you're a selfish narcissistic psycho freaking boot-licking Nazi creep
And you can't handle me
The lyrics of Robyn's song Handle Me are a commentary on the male ego and toxic masculinity. The singer of the song is a confident, independent woman who is unimpressed by the fame, money, and power of the man she is addressing. She acknowledges that he is successful in various ways - he owns a bar, has a hit song, and is connected in the music industry - but she is not interested in him because he cannot handle her.
Throughout the song, the singer lists off the ways in which the man falls short of her expectations. He is not used to being rejected, he is selfish and narcissistic, and he is incapable of supporting her. The repetition of the phrase "you can't handle me" underscores the singer's power and suggests that the man's attempts to win her over are futile.
The song can be read as a feminist anthem, celebrating female strength and independence. It also critiques the toxic masculine ideals that equate success with domination and control. Furthermore, the song suggests that men who cannot handle strong women are ultimately missing out on meaningful relationships.
Line by Line Meaning
Yeah, I heard about some guy that you beat pretty bad and got in the papers
I know about the incident where you beat someone badly and it was reported in the news.
Sure, you own a cool bar and I hear you get far with every waitress
I have heard that you are the owner of a trendy bar and you have way with all the waitresses.
Yeah, I saw you on the poster your song is the bomb and you're outrageous
I have seen your poster and I know that your music and performance is amazing and unique.
Sure, I see you're livin' large with your crib and your cars
I can see that you are living a luxurious and extravagant lifestyle with your expensive house and cars.
And that's just great but
All of that is impressive, but it doesn't really matter to me.
Let me tell you how it be
I want to be honest with you and tell you the truth.
You won't get with this you see
You won't be able to be with me because I am not interested.
'Cause you can't handle me
You cannot handle my personality and my expectations in a relationship.
It's a simple fact
It is a straightforward truth.
That you can't seem to handle me
You are unable to cope with me and my nature.
No matter how you act with them
Your behavior with others has no effect on how you interact with me.
You gotta make me feel you got my back
You need to support and be there for me always.
But you're a selfish narcissistic psycho freaking boot-licking Nazi creep
You may be self-centered, mentally unstable and a horrible person.
And you can't handle me
You are incapable of managing me or our relationship.
Yeah, you make your big move and I see you're not used to being rejected
You are trying to impress me, but I can sense that you are not used to being rejected.
Sure, you makin' that call to your guy and I'm sure you're well connected
I can tell that you have a good network and are making a call to someone important.
Yeah, judging from that line you just passed you are well known and respected
From the comment you just made, I can tell that you are well known and have gained respect.
Sure, would me and my girls come participate in something you directed
You are asking me and my friends to participate in something directed by you, but I am not interested.
It's a simple fact
It is a straightforward truth.
That you can't seem to handle me
You are unable to cope with me and my nature.
You won't get with this you see
You won't be able to be with me because I am not interested.
It's a simple fact
It is a straightforward truth.
That you can't seem to handle me
You are unable to cope with me and my nature.
No matter how you act with them
Your behavior with others has no effect on how you interact with me.
You gotta make me feel you got my back
You need to support and be there for me always.
But you're a selfish narcissistic psycho freaking boot-licking Nazi creep
You may be self-centered, mentally unstable and a horrible person.
And you can't handle me
You are incapable of managing me or our relationship.
Yeah, I think you're kinda cute when you try and act like you ain't lookin'
I find it amusing when you try to act like you are not interested in me.
Sure, I think you're kinda fly and your ride sure is off the hookin'
I think you are attractive and your car is impressive.
Yeah, bet you could take my mind off things for some time and take me shoppin'
I am tempted by the idea of you taking me shopping and distracting me for a while.
Sure, you writin' those rhymes and the acts you produce are really kickin'
I acknowledge that your music and productions are impressive and interesting.
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: KLAS FRANS AHLUND
Lyrics Licensed & Provided by LyricFind