Robyn's parents are actors, and she herself was involved in acting at the age of 9, with an extra role in Kronbruden at the Swedish theatre Dramaten. In 1991, at the age of 12, Robyn recorded the theme song named "Du kan alltid bli nummer ett" ("You can always be number one") for the Swedish television show Lilla Sportspegeln. In the same year she performed this song on television show Söndagsöppet. Robyn was rediscovered by Swedish pop singer Meja in the early 90s. Meja and her band Legacy of Sound visited Robyn's school and were involved with a musical workshop.
Following the completion of her middle school education, Robyn signed to Ricochet Records Sweden, a subsidiary of BMG. She collaborated with producers Max Martin and Denniz Pop. Writing duties were assisted by Ulf Lindstrom and Johan Ekhe, who also helped to produce the album, and they stayed on board with Robyn until 2003.
Robyn started her career in the pop music industry at the age of 16. She signed a record deal with RCA Records in 1994 to release her debut single "You've Got That Somethin'" in Sweden, followed by her breakthrough single "Do You Really Want Me (Show Respect)". In October 1996 she released her debut album Robyn Is Here. Robyn's US breakthrough came in 1997, when the dance-pop singles "Show Me Love" and "Do You Know (What It Takes)" reached the top 10 on the Billboard Hot 100.
Her second album My Truth was released in May 1999 in Sweden, with subsequent releases elsewhere in Europe. The single "Electric" was a hit across Europe, and propelled My Truth to second position in Sweden. Despite her success in the US market with her debut album, My Truth did not receive an international release.
In 1999, Robyn contributed to Christian Falk's debut solo album Quel Bordel, appearing on the tracks "Remember" and "Celebration". In 2000, she appeared on the track "Intro/Fristil" on Petter's self-titled album. In 2001, Robyn contributed the song "Say You'll Walk the Distance" to the soundtrack for the film On the Line.
In November 2002, Robyn swapped labels at BMG (from RCA to Jive Records) and released her third album Don't Stop The Music in Sweden. She issued the singles "Keep This Fire Burning" and "Don't Stop The Music" in Scandinavia and mainland Europe. The lead single "Keep This Fire Burning" was covered by British soul singer Beverley Knight.
The decade-long relationship between Robyn and BMG ceased in 2004. When they reacted negatively to "Who's That Girl", which showcased a new electropop sound, Robyn decided to release music on her own. In early 2005, she announced she would be leaving Jive Records to start her own record label, Konichiwa Records. In May 2004, Robyn's Best was released in America. It is essentially a condensed version of her debut album, containing no material from her later releases. In 2006, following her departure from BMG, the compilation Det Bästa Med Robyn (The Best of Robyn) was released in Sweden.
Robyn released the single "Be Mine!" in March 2005, followed a month later by her fourth studio album Robyn. This album became her first number one album upon its release in Sweden. Collaborators of this album include names like Klas Åhlund from Teddybears, the Swedish duo The Knife and former Cheiron producer Alexander Kronlund. Sampling influences from electronic, rap and R&B music, Robyn received rave reviews, and gained the singer three Swedish Grammy Awards in 2006 for "Årets Album" (Best Album), "Årets Kompositör" (Best Writer, alongside Klas Åhlund) and "Årets Pop Kvinnlig" (Best Pop Female). Robyn released three more singles from the eponymous album: "Who's That Girl", "Handle Me" and "Crash and Burn Girl".
In 2006 she featured on the Basement Jaxx track "Hey You", taken from their album Crazy Itch Radio. The year also marked the release of Christian Falk's second album People Say, on which Robyn contributed the tracks "Dream On" and "C.C.C.". In December 2006, she released The Rakamonie EP in the UK.
In March 2007, Robyn released the single "Konichiwa Bitches" in the UK, followed by the revised edition of the album Robyn in April 2007. This version contains slightly altered versions of two of the original songs and two new tracks: "With Every Heartbeat" (a collaboration with Kleerup) and "Cobrastyle" (a cover of a 2006 single by Swedish rockers Teddybears). The second single from this revised album was "With Every Heartbeat", issued in late July 2007 and reaching number one on the UK singles chart. Follow-up singles "Handle Me", "Be Mine!", "Who's That Girl" and "Dream On" were top thirty hits. Also in 2007, Robyn contributed vocals to Fleshquartet's single "This One's For You", from their album Voices of Eden.
The Rakamonie EP was released in January 2008 in the US under Cherrytree Records, a subsidiary of Interscope, and the US edition of her self-titled album was released in April 2008. "With Every Heartbeat (with Kleerup)", "Handle Me" and "Cobrastyle" were top ten club hits, and the former received airplay at US pop and dance radio stations. She was also featured on "Sexual Eruption (Fyre Department remix)" by Snoop Dogg.
Robyn completed a short US tour to promote the album Robyn, and was the supporting act for Madonna's Sticky & Sweet Tour at select European dates in 2008. In January 2009, Robyn won a Swedish Grammis Award for Best Live Act 2008. In 2009 she featured on the single "The Girl and the Robot" from the album Junior by Norwegian electronic band Röyksopp.
In 2010 Robyn announced she planned to release three albums in the same year. To promote the first part, she released the songs "Fembot", "Dancehall Queen" (produced by Diplo) and "None of Dem" (featuring Röyksopp) to digital outlets as promotional singles on 13 April 2010. Klas Åhlund was the main producer of all Body Talk albums.
Robyn released Body Talk Pt. 1, on 14 June 2010 in the Nordic countries through EMI and on 15 June 2010 in the US through Interscope. This mini-album was preceded on 1 June 2010 by the lead single "Dancing On My Own". The song became Robyn's first number one hit in Sweden, and her fourth top ten hit in both the UK and the US, peaking at #8 on the UK Singles Chart and at #3 on Billboard's Hot Dance Club Songs chart. Later The Guardian and Slant Magazine rated "Dancing On My Own" as the best song of 2010, and Pitchfork Media ranked it 4th in their Top 100 Tracks of 2010. On 30 August 2010, Robyn performed at Polar Music Prize 2010 a cover of "Hyperballad", with Björk being in the audience.
On 6 September 2010, Body Talk Pt. 2 was released in the UK. It was preceded on 5 September 2010 by the single "Hang With Me", a dance version of an acoustic song from Body Talk Pt. 1. This album also contains a duet with Snoop Dogg on "You Should Know Better (feat. Snoop Dogg)". On 12 September 2010 Robyn performed a remixed version of "Dancing On My Own" with deadmau5 at MTV Video Music Awards 2010.
Robyn released on 22 November 2010 (US and Scandinavia) the third and final part of the Body Talk series, entitled Body Talk. The album includes five songs from each previous Body Talk parts, along with five new songs. The new tracks have been made available separately as Body Talk Pt. 3 in the United States and Germany. The album was promoted mainly by the release of the single "Indestructible" on 1 November 2010. Body Talk received extremely favorable reviews from most music critics and featured on many year-end lists.
On 1st April 2011, Robyn issued the single "Call Your Girlfriend".
Official site: http://www.robyn.com
I Wish
Robyn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
So I could wreck myself in the shower.
Sometimes I wish I was a pretty girl,
So I could wreck myself in the shower.
Been on my own so long,
I can't tell left from wrong.
Bloody, red, bats squelching awful.
Sometimes I wish I was a pretty girl,
So I could wreck myself in the shower.
Sometimes I wish I was a pretty girl,
So I could wreck myself in the shower.
Been on my own all night,
I can't tell left from right.
Baby, come back; give me fever;
Cauterize this passion
With a blood red kiss.
Sometimes I wish I was a pretty girl,
So I could wreck myself in the shower.
Sometimes I wish I was a pretty girl,
So I could stab myself in the shower.
Sometimes I wish I was a...
So I could...
The lyrics of the song Sometimes I Wish I Was a Pretty Girl are mysterious and open to interpretation. On the surface, the lyrics seem to express a desire to be a more conventionally attractive woman in order to indulge in self-destructive behavior. While the lines "So I could wreck myself in the shower" and "So I could stab myself in the shower" are disturbing and suggest self-harm, they may also be interpreted as a metaphorical expression of the artist's feelings of loneliness, despair, and a desire for release.
The verse "Been on my own so long, I can't tell left from wrong" suggests a disconnect from the world and a sense of disorientation that can lead to destructive behavior. The image of "bloody, red, bats squelching awful" is disturbing and implies violence, while "foaming mutilations in the kiss of death" suggests a relationship or a situation that is painful and damaging.
The lyrics "Baby, come back; give me fever; Cauterize this passion/With a blood-red kiss" can be interpreted in different ways. It may suggest a longing for someone who is no longer there or who is unattainable, or it may express a desire for a relationship that is intense and passionate, even if it is also destructive.
Overall, the song Sometimes I Wish I Was a Pretty Girl is a moody and introspective piece that explores themes of loneliness, self-destruction, and the desire for release. The lyrics are open to interpretation and can be seen as a reflection of the artist's personal struggles or as a commentary on the human condition.
Line by Line Meaning
Sometimes I wish I was a pretty girl,
The singer has moments of wishing that they were someone else entirely, specifically a pretty girl.
So I could wreck myself in the shower.
The singer wants to be able to release their emotional pain and anguish in a private setting, such as the shower.
Been on my own so long,
The singer has been alone for an extended period of time.
I can't tell left from wrong.
The artist is struggling to distinguish between what is right and what is wrong.
Bloody, red, bats squelching awful.
The artist's thoughts are gruesome and disturbing.
Foaming mutilations in the kiss of death.
The singer is consumed by thoughts of death and destruction.
Been on my own all night,
The singer has been on their own throughout the night.
I can't tell left from right.
The artist is still struggling to differentiate between what is right and what is wrong.
Baby, come back; give me fever;
The artist is longing for someone they lost and wishes they could have the passionate energy of a fever.
Cauterize this passion
The artist wants to rid themselves of their intense feelings and desires.
With a blood red kiss.
The singer desires a passionate, potentially violent, release from their current emotional turmoil.
Sometimes I wish I was a pretty girl,
The artist's longing to be someone else, specifically a pretty girl, resurfaces.
So I could stab myself in the shower.
The intensity of the singer's emotional pain is so great that they wish they could harm themselves to alleviate it.
Sometimes I wish I was a...
The singer's thoughts trail off into further desires and longings.
So I could...
The singer wishes they could engage in some sort of destructive or self-harmful behavior as a release from their pain.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: ROBYN HITCHCOCK
Lyrics Licensed & Provided by LyricFind
Kia Lorraine
OMG! Brings back so much memories. I use to play this whole CD out. This was my favorite song on the album. <3
Amanda Rose
Me too
BoxyPunkChick
I used to own this album when I was younger. I still remember this song word for word. And now my kids asked me where I learned it, and so I am glad I found this here because now I can share it with them. This song truly is one that is best acapela.
Jaime Harmon
Still love this song... brings back so many memories
Michelle Ryan
Her voice is really incredible. I don't understand why she isn't more popular.
lukus black
After all these years... still... goosebumps.
Waynesha Pye
Her voice is so amazing
MillMills
I sang I Wish Acapella when I was in Junior High for Caberet. It was intense...I love Robyn and always will
Planetjacker2k5
I first heard Robyn on a background cd that played at a theater I worked at. I bought the cd based on that one song and this version was on that cd. As soon as I heard it I was blown away and knew I would be a fan. And I am to this day.
Mey Saephan
So underrated. Amazing!