Roger Waters was the main lyricist for the classic British rock band Pink Floyd. He, along with Syd Barrett, Nick Mason, and Richard Wright, formed the band in 1965 and released their first album, The Piper at the Gates of Dawn in 1967. In 1968, Syd Barrett was replaced by guitarist/singer David Gilmour. He and Gilmour were the main creative forces behind the albums Meddle, Dark Side of the Moon, and Wish You Were Here; Waters eventually became the primary songwriter, being the driving force behind Animals, and The Wall as well as the sole songwriter of The Final Cut. Waters became well-known for being an intense perfectionist and his controlling nature alienated the rest of the band. The Final Cut, released in 1983, was essentially a Roger Waters solo album "performed by Pink Floyd" as the credits stated. This would be the group's last album with Waters. David Gilmour decided to carry on with Pink Floyd and Waters, believing that Pink Floyd was a "non-entity" without him, sued the rest of the band to retire the Pink Floyd name. His lawsuit ultimately failed, and Pink Floyd released three more studio albums and two double live albums, without him.
The feud between David Gilmour and Roger Waters lasted for decades, and it wasn't until Live 8 in 2005 that they finally decided to set their differences aside and perform a brief set for the charity gig. This would be the last time that Pink Floyd would ever perform together in their "classic" lineup. Shortly after the show, there was much speculation that Pink Floyd would get back together for a full reunion tour, but Gilmour ultimately nixed the idea, stating that although the Live 8 gig was fun, the rehearsals were not.
Much to everyone's surprise, Gilmour and Waters reunited once again on July 11, 2010 for a charity performance for “The Hoping Foundation,” an organization that supports Palestinian refugee kids. At Ronnie Scott’s club in London, the duo performed four songs together: “To Know Him Is to Love Him” (a cover of the old Teddy Bear’s song), “Wish You Were Here,” “Comfortably Numb,” and finally (after a special request) “Another Brick in the Wall Part 2.” Once again, just like after the Live 8 Reunion, speculation began regarding future reunions. No official Pink Floyd reunion has yet been set, but Gilmour did promise that he would join Roger Waters for one show on his 2010-11 “The Wall” tour, performing “Comfortably Numb.” Gilmour fulfilled his promise on May 14, 2011 in London.
Waters has so far released the following solo albums:
* Music from The Body soundtrack with Ron Geesin(1970)
* The Pros and Cons of Hitch Hiking (1984)
* When the Wind Blows soundtrack with contributions from other artists as well (1986)
* Radio K.A.O.S. (1987)
* The Wall: Live in Berlin (1990)
* Amused to Death (1992)
* In the Flesh live (2000)
* Flickering Flame: The Solo Years, Vol. 1 (2003)
* Ça Ira (Opera) (2005)
*Is This the Life We Really Want? (2017)
*Igor Stravinsky's The Soldier's Tale (2018)
*The Lockdown Sessions (2022)
4:33 AM
Roger Waters Lyrics
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The soles of my running shoes gripping
The tarmac like gunmetal magnets
Fixed on the front of her Fassbinder face
Was the kind of a smile
That only a rather dull child could have drawn
While attempting a graveyard in the moonlight
But she was impressed
And when she turned sweeter
The reason, between you and me, was
She'd just seen my green Lamborghini
[RW:] "I think it was the Lamborghini."
So we went for a spin in the country
To feel the wind in our hair
To feel the power of my engine
To feel the thrill of desire
And then in the trees I heard a twig snap
Warning lights flashed on my map
I opened my eyes and to my surprise
There were Arabs with knives at the front of the bed
Right at the front of the bed
Oh my God, how did they get in here
I thought we were safe home in England
She said, come on now kid, it was wrong what you did
You've got to admit it was wrong what you did
You've got to admit it was wrong
[Jade:] "Oh god....Jesus..."
The song Running Shoes by Roger Waters is a story about a man who impresses a woman with his fancy car and goes on a spin with her. As they drive deeper into the country, they get lost and eventually pull over into a secluded wooded area. Suddenly, the man hears a twig snap and realizes that they are not alone. As the story unfolds, we learn that the man had stolen the Lamborghini, and now the people who owned it were after him. The woman tries to reason with him, telling him that stealing the car was wrong, and he should admit to his mistake.
The song is a commentary on the shallowness of materialism and how it can lead to one's downfall. The singer is consumed by his desire for material possessions and fails to realize that stealing someone's car is wrong. He puts himself and the woman in danger as a result of his actions. The woman represents the voice of reason and tries to reason with him, but he is too blinded by his desire for the car. The song is a cautionary tale, warning against the dangers of materialism and the need to take responsibility for our actions.
Line by Line Meaning
So I stood by the roadside
The persona in the song is describing a situation where they were standing on the side of the road.
The soles of my running shoes gripping
The soles of the persona's running shoes are holding onto the surface of the road tightly.
The tarmac like gunmetal magnets
The surface of the road is attracting the persona's running shoes like metal attracts a magnet.
Fixed on the front of her Fassbinder face
The persona in the song is looking directly at the front of the face of the person they are describing.
Was the kind of a smile
The person being described had a smile on their face.
That only a rather dull child could have drawn
The smile on the person's face was drawn in a way that suggested that someone with little artistic talent or creativity drew it.
While attempting a graveyard in the moonlight
The smile on the person's face was drawn in a way that suggested they were trying to draw a scene of a graveyard at night.
But she was impressed
The person being described was impressed by the persona's appearance.
You could see that she thought I looked fine
It was apparent from the person's reaction that they found the persona to be attractive.
And when she turned sweeter
As the conversation continued, the person being described became more pleasant.
The reason, between you and me, was
The persona is about to reveal why the person being described became more pleasant.
She'd just seen my green Lamborghini
The reason why the person being described became more pleasant is that they had just seen the persona's expensive, luxurious car.
So we went for a spin in the country
The persona and the person being described went for a drive in the countryside.
To feel the wind in our hair
The persona and the person being described went for a drive to experience the sensation of wind blowing through their hair.
To feel the power of my engine
The persona and the person being described went for a drive to experience the power of the engine in the car.
To feel the thrill of desire
The persona and the person being described went for a drive to experience the sense of excitement and desire that comes with such experiences.
And then in the trees I heard a twig snap
The persona heard a twig snap coming from the trees nearby.
Warning lights flashed on my map
Warning lights appeared on the persona's map or dashboard, indicating that something was wrong.
I opened my eyes and to my surprise
The persona opened their eyes and was surprised by what they saw.
There were Arabs with knives at the front of the bed
The persona saw Arabs holding knives at the front of their bed.
Right at the front of the bed
The Arabs with knives were directly at the front of the bed where the persona and the person being described were located.
Oh my God, how did they get in here
The persona was shocked and frightened by the sight of the Arabs with knives in their room.
I thought we were safe home in England
The persona thought that they were safe in their home country of England.
She said, come on now kid, it was wrong what you did
The person being described scolded the persona for something they did that caused a dangerous situation to arise.
You've got to admit it was wrong what you did
The person being described insisted that the persona take responsibility for their actions and admit that what they did was wrong.
You've got to admit it was wrong
The person being described continued to insist that the persona admit their wrongdoing.
Oh god....Jesus...
The person being described expressed shock and fear about the situation with the Arabs and their knives.
Lyrics © OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
@mr.blue7357
Roger Waters Musical Genius
@mr.blue7357
The King of Concept Albums
@D7niel1
Gran Canciòn, Gran Disco
@brianbucher6683
Genius
@Asafelobo
love it
@michaelkatz715
I just love this guy.
@williamglenn777
Takes the prize for most amazing line ever: “Fixed on the front of her Fassbender face was the kind of a smile that only a rather dull child would have drawn while attempting a graveyard in the moonlight.”
@monicastocco1468
1:38 wow .... Roger 💋
@kemcloudking4919
There seems to be very few of us......and them
@jerogutierrez1816
Minute 2:04 to 3:00 pure magic!