Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appea… Read Full Bio ↴Ron Carter (born May 4, 1937) is an American jazz double-bassist. His appearances on over 2,500 albums make him one of the most-recorded bassists in jazz history. Carter is also an acclaimed cellist who has recorded numerous times on that instrument. He was elected to the Down Beat Jazz Hall of Fame in 2012.
Carter was born in Ferndale, Michigan. He started to play cello at the age of 10 (1947), but when his family moved to Detroit, he ran into difficulties regarding the racial stereotyping of classical musicians and instead moved to bass. He attended the historic Cass Technical High School in Detroit, and, later, the Eastman School of Music in Rochester, New York, where he played in its Philharmonic Orchestra. He gained his bachelor's degree at Eastman in 1959, and in 1961 a master's degree in double bass performance from the Manhattan School of Music in New York City.
His first jobs as a jazz musician were with Jaki Byard and Chico Hamilton. His first records were made with Eric Dolphy (another former member of Hamilton's group) and Don Ellis, in 1960. His own first date as leader, with Eric Dolphy, Charlie Persip, Mal Waldron, George Duvivier, and a date also with Dolphy called Out There with George Duvivier and Roy Haynes and Carter on cello; its advanced harmonies and concepts were in step with the third stream movement.
Carter came to fame via the second great Miles Davis Quintet in the early 1960s, which also included Herbie Hancock, Wayne Shorter and Tony Williams. Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven and the follow-up E.S.P., the latter being the first album to feature only the full quintet. It also featured three of Carter's compositions (the only time he contributed compositions to Davis's group). He stayed with Davis until 1968 (when he was replaced by Dave Holland), and participated in a couple of studio sessions with Davis in 1969 and 1970. Although he played electric bass occasionally during this period, he has subsequently eschewed that instrument entirely, and now plays only acoustic bass.
Carter also performed on some of Hancock, Williams and Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver and others.
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians. Notable musical partnerships in the '70s and '80s included Joe Henderson, Houston Person, Hank Jones, and Cedar Walton. During the 1970s he was a member of the New York Jazz Quartet.
He appears on the alternative hip-hop group A Tribe Called Quest's influential album The Low End Theory on a track called "Verses from the Abstract". He also appears as a member of the jazz combo the Classical Jazz Quartet.
In 1994, Carter appeared on the Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as "Album of the Year" by TIME. In 2001, Carter collaborated with Black Star and John Patton to record "Money Jungle" for the Red Hot Organization's compilation album, Red Hot + Indigo, a tribute to Duke Ellington.
Carter was Distinguished Professor Emeritus of the Music Department of The City College of New York, having taught there for twenty years, and received an honorary Doctorate from the Berklee College of Music, in Spring 2005.[4] He joined the faculty of the Juilliard School in New York City in 2008, teaching bass in the school's Jazz Studies program. Carter made a notable appearance in Robert Altman's 1996 film, Kansas City. The end credits feature him and fellow bassist Christian McBride duetting on "Solitude".
Ron Carter sits on the Advisory Committee of the Board of Directors of The Jazz Foundation of America as well as the Honorary Founder's Committee. Carter has worked with the Jazz Foundation since its inception to save the homes and the lives of America's elderly jazz and blues musicians including musicians that survived Hurricane Katrina.
Carter appeared as himself in an episode of the HBO series Treme entitled "What Is New Orleans."
Carter's authorized biography, Ron Carter: Finding the Right Notes, by Dan Ouellette was published by ArtistShare in 2008.
In 2013, Carter was one of four judges at Jazz at Lincoln Center's 18th Annual Essentially Ellington competition and festival.
Carter was born in Ferndale, Michigan. He started to play cello at the age of 10 (1947), but when his family moved to Detroit, he ran into difficulties regarding the racial stereotyping of classical musicians and instead moved to bass. He attended the historic Cass Technical High School in Detroit, and, later, the Eastman School of Music in Rochester, New York, where he played in its Philharmonic Orchestra. He gained his bachelor's degree at Eastman in 1959, and in 1961 a master's degree in double bass performance from the Manhattan School of Music in New York City.
His first jobs as a jazz musician were with Jaki Byard and Chico Hamilton. His first records were made with Eric Dolphy (another former member of Hamilton's group) and Don Ellis, in 1960. His own first date as leader, with Eric Dolphy, Charlie Persip, Mal Waldron, George Duvivier, and a date also with Dolphy called Out There with George Duvivier and Roy Haynes and Carter on cello; its advanced harmonies and concepts were in step with the third stream movement.
Carter came to fame via the second great Miles Davis Quintet in the early 1960s, which also included Herbie Hancock, Wayne Shorter and Tony Williams. Carter joined Davis's group in 1963, appearing on the album Seven Steps to Heaven and the follow-up E.S.P., the latter being the first album to feature only the full quintet. It also featured three of Carter's compositions (the only time he contributed compositions to Davis's group). He stayed with Davis until 1968 (when he was replaced by Dave Holland), and participated in a couple of studio sessions with Davis in 1969 and 1970. Although he played electric bass occasionally during this period, he has subsequently eschewed that instrument entirely, and now plays only acoustic bass.
Carter also performed on some of Hancock, Williams and Shorter's recordings during the sixties for Blue Note Records. He was a sideman on many Blue Note recordings of the era, playing with Sam Rivers, Freddie Hubbard, Duke Pearson, Lee Morgan, McCoy Tyner, Andrew Hill, Horace Silver and others.
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians. Notable musical partnerships in the '70s and '80s included Joe Henderson, Houston Person, Hank Jones, and Cedar Walton. During the 1970s he was a member of the New York Jazz Quartet.
He appears on the alternative hip-hop group A Tribe Called Quest's influential album The Low End Theory on a track called "Verses from the Abstract". He also appears as a member of the jazz combo the Classical Jazz Quartet.
In 1994, Carter appeared on the Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as "Album of the Year" by TIME. In 2001, Carter collaborated with Black Star and John Patton to record "Money Jungle" for the Red Hot Organization's compilation album, Red Hot + Indigo, a tribute to Duke Ellington.
Carter was Distinguished Professor Emeritus of the Music Department of The City College of New York, having taught there for twenty years, and received an honorary Doctorate from the Berklee College of Music, in Spring 2005.[4] He joined the faculty of the Juilliard School in New York City in 2008, teaching bass in the school's Jazz Studies program. Carter made a notable appearance in Robert Altman's 1996 film, Kansas City. The end credits feature him and fellow bassist Christian McBride duetting on "Solitude".
Ron Carter sits on the Advisory Committee of the Board of Directors of The Jazz Foundation of America as well as the Honorary Founder's Committee. Carter has worked with the Jazz Foundation since its inception to save the homes and the lives of America's elderly jazz and blues musicians including musicians that survived Hurricane Katrina.
Carter appeared as himself in an episode of the HBO series Treme entitled "What Is New Orleans."
Carter's authorized biography, Ron Carter: Finding the Right Notes, by Dan Ouellette was published by ArtistShare in 2008.
In 2013, Carter was one of four judges at Jazz at Lincoln Center's 18th Annual Essentially Ellington competition and festival.
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Ron Carter Lyrics
We have lyrics for these tracks by Ron Carter:
Autumn Leaves The falling leaves drift by the window The autumn leaves of…
B And A You'd be so nice to come home to You'd be so…
Bye Bye Blackbird No one here can love or understand me Oh, what hard…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrep…
Good Morning Heartache Good morning heartache, you old gloomy sight Good morning he…
If You Could See Me Now If you could see me now, you'd know how blue…
Lover I don't know why, but I'm feeling so sad I long…
My Funny Valentine Behold the way our fine feathered friend His virtue doth par…
Oh I don't know why, but I'm feeling so sad I long…
Since I Fell For You When you just give love And never get love You'd better let…
Someday My Prince Will Come Somewhere waiting for me There is someone I'm longing to see…
St. Thomas Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Stardust And now the purple dusk of twilight time Steals across the…
The Man I Love I fall in love too easily, I fall in love…
The Shadow Of Your Smile The shadow of your smile When you have gone Will color all…
There Is No Greater Love There is no greater love than what I feel for…
Un Ange en Danger Quand Dieu créa l'homme Tout était beau comme Les yeux d'une…
Where I don't know why, but I'm feeling so sad I long…
You And The Night And The Music You and the night and the music Fill me with flaming…
You'd Be So Nice to Come Home To You'd be so nice to come home to You'd be so…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Javiermadrid88
Mulgrew Miller on Piano!! He played another version of this tune with Kenny Garret. Both amazing!
KornDoc
Thank you for posting! Very helpful for solo transcription.
Kata Sütő
Nagyon szeretem. Köszönöm 🌷!
Kata Sütő
🌷
Justin Lee
the best
Max L
0:45