RONNIE EARL was born Ronald Horvath in Queens, NY, on March 10, 1953 (desce… Read Full Bio ↴RONNIE EARL was born Ronald Horvath in Queens, NY, on March 10, 1953 (descending from a Hungarian immigrant family). He studied music composition in college, and moved to Boston University in 1975 to pursue a Master's Degree in Special Education, teaching handicapped children. In the early '70s he became fascinated with the local blues scene. It was at this time that he attended a Muddy Waters concert at the Speakeasy Club in Cambridge, MA, which mesmerized him so much he took up guitar (at the age of 22!). Developing his craft quickly, he changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia.
In 1979, Earl was invited to replace Duke Robillard in the prominent Providence, Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. The technichally deft and musically encyclopediac Robillard took Earl under his wing. The result was a jazzy, soulful blues style, as well as his slow burn style which fans found both mesmerizing and exhilarating. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s that focused on blues instrumentals, which few artists had ever attempted. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). The vocalists adorning The Broadcasters included Kim Wilson, Darrell Nulisch, and Sugar Ray Norcia. During Ronnie Earl's Roomful of Blues tenure, there were several albums featuring classic R&B legends, such as Eddie 'Cleanhead' Vinson, Big Joe Turner, and Earl King. Ronnie left Roomful on a very high note with 1987’s Live at Lupo's.
He began collaborations with contemporaries Ron Levy and Jerry Portnoy, Earl King, Jimmy Rogers, and Jimmy Witherspoon. Deciding to devote all his energies to his solo career, 1988 would see the completion of Soul Searchin' which would re-unite Earl and Duke. Of special note, it greeted many of Ronnie’s most enduring compositions, After All, It's My Soul, Ships Passing In the Night, and You're The One. By this time The Broadcasters were culled down to a 3-piece unit: Bruce Katz, Per Hanson, and Rod Carey. The instrumental albums that emerged (Language of the Soul, Still River, Blues Guitar Virtuoso, Blues and Ballads, Color of Love) would take the Blues world by storm.
A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. 1991's Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction – which was more informed by jazz than ever before – on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in DownBeat.
In 1996, Downbeat Magazine chose 'Grateful Heart-Blues and Ballads' as Blues Album of the Year and Ronnie Earl was awarded the WC Handy Award for Best Blues Guitarist. 1997’s 'Color of Love' on Verve, produced by legendary producer Tom Dowd. Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist.
He began teaching guitar at Berklee College of Music in 1992, and has released instructional videos. However, in the late 90's , Ronnie was diagnosed with depression, forcing him to cut back on his performances. He continued to work actively as a teacher and instructor, and also performed at facilities for the mentally ill, reaching back to his days as a special education teacher. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session type of affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Jr" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material I Feel Like Goin' On on the Canadian based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005.
(compilation text based on Wikipedia, Gary Tate/LivinBlues and Steve Huey/All Music Guide)
(2) One of the finest blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit, and his backing band the Broadcasters became one of the more respected working units in contemporary blues over the course of the '90s, following Earl's departure from Roomful of Blues.
Ronnie Earl was born Ronald Horvath in Queens, New York, on March 10, 1953. He didn't start playing guitar until after he entered college at Boston University in the early '70s and became fascinated with the local blues scene. Developing his craft quickly, he landed a job in the house band of the Speakeasy Club in Cambridge, Massachusetts, and changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia. In 1979, Earl was invited to replace Duke Robillard in the prominent Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). Still, they were a sidelight to his main gig with Roomful of Blues -- that is, until he left the band in 1987 to make a go of it as a solo artist and bandleader in his own right. A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. Released in 1991, Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction -- which was more informed by jazz than ever before -- on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in Down Beat.
Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist. However, feeling that he was under too much pressure to move more units, Earl soured on the deal and around the same time suffered a bout with manic depression. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session-type affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Junior" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material, I Feel Like Goin' On, on the Canadian-based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005. Earl's third album for Stony Plain, 2009's Living in the Light, found him reunited with the Broadcasters. Earl and his longtime backing band returned for 2010's Spread the Love, an instrumental tribute to mentors, friends, and family.
After a long period of global touring, Earl and band took some well-deserved time off. Just for Today was issued in 2013, and featured guest spots from vocalist Diane Blue and Detroit guitarist Nicholas Tabarias. Earl & the Broadcasters returned to the studio late in the year. They emerged with Good News, a collection of originals and covers that included Blue and Tabarias in the lineup on select cuts, along with guitarist Zach Zunis. It was issued for release in June of 2014. In 2015, Earl and his latest edition of the Broadcasters -- Jim Mouradian on bass, Dave Limina on keyboards, and Lorne Entress on drums -- teamed up with vocalist Blue and a horn section for the album Father's Day, a set of songs recorded in tribute to Earl's dad, Akos Horvath. ~ Steve Huey
In 1979, Earl was invited to replace Duke Robillard in the prominent Providence, Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. The technichally deft and musically encyclopediac Robillard took Earl under his wing. The result was a jazzy, soulful blues style, as well as his slow burn style which fans found both mesmerizing and exhilarating. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s that focused on blues instrumentals, which few artists had ever attempted. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). The vocalists adorning The Broadcasters included Kim Wilson, Darrell Nulisch, and Sugar Ray Norcia. During Ronnie Earl's Roomful of Blues tenure, there were several albums featuring classic R&B legends, such as Eddie 'Cleanhead' Vinson, Big Joe Turner, and Earl King. Ronnie left Roomful on a very high note with 1987’s Live at Lupo's.
He began collaborations with contemporaries Ron Levy and Jerry Portnoy, Earl King, Jimmy Rogers, and Jimmy Witherspoon. Deciding to devote all his energies to his solo career, 1988 would see the completion of Soul Searchin' which would re-unite Earl and Duke. Of special note, it greeted many of Ronnie’s most enduring compositions, After All, It's My Soul, Ships Passing In the Night, and You're The One. By this time The Broadcasters were culled down to a 3-piece unit: Bruce Katz, Per Hanson, and Rod Carey. The instrumental albums that emerged (Language of the Soul, Still River, Blues Guitar Virtuoso, Blues and Ballads, Color of Love) would take the Blues world by storm.
A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. 1991's Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction – which was more informed by jazz than ever before – on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in DownBeat.
In 1996, Downbeat Magazine chose 'Grateful Heart-Blues and Ballads' as Blues Album of the Year and Ronnie Earl was awarded the WC Handy Award for Best Blues Guitarist. 1997’s 'Color of Love' on Verve, produced by legendary producer Tom Dowd. Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist.
He began teaching guitar at Berklee College of Music in 1992, and has released instructional videos. However, in the late 90's , Ronnie was diagnosed with depression, forcing him to cut back on his performances. He continued to work actively as a teacher and instructor, and also performed at facilities for the mentally ill, reaching back to his days as a special education teacher. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session type of affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Jr" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material I Feel Like Goin' On on the Canadian based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005.
(compilation text based on Wikipedia, Gary Tate/LivinBlues and Steve Huey/All Music Guide)
(2) One of the finest blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit, and his backing band the Broadcasters became one of the more respected working units in contemporary blues over the course of the '90s, following Earl's departure from Roomful of Blues.
Ronnie Earl was born Ronald Horvath in Queens, New York, on March 10, 1953. He didn't start playing guitar until after he entered college at Boston University in the early '70s and became fascinated with the local blues scene. Developing his craft quickly, he landed a job in the house band of the Speakeasy Club in Cambridge, Massachusetts, and changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia. In 1979, Earl was invited to replace Duke Robillard in the prominent Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). Still, they were a sidelight to his main gig with Roomful of Blues -- that is, until he left the band in 1987 to make a go of it as a solo artist and bandleader in his own right. A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. Released in 1991, Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction -- which was more informed by jazz than ever before -- on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in Down Beat.
Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist. However, feeling that he was under too much pressure to move more units, Earl soured on the deal and around the same time suffered a bout with manic depression. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session-type affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Junior" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material, I Feel Like Goin' On, on the Canadian-based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005. Earl's third album for Stony Plain, 2009's Living in the Light, found him reunited with the Broadcasters. Earl and his longtime backing band returned for 2010's Spread the Love, an instrumental tribute to mentors, friends, and family.
After a long period of global touring, Earl and band took some well-deserved time off. Just for Today was issued in 2013, and featured guest spots from vocalist Diane Blue and Detroit guitarist Nicholas Tabarias. Earl & the Broadcasters returned to the studio late in the year. They emerged with Good News, a collection of originals and covers that included Blue and Tabarias in the lineup on select cuts, along with guitarist Zach Zunis. It was issued for release in June of 2014. In 2015, Earl and his latest edition of the Broadcasters -- Jim Mouradian on bass, Dave Limina on keyboards, and Lorne Entress on drums -- teamed up with vocalist Blue and a horn section for the album Father's Day, a set of songs recorded in tribute to Earl's dad, Akos Horvath. ~ Steve Huey
Country Girl
Ronnie Earl Lyrics
We have lyrics for 'Country Girl' by these artists:
American Country Hits Hey girl. Go on now. You know you've got everybody looking. …
B.B. King You know my little girl She's a country girl Yes my…
Billie Jo Spears The rain is falling lightly on the buildings and the…
Billy Vera & Judy Clay was born in New York City I was born in Georgia Girl…
Black Sabbath Fell in love with a country girl, morning sunshine She was…
Black Sabbath (With Ronnie James Dio) Fell in love with a country girl, morning sunshine She was…
Boy Harsher Hey there country girl Don′t go home Don't go home Don′t go …
Brinsley Schwarz I want to go where my country girl goes Back where…
Bryan Luke Hey girl, go on now! You know you've got everybody lookin' …
Carolina Chocolate Drops I was raised in the country that's a natural fact Food…
Caroline Jones Oh my daddy's from Memphis He used to hunt in Arkansas And…
Crosbey Stills Nash & Young Winding paths through tables and glass First fall was new No…
Crosby Stills Nash & Young Winding paths through tables and glass First flowers bloom …
Crosby. Stills. Nash & Young Winding paths through tables and glass, first flowers bloom.…
David Crosby/Stephen Stills/Graham Nash/Neil Young Winding paths through tables and glass First fall was new No…
Debby Ryan I was born on the farm while my mom milked…
DF Dub Oh yea Let me tell ya a story About a country girl Oh…
DJ Ray Shes my country lady drives me Nearly crazy lord I…
Doc Walker She's got more rubber boots than high heel shoes Got sweeth…
Dottie West I was born a country girl; I will die a…
Faron Young I met you my country girl, you didn't have a…
Geezer Butler/Ronnie James Dio/Tony Iommi Fell in love with a country girl, morning sunshine She was…
Glen Campbell About five o'clock in the late afternoon sun's gettin' drows…
Hayward Justin No deposit, no deposit No return, no, no return Knew I had,…
Ida Corr Yeeh ha I ain't lying when I tell you I've been…
Jake Thackray Country Girl She wakes up on a Saturday Yawns all the time…
James Iha Hallelujah, I'm in love with a girl from the country She's…
Jeannie C Riley New York is a long way from Texas Vegas is…
Jessie Buckley Never get too big, never get too heavy Never get too…
Jim Croce She was just a country girl Didn't have those New York…
Johnny Cash If you're travelin' in the north country fair Where the wind…
Johnny Otis Winding paths through tables and glass First flowers bloom N…
Johnny T She can tow a boat with her truck On the 400…
Jr. Walker & The All Stars I love me a good country girl Something about her But, you…
June Carter Now I'm a just a country girl That's one thing sure…
Justin Hayward No deposit, no deposit No return, no, no return Knew I had,…
K.C. Douglas New York is a long way from Texas Vegas is…
Kylie Morgan I don't NYC All these girls keep falling for the city…
Lisa McHugh Take me by the hand, hold me real tight Guide…
LIVING ROOM - Primal Scream Never get to bed (be?) Never get to hell baby Never get…
Luke Bryan Hey girl, go on now You know you've got everybody lookin' G…
LUKEBRYAN Hey girl, go on now! You know you've got everybody lookin' …
Man My darlin' lives in Tennessee Way across the sea And thoug…
Marco Martelli D.J. Now, my baby's a country girl, And she just can't help…
Marianne Flynner I'm so tired and I feel like I'm gonna pass…
Nazareth You are a girl from the country Your eyes remind me…
Neil Young If you're travelin' in the North Country fair Where the wind…
Neil Young (& various bands) Winding paths through tables and glass First fall was new No…
Olivia Newton-John I was born in the country, I was raised with…
Otis Spann Now, my baby's a country girl, And she just can't help…
Ozark Mountain Daredevils (HARP INTRO) well look see the moon comes risin' - tomorrow…
Palmer Rissi It's the way I think not how I talk, oh…
Pat & Marie The rain is falling lightly on the buildings and the…
Paul Brandt Words & Music by Paul Brandt She's been in 4-H since…
Peyton Parrish Is that my shirt Well, girl, you can have it Is that…
Primal Scream Never get to bed (be?) Never get to hell baby Never get…
R&B You know my little girl She's a country girl Yes my…
Ray LaMontagne Country girl Country girl If you don't mind Baby we could…
Rissi Palmer It's the way I think not how I talk, oh…
Roger Miller Met you my country girl you didn't have a thing I…
Savannah Dexter I’m thick as cornbread get that from my Momma I got…
Scott Walker I was born a country girl I will die a…
Sports 僕はダイヤに 願いをかけた ノートに書いた「Never Mind」 子供の様な 君の瞳に 僕は鼻孔を広げた バナナの数 …
Steve Earle She's a country girl Young and pretty She want to…
Steve Earle & The Dukes She's a country girl Young and pretty She want to…
The Ozark Mountain Daredevils (HARP INTRO) well look see the moon comes risin' - tomorrow…
The Ragged Jubilee Country Girl Country girl how you need a lover And all my…
Tony Bennett Country girl, country girl I beheld her in meadowland Bowi…
Young. Faron I met you my country girl, you didn't have a…
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