RONNIE EARL was born Ronald Horvath in Queens, NY, on March 10, 1953 (desce… Read Full Bio ↴RONNIE EARL was born Ronald Horvath in Queens, NY, on March 10, 1953 (descending from a Hungarian immigrant family). He studied music composition in college, and moved to Boston University in 1975 to pursue a Master's Degree in Special Education, teaching handicapped children. In the early '70s he became fascinated with the local blues scene. It was at this time that he attended a Muddy Waters concert at the Speakeasy Club in Cambridge, MA, which mesmerized him so much he took up guitar (at the age of 22!). Developing his craft quickly, he changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia.
In 1979, Earl was invited to replace Duke Robillard in the prominent Providence, Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. The technichally deft and musically encyclopediac Robillard took Earl under his wing. The result was a jazzy, soulful blues style, as well as his slow burn style which fans found both mesmerizing and exhilarating. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s that focused on blues instrumentals, which few artists had ever attempted. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). The vocalists adorning The Broadcasters included Kim Wilson, Darrell Nulisch, and Sugar Ray Norcia. During Ronnie Earl's Roomful of Blues tenure, there were several albums featuring classic R&B legends, such as Eddie 'Cleanhead' Vinson, Big Joe Turner, and Earl King. Ronnie left Roomful on a very high note with 1987’s Live at Lupo's.
He began collaborations with contemporaries Ron Levy and Jerry Portnoy, Earl King, Jimmy Rogers, and Jimmy Witherspoon. Deciding to devote all his energies to his solo career, 1988 would see the completion of Soul Searchin' which would re-unite Earl and Duke. Of special note, it greeted many of Ronnie’s most enduring compositions, After All, It's My Soul, Ships Passing In the Night, and You're The One. By this time The Broadcasters were culled down to a 3-piece unit: Bruce Katz, Per Hanson, and Rod Carey. The instrumental albums that emerged (Language of the Soul, Still River, Blues Guitar Virtuoso, Blues and Ballads, Color of Love) would take the Blues world by storm.
A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. 1991's Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction – which was more informed by jazz than ever before – on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in DownBeat.
In 1996, Downbeat Magazine chose 'Grateful Heart-Blues and Ballads' as Blues Album of the Year and Ronnie Earl was awarded the WC Handy Award for Best Blues Guitarist. 1997’s 'Color of Love' on Verve, produced by legendary producer Tom Dowd. Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist.
He began teaching guitar at Berklee College of Music in 1992, and has released instructional videos. However, in the late 90's , Ronnie was diagnosed with depression, forcing him to cut back on his performances. He continued to work actively as a teacher and instructor, and also performed at facilities for the mentally ill, reaching back to his days as a special education teacher. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session type of affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Jr" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material I Feel Like Goin' On on the Canadian based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005.
(compilation text based on Wikipedia, Gary Tate/LivinBlues and Steve Huey/All Music Guide)
(2) One of the finest blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit, and his backing band the Broadcasters became one of the more respected working units in contemporary blues over the course of the '90s, following Earl's departure from Roomful of Blues.
Ronnie Earl was born Ronald Horvath in Queens, New York, on March 10, 1953. He didn't start playing guitar until after he entered college at Boston University in the early '70s and became fascinated with the local blues scene. Developing his craft quickly, he landed a job in the house band of the Speakeasy Club in Cambridge, Massachusetts, and changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia. In 1979, Earl was invited to replace Duke Robillard in the prominent Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). Still, they were a sidelight to his main gig with Roomful of Blues -- that is, until he left the band in 1987 to make a go of it as a solo artist and bandleader in his own right. A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. Released in 1991, Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction -- which was more informed by jazz than ever before -- on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in Down Beat.
Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist. However, feeling that he was under too much pressure to move more units, Earl soured on the deal and around the same time suffered a bout with manic depression. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session-type affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Junior" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material, I Feel Like Goin' On, on the Canadian-based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005. Earl's third album for Stony Plain, 2009's Living in the Light, found him reunited with the Broadcasters. Earl and his longtime backing band returned for 2010's Spread the Love, an instrumental tribute to mentors, friends, and family.
After a long period of global touring, Earl and band took some well-deserved time off. Just for Today was issued in 2013, and featured guest spots from vocalist Diane Blue and Detroit guitarist Nicholas Tabarias. Earl & the Broadcasters returned to the studio late in the year. They emerged with Good News, a collection of originals and covers that included Blue and Tabarias in the lineup on select cuts, along with guitarist Zach Zunis. It was issued for release in June of 2014. In 2015, Earl and his latest edition of the Broadcasters -- Jim Mouradian on bass, Dave Limina on keyboards, and Lorne Entress on drums -- teamed up with vocalist Blue and a horn section for the album Father's Day, a set of songs recorded in tribute to Earl's dad, Akos Horvath. ~ Steve Huey
In 1979, Earl was invited to replace Duke Robillard in the prominent Providence, Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. The technichally deft and musically encyclopediac Robillard took Earl under his wing. The result was a jazzy, soulful blues style, as well as his slow burn style which fans found both mesmerizing and exhilarating. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s that focused on blues instrumentals, which few artists had ever attempted. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). The vocalists adorning The Broadcasters included Kim Wilson, Darrell Nulisch, and Sugar Ray Norcia. During Ronnie Earl's Roomful of Blues tenure, there were several albums featuring classic R&B legends, such as Eddie 'Cleanhead' Vinson, Big Joe Turner, and Earl King. Ronnie left Roomful on a very high note with 1987’s Live at Lupo's.
He began collaborations with contemporaries Ron Levy and Jerry Portnoy, Earl King, Jimmy Rogers, and Jimmy Witherspoon. Deciding to devote all his energies to his solo career, 1988 would see the completion of Soul Searchin' which would re-unite Earl and Duke. Of special note, it greeted many of Ronnie’s most enduring compositions, After All, It's My Soul, Ships Passing In the Night, and You're The One. By this time The Broadcasters were culled down to a 3-piece unit: Bruce Katz, Per Hanson, and Rod Carey. The instrumental albums that emerged (Language of the Soul, Still River, Blues Guitar Virtuoso, Blues and Ballads, Color of Love) would take the Blues world by storm.
A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. 1991's Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction – which was more informed by jazz than ever before – on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in DownBeat.
In 1996, Downbeat Magazine chose 'Grateful Heart-Blues and Ballads' as Blues Album of the Year and Ronnie Earl was awarded the WC Handy Award for Best Blues Guitarist. 1997’s 'Color of Love' on Verve, produced by legendary producer Tom Dowd. Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist.
He began teaching guitar at Berklee College of Music in 1992, and has released instructional videos. However, in the late 90's , Ronnie was diagnosed with depression, forcing him to cut back on his performances. He continued to work actively as a teacher and instructor, and also performed at facilities for the mentally ill, reaching back to his days as a special education teacher. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session type of affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Jr" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material I Feel Like Goin' On on the Canadian based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005.
(compilation text based on Wikipedia, Gary Tate/LivinBlues and Steve Huey/All Music Guide)
(2) One of the finest blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit, and his backing band the Broadcasters became one of the more respected working units in contemporary blues over the course of the '90s, following Earl's departure from Roomful of Blues.
Ronnie Earl was born Ronald Horvath in Queens, New York, on March 10, 1953. He didn't start playing guitar until after he entered college at Boston University in the early '70s and became fascinated with the local blues scene. Developing his craft quickly, he landed a job in the house band of the Speakeasy Club in Cambridge, Massachusetts, and changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia. In 1979, Earl was invited to replace Duke Robillard in the prominent Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger.
Meanwhile, Earl also made a few recordings on his own for Black Top Records, forming the first versions of the Broadcasters in the early '80s. He released his first solo album, Smokin', in 1983 and followed it with They Call Me Mr. Earl in 1984 (both of those albums were later compiled on the CD Deep Blues). Still, they were a sidelight to his main gig with Roomful of Blues -- that is, until he left the band in 1987 to make a go of it as a solo artist and bandleader in his own right. A new version of the Broadcasters debuted in 1988 on Soul Searchin', which featured vocalist Darrell Nulisch, harmonica player Jerry Portnoy (ex-Muddy Waters), bassist Steve Gomes, and drummer Per Hanson. Peace of Mind followed in 1990, as did I Like It When It Rains, a live album on Antone's that actually dated from 1986. Released in 1991, Surrounded by Love reunited Earl with Sugar Ray Norcia and also proved the last in his long string of Black Top releases.
By the early '90s, Earl had addressed and overcome his problems with alcohol and cocaine and began to rethink his approach. He formed a new version of the Broadcasters, featuring organist Bruce Katz, bassist Rod Carey, and longtime drummer Per Hanson, and boldly elected to go without a vocalist. Earl debuted his new instrumental direction -- which was more informed by jazz than ever before -- on 1993's Still River (released by AudioQuest) and embarked on a tour of Europe. He signed with the Bullseye Blues label and issued a string of acclaimed albums, including 1994's Language of the Soul, 1995's Blues Guitar Virtuoso Live in Europe (a live album from his 1993 tour originally titled Blues and Forgiveness), and 1996's Grateful Heart: Blues and Ballads (which featured David "Fathead" Newman). The latter two were particular critical favorites, with Live in Europe winning Pulse magazine's year-end poll as Best Blues Album and Grateful Heart doing likewise in Down Beat.
Thanks to all the positive attention, Earl signed a major-label deal with Verve. His label debut, The Colour of Love, was issued in 1997 and sold more than 65,000 copies, making it one of the biggest hits of Earl's career; that year, he also won a W.C. Handy Award as Best Blues Instrumentalist. However, feeling that he was under too much pressure to move more units, Earl soured on the deal and around the same time suffered a bout with manic depression. He wound up not only leaving Verve, but taking a break from bandleading and live performance; he disbanded the Broadcasters and signed with the smaller Telarc label as a solo act.
His Telarc debut, 2000's Healing Time, teamed him with legendary soul-jazz organist Jimmy McGriff. The follow-up, 2001's Ronnie Earl and Friends, was a loose, jam session-type affair featuring a number of special guests, including the Fabulous Thunderbirds' Kim Wilson, Irma Thomas, Luther "Guitar Junior" Johnson, and the Band's Levon Helm. In 2003, Earl returned with an album of mainly instrumental material, I Feel Like Goin' On, on the Canadian-based label Stony Plain. A second album from Stony Plain, Now My Soul, appeared in 2004, while a third, The Duke Meets the Earl, which paired Earl with fellow ex-Roomful of Blues guitarist Duke Robillard, was released in 2005. Earl's third album for Stony Plain, 2009's Living in the Light, found him reunited with the Broadcasters. Earl and his longtime backing band returned for 2010's Spread the Love, an instrumental tribute to mentors, friends, and family.
After a long period of global touring, Earl and band took some well-deserved time off. Just for Today was issued in 2013, and featured guest spots from vocalist Diane Blue and Detroit guitarist Nicholas Tabarias. Earl & the Broadcasters returned to the studio late in the year. They emerged with Good News, a collection of originals and covers that included Blue and Tabarias in the lineup on select cuts, along with guitarist Zach Zunis. It was issued for release in June of 2014. In 2015, Earl and his latest edition of the Broadcasters -- Jim Mouradian on bass, Dave Limina on keyboards, and Lorne Entress on drums -- teamed up with vocalist Blue and a horn section for the album Father's Day, a set of songs recorded in tribute to Earl's dad, Akos Horvath. ~ Steve Huey
Green Light
Ronnie Earl Lyrics
We have lyrics for 'Green Light' by these artists:
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8.4 Imma be there underlay Might get pulled over today It's cors…
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Ardian Bujupi Oh, oh, oh, oh Oh, oh, oh, oh Oh, oh, oh, oh Oh,…
Area ( SA Broughton ) We could sell you from every available…
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Beanie Sigel Who the fuck can stop us niggas, it's gangsta niggas It's…
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Beyoncé Give it to mama Give it, give it Give it to mama,…
Beyoncé Feat. Jay-Z Who the fuck can stop us niggas, it's gangsta niggas It's…
Beyoncé Give it to mama Give it, give it Give it to mama,…
Beyonce (wapos.ru) Give it to mama Give it, give it Give it to mama,…
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Beyonce feat. Freemasons Give it to mama Give it, give it Give it to mama,…
Beyonce Feat. Young Buck Give it to mama Give it, give it Give it to mama,…
Beyonce ft. Young Buck Give it to mama Give it, give it Give it to mama,…
Beyoncé; Jay-Z; Shakira Who the fuck can stop us niggas, it's gangsta niggas It's…
Beyoncι Give it to mama Give it, give it Give it to mama,…
Bezz Believe & Og Boobie Black Bezz Believe X Og Boobie Black Iron Sharpens Iron 2 Real Hus…
Blackalicious Chorus: Green light, now begin Green light oh-way Ee-yah-oh-…
Boa 사랑 그게 뭔지 아직도 궁금해 I'm thinking thinking about love 생각할수록…
Brian Gold & Tony Niggas stop at the red light It's a infrared beam, I…
Cara Islay Tried a little too hard To show you that I’m just…
Chanmina If you wanna play I can make your day But I get…
Chief Keef Green light Green light Green light Green light Green light …
Cleaner You take a look at the sky Two moons glowing in…
Cliff Richard Searching for a green light Looking for it all night Using a…
Cloverton When fiction fails you And troubles tail you You chase your …
Color Creation Hey, yeah yeah, see the green light シグナルは green light (gree…
Cote I'm entertained See it spinning around me Every pass Another…
cuppy Ohh ohh Uhhh ugh ugh uhhh ugh To copy this tone press…
D-Medz Ay Benji (you'll be playin' "red light, green light") Player…
Dawn Marie Hey boy, how long we gonna sit here and flirt Talking…
Dom Kennedy & Hit-Boy Omo pass me the hennessy This your energie Just give me plea…
Donny Pangilinan Baby, it's been a while Tell me, do you wanna come…
Douvelle19 I get that we’re good, But really what does that mean? Think…
E-40 B-Legit Red light green light nothing really seem right I just want…
E.m.m.a. To bring up love In other words To function (I'm dying) In a…
Enisa Give me that green light, green light Give me that green…
f00bag I wanna take a picture of a dream, yuh The green…
Final Chapter feat NORE & Capone She sucking my dick she on her knees Fuck that lil…
Fire Tiger Come on pick up Don't ignore me for your new friend Whose…
Firewater Moon's throwing daggers At the targets on the street Trucks …
Five Seconds of Summer It started with a picture Those messages you sent to me You'…
G.N.A. Jashin itke da-gawah jeonhwahbeonho muddeoni (Hey baby girl …
G.NA (feat. Jay Park) Red light, green light, 1-2-3 Try your best, can't fuck with…
G.na(지나) Jashin itke da-gawah jeonhwahbeonho muddeoni (Hey baby girl …
G.NA지나 (Gina Jane Choi지나 제인 최) Red light, green light, 1-2-3 Try your best, can't fuck with…
Girl Here I go, here I go 저기 저 불빛들이 위험해 위험해 눈…
Glory Santana Yeah on the outside On the outside She don't wanna go back …
GNA Jashin itke da-gawah jeonhwahbeonho muddeoni (Hey baby girl …
Go for Gold Sitting still at a green light Waiting for the right time…
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GRM Daily Green light, what's it gonna be like? Hustle with the A…
Half-A-Mil (Hit-Boy & Dom Kennedy) Omo pass me the hennessy This your energie Just give me plea…
Hank Thompson I turn your hole card upside down I caught you cheatin'…
Hit-Boy & DOM KENNEDY Omo pass me the hennessy This your energie Just give me plea…
Icons Of R&B Lock and load, got to know why you do it Rocky…
IF Igor Falecki Memories of yesteryear froze Thinking how your life flows Lo…
J. Lorenzo I be vibin with a shorty, and she jus gave…
J.P. Scared to unleash me, I'm a hidden weapon Asking who could,…
Jaay Verano Green light go I’m in my zone Suite life with Cole They can’…
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John Legend André 3000 Give me the Greenlight Give me just one night I'm ready to…
John Legend f/Andre 3000 Give me the green light, give me just one night I'm…
John Legend feat. Andre 3000 I'm ready to go right now I'm ready to go right…
John Legend featuring Andre 3000 Give me the green light, give me just one night I'm…
John Legend; André 3000 Give me the green light, give me just one night I'm…
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Josh Vietti Let′s go! Let's go! Let′s go! Let's go! Let's go! Let′s go! …
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KIDZ BOP Kids You do your makeup in somebody else's car We order different…
KILO OFFICIAL 2.2 I just do what i do ain't never been the…
Kylie Minogue Just give me the green light And I can make you…
Lanks No se que rayos es esto... tengo mucho tiempo sin hacer…
Leisure You're invisible but you see everything You don't want to ha…
Lil Durk (Dy Krazy) Let's get it Man, give that boy this message (le…
lily rose Gimme that green light Gimme that green light Gimme that gre…
LIVING ROOM - Lorde I do my makeup in somebody else's car We order different…
London Jae Started from the bottom, feet planted in the mud I was…
LorD and Master Go We've got a green light We've got a green light We've got…
Lorde I do my makeup in somebody else's car We order different…
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Madchild feat. Evidence There′s a time when we all meet our maker Stay on…
Malik Davage Verse Can i take my time on you, That’s what i…
Marit Bergman What am I gonna do? I just wanna love you a…
Marlhy I can’t seem to make my mind up Who I like…
Marty Balin I'm so tired of just hangin around, And all I want…
merlyn wood (CONNIE, are you fucking kidding me?) I woke up feeling lik…
Michael Malarkey I′ll be your red light, burning, yearning blue Keeping it co…
Milan Ring You see the time She takes the fall, ready to unwind Deepest…
MILIAH Yeah I know, yeah I know, yeah I know, yeah…
Millbrook Tried a little too hard To show you that I’m just…
Mr. Silky Slim Green light Green light Green light Green light Green light…
N.O.R.E. feat. Capone & Final Chapter She sucking my dick she on her knees Fuck that lil…
North Ship Green light Green light You've got a green light, clear your…
Nostalghia And step by step I'm further than You'll ever get I can see…
Odunsi Oh la la yah Oou yeah oou yeah You say (Whatchu talking…
Olamide Babe P Babe P Shaba shaba do dododoba dubidabadobido Olamide…
Orion Song Too many FaceTime calls In the evening Don't know how we had…
Park Hyeon Jin Pull up 기름 가득 채웠지 Pull off 타이어 자국 보이지 누구를 위해서도…
Pistol Pete & Enzo Mi casa es su casa (Guantanamo) The grass is greener on…
Punchline My old ways and this new fist Some things broken Weren't…
R & B Chartstars Who da fuck can stop us niggaz, it's gangsta niggaz It's…
R. Kelly & Jay Z featuring Beanie Sigel Who the fuck can stop us niggas, it's gangsta niggas It's…
R. Kelly & Jay-Z Feat. Beanie Sigel Who the fuck can stop us niggas, it's gangsta niggas It's…
R. Kelly / Jay-Z Who the fuck can stop us niggas, it's gangsta niggas It's…
R. Kelly Jay Z Who the fuck can stop us niggas, it's gangsta niggas It's…
Rachelle Spring Give me the green light, give me just one night I'm…
Razor-N-Tape I keep the drip, yea I keep the juice I don’t…
RichAvePreme Green light Green light To really understand Supreme you hav…
Rod Wave Ayo, Nashi, you go crazy Yeah, yeah Okay, green light, uh, …
Roll Deep Eski boy, Roll deep! I was lookin' for the green light Who's…
Roll Deep ft. Tania Foster Eski boy, Roll deep! I was lookin' for the green light Who…
Sahara Girl, Said keep going at the green light Now you watching me…
SCWEEZ FEAT. MISTAH F.A.B Lock and load, got to know why you do it Rocky…
Sickick I know we′ve been feeling like whatever So let's just all…
Skunkhour day shine appears i change a gear up, touch the…
Sonic Youth I kneel before the green light of her singing crayon eyes an…
Sonyeoshidae소녀시대 (Shojojidai少女時代) a.k.a Girls' Generation걸스 제네레이션 Red light Red light Red light Green light Red light It don't…
Squid 무궁화 꽃, 꽃이 피었습니다 무궁화 꽃, 꽃, 무궁화 꽃, 꽃 무궁화 꽃,…
Stanton Warriors feat. Ami Carmine Iʼve been thinking about you Been running all night Got to g…
Tekno Ohh ohh Uhhh ugh ugh uhhh ugh To copy this tone press…
The American Breed When you were just a child you built a wall In…
The Blondies The blackness that I see The darkness consumes me Because I'…
The Detroit Cobras Green light says go Red light says no Hold tight, love gro…
The Pistolas Trying to get the words out why can′t they understand,…
The Viper Creek Band Whoa oh oh oh, whoa oh oh oh, whoa oh…
The Whiskey Saints Looking for that green light Guide me away from this danger…
The.madpix.project You can count on me when you are down When no…
THOMPSON HANK I turn your hole card upside down I caught you cheatin'…
Toback Jeremy I remember when the first REM record Had me blowing off…
truth & rights Tryna get to a level where I don't ever, ever…
V. Cartier I ain't trying to stop I'd rather tell these niggas…
Valerius I've got a little, little house love No uptown or Queens I…
W.A.S.P. Scared to unleash me, I'm a hidden weapon Asking who could,…
Young Dolph Yeah, yeah Ah-ha (Let the BandPlay) (bah, bah, bah, bah) Ev…
Zingah Girl you can pull up, It's a green light I'll be…
ちゃんみな If you wanna play I can make your day But I get…
嵐 Hah, hah Hah, can't stop this feeling Hey, hey, hey, hey Ah-…
박현진 Lil Bemo YLN Foreign & PLUMA Pull up 기름 가득 채웠지 Pull off 타이어 자국 보이지 누구를 위해서도…
소녀시대 (Girls’ Generation / SNSD) Here I go, here I go 저기 저 불빛들이 위험해 위험해 눈…
올 댓 많이 변했어 이바닥은 나보다 잘하면 손가락을 너보다 잘되는게 개같아? 가만히 있으니깐 배아파? SWAGG 좋…
We have lyrics for these tracks by Ronnie Earl:
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