Roy Ayers was born in Los Angeles. Thanks to his trombone playing father and piano teaching mother, he became immersed in music from day one and the story goes that he was given his first set of vibe mallets by his hero Lionel Hampton at the age of 5. Constantly performing and recording since the 1960s, he is one of the most famous jazz vibraphonists. He has produced some of the most loved modern soul-jazz records of all time such as, "Everybody Loves The Sunshine", most influential afro-jazz with musician Fela Anikulapo-Kuti (Africa - Centre Of The World) and the most seminal jazz-funk, such as "Running Away". And that's just the surface. 2004 saw the release of "Virgin Ubiquity: Unreleased Recordings 1976-1981" which were 'lost' sessions tapes that he had discarded. Gilles Peterson described this as the equivalent of finding a lost Beatles album. No doubt this helped him win the Gilles Peterson 2004 Worldwide Lifetime Achievement Award. Roy Ayers is ageless and evergreen and as per the title of another one of hits, remember "We All Live In Brooklyn Baby".
Timeline
Ayers started recording as a bebop sideman in 1962 and rose to prominence when he dropped out of City College and joined jazz flutist Herbie Mann in 1966.
In the early 70's, Roy Ayers started his own band called Roy Ayers Ubiquity, a name he chose because ubiquity means a state of being everywhere at the same time.
Ayers was responsible for the highly regarded soundtrack to Jack Hill's 1973 blaxploitation film Coffy, which starred Pam Grier. He later moved from a jazz-funk sound to R&B, as seen on Mystic Voyage, which featured the songs "Evolution" and the underground disco hit "Brother Green (The Disco King)", as well as the title track from his 1976 album Everybody Loves the Sunshine.
In 1977, Ayers produced an album by the group RAMP, Come into Knowledge, commonly and mistakenly thought to stand for "Roy Ayers Music Project". That fall, he had his biggest hit with "Running Away".
In late 1979, Ayers scored his only top ten single on Billboard's Hot Disco/Dance chart with "Don't Stop The Feeling," which was also the leadoff single from his 1980 album "No Stranger to Love", whose title track was sampled in Jill Scott's 2001 song "Watching Me" from her debut album Who Is Jill Scott?
In the late 70's, Ayers toured in Nigeria for six weeks with Afrobeat pioneer Fela Kuti, one of the Africa's most recognizable musicians. In 1980, Phonodisk released Music of Many Colors in Nigeria, featuring one side lead by Ayers' group and the other lead by Africa '70.
In 1981, Ayers produced an album with the singer Sylvia Striplin, Give Me Your Love (Uno Melodic Records, 1981). He has also worked in collaborations with soul songstress Erykah Badu.
Ayers performed a solo on John "Jellybean" Benitez's production of Whitney Houston's "Love Will Save The Day" from her second multi-platinum studio album Whitney. The single was released in July 1988 by Arista Records.
Ayers has played his live act for millions of people across the globe, including Japan, Australia, England and other parts of Europe.
Ayers is known for helping to popularize feel good music in the 70's, stating that "I like that happy feeling all of the time, so that ingredient is still there. I try to generate that because it's the natural way I am". The types of music that he used to do this consisted of funk, salsa, jazz, rock, soul and rap.
1990s to present
In 1992, Ayers released two albums, Drive and Wake Up, for the hip-hop label Ichiban Records.
In 1992, Ayers collaborated with Rick James for an album and is quoted to have been a very close friend of his.
In 1993, Ayers appeared on the record Guru's Jazzmatazz Vol.1 featuring on the vibraphone in the song "Take a Look (At Yourself)".
In 1994, Ayers appeared on the Red Hot Organization's compilation album Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by Time Magazine.
During the 2000s and 2010s, Ayers ventured into house music, collaborating with such stalwarts of the genre as Masters at Work and Kerri Chandler.
Ayers started two record labels, Uno Melodic and Gold Mink Records. The first released several LPs, including Sylvia Striplin's, while the second folded after a few singles.
In 2004, Ayers put out a collection of unreleased recordings called Virgin Ubiquity: Unreleased recordings 1976–1981 which allowed fans to hear cuts that didn't make it onto the classic Polydor albums from his more popular years.
Roy Ayers hosts the fictitious radio station "Fusion FM" in Grand Theft Auto IV (2008).
In 2015, he appeared on Tyler, The Creator's new album Cherry Bomb on the track "Find Your Wings".
A documentary the Roy Ayers Project featuring Ayers and a number hip hop producers who have sampled his music and other people who have been influenced by him and his music has been in development for a number of years.
Pharrell Williams cites Roy Ayers as one of his key musical heroes.
Ayers is a recipient of the Congress of Racial Equality Lifetime Achievement Award.
http://www.royayers.com
http://www.bassics.de/ayers.html
http://www.discomuseum.com/RoyAyers.html
Ain't No Sunshine
Roy Ayers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's not warm when she's away
Ain't no sunshine when she's gone
And she's always gone too long
Anytime she goes away
I wonder this time where she's gone
I wonder if she's gone to stay
Ain't no sunshine when she's gone
Anytime she goes away
Oh yeah
I know
I know
I know
I know
I know
I know it
Every single day
I know
I know
I know
I know
Ain't no sunshine when she's gone
Only darkness everyday yeah
Ain't no sunshine when she's gone
And this house just ain't a home
Every time she goes away
Ain't no sunshine when she's gone
And she's always gone too long
Every time she goes away
I know
I know
I know
I know
I know
I know
Every single time she goes away
I know
I know
I know
I know
Miss her every single day
I know
I know
I know
I know
I know
I know
I can't leave that thing alone
There ain't no sunshine when she's gone
Ain't no sunshine when she's gone
And she's always gone too long
Every time she goes away (goes away)
Oh yeah
Ain't no sunshine when she's gone
And this house just ain't a home
Every time she goes away (goes away
Oh yeah
Ain't no sunshine when she's gone
And she's always gone too long
Every time she goes away
The lyrics of Roy Ayers's song, "Ain't No Sunshine," expresses the pain and emptiness felt by someone when the person they love is gone. The phrase "ain't no sunshine" is a metaphor for the darkness and sadness that comes with the absence of the loved one. The lyrics speak to a feeling that is familiar to anyone who has experienced the pain of separation, depicting the house as being empty or incomplete when the loved one is away.
The song is composed of simple, repeated lyrics that build in intensity as the song progresses, reflecting the singer's increasing desperation as the woman he loves continues to be absent. The repetition of the phrase "I know" conveys the sense of inevitability and hopelessness that often accompanies a long separation, as if the singer is resigned to his fate and knows that nothing can change the situation.
Line by Line Meaning
Ain't no sunshine when she's gone
Life loses its radiance when she's not around
It's not warm when she's away
The warmth of my life fades away when she's not here
And she's always gone too long
She's always absent for long periods
Anytime she goes away
Every time she leaves, things feel empty and lonely
I wonder this time where she's gone
I wonder where she's gone this time
I wonder if she's gone to stay
I question whether she'll ever come back
And this house just ain't a home
Without her presence, this house doesn't feel like a home
Oh yeah
An exclamation of agreement and acknowledgement
I know
I am aware
Every single day
Something that I am aware of every day
Only darkness everyday yeah
My days without her are dark and depressing
Every time she goes away
Her absence always feels the same
Miss her every single day
I long for her every day
I can't leave that thing alone
I can't stop thinking about her
And she's always gone too long
She is never around long enough
Every time she goes away (goes away)
Her departure is always the same
Contributed by Kaelyn K. Suggest a correction in the comments below.
Tracey Lin Miller
on Swirl
This is not Swirl, Swirl is on the Roy Ayers' Naste' LP