Roy Ayers was born in Los Angeles. Thanks to his trombone playing father and piano teaching mother, he became immersed in music from day one and the story goes that he was given his first set of vibe mallets by his hero Lionel Hampton at the age of 5. Constantly performing and recording since the 1960s, he is one of the most famous jazz vibraphonists. He has produced some of the most loved modern soul-jazz records of all time such as, "Everybody Loves The Sunshine", most influential afro-jazz with musician Fela Anikulapo-Kuti (Africa - Centre Of The World) and the most seminal jazz-funk, such as "Running Away". And that's just the surface. 2004 saw the release of "Virgin Ubiquity: Unreleased Recordings 1976-1981" which were 'lost' sessions tapes that he had discarded. Gilles Peterson described this as the equivalent of finding a lost Beatles album. No doubt this helped him win the Gilles Peterson 2004 Worldwide Lifetime Achievement Award. Roy Ayers is ageless and evergreen and as per the title of another one of hits, remember "We All Live In Brooklyn Baby".
Timeline
Ayers started recording as a bebop sideman in 1962 and rose to prominence when he dropped out of City College and joined jazz flutist Herbie Mann in 1966.
In the early 70's, Roy Ayers started his own band called Roy Ayers Ubiquity, a name he chose because ubiquity means a state of being everywhere at the same time.
Ayers was responsible for the highly regarded soundtrack to Jack Hill's 1973 blaxploitation film Coffy, which starred Pam Grier. He later moved from a jazz-funk sound to R&B, as seen on Mystic Voyage, which featured the songs "Evolution" and the underground disco hit "Brother Green (The Disco King)", as well as the title track from his 1976 album Everybody Loves the Sunshine.
In 1977, Ayers produced an album by the group RAMP, Come into Knowledge, commonly and mistakenly thought to stand for "Roy Ayers Music Project". That fall, he had his biggest hit with "Running Away".
In late 1979, Ayers scored his only top ten single on Billboard's Hot Disco/Dance chart with "Don't Stop The Feeling," which was also the leadoff single from his 1980 album "No Stranger to Love", whose title track was sampled in Jill Scott's 2001 song "Watching Me" from her debut album Who Is Jill Scott?
In the late 70's, Ayers toured in Nigeria for six weeks with Afrobeat pioneer Fela Kuti, one of the Africa's most recognizable musicians. In 1980, Phonodisk released Music of Many Colors in Nigeria, featuring one side lead by Ayers' group and the other lead by Africa '70.
In 1981, Ayers produced an album with the singer Sylvia Striplin, Give Me Your Love (Uno Melodic Records, 1981). He has also worked in collaborations with soul songstress Erykah Badu.
Ayers performed a solo on John "Jellybean" Benitez's production of Whitney Houston's "Love Will Save The Day" from her second multi-platinum studio album Whitney. The single was released in July 1988 by Arista Records.
Ayers has played his live act for millions of people across the globe, including Japan, Australia, England and other parts of Europe.
Ayers is known for helping to popularize feel good music in the 70's, stating that "I like that happy feeling all of the time, so that ingredient is still there. I try to generate that because it's the natural way I am". The types of music that he used to do this consisted of funk, salsa, jazz, rock, soul and rap.
1990s to present
In 1992, Ayers released two albums, Drive and Wake Up, for the hip-hop label Ichiban Records.
In 1992, Ayers collaborated with Rick James for an album and is quoted to have been a very close friend of his.
In 1993, Ayers appeared on the record Guru's Jazzmatazz Vol.1 featuring on the vibraphone in the song "Take a Look (At Yourself)".
In 1994, Ayers appeared on the Red Hot Organization's compilation album Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by Time Magazine.
During the 2000s and 2010s, Ayers ventured into house music, collaborating with such stalwarts of the genre as Masters at Work and Kerri Chandler.
Ayers started two record labels, Uno Melodic and Gold Mink Records. The first released several LPs, including Sylvia Striplin's, while the second folded after a few singles.
In 2004, Ayers put out a collection of unreleased recordings called Virgin Ubiquity: Unreleased recordings 1976–1981 which allowed fans to hear cuts that didn't make it onto the classic Polydor albums from his more popular years.
Roy Ayers hosts the fictitious radio station "Fusion FM" in Grand Theft Auto IV (2008).
In 2015, he appeared on Tyler, The Creator's new album Cherry Bomb on the track "Find Your Wings".
A documentary the Roy Ayers Project featuring Ayers and a number hip hop producers who have sampled his music and other people who have been influenced by him and his music has been in development for a number of years.
Pharrell Williams cites Roy Ayers as one of his key musical heroes.
Ayers is a recipient of the Congress of Racial Equality Lifetime Achievement Award.
http://www.royayers.com
http://www.bassics.de/ayers.html
http://www.discomuseum.com/RoyAyers.html
Everytime I See You
Roy Ayers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just like any dream
All I want is all I need
Still I ask for more
Say, say why is it so
Wait, wait don't let me know
My life turns upside down
Everytime I see you I know
Love it seems, slips away
Just like any dream
I failed to see this memory
Means so much to me
Say, say why is it so
Wait, wait don't let me know
Everytime I see you
My life turns upside down
Tried so hard to find out
How to make you come back
But even if I told you
I can't hold you again
Everytime I see you I know
Everytime I see you
My life turns upside down
I tried so hard to find out
How to make you come back
But even if I told you
I can't hold you again
Everytime I see you I know
Everytime I see you
My life turns upside down
Everytime I see you I know
The lyrics to Roy Ayers's song "Everytime I See You" convey the idea of the fleeting nature of life and love. Ayers reflects on the transience of life, likening it to a dream that slips away. He observes that all he wants and needs is love, but invariably asks for more. The song's main idea is introduced in the lines, "Everytime I see you, my life turns upside down." The singer's life takes on a new meaning when he sees this person, but at the same time, he struggles with the fact that he cannot hold onto them.
The singer acknowledges that love can also slip away just as easily as a dream. He regrets not recognizing the value of his memories until later, realizing that the person he sees now means so much to him. In the end, he comes to accept the situation as it is and realizes that telling the person he loves that he wants them back would serve no purpose because he cannot hold onto them again.
The lyrics to "Everytime I See You" are poignant and relevant to anyone who has ever felt the sting of heartbreak or struggled to keep up with the pace of life. Roy Ayers's smooth, soulful voice lends a melancholic quality to the song that perfectly captures its bittersweet message.
Line by Line Meaning
Life it seems, slips away
Life passes by quickly
Just like any dream
Similar to how a dream can feel fleeting and intangible
All I want is all I need
I have everything I need but still desire more
Still I ask for more
I continue to want more than what I have
Say, say why is it so
Asking someone to explain why things are the way they are
Wait, wait don't let me know
Holding off on receiving an answer
Everytime I see you
Every time I see you in person
My life turns upside down
Seeing you has a profound effect on me
Love it seems, slips away
Love can be fleeting and easily lost
I failed to see this memory
I didn't realize the importance of this moment until later
Means so much to me
This memory holds a lot of significance to me
Tried so hard to find out
I made a conscious effort to discover
How to make you come back
Trying to figure out how to get you to return
But even if I told you
Even if I explained to you
I can't hold you again
I can't physically embrace you again
Everytime I see you I know
Seeing you always confirms how I feel
Contributed by Gavin T. Suggest a correction in the comments below.
Ramondo Brown
Roy is one smooth cat! Still sounding good in late 2019!!!
skinfan jay
2021
Jazmen Walker
I love this song so much ... are there any guys in their 20s like me who love Roy Ayers? Probably not 😢
black man
This is the kind of music that will relax your mind and will touch your soul
LAVET525
All my pops played when I was younger R.I.P
Evan Pimental
Yes I am 29... I heard "everybody loves the sunshine" when I was 19 on the radio in my hometown of Oakland California randomly once and lost my shit. I'm really into big Cadillacs and Lincolns from the 60s and 70s (I've owned like 13) there's nothing better than being in my 1971 Lincoln Continental Mark III with some "searchin'" playing. I'm glad I'm not the only young person who LOVES this music!
Drive On
I did when I was in my 20s. I’m in my early 40s now
bsommer
yeah right here hit me up
btinsley1
thank god i grew up listening to tracks like this when i was a teen back in the 70s...we had it sooo good and had no idea the wasteland that lay ahead in the future....
Song Theory
Nervous Records!