Two common misconceptions about his appearance stubbornly continue to surface about Orbison: one, that he was an albino, and two, that he wore his trademark dark glasses because he was blind or nearly so. Neither is correct, although his poor vision required him to wear thick corrective lenses (He suffered from childhood from a combination of hyperopia, severe astigmatism, presbyopia, anisometropia, and strabismus). Orbison's trademark sunglasses were a fashion statement arising from an accident early in his career. Due to go onstage in a few minutes, Orbison left his regular glasses in an airplane. Unable to see without corrective lenses, the only other pair of glasses he had available were darkly tinted prescription sunglasses. "I had to see to get onstage," so he wore the glasses throughout his tour with the Beatles, and he carried on with it for the rest of his professional career. "I'll just do this and look cool."
Early life and career
Orbison was born in Vernon, Texas, the second son of Nadine and Orbie Lee. After moving to Fort Worth around 1943 to find work in the munitions and aircraft factories expanded as a result of the Second World War, the family moved to the tiny oil town of Wink in late 1946. Music was an important part of his family life.
In 1949, at age 13, he organized his first band, "The Wink Westerners", and when not singing with the band he spent his time playing guitar and writing songs. The band appeared weekly on KERB radio in Kermit, Texas. Orbison graduated from Wink High School in 1954. He attended North Texas State College in Denton, Texas for a year, and enrolled at Odessa Junior College in 1955 to study history and English. The Wink Westerners had some success on local television, being given 30 minute weekly shows on KMID and then KOSA. One of the guests on their show was Johnny Cash, who advised them to seek a contract with his record producer, Sam Phillips, of Sun Records. Having renamed The Wink Westerners as "The Teen Kings", Orbison left college in March 1956, determined to give music a serious try, and headed for Sun Records in Memphis, Tennessee.
Many of the earliest songs he recorded were produced by Sam Phillips, who also produced Jerry Lee Lewis, Carl Perkins, Johnny Cash, and Elvis Presley. Orbison achieved his first commercial success in June 1956 with "Ooby Dooby", a song written by friends of Orbison from college. His song "Claudette", named after his first wife, was recorded by The Everly Brothers as the B-side to their Number 1 hit "All I Have To Do Is Dream". However, the rockabilly and blues sounds of Sun's artists did not bring Orbison much success and his career seemed over, although fans of rockabilly music count his records among the best that this kind of music has to offer. For a time, he worked at Acuff-Rose Music in Nashville, Tennessee as a songwriter, and then was given a contract by RCA, but eventually Chet Atkins referred him to Fred Foster, the owner of Monument Records, where he moved after his contract with RCA ended in 1959.
Breakthrough and sudden decline
At Monument, Foster encouraged him to break from his established style. Under Foster's guidance, he began writing his own songs alone or in collaboration with Joe Melson and later Bill Dees, developing his signature operatic voice, and creating a sound unheard of in rock and roll at the time. His first record, "Uptown" was moderately successful. With the release of "Only the Lonely" and its immediate rise to the top of the charts (#2 in the US, #1 in the UK), he went on to become an international rock and roll star. His follow-up single, "Running Scared" became a US #1. Throughout his stay at Monument Records, his backup band was a group of outstanding studio musicians led by Bob Moore. The play of Orbison's voice against the dynamic yet uncluttered sound of the band gave Orbison's records a unique, identifiable sound.
A powerful influence on his contemporaries such as The Rolling Stones, in 1963, Roy Orbison headlined a European tour with The Beatles, becoming lifelong friends with the band, in particular with John Lennon and George Harrison. Orbison would later record with Harrison as part of The Traveling Wilburys. During their tour of Europe, an impressed Roy Orbison encouraged The Beatles to come to the United States. When they finally decided to try America, they asked Orbison to manage their first tour but his own schedule forced him to turn down what was to become an astounding success.
Unlike many artists, Orbison maintained his success as the British Invasion swept America in 1964. His single "Oh, Pretty Woman" broke the Beatles' stranglehold on the Top 10, soaring to No. 1 on the Billboard charts. The record sold more copies in its first ten days of release than any 45rpm up to that time and would go on to sell more than seven million copies. The song later became the signature tune for the film Pretty Woman, named for his song, which brought fame to actress Julia Roberts.
He toured with The Beach Boys in 1964, and with The Rolling Stones in Australia in 1965. He was very successful in England, logging three No.1 hit singles and was several times voted top male vocalist of the year.
Orbison signed a contract with MGM Records in 1966, and starred in MGM Studios' western-musical motion picture The Fastest Guitar Alive in which he would perform several songs from an album of the same name. However, due to changes in musical taste, he suddenly ceased to have hits in the United States after 1967, and although he would remain popular elsewhere, his American popularity did not recover until the 1980s.
He also suffered problems in his personal life, with the death of his first wife, Claudette (Frady), in a motorcycle accident in 1966 after 11 years of marriage. Two years later, the family home at Old Hickory Lake in Hendersonville, Tennessee burned to the ground while Orbison was touring in England, and two of his three young sons, Anthony and Roy Jr., died in the fire. The youngest boy, Wesley, at the time only three, was saved by Orbison's parents. He met his second wife, Barbara, in August 1968, in Leeds, England, and they were married in Nashville on May 25, 1969.
His contract with MGM ended in 1973, and he signed for Mercury Records. Songs that had only reasonable success in North America, such as "Penny Arcade" and "Working for the Man", would go to Number 1 on the Australian charts, and "Too Soon to Know" was Number 3 in England. His popularity extended to Germany, and he recorded his hit song "Mama" in German. His records were in great demand on the "black market" behind the Iron Curtain. In France, he was viewed as the master of the ballad of lost love in the vein of that country's most popular singer Édith Piaf, and a cover version of Orbison's "Blue Bayou" sung in French by Mireille Mathieu went to the top of France's record charts. Fans in the Netherlands founded his largest world-wide fan club. He continued to perform in Ireland, despite the constant terrorist activities in Northern Ireland. A rendition of the popular ballad "Danny Boy" on the 1972 Memphis album is considered one of the best recordings ever made of this much-recorded song.
He re-signed with Monument in 1976, but his career remained in the doldrums until the late 1980s.
Resurgence in the 1980s
In 1980, Orbison teamed up with Emmylou Harris to win the 1981 Grammy Award for Best Country Performance by a Duo or Group with Vocal for their song, "That Lovin' You Feelin' Again". In 1985, Orbison recorded "Wild Hearts" for the Nic Roeg film Insignificance, released on the ZTT Records label, produced by David Briggs and Will Jennings. The inclusion of "In Dreams" in the 1986 David Lynch film Blue Velvet also aided Orbison's popular resurrection. He was inducted into the Rock and Roll Hall of Fame in 1987, the induction speech made by Bruce Springsteen (who had famously referenced Orbison and "Only the Lonely" in his 1975 song "Thunder Road"). His pioneering contribution was also recognized by the Rockabilly Hall of Fame. Having signed a recording contract for the first time in 10 years, with Virgin Records, he re-recorded his 1961 hit song, "Crying," as a duet with k.d. lang in 1987 for the soundtrack of the motion picture, Hiding Out. The song would earn the Grammy Award for Best Country Collaboration with Vocals.
Roy Orbison and Friends: A Black and White Night, a black and white Cinemax television special recorded at the Coconut Grove in the Ambassador Hotel in Los Angeles in 1988, brought Orbison to the attention of a younger generation. Orbison was accompanied by a who's-who supporting cast, organized by musical director T-Bone Burnett, all fans and all volunteers who lobbied to participate: on piano was Glen Hardin, who had played for Buddy Holly as well as working with Elvis Presley for a number of years; lead guitarist James Burton had also played with Presley; male background vocals, with some also playing the guitar, came from Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, J.D. Souther, and Steven Soles; and k.d. lang, Jennifer Warnes, and Bonnie Raitt provided female background vocals.
Shortly after this critically acclaimed performance, whilst working with Jeff Lynne of Electric Light Orchestra on tracks for a new album, Orbison joined Bob Dylan, George Harrison, Jeff Lynne and Tom Petty to form The Traveling Wilburys, achieving substantial commercial and critical success. He subsequently recorded a new solo album, Mystery Girl, produced by Orbison, Mike Campbell (of Tom Petty's Heartbreakers), and Jeff Lynne. It included one track by U2's Bono (who also wears trademark dark glasses and co-wrote the track "She's a Mystery to Me" with The Edge specifically for Orbison). At an awards ceremony in Antwerp, a few days before his death, Roy Orbison gave his only public rendition of the hit "You Got It" to the applause of a huge crowd.
Death
Orbison had triple heart bypass surgery on January 18, 1978 and enjoyed smoking most of his life. On December 6, 1988, at the age of 52, he suffered a fatal heart attack while visiting his mother in the Nashville, Tennessee suburb of Hendersonville. At the direction of his second wife, Barbara, Roy Orbison was interred on December 15, 1988, in the Westwood Village Memorial Park Cemetery in Westwood, California. His two sons and their mother, Claudette, who predeceased him, had been laid to rest at his request in the Woodlawn Memorial Park Cemetery in Nashville, Tennessee.
His new album, Mystery Girl, and the single from it, "You Got It", were posthumous hits, and are generally regarded as Orbison's best work since his success of the 1960s. He was the posthumous winner of the 1991 Grammy Award for Best Male Pop Vocal Performance and in 1992, the popular "I Drove All Night" and "Heartbreak Radio" appeared on the posthumous album, King of Hearts, produced by Jeff Lynne.
Legacy
Orbison is most remembered for his ballads of lost love, and within the music community he is revered for his song-writing abilities. Record producer and Orbison fan Don Was, commenting on Orbison's writing skills, said: "He defied the rules of modern composition." Songwriter Bernie Taupin, composer of many lyrics for Elton John, and others referred to Orbison as far ahead of the times, creating lyrics and music in a manner that broke with all traditions. Roy Orbison's vocal range was impressive (three octaves) and his songs were melodically and rhythmically advanced and lyrically sophisticated. Three songs written and recorded by Orbison, "Only the Lonely," "Oh, Pretty Woman," and "Crying," are in the Grammy Hall of Fame. In 2004, Rolling Stone named those three songs plus "In Dreams" on its list of the "500 Greatest Songs of All Time." In 1989, he was inducted posthumously into the National Academy of Popular Music/Songwriters Hall of Fame.
From the stage in Las Vegas in 1976, Elvis Presley called Orbison "the greatest singer in the world", and Barry Gibb of the Bee Gees referred to him as the "Voice of God." Multiple Academy Award–winning songwriter Will Jennings ("My Heart Will Go On," from the Titanic soundtrack) called him a "poet, a songwriter, a vision," after working with him and co-writing "Wild Hearts." Bob Dylan, later a bandmate of Orbison's in the Traveling Wilburys, wrote "Orbison … transcended all the genres. … With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. … [He sang] his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. … His voice could jar a corpse, always leave you muttering to yourself something like, 'Man, I don't believe it.' His songs had songs within songs. Orbison was deadly serious–no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him."
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Medicine Man
Roy Orbison Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A big black pearl from the sea
I'll bring one and twenty ponies
If you'll bring Wildflower to me
Medicine Man,Make your magic mine
Turn Wildflower to a clinging vine
Medicine man won't you please help me
Rattle them bones,then roll them stones
And make Wildflower mine
I will bring you white buffalo
I'll bring honey from the bee
I'll keep fire-water flowing
If you'll get the big chief to agree
Medicine Man, Help me if you can
Write a secret message in the sand
Medicine man, please let her know
Tell Wildflower that I love her so
Take the breeze and shake the trees
And make Wildflower mine
Now she has no use for a white man
Helpless and worthless like me
Tell her father Big-Strong-Hand
To let Wildflower comfort me
Medicine man,medicine man
Let it be known throughout the land
Medicine man, medicine man
I have to have the hand of Wildflower
Take this piece of calico
Make a dress with a pretty bow
Tie it with a thread of lace
Take it to your secret place
Go into your sacred dance
Say a prayer for our romance
And make Wildflower mine
The lyrics of the song "Medicine Man" by Roy Orbison showcase the singer's desperation to earn the love of Wildflower. The song is written in a style that is evocative of Native America folklore, which adds a mystical vibe to it. The first stanza of the song conveys that the singer is willing to go through any extent to get Wildflower, including getting a talon from an eagle, black pearl from the sea, and even bringing one and twenty ponies if it means that Wildflower would be his. He prays to the Medicine Man to use his magic to make Wildflower cling to him like a vine and not leave him in misery.
In the second stanza, the singer again offers to bring gifts like a white buffalo, honey from the bee, and fire-water in exchange for the Medicine Man to convince Big-Strong-Hand, who is Wildflower's father, to allow her to be with him. He even requests the Medicine Man to write a secret message in sand, telling Wildflower about his love. The third stanza refers to the singer's realization that he is viewed as "worthless" and "helpless" by Wildflower's people. He begs the Medicine Man to help him earn her love and encourage Big-Strong-Hand to let Wildflower be with him. The singer requests the Medicine Man to create a pretty dress with a bow and lace, take it to the secret place, dance, pray for their romance, and make Wildflower his.
Line by Line Meaning
I'll bring you the talon from an eagle
I offer to bring you an eagle talon as a symbol of my respect and admiration.
A big black pearl from the sea
I will provide you with a valuable black pearl from the ocean as a token of friendship.
I'll bring one and twenty ponies
I have access to many resources and will give you a sizable herd of ponies.
If you'll bring Wildflower to me
In exchange, I request that you bring me Wildflower, whom I desire deeply.
Medicine Man,Make your magic mine
Oh wise and powerful Medicine Man, please bless me with your magic.
Turn Wildflower to a clinging vine
Use your powers to make Wildflower completely devoted and enamored with me.
Medicine man won't you please help me
I humbly request your assistance, dear Medicine Man.
Don't leave me down in misery
Please do not abandon me to my sorrow and despair.
Rattle them bones,then roll them stones
Use your mystical bones and stones to aid me.
And make Wildflower mine
I implore you to use your powers to make Wildflower fall deeply in love with me.
I will bring you white buffalo
I promise to bring you a rare and majestic white buffalo as an offering.
I'll bring honey from the bee
I offer sweet, delicious honey produced by hardworking bees.
I'll keep fire-water flowing
I will ensure that we have an abundant supply of whiskey or other strong drink.
If you'll get the big chief to agree
In exchange for your assistance, I ask that you persuade the chief of Wildflower's tribe to allow us to be together.
Medicine Man, Help me if you can
Mighty Medicine Man, I implore you to use your powers to help me.
Write a secret message in the sand
Please leave a message where only Wildflower and I can see it.
Medicine man, please let her know
Dear Medicine Man, please tell Wildflower how deeply I care for her.
Tell Wildflower that I love her so
Please convey my message of love and devotion to Wildflower.
Take the breeze and shake the trees
Use the power of the elements to make Wildflower fall in love with me.
And make Wildflower mine
I implore you to use your powers to make Wildflower fall deeply in love with me.
Now she has no use for a white man
It seems that Wildflower does not desire my company any longer.
Helpless and worthless like me
I feel powerless and of little value without Wildflower.
Tell her father Big-Strong-Hand
Please speak to Wildflower's father, who has great strength and influence.
To let Wildflower comfort me
Ask for permission for Wildflower to comfort me in my time of need.
Let it be known throughout the land
Spread the word far and wide so that everyone knows of our love.
I have to have the hand of Wildflower
My heart aches for Wildflower, and I must have her by my side.
Take this piece of calico
Here is a fabric for you to use in your sacred ritual.
Make a dress with a pretty bow
Please craft a lovely garment for Wildflower to wear.
Tie it with a thread of lace
Use fine lace to fasten the dress, as a symbol of elegance and sophistication.
Take it to your secret place
Perform your ritual in a private, sacred location.
Go into your sacred dance
Incorporate dance into your ritual to enhance its power and effectiveness.
Say a prayer for our romance
Please offer a prayer for Wildflower and me, that our love may blossom and flourish.
And make Wildflower mine
I implore you to use your powers to make Wildflower fall deeply in love with me.
Lyrics © Orbi-Lee Music, Barbara Orbison Music Company, R-Key Darkus
Written by: Bill Dees, William M. Dees, Roy Orbison
Lyrics Licensed & Provided by LyricFind
rebecca walk
very beautiful, first time I heard it. Thank you for sharing
scott E miller
What a gem! And Roy doing a song about herb? Who woulda thought
lourdes rey murcia
nunca había oído esta canción pero me encanta
Marielle Martin
Nobody can come close to his voice. Nevah! Gone much too soon.
lourdes rey murcia
parece una canción del oeste