Two common misconceptions about his appearance stubbornly continue to surface about Orbison: one, that he was an albino, and two, that he wore his trademark dark glasses because he was blind or nearly so. Neither is correct, although his poor vision required him to wear thick corrective lenses (He suffered from childhood from a combination of hyperopia, severe astigmatism, presbyopia, anisometropia, and strabismus). Orbison's trademark sunglasses were a fashion statement arising from an accident early in his career. Due to go onstage in a few minutes, Orbison left his regular glasses in an airplane. Unable to see without corrective lenses, the only other pair of glasses he had available were darkly tinted prescription sunglasses. "I had to see to get onstage," so he wore the glasses throughout his tour with the Beatles, and he carried on with it for the rest of his professional career. "I'll just do this and look cool."
Early life and career
Orbison was born in Vernon, Texas, the second son of Nadine and Orbie Lee. After moving to Fort Worth around 1943 to find work in the munitions and aircraft factories expanded as a result of the Second World War, the family moved to the tiny oil town of Wink in late 1946. Music was an important part of his family life.
In 1949, at age 13, he organized his first band, "The Wink Westerners", and when not singing with the band he spent his time playing guitar and writing songs. The band appeared weekly on KERB radio in Kermit, Texas. Orbison graduated from Wink High School in 1954. He attended North Texas State College in Denton, Texas for a year, and enrolled at Odessa Junior College in 1955 to study history and English. The Wink Westerners had some success on local television, being given 30 minute weekly shows on KMID and then KOSA. One of the guests on their show was Johnny Cash, who advised them to seek a contract with his record producer, Sam Phillips, of Sun Records. Having renamed The Wink Westerners as "The Teen Kings", Orbison left college in March 1956, determined to give music a serious try, and headed for Sun Records in Memphis, Tennessee.
Many of the earliest songs he recorded were produced by Sam Phillips, who also produced Jerry Lee Lewis, Carl Perkins, Johnny Cash, and Elvis Presley. Orbison achieved his first commercial success in June 1956 with "Ooby Dooby", a song written by friends of Orbison from college. His song "Claudette", named after his first wife, was recorded by The Everly Brothers as the B-side to their Number 1 hit "All I Have To Do Is Dream". However, the rockabilly and blues sounds of Sun's artists did not bring Orbison much success and his career seemed over, although fans of rockabilly music count his records among the best that this kind of music has to offer. For a time, he worked at Acuff-Rose Music in Nashville, Tennessee as a songwriter, and then was given a contract by RCA, but eventually Chet Atkins referred him to Fred Foster, the owner of Monument Records, where he moved after his contract with RCA ended in 1959.
Breakthrough and sudden decline
At Monument, Foster encouraged him to break from his established style. Under Foster's guidance, he began writing his own songs alone or in collaboration with Joe Melson and later Bill Dees, developing his signature operatic voice, and creating a sound unheard of in rock and roll at the time. His first record, "Uptown" was moderately successful. With the release of "Only the Lonely" and its immediate rise to the top of the charts (#2 in the US, #1 in the UK), he went on to become an international rock and roll star. His follow-up single, "Running Scared" became a US #1. Throughout his stay at Monument Records, his backup band was a group of outstanding studio musicians led by Bob Moore. The play of Orbison's voice against the dynamic yet uncluttered sound of the band gave Orbison's records a unique, identifiable sound.
A powerful influence on his contemporaries such as The Rolling Stones, in 1963, Roy Orbison headlined a European tour with The Beatles, becoming lifelong friends with the band, in particular with John Lennon and George Harrison. Orbison would later record with Harrison as part of The Traveling Wilburys. During their tour of Europe, an impressed Roy Orbison encouraged The Beatles to come to the United States. When they finally decided to try America, they asked Orbison to manage their first tour but his own schedule forced him to turn down what was to become an astounding success.
Unlike many artists, Orbison maintained his success as the British Invasion swept America in 1964. His single "Oh, Pretty Woman" broke the Beatles' stranglehold on the Top 10, soaring to No. 1 on the Billboard charts. The record sold more copies in its first ten days of release than any 45rpm up to that time and would go on to sell more than seven million copies. The song later became the signature tune for the film Pretty Woman, named for his song, which brought fame to actress Julia Roberts.
He toured with The Beach Boys in 1964, and with The Rolling Stones in Australia in 1965. He was very successful in England, logging three No.1 hit singles and was several times voted top male vocalist of the year.
Orbison signed a contract with MGM Records in 1966, and starred in MGM Studios' western-musical motion picture The Fastest Guitar Alive in which he would perform several songs from an album of the same name. However, due to changes in musical taste, he suddenly ceased to have hits in the United States after 1967, and although he would remain popular elsewhere, his American popularity did not recover until the 1980s.
He also suffered problems in his personal life, with the death of his first wife, Claudette (Frady), in a motorcycle accident in 1966 after 11 years of marriage. Two years later, the family home at Old Hickory Lake in Hendersonville, Tennessee burned to the ground while Orbison was touring in England, and two of his three young sons, Anthony and Roy Jr., died in the fire. The youngest boy, Wesley, at the time only three, was saved by Orbison's parents. He met his second wife, Barbara, in August 1968, in Leeds, England, and they were married in Nashville on May 25, 1969.
His contract with MGM ended in 1973, and he signed for Mercury Records. Songs that had only reasonable success in North America, such as "Penny Arcade" and "Working for the Man", would go to Number 1 on the Australian charts, and "Too Soon to Know" was Number 3 in England. His popularity extended to Germany, and he recorded his hit song "Mama" in German. His records were in great demand on the "black market" behind the Iron Curtain. In France, he was viewed as the master of the ballad of lost love in the vein of that country's most popular singer Édith Piaf, and a cover version of Orbison's "Blue Bayou" sung in French by Mireille Mathieu went to the top of France's record charts. Fans in the Netherlands founded his largest world-wide fan club. He continued to perform in Ireland, despite the constant terrorist activities in Northern Ireland. A rendition of the popular ballad "Danny Boy" on the 1972 Memphis album is considered one of the best recordings ever made of this much-recorded song.
He re-signed with Monument in 1976, but his career remained in the doldrums until the late 1980s.
Resurgence in the 1980s
In 1980, Orbison teamed up with Emmylou Harris to win the 1981 Grammy Award for Best Country Performance by a Duo or Group with Vocal for their song, "That Lovin' You Feelin' Again". In 1985, Orbison recorded "Wild Hearts" for the Nic Roeg film Insignificance, released on the ZTT Records label, produced by David Briggs and Will Jennings. The inclusion of "In Dreams" in the 1986 David Lynch film Blue Velvet also aided Orbison's popular resurrection. He was inducted into the Rock and Roll Hall of Fame in 1987, the induction speech made by Bruce Springsteen (who had famously referenced Orbison and "Only the Lonely" in his 1975 song "Thunder Road"). His pioneering contribution was also recognized by the Rockabilly Hall of Fame. Having signed a recording contract for the first time in 10 years, with Virgin Records, he re-recorded his 1961 hit song, "Crying," as a duet with k.d. lang in 1987 for the soundtrack of the motion picture, Hiding Out. The song would earn the Grammy Award for Best Country Collaboration with Vocals.
Roy Orbison and Friends: A Black and White Night, a black and white Cinemax television special recorded at the Coconut Grove in the Ambassador Hotel in Los Angeles in 1988, brought Orbison to the attention of a younger generation. Orbison was accompanied by a who's-who supporting cast, organized by musical director T-Bone Burnett, all fans and all volunteers who lobbied to participate: on piano was Glen Hardin, who had played for Buddy Holly as well as working with Elvis Presley for a number of years; lead guitarist James Burton had also played with Presley; male background vocals, with some also playing the guitar, came from Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, J.D. Souther, and Steven Soles; and k.d. lang, Jennifer Warnes, and Bonnie Raitt provided female background vocals.
Shortly after this critically acclaimed performance, whilst working with Jeff Lynne of Electric Light Orchestra on tracks for a new album, Orbison joined Bob Dylan, George Harrison, Jeff Lynne and Tom Petty to form The Traveling Wilburys, achieving substantial commercial and critical success. He subsequently recorded a new solo album, Mystery Girl, produced by Orbison, Mike Campbell (of Tom Petty's Heartbreakers), and Jeff Lynne. It included one track by U2's Bono (who also wears trademark dark glasses and co-wrote the track "She's a Mystery to Me" with The Edge specifically for Orbison). At an awards ceremony in Antwerp, a few days before his death, Roy Orbison gave his only public rendition of the hit "You Got It" to the applause of a huge crowd.
Death
Orbison had triple heart bypass surgery on January 18, 1978 and enjoyed smoking most of his life. On December 6, 1988, at the age of 52, he suffered a fatal heart attack while visiting his mother in the Nashville, Tennessee suburb of Hendersonville. At the direction of his second wife, Barbara, Roy Orbison was interred on December 15, 1988, in the Westwood Village Memorial Park Cemetery in Westwood, California. His two sons and their mother, Claudette, who predeceased him, had been laid to rest at his request in the Woodlawn Memorial Park Cemetery in Nashville, Tennessee.
His new album, Mystery Girl, and the single from it, "You Got It", were posthumous hits, and are generally regarded as Orbison's best work since his success of the 1960s. He was the posthumous winner of the 1991 Grammy Award for Best Male Pop Vocal Performance and in 1992, the popular "I Drove All Night" and "Heartbreak Radio" appeared on the posthumous album, King of Hearts, produced by Jeff Lynne.
Legacy
Orbison is most remembered for his ballads of lost love, and within the music community he is revered for his song-writing abilities. Record producer and Orbison fan Don Was, commenting on Orbison's writing skills, said: "He defied the rules of modern composition." Songwriter Bernie Taupin, composer of many lyrics for Elton John, and others referred to Orbison as far ahead of the times, creating lyrics and music in a manner that broke with all traditions. Roy Orbison's vocal range was impressive (three octaves) and his songs were melodically and rhythmically advanced and lyrically sophisticated. Three songs written and recorded by Orbison, "Only the Lonely," "Oh, Pretty Woman," and "Crying," are in the Grammy Hall of Fame. In 2004, Rolling Stone named those three songs plus "In Dreams" on its list of the "500 Greatest Songs of All Time." In 1989, he was inducted posthumously into the National Academy of Popular Music/Songwriters Hall of Fame.
From the stage in Las Vegas in 1976, Elvis Presley called Orbison "the greatest singer in the world", and Barry Gibb of the Bee Gees referred to him as the "Voice of God." Multiple Academy Award–winning songwriter Will Jennings ("My Heart Will Go On," from the Titanic soundtrack) called him a "poet, a songwriter, a vision," after working with him and co-writing "Wild Hearts." Bob Dylan, later a bandmate of Orbison's in the Traveling Wilburys, wrote "Orbison … transcended all the genres. … With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. … [He sang] his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. … His voice could jar a corpse, always leave you muttering to yourself something like, 'Man, I don't believe it.' His songs had songs within songs. Orbison was deadly serious–no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him."
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Southern Man
Roy Orbison Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With some turnip greens on the side
And if you really want to mess with my head
Give me anything southern fried
And a pair of old cowboy boots
And I'm gonna tell you where I come from
Tell you somethin' about my roots
I'm a southern man
I'm a southern man
I'm a southern man
I'm a southern man
Send me a woman to love me
With a lot of meat on her bones
There's something about a big lady
I just can't leave 'em alone
I'd like to take her down to the river
Go skinny dippin' in the night
Ain't nothin' like being with my lady
And makin' love in the pale moon light
'Cause I'm a southern man, ah ah ah
I'm a southern man
I'm a southern man
Southern man
I'm a southern man
Give me that soulful music
It sure makes me feel so nice
So I can do the alligator
And get it on every Saturday night
Give me that Southern Comfort
Give me Annie Greenspring's wine
Take me on down to the bayou
and I'll sure have a real good time
'Cause I'm a southern man
I'm a southern man
I'm a southern man
Southern man
I'm a southern man
I'm a southern man
I'm a southern man
Southern man
I'm a southern man
I'm a southern man
I'm a southern man
Southern man
The lyrics of Roy Orbison's "Southern Man" are primarily about celebrating the various cultural elements that define the American South. The song expresses a deep affection for Southern cuisine, style of dress, music, and traditions. By placing himself within this context, Orbison is expressing his pride and connection to Southern culture.
In the first verse, Orbison sings about his love for Southern comfort foods, specifically requesting pan corn bread with turnip greens on the side and anything "southern fried." This nostalgia for a particular type of regional cuisine emphasizes how important food is to Southern culture. The following line emphasizes the significance of fashion to the South with its mention of an outfit consisting of faded blue jeans and cowboy boots. The longing for this suggests that there is something more to the attire than its simple function and further emphasizes how fashion and clothing can represent the cultural identity of a place.
The second verse is about Southern women, and Orbison sings about his preference for full-figured ladies. This preference may be seen as a nod to the history of antebellum slavery and the notion of the "ideal body type" that was perpetuated throughout Southern culture during this time period. However, it is more likely that the verse is simply an expression of Orbison's personal preference regarding women. The final verse further celebrates Southern music, including soulful, funky tracks that can get him dancing the alligator on a Saturday night. Additionally, Orbison mentions the spirits Southern Comfort and Annie Greenspring's wine, contributing to the idea that Southern culture is distinctly associated with good food and drink.
Line by Line Meaning
Send me a pan of corn bread
I am a proud Southern man who loves country-style food, especially cornbread.
With some turnip greens on the side
I also enjoy turnip greens as a side dish, which are a staple of Southern cuisine.
And if you really want to mess with my head
In addition to my love of Southern food, I am also easily swayed by food that is fried in the Southern style.
Give me anything southern fried
If you really want to make me happy, give me some fried food that hails from the South.
Give me some faded blue jeans
My style is very much rooted in Southern culture, and I prefer to wear faded blue jeans.
And a pair of old cowboy boots
My footwear of choice are sturdy cowboy boots, which are also a staple of Southern style.
And I'm gonna tell you where I come from
My style and preference for Southern food is reflective of my upbringing and roots in the South.
Tell you somethin' about my roots
My Southern identity is a major part of who I am, and my roots in the region are central to that.
I'm a southern man
Above all else, I am proud of my status as a man from the South.
Send me a woman to love me
In addition to my appreciation for food and culture from the South, I am also a romantic who desires a companion in life.
With a lot of meat on her bones
My ideal partner is someone curvaceous and voluptuous in a way that is also reflective of Southern culture and beauty standards.
There's something about a big lady
I find larger women especially attractive for many reasons, which are both physical and emotional in nature.
I just can't leave 'em alone
I am drawn to larger women in a way that is compulsive and difficult for me to resist.
I'd like to take her down to the river
I imagine myself taking my ideal woman on romantic outings that are unique to the Southern landscape, such as a swim in the river.
Go skinny dippin' in the night
I am a romantic at heart and envision myself with my partner enjoying simple pleasures in the peaceful, natural environment of the South.
Ain't nothin' like being with my lady
Being in the company of my ideal partner brings me great joy and satisfaction.
And makin' love in the pale moon light
I am not shy about expressing my romantic and sexual desires, and the idea of making love in the moonlight is especially alluring to me.
'Cause I'm a southern man, ah ah ah
My identity as a Southern man is all-encompassing and is at the core of who I am as a person.
Give me that soulful music
I have a deep love and appreciation for music that has its roots in Southern culture, such as soul and blues.
It sure makes me feel so nice
Listening to the soulful music of the South fills me with a sense of comfort and joy.
So I can do the alligator
I enjoy dancing to the lively and upbeat music of the South, such as the alligator dance, which includes movements like the twist and the swim.
And get it on every Saturday night
I envision myself having a good time every weekend, dancing and enjoying the music inherent to Southern culture.
Give me that Southern Comfort
Southern Comfort is a well-known alcoholic beverage that is popular in the South, and which I enjoy drinking.
Give me Annie Greenspring's wine
Annie Greenspring's wine is another type of alcoholic beverage that is popular in the South, and which I also enjoy drinking.
Take me on down to the bayou
I enjoy venturing out into the natural environments of the South, such as the bayou.
and I'll sure have a real good time
I know that I can always enjoy myself when surrounded by the people, culture, and music that are intrinsic to the Southern way of life.
Southern man
The phrase 'Southern man' is a simple and powerful statement of identity that captures my relationship with Southern culture and my pride in it.
Lyrics © O/B/O APRA AMCOS
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