Let's Go
Royce 5'9" F. Twista Lyrics

Yeah (Yeah!)
Excitement and anticipation for what's to come.

There's a lotta fuck niggas in the club tonight,
Observation that there are many fake and untrustworthy people at the venue.

(fuck em, fuck em, fuck em)
Disdain and disregard for the aforementioned individuals.

But its gonna be alright, (yeah, yeah, yeah, yeah)
Confidence that everything will turn out fine despite the presence of undesirable people.

Cause me and my clique we don't give a fuck nigga.
Assurance that the artist and their group are not bothered by the negative atmosphere.

Trick Daddy, Jim Johnson, Big D, Lil Jon
Mention of the artist's collaborators and associates.

If you want it you can get it let me know (let me know),
Offer to fight anyone who wants trouble.

I'm bout to fuck a nigga up, lets go! (lets go!)
Preparation for physical altercation and encouragement for the listener to join in.

If you want some, come get some,
Challenge to aggressors to make a move.

Cause where I'm from we tote big guns,
Explanation of the danger of starting trouble in the artist's neighborhood.

And everybody know somebody that
Implication that nobody is entirely unknown and untouched by violence.

Know somebody that know somethin' bout it,
Saying that there is no escaping from the consequences of one's actions.

And I want answers now who, what, where,
Demand for information about the source of trouble.

When and why,
Desire to understand the situation completely before acting.

See, a lotta dudes like to act a fool
Reproach towards those who incite violence for the sake of trying to seem tough.

And all get all loud but that ain't my style,
Clarification that the artist does not resort to brute force unless provoked.

And he who he gonna get and what he gonna do,
Challenge to aggressors to articulate their intentions and face the consequences.

Run up on me if he want to,
Invitation for troublemakers to make a move.

Out there impressin' his homies,
Suggestion that attackers are only trying to boost their reputation among friends.

But he stood up in front of his mama,
Insinuation that troublemakers are incapable of facing their mothers after their violent actions.

I mop up the flo' wit em,
Promise to beat the attacker severely.

And I kick in the door and let the .44 get em,
Description of the rapper's violent retaliation, with a specific weapon cited.

I got fools that'll go get em,
Reference to the artist's allies who are willing to help in fighting back.

That's for him, his crew and the dudes that run wit em.
Threat to not just the attacker, but also their associates.

Gotta spit for the murderas and the
Acknowledgment of the harsh reality of crime and violence in the artist's background.

Killas and the thugstas,
Reference to the types of people who perpetrate violent crime.

That be fuckin' up the ballas and
Description of the people who target wealthy individuals and steal from them.

The dealas and the hustlas,
Reference to the people involved in illegal drug trade and other criminal activities.

Got me comin' at you bokas in the
Statement of the artist's readiness to confront and punish criminals.

V.I. while they bumpin' Lil' Jon I'm a brush ya,
Assurance that the artist is not intimidated by the presence of law enforcement, and will attack criminals regardless of who is watching.

Its the psycho nigga twista from
Introduction of the artist's violent persona.

Chicago rollin' with the Miami nigga that'll crush ya,
Praise for the artist's associate who is equally capable of violence.

We already been lookin' for drama
Admission that the artist and their associate are seeking violent confrontations.

If a nigga try to get it to then we still gotta get em,
Commitment to violent retaliation for any provocation.

Feelin' fury from my tough shit that cant never be true
Expression of intense anger and toughness that cannot be challenged.

And the penicillin
Reference to the rapper's nickname and their resistance to disease.

I'm telling you Trick of in and still em
Reference to the artist's collaborator Trick Daddy and their shared capability to defeat opponents.

Got me swingin' Crysie and Hennessy bottles,
Description of the weapons used in the rapper's violent confrontations.

In the club with my thug homies goin' for the skrilla,
Acknowledgment that the criminal lifestyle is lucrative but dangerous.

Don't get it twisted with that
Warning that the rapper is not to be underestimated.

Overnight celebrity you better be scared
Reference to the artist's relative anonymity compared to other famous rappers, and their warning to anyone who crosses them.

Of me in my city I'm a killa.
Declaration that the artist is capable and willing to kill in their home town.

I ain't that rappin' type alright,
Clarification that the artist's violent persona is not just for show, but a reflection of their true identity.

And I that actin' type alright,
Assertion that the artist's toughness is not an act, but a real part of their personality.

This sulphane in my script,
Reference to the potentially dangerous content of the artist's lyrics.

I'm a play on you and you just a square,
Taunt towards anyone who does not share the artist's violent lifestyle.

See, once that Hennessy into
Reference to the influence of alcohol on the artist's behavior.

Me the whole industry is my enemy,
Acknowledgment that the artist's violent tendencies can put them at odds with others in their profession.

If you ain't no ten to me or friend to me,
Statement that the artist is not willing to befriend anyone who cannot keep up with their level of toughness.

Bitch don't pretend to be,
Dismissal of anyone who tries to act tough without real street credibility.

I'm strictly for the thugs,
Declaration that the artist's music is for a specific audience that can relate to their criminal lifestyle.

I'm part of the streets and straight out the hood,
Assertion that the artist's violent persona is rooted in their upbringing in a poor, crime-ridden area.

That moments ghetto (ghetto),
Affirmation that the artist's lifestyle is still connected to their ghetto background.

Got me deep in gats for you wheezly cats,
Reference to the presence of weapons in the artist's life to protect themselves from weaker opponents.

I'm straight out the county of Dade,
Association with the rapper's hometown of Miami, known for its high crime rates.

Played on fire nigga M-I-A,
Pride for the city's reputation for criminal and violent activity.

Never gone south of the border,
Confirmation that the artist is not a migrant or connected to foreign illegal activity.

Americas most wanted you gonna get slaughtered.
Warning to anyone who comes into the artist's crosshairs, that they will face deadly consequences.

The AK go chop, chop, chop, chop
Imagery of a specific gun's sound and deadly potential.

The SK go fire, fire, fire, fire
Reference to another type of gun, also known for its lethal power.

The AK go chop, chop, chop, chop
Repetition of the earlier line for emphasis.

The SK go fire, fire, fire, fire
Repetition of the earlier line for emphasis.