Caterpillar
Royce da 5'9" Lyrics
You will not be able to stay home brotha
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on scag and skip out for beer during commercials
Because the revolution will not be televised
This right here for the number ones
Number ones here with your number one
You ain't number one, just another one
Now everybody sayin' that they number one
Oh, we in the war
Where butterflies keep dyin' (ah)
I'm a product of Parker, Lewis and Kubiak
If didn't do this, where in the fuck would you be at?
See there's a difference between us, what I spit hit arenas
You a drip from my penis, I eat lions and sip hyenas
You number one when it comes to slaughtered mics
I'm tryna be number one in my son and daughter life
Uh, all you niggas my lil' rapper babies
Y'all my children, y'all bit my shit and contracted rabies
Don't you grade me next to these rapper, baby, that's degrading
My style got so many different facets, I switch into so many different passions
I'm skippin' class to be fascinating
My pen is like Big Ben, this shit's just a classic waiting
Your favorite rapper come at me, I just decapitate him
Out here congratulating these has-beens who had their highs
These rappers only won their matches because they strategize
I'll bring adequate to these patterns and here's my battle cry
Ring the alarm, the caterpillar is firing
Oh, we in a war
Where butterflies keep dyin' (ah)
This right here for the number ones
Number ones here with your number one
You ain't number one, just another one
Now everybody sayin' that they number one
Kid think your number won't quit
Number one song, get your number one chick
Number one fly with your number one kick
When it's all done then your number gon' switch
Hold up, wait a minute
Guess what I'ma never do
Show so much respect to you
That I feel like we're friends, so now we no longer competitors
That could be the death of you
Never let someone who's not as smart as you gas you up
And tell you somethin' you never knew
Always stay professional
You always gon' make revenue
Don't let people next to you that don't want the best for you
It's completely normal to hold on to a regret or two
I do what I wanna do, they do what I let them do
Everything niggas be sayin' is a fuckin' lie
It's nothing I can say to you that is realer
Remember when you praisin' the butterfly
Don't you ever disrespect the fuckin' caterpillar
This right here for the number ones
Number ones here with your number one
You ain't number one, just another one
Now everybody sayin' that they number one
Kid think your number won't quit
Number one song, get your number one chick
Number one fly with your number one kick
When it's all done then your number gon' switch
You lookin at Atilla
The psychopathic killer, the caterpillar
Don't tell me when I'm supposed to rap until
Especially when your favorite rapper isn't even half as ill
A savage still, the tracks a banana peel, attack of the silverback gorilla
You're havin' a little trouble fathomin' this is actually happenin'
Like Anderson Silva when he snapped his shin in half
And then had shit hangin' by a flap of skin
After he tried to plant the shit back on the mat again
Pad to pen I'm batty like eyelids when they're blinkin' a lot
You copy me, but you're not
You can't be butterflies
My offspring's are just moths
If I see that thing, I'ma squash it and rip the wings of it off
So ring the alarm, pull the extinguishers off of the wall, set the sprinklers off
Like Jada Pinkett and Queen Latifah, 'til the shingles come off the roof
We'll shatter the ceilings
Slaughterhouse in the building, middle fingers aloft
Say what I think when I rhyme, in ink-pen I talk
And the language I speak is my mind
Kingpin and Penguin combined
Spit like it's King of the Dot
A singular thought I'd think I would help you distinguish
A brother from the cream of the crop
Wait a minute, hold up
Like a flash card
Damn dog, is that copyin', or payin' homage?
It's sad because dad taught you to rap as a damn toddler
My dad is your grandfather
I have to rehatch on you
Come back as black wasp
Half yellow jacket, you can't swat a
Sasquatch dancin' on top of a ant,
Trample it and stomp it, smash it and stand on it
Dammit, I can't stop it
The rap is a vag and I can't stop goin' in like a tampon in this bitch
It's is manslaughter
Stampin' out grasshoppers, you can't be no Rap Gods
In fact you're exact opposites
You make a wack song, and can't hold a candle
But even Daniel-san wax off, you jack-offs
Need to come to grips, like a hand job
The boom bap is back with an axe to mumble rap
Lumberjack with a hacksaw
Number one, but my pencils are number two 'cause that's all I do with 'em
Poop is my pseudonym
On the john like a prostitute when I droppin' a deuce and
When I'm producing them lyrical bowel movements
These beats are like my saloons
'Cause these bars always got my stools in 'em
And I don't need Metamucil to loosen them
Bitch it is real like I pooped Jerusalem
I'm 'bout to go spin another cocoon
And I'm cuttin' you from your mother's womb then I'm flushin' you
Lyrics © Warner Chappell Music, Inc., Kobalt Music Publishing Ltd., Universal Music Publishing Group
Written by: Clive Anthony Bright, Gil Scott-Heron, Larry Griffin, Marshall Mathers, Pierre Desrosiers, Ryan D Montgomery, Stuart Lowery, Winston Delano Riley
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Ryan Montgomery A.K.A. Royce Da 5′9″ - born July 5, 1977 - is a rapper hailing from Detroit, Michigan, United States. In addition to his work as a solo artist, Royce has released material as a member of the "super group" Slaughterhouse (with Joe Budden, Joell Ortiz and Crooked I), with Eminem as one half of Bad Meets Evil, and with DJ Premier as one half of PRhyme.
The name “Royce” came from his R shaped Turkish link chain which was said to have resembled a Rolls Royce logo. Read Full BioRyan Montgomery A.K.A. Royce Da 5′9″ - born July 5, 1977 - is a rapper hailing from Detroit, Michigan, United States. In addition to his work as a solo artist, Royce has released material as a member of the "super group" Slaughterhouse (with Joe Budden, Joell Ortiz and Crooked I), with Eminem as one half of Bad Meets Evil, and with DJ Premier as one half of PRhyme.
The name “Royce” came from his R shaped Turkish link chain which was said to have resembled a Rolls Royce logo. During high school Royce was one of the shortest players on his basketball team, standing 5′9” at age 18.
Royce signed with Tommy Boy records in 1998 and later was slated to release his debut album Rock City. Though this relationship was premature, Royce ended up leaving the label citing creative differences.
Royce began working with well known Game Recordings who helped get him in front of the right people to negotiate a deal with Columbia Records. Royce’s Rock City debut was yet again plagued with delays, during which the album was heavily bootlegged. Though not in their favor, Columbia chose to release Rock City in limited quantity and quickly went out of print by the time Royce left Columbia.
Around this time Royce dropped the underground banger “Boom” with production by Dj Premier. Soon thereafter he joined up with Koch / Game Recordings and released Rock City (Version 2.0) independently.
Most well known for his association with Slim Shady – the two met at a concert while Slim was promoting his Slim Shady EP. The two formed a Duo called Bad Meets Evil, releasing a number of tracks including “Renegades” [Original Version], “Nuttin’ to Do”, “Scary Movies”, “She’s the One”, and “See You In Hell”, which appeared on Eminem’s album The Slim Shady LP, titled “Bad Meets Evil”.
In 2001 Royce was set to work with Dr Dre’s Chronic 2000 project as a ghostwriter. He contributed tracks including “The Message”, “The Throne Is Mine”, “Stay In Your Place” and the original version of “Xxplosive” titled “The Way I Be Pimpin’”.
Royce’s association with Dr. Dre ceased when his manager, Kino Childrey spoke to a reporter about Eminem and Dre in the studio. Royce refused to dismiss his manager and long time friend, ending his relationship with Dre.
Royce and Em had a mutual friendship with Proof. Though Royce had bad blood with D12 member, Bizarre, stemming from a earlier freestyle battle with Royce’s brother. Misscommunication escalated the beef between the pair, causing it to spiral out of control and include all members of the rap group D12.
In 2002, Royce called Eminem to request to be signed to Shady Records. Eminem declined and soon thereafter signed 50-cent to Shady Records instead.
Royce released several diss tracks including “Shit on U” (over D12’s “Shit on You”), taking shots at Bizzare of D12. Royce continued record dis tracks including “We Ridin’”, “Death Day”, and “Malcolm X”. There’s speculation that Royce and Em often wrote bars dissing each other subliminally.
From 2002-2003 Royce kept a low profile releasing releasing Build & Destroy, and Build & Destroy: The Lost Sessions Part 1 across the mixtape circuit.
In 2003, Royce’s beef with D12 finally reached its tipping point. Royce and Proof and their entourages spilled into the streets of Detroit arguing but the issue dissipated once firearms were drawn. The two rappers spent a night in jail, and settled their beef.
In 2004 Royce released his sophomore effort Death Is Certain on Koch records, as well as two mixtapes from his crew M.I.C. (Make it Count). The crew includes members Royce, Kid Vishis,and June.
2005 marked Royce’s third full length album release Independent’s Day on Trouble/M.I.C. Records.
Royce Da 5′9″ was sentenced to jail on September 19, 2006 for parole violation for a prior DUI charge. Royce was sentenced to one year in the clink at Oakland County Jail, Pontiac, Michigan. On January 9, 2007, Royce got out of jail on work-release.
Royce has a strong ghostwriting resume including the track “Tell Me” ft. Christina Aguilera for Diddy’s album Press Play.
In May 2007, Royce Da 5′9″ released a mixtape called The Bar Exam which features DJ Premier and Statik Selektah on the Wheels of Steel.
In 2008, Royce confirmed that he had officially resolved his longstanding differences with Eminem and celebrated with a reunion concert on July 12, 2008 at Saint Andrews Hall. A mixtape of the reunion concert was soon released thereafter.
Royce also had beef with other industry majors including Mistah Fab, Cashi$, and Joe Budden, Kanye West and the Ruff Ryders.
The name “Royce” came from his R shaped Turkish link chain which was said to have resembled a Rolls Royce logo. Read Full BioRyan Montgomery A.K.A. Royce Da 5′9″ - born July 5, 1977 - is a rapper hailing from Detroit, Michigan, United States. In addition to his work as a solo artist, Royce has released material as a member of the "super group" Slaughterhouse (with Joe Budden, Joell Ortiz and Crooked I), with Eminem as one half of Bad Meets Evil, and with DJ Premier as one half of PRhyme.
The name “Royce” came from his R shaped Turkish link chain which was said to have resembled a Rolls Royce logo. During high school Royce was one of the shortest players on his basketball team, standing 5′9” at age 18.
Royce signed with Tommy Boy records in 1998 and later was slated to release his debut album Rock City. Though this relationship was premature, Royce ended up leaving the label citing creative differences.
Royce began working with well known Game Recordings who helped get him in front of the right people to negotiate a deal with Columbia Records. Royce’s Rock City debut was yet again plagued with delays, during which the album was heavily bootlegged. Though not in their favor, Columbia chose to release Rock City in limited quantity and quickly went out of print by the time Royce left Columbia.
Around this time Royce dropped the underground banger “Boom” with production by Dj Premier. Soon thereafter he joined up with Koch / Game Recordings and released Rock City (Version 2.0) independently.
Most well known for his association with Slim Shady – the two met at a concert while Slim was promoting his Slim Shady EP. The two formed a Duo called Bad Meets Evil, releasing a number of tracks including “Renegades” [Original Version], “Nuttin’ to Do”, “Scary Movies”, “She’s the One”, and “See You In Hell”, which appeared on Eminem’s album The Slim Shady LP, titled “Bad Meets Evil”.
In 2001 Royce was set to work with Dr Dre’s Chronic 2000 project as a ghostwriter. He contributed tracks including “The Message”, “The Throne Is Mine”, “Stay In Your Place” and the original version of “Xxplosive” titled “The Way I Be Pimpin’”.
Royce’s association with Dr. Dre ceased when his manager, Kino Childrey spoke to a reporter about Eminem and Dre in the studio. Royce refused to dismiss his manager and long time friend, ending his relationship with Dre.
Royce and Em had a mutual friendship with Proof. Though Royce had bad blood with D12 member, Bizarre, stemming from a earlier freestyle battle with Royce’s brother. Misscommunication escalated the beef between the pair, causing it to spiral out of control and include all members of the rap group D12.
In 2002, Royce called Eminem to request to be signed to Shady Records. Eminem declined and soon thereafter signed 50-cent to Shady Records instead.
Royce released several diss tracks including “Shit on U” (over D12’s “Shit on You”), taking shots at Bizzare of D12. Royce continued record dis tracks including “We Ridin’”, “Death Day”, and “Malcolm X”. There’s speculation that Royce and Em often wrote bars dissing each other subliminally.
From 2002-2003 Royce kept a low profile releasing releasing Build & Destroy, and Build & Destroy: The Lost Sessions Part 1 across the mixtape circuit.
In 2003, Royce’s beef with D12 finally reached its tipping point. Royce and Proof and their entourages spilled into the streets of Detroit arguing but the issue dissipated once firearms were drawn. The two rappers spent a night in jail, and settled their beef.
In 2004 Royce released his sophomore effort Death Is Certain on Koch records, as well as two mixtapes from his crew M.I.C. (Make it Count). The crew includes members Royce, Kid Vishis,and June.
2005 marked Royce’s third full length album release Independent’s Day on Trouble/M.I.C. Records.
Royce Da 5′9″ was sentenced to jail on September 19, 2006 for parole violation for a prior DUI charge. Royce was sentenced to one year in the clink at Oakland County Jail, Pontiac, Michigan. On January 9, 2007, Royce got out of jail on work-release.
Royce has a strong ghostwriting resume including the track “Tell Me” ft. Christina Aguilera for Diddy’s album Press Play.
In May 2007, Royce Da 5′9″ released a mixtape called The Bar Exam which features DJ Premier and Statik Selektah on the Wheels of Steel.
In 2008, Royce confirmed that he had officially resolved his longstanding differences with Eminem and celebrated with a reunion concert on July 12, 2008 at Saint Andrews Hall. A mixtape of the reunion concert was soon released thereafter.
Royce also had beef with other industry majors including Mistah Fab, Cashi$, and Joe Budden, Kanye West and the Ruff Ryders.
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Yusuf Bal
[Intro: Gil Scott-Heron]
You will not be able to stay home, brotha
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag and skip out for beer during commercials
Because the revolution will not be televised
[Chorus: King Green]
This right here for the number one
Number ones here with your number one
You ain't number one, just another one
Now everybody sayin' that they number one
[Post-Chorus: Royce Da 5'9"]
Ring the alarm, the caterpillar keeps firing
Ohh, we in the war, where butterflies keep dyin' (ahh)
[Verse 1: Royce Da 5'9"]
I'm a product of Parker Lewis and Kubiak
If I didn't do this, where in the fuck would you be at?
See there's a difference between us, what I spit hit arenas
You a drip from my penis, I eat lions and sip hyenas
You number one when it come to slaughtering mics
I'm tryna be number one in my son and daughter life
Uhh, all you niggas my little rapper babies
Y'all my children, y'all bit my shit and contracted rabies
Don't you grade me next to these rappers, baby, that's degrading
My style got so many different facets
I switch into so many different passions
I'm skippin' class to be fascinatin'
My pen is like Big Ben, this shit's just a classic waiting
Your favorite rapper come at me, I just decapitate him
I hate congratulating these has-beens who had their highs
These rappers only won their matches because they strategize
I bring Attica to these patterns, and here's my battle cry
[Pre-Chorus: Royce Da 5'9"]
Ring the alarm, the caterpillar is firing
Ohh, we in the war, where butterflies keep dyin' (ahh)
[Chorus: King Green]
This right here for the number one
Number ones here with your number one
You ain't number one, just another one
Now everybody sayin' that they number one
Kid think your number won't quit
Number one song, get your number one chick
Number one fly with your number one kick
When it's all done then your number gon' switch
[Verse 2: Royce Da 5'9"]
Hold up, wait a minute
Guess what I'ma never do? Show so much respect to you
That I feel like we're friends, so now we no longer competitors
That could be the death of you
Never let someone who's not as smart as you
Gas you up and tell you somethin' you never knew
Always stay professional, you always gon' make revenue
Don't let people next to you that don't want the best for you
It's completely normal to hold on to a regret or two
I do what I wanna do, they do what I let them do
Everything these niggas be sayin' is a fuckin' lie
It's nothing I can say to you that is realer
Remember when you praisin' the butterfly
Don't you ever disrespect the fuckin' caterpillar
[Chorus: King Green]
This right here for the number one
Number ones here with your number one
You ain't number one, just another one
Now everybody sayin' that they number one
Kid think your number won't quit
Number one song, get your number one chick
Number one fly with your number one kick
When it's all done then your number gon' switch
[Verse 3: Eminem & Royce Da 5'9"]
You're looking at Attila, the psychopathic killer, the caterpillar
Don't tell me when I'm supposed to rap until
Especially when your favorite rapper ain't even half as ill
A savage still, the track's a banana peel, attack of the silverback gorilla
You're havin' a little trouble fathomin' this is actually happenin'
Like Anderson Silva back when he snapped his shin in half
And then had the shit hangin' by a flap of skin
After he tried to plant the shit back on the mat again
Pad to pen I’m batty like eyelids when they're blinkin' a lot
You copy me, but you're not
You can't be butterflies, my offsprings are just moths
I see that thing I'ma squash it and rip the wings of it off
So ring the alarm, pull the extinguishers off of the wall
Set the sprinklers off like Jada Pinkett and Queen Latifah
'Till the shingles come off the roof we'll shout at the ceiling
Slaughterhouse in the building, middle fingers aloft
Say what I think when I rhyme, in ink-pen I talk
And the language I speak is my mind
Kingpin and Penguin combined
Spit like it's King of the Dot
A singular thought I think of will help you distinguish apart
The frauds from the cream of the crop
(Wait a minute) Hold up like a flashcard
Damn dawg, is that copyin' or payin' homage?
It's sad because dad taught you to rap as a damn toddler
My dad is your grandfather, I'll have to re-hatch on you
Come back as a black wasp, half yellow jacket, you can't swat a
Sasquatch dancing on top of an ant trample it and stomp it
Smash it and stand on it, dammit, I can't stop it
The rap is a vag' and I'm goin' in like a tampon in this bitch
It's a manslaughter
Stampin' out grasshoppers, you can't be no Rap Gods
In fact you're exact opposites, you make a wack song
And can't hold a candle but even Daniel-san whacks off
You jack-offs need to come to grips like a hand job
The boom bap is coming back with an axe to mumble rap
Lumberjack with a hacksaw
Number one, but my pencils are number twos
'Cause that's all I dos with 'em, poop is my pseudonym
On the john like a prostitute when I'm droppin' a deuce
And when I'm producing them lyrical bowel movements
These beats are like my saloons
'Cause these bars always got my stools in 'em
And I don't need Metamucil to loosen 'em
Bitch, shit is real like I pooped Jerusalem
I'm 'bout to go spin another cocoon
Then I'm cuttin' you from your mother's womb
Then I'm flushin' you!
Mark Brockman
@シェード_shadow Book of Rymes "Get a little teste when I'm mad (I'm mad)
Sick of wrestling this iPad (iPad)
Unsuccessfully, I might add
And I know it's bеst to leave it lie
But even I get obsessed with reading everything
And let it get the best of me 'til I snap ('til I snap)
But I need to get off the internet (get off the internet)
I need to get on the mic (get on the mic)
You need to get off the internet (internet)
You need to get you a life
Why you waste time just to comment on shit? (Comment on shit)
Especially shit you don't like (shit you don't like)
Don't like it, don't listen"
listen to the hook on Zeus. And when Snoop talked shit he cared.. At this point he is working on cementing his legacy as the GOAT in the rap game. so of course he gives a shit.
Deburke321
Nothing but bars, we need another Bad Meets Evil project
King dog the doom pro
True we need NOW
Hardik Garg
There is a complete album "Hell: The Sequel" by Bad Meets Evil
Chris redshift
Truth
Daviyon Timbrouck
Please god no that shit is corny as fuck
Orin Kinser
@Joseph Lucero iiiii
Drew
Royce is one of the few people on this Earth that can keep up with Em.
soham s shirwalkar
@acehole yeah, i some what agree
acehole
@soham s shirwalkar we saw logic try but while his flow is nice his bars are mostly ho hum.
Note
Obie trice. TI already bested him three times…I can definitely think of others…Lloyd Banks definitely got him on a good one