Wainwright was born in Rhinebeck, New York, USA, to folk singers Loudon Wainwright III and Kate McGarrigle (they divorced while he was a child). He began to play the piano at age six, and by age thirteen he was touring with his sister Martha Wainwright, mother Kate, and aunt Anna as the McGarrigle Sisters and Family.
His song I'm A-Runnin', which he performed in the movie Tommy Tricker and the Stamp Traveller (in which he also played a minor character), was nominated for the 1989 Genie Award for Best Original Song and earned him a nomination for the 1990 Juno Award for Most Promising Male Vocalist.
He lived in Montreal with his mother for most of his childhood and briefly attended McGill University, where he studied both classical and 'rock' piano. Some of his songs feature his mastery of French. Wainwright still maintains a residence in Canada.
He came out as gay while still a teen.
Wainwright became interested in opera throughout his adolescent years (for instance, his track Barcelona features lyrics of Giuseppe Verdi). He also became an enthusiast of such performers as Édith Piaf, Al Jolson and Judy Garland.
After having been a fixture on the Montreal club circuit, Wainwright cut a series of demo tapes, one of which found itself in the hands of DreamWorks executive Lenny Waronker. The label signed him and he released the self-titled Rufus Wainwright album in the spring of 1998. This album received much critical acclaim in Canada, and was recognized by Rolling Stone magazine as one of the best albums of the year. Wainwright's second album, Poses (2001), brought similar acclaim.
Wainwright's first main exposure to the American public came as an opener to singer Tori Amos in 2001 and 2002. He garnered praise for his performance and began touring as a main act shortly afterwards. He has frequently toured as the opener for Sting and co-headlined with Ben Folds and Guster in the summer of 2004. He still often performs with his sister Martha Wainwright (now herself an emerging artist) on backup vocals. Despite a growing cult following and critical acclaim, Wainwright has experienced only marginal commercial success in the United States.
In addition to being a pianist, Wainwright is a guitarist, often switching between the two instruments when performing live; however, his mastery of the guitar does not approach his talent with the piano within the Piano rock genre. While some of his most moving songs feature just Wainwright with his piano, many of his songs display complex layering and harmonies, occasionally comprising hundreds of individual parts. Wainwright is an avid opera fan, and the influences on his music are evident, as well as his love of Schubert 'Lieder'; his music has been described as "Popera" (Pop Opera) or "Baroque Pop." His lyrics are filled with allusions to opera, literature, pop culture, and, more recently, politics (in songs such as Gay Messiah and Waiting for a Dream). Wainwright is a recovering crystal meth addict and a rape survivor; he uses the press to bring awareness to these societal problems.
His talent has been widely recognized and praised by such artists as Elton John, Morrissey, John Mayer, and Sting, and he continues to influence artists like Keane, Alanis Morissette, Scissor Sisters, and Ben Folds.
Wainwright's Want Two, from which four songs were released as the EP Waiting for a Want, was released by DreamWorks/Geffen on November 16, 2004. It is a companion to the 2003 release Want One. His latest, a live iTunes Sessions EP entitled Alright Already, was released March 15, 2005. A DVD entitled All I Want, featuring a biographical documentary, music videos, and live performances, was released on both sides of the Atlantic in summer 2005. The same year was also notable for two major contributions as solo vocalist to a pair of important records: the Mercury Prize winning I am a Bird Now and At This Time.
The pair of Want albums was repackaged as Want for a late November 2005 release to coincide with the start of a British tour. The version of Want One is that which contains the two extra songs Es Mus Sein and Velvet Curtain Rag. The Want (Want One and Want Two combined) package in the UK has two new extra tracks: Chelsea Hotel No. 2 and In with the Ladies, which replace Coeur de Parisienne — Reprise d'Arletty and Quand Vous Mourez de Nos Amours from 2004's augmented edition.
Rufus' fifth studio album Release the Stars was released by Geffen on May 15, 2007. The album was executive produced by Neil Tennant of the Pet Shop Boys and featured Richard Thompson, Teddy Thompson, Martha Wainwright, Kate McGarrigle, Neil Tennant, Joan Wasser, Julianna Raye, Larry Mullins - pka Toby Dammit and Sian Phillips.[14]. It reached number 2 in the UK and debuted at number 23 in the USA. The first single of the album, "Going To A Town" was released on April 3, 2007 on the iTunes music store.
Rufus Does Judy at Carnegie Hall is his sixth album. It is a live recording of his June 2006 tribute concert to Judy Garland. Backed by a 36-piece orchestra under the conduction of Stephen Oremus, Wainwright recreated Garland's April 23, 1961 concert, often considered "the greatest night in show business history." After overcoming many personal problems, her comeback performance of 25+ American standards spawned the double album, "Judy at Carnegie Hall."
As well as Tommy Tricker and the Stamp Traveller, Wainwright has appeared in the films The Aviator and Heights. Rufus has music in the film Brokeback Mountain, for which he recorded The Maker Makes and King of the Road, as well as a minor cameo as a guitar player.
Wainwright released his sixth studio album All Days Are Nights: Songs For Lulu in March 2010. In stark contrast to the lush ornamentation of Release The Stars, the album is a simple voice and piano rendition of a song cycle that includes versions of three Shakespeare sonnets, and an excerpt from his 2009 opera Prima Donna.
The Lulu figure of the title is said by Wainwright to be "the dark, brooding, dangerous woman that lives within all of us", similar to the Dark Lady character in Shakespeare's sonnets. The first part of the title comes from the final couplet of William Shakespeare's "Sonnet 43" ("All days are nights to see till I see thee...").
That Night
Rufus Wainwright Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
My fickle heart, it did forget thee
But still, but still I can remember
When you went two ways down a one way street
You danced to rock n' roll with silent feet
That night, my heart was a highway
You stepped in with the fan-fare fandangle
That night, my heart was a highway
We met and had a small affair,
But I could see the days were numbered,
But my slumbered, my slumbered heart told me
That night that you would be a part, a part, or maybe a player
We met and had a small affair,
But I could see the days were numbered
I really thought, that you were it
That you would feed my hunger, that you would ease me
But you might fray after a while
My fickle heart, it did forget thee
But still, but still, but still I can remember
When you went two ways down a one way street,
You danced to rock n' roll with silent feet
That night, that night, that night
I really thought that you were it
That you would feed my hunger, that you would ease me
But you might fray, after a while
My fickle heart, it did forget thee
The song "That Night" by Rufus Wainwright tells the story of a fleeting romantic encounter that left a lasting impression on the singer. The lyrics evoke a sense of nostalgia and regret for what could have been, while also acknowledging the impermanence of the relationship. The line "My fickle heart, it did forget thee" suggests that the singer may have moved on from the relationship, but the memories of that one special night still linger.
The song also contains vivid imagery, such as the description of the other person dancing "to rock n' roll with silent feet." The line "You had the grace of Princess Grace the American monarch" draws a comparison between the other person and the legendary Hollywood actress-turned-princess, highlighting their elegance and poise.
Overall, the song captures the bittersweet emotions of a love that was never meant to last, but still holds a special place in the singer's heart.
Line by Line Meaning
But you might fray after a while
I am warning you that my emotions can wear out soon
My fickle heart, it did forget thee
I have a history of being unreliable and forgetting about you
But still, but still I can remember
Despite my forgetfulness, I still recall the memories we shared
When you went two ways down a one way street
You made a bold move against societal norms, and I admired that
You danced to rock n' roll with silent feet
Your dancing was graceful and unique, and it captured my attention
That night, my heart was a highway
That night, I was open and willing to take risks and explore new paths
You stepped in with the fan-fare fandangle
You entered my life with grandeur and style
You had the grace of Princess Grace the American monarch
Your elegance and charm reminded me of a beloved American public figure
We met and had a small affair
We had a brief romantic relationship
But I could see the days were numbered
I knew that our relationship wouldn't last long
But my slumbered, my slumbered heart told me
Even though I was in denial, my subconscious knew that you wouldn't stay
That night that you would be a part, a part, or maybe a player
That night, I had a feeling that you would be involved in my life in some way
I really thought, that you were it
I genuinely believed that you were the one for me
That you would feed my hunger, that you would ease me
I had hoped that our relationship would fulfill my emotional needs
Contributed by Eliana C. Suggest a correction in the comments below.
Dusty Lee
One of my fave old rufus songs. Brings back good memories, thanks for the upload