Eminent Brazilian erudite composers like Radamés Gnattali, Marlos Nobre, Edino Krieger, and Francisco Mignone have dedicated pieces to them and so did Roland Dyens, Nikita Koshkin, and Ástor Piazzolla. Their father, a mandolinist and chorão (choro genre player), initiated them in the mysteries of the violão in 1966. With all the family moving in 1969 to Rio de Janeiro, the two brothers took classical guitarist and lutenist Monina Távora (former Andrés Segovia disciple) as teacher for seven years. In 1973 they won the Brazilian Symphonic Orchestra competition for young soloists. In 1977 they recorded an LP for the first time with the Orquestra Armorial. They would record more than 21 solo albums in the duo's career and appear in important releases such as Yo Yo Ma's Soul of the Tango CD (1997). In 1979 they debuted in the U.S. Their start in Europe came with the winning of a major prize that same year at the "Rostrum of Young Interpreters" in Bratislava, Czechoslovakia (with the recording of a solo album). In 1983, having established their international career solidly, they settled in that continent. Performances (some of them with orchestra) throughout Scandinavia, Australia, Finland (Turku Music Festival, 1987), Great Britain, Turkey (Istambul festival, 1987), Taiwan, Luxembourg, Slovenia, Germany, Austria, Portugal, Greece, Poland, France (Paris, 1982, Les Musiques du Monde festival), Belgium, Italy, Spain, Switzerland, Holland, Hong Kong, Denmark, Norway, Sweden, Canada, Israel, Japan, Argentina, and Brazil followed. The duo played with the following orchestras, among others: Orquestra Sinfônica Brasileira, Adelaide Symphonic Orchestra (Australia), Buenos Aires Symphonic Orchestra (Argentina), RAI (Italy), and Belgium National Orchestra. In 1993 and 1994 they performed at the Carnegie's Weill Recital Hall in New York. In 1995, they toured North America, performing at Toronto's Ford Centre, Phoenix, Nashville, the Wolf Trap Foundation in Vienna, Virginia, and New York City. In the next year, they played at Pasadena's Ambassador Auditorium and in San Francisco, Seattle, Miami, and New York City.
Butterflies
Sérgio & Odair Assad Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come over and fuck me when it's after dark (hmm)
Cuddle me and love me till the dark is gone (hmm)
Tell me how you told them that we fell apart (hmm)
That you're over me (hmm)
That you don't need men (hmm)
Oh boy, they'll believe you
Wake up, put our clown costumes on
We fell down, through the ground
Cupids execution
I mean, truth in our false
Our souls intertwined
The worlds rough, but that little girl tough
Could we be the people that the people hate (um)
Lover undercover, drunk and faded like, yum
I like the way that you be tasting, I'm like, yum
On point, but for each other, we're just a little dumb
I like the freedom, that I feel with you
Maybe there's red flags like a 500 race
We gone keep on riding, cause this road is one way
We gone keep on riding, if not, we die, in place
Get our, get our own place
Beach estate
Far away, like the kingdom
I like the way that you move
Like the way that you grove
Beach sand, toes loose
Everyday honeymoon, life is sweet next to you
So go ahead and ring me when it's after dark
Finally our time because the dark is ours
Mask is getting sweaty, go ahead, take it off
And be free, and be free
And before you leave, you leave
You ask when I'm free
Lady, lady, lady
Venom in our tongue (huh)
Venom when we fucking and we moaning out our lungs
Rum
Cigarettes and fun (huh)
Shaky legs and cum, cum
World is moving, young blood
Chase it, it won't come, come
Chase it and don't
Genie, habibi, I love you
Genie, habibi, I love
Genie, habibi, I
Genie, habibi, I love
Genie, habibi, I love you
Genie, habibi, I love, you
Ana, ana
Ana, ana
Ana, ana
Ana, ana
Ana, ana
Ana, ana
Ana, ana
Ana, ana
Ana, ana
The lyrics to Sérgio & Odair Assad's song "Butterflies" present a tapestry of emotions and experiences revolving around love, loss, and intimacy in the nighttime. The opening lines depict a complicated relationship where there’s an underlying pretense; one partner is instructed to act as if they hate the other until nighttime, which signifies a transformation where their true feelings come alive. The concept of darkness serves as a metaphor for both concealment and liberation. It’s a sanctuary for these passionate encounters that are marked by a mix of vulnerability and rawness. The idea of pretending to be over each other is a façade that they maintain for the outside world, indicating the pressure they feel from societal expectations and the judgments of others. The mention of how one partner communicates the story of their failed relationship highlights the delicate balance between personal truth and public persona.
As the song continues, themes of playfulness and irony emerge, revealing a deep connection that transcends their struggles. The imagery of "clown costumes" represents a performance, perhaps indicating how they mask their true emotions to the outside world while seeking solace in each other. The line "Cupid's execution" suggests a humorous yet poignant acknowledgment of love's failures and the absurdity present in their situation. Although both characters recognize the pain surrounding them, there is a certain resilience conveyed through the lines about a "little girl tough," emphasizing a tenacity amid tumultuous circumstances. The mention of being the "people that the people hate" signifies a theme of rebellion against societal norms, suggesting that their love is unconventional, yet defiantly beautiful in its own right.
The shifts in tone reflect a mixture of exhilaration and danger, embodied in lines referencing “red flags” and the high-speed metaphor of racing. This juxtaposition paints a vivid picture of the risks and thrills involved in their relationship. The couple exhibits an ongoing commitment to their journey, revealing a resolve to forge ahead despite potential pitfalls. The contrasting imagery of sandy beaches and the metaphorical “kingdom” speaks to their desire for an idyllic existence away from judgment. It presents an escape into a blissful sanctuary where they can express love freely, creating their own utopia that both cherishes the sweetness of love and acknowledges the trials that may accompany it.
As the song concludes, the lyrics delve into a more visceral and intimate portrayal of passion. References to "venom in our tongue" and the explosive nature of their physical connection suggest that their love is fraught with complexity, laced both with pleasure and pain. There’s a sense of urgency and yearning that persists throughout, encapsulating the thrill of pursuing untamed desires and the ephemeral nature of time — "the world is moving," indicating a fleeting moment in youth. The repeated utterance of "Genie, habibi" showcases an affectionate call to a beloved figure, imbuing the lyrics with a sense of enchantment and deep affection. Ultimately, the song resonates with a powerful sense of intimacy and freedom, inviting listeners to reflect on the complexities of love, identity, and the dualities that exist within human connections.
Line by Line Meaning
Pretend that you hate me till it's after dark (hmm)
Act as if there is animosity between us until the evening arrives.
Come over and fuck me when it's after dark (hmm)
Please visit me for an intimate encounter when night falls.
Cuddle me and love me till the dark is gone (hmm)
Embrace and shower me with affection until the night passes.
Tell me how you told them that we fell apart (hmm)
Share with me the story of how you explained our separation to others.
That you're over me (hmm)
Convey that you have moved on from our relationship.
That you don't need men (hmm)
Express that you no longer feel you require the presence of men in your life.
Oh boy, they'll believe you
People are likely to accept your claims as truth.
Wake up, put our clown costumes on
Rise and playfully embrace our roles, perhaps concealing our real emotions.
Smiling proud
Exude confidence and happiness despite our circumstances.
We fell down, through the ground
We have experienced a significant downfall in our relationship.
Cupids execution
The destruction of our romantic ideals or connection.
I mean, truth in our false
Finding genuine elements within our fabricated existence.
Our souls intertwined
Our spirits are deeply connected to one another.
The worlds rough, but that little girl tough
The world can be harsh, yet there is resilience in innocence.
Could we be the people that the people hate (um)
Are we the couple that others disapprove of or resent?
Lover undercover, drunk and faded like, yum
As lovers hidden away, intoxicated and lost in the moment.
I like the way that you be tasting, I'm like, yum
I enjoy the essence of you, which is delightful and appealing.
On point, but for each other, we're just a little dumb
We are perceptive in life, but perhaps naive in our relationship.
I like the freedom, that I feel with you
I cherish the sense of liberation I experience in your presence.
Maybe there's red flags like a 500 race
There could be warning signs in our relationship, akin to signals in a high-speed race.
We gone keep on riding, cause this road is one way
We'll continue down this path despite the challenges, as there is no turning back.
We gone keep on riding, if not, we die, in place
We must persist on this journey, or risk stagnation and hopelessness.
Get our, get our own place
Let's establish a home together, a sanctuary for our relationship.
Beach estate
Dreaming of a coastal retreat as our personal haven.
Far away, like the kingdom
A distant escape, reminiscent of a fantasy realm.
I like the way that you move
I admire your physicality and the grace with which you carry yourself.
Like the way that you groove
I appreciate your rhythm and style, which brings joy.
Beach sand, toes loose
Feeling carefree and relaxed with the sand beneath our feet.
Everyday honeymoon, life is sweet next to you
Our daily experiences together feel like a series of blissful milestones.
So go ahead and ring me when it's after dark
Feel free to contact me when the evening arrives.
Finally our time because the dark is ours
At last, we have the opportunity to connect when night falls.
Mask is getting sweaty, go ahead, take it off
As the pretense fades, it's time to reveal our true selves.
And be free, and be free
Embrace liberation and authenticity without restraint.
And before you leave, you leave
As you prepare to go, there's something I need to clarify.
You ask when I'm free
Inquire about my availability to meet or talk.
Lady, lady, lady
A term of endearment, emphasizing my affection towards you.
Venom in our tongue (huh)
We speak with intensity, where our words carry weight and passion.
Venom when we fucking and we moaning out our lungs
The rawness of our physical connection is filled with fervor.
Rum
Alluding to the indulgence and carefree experiences shared between us.
Cigarettes and fun (huh)
Reveling in indulgence and leisure, embracing life's pleasures.
Shaky legs and cum, cum
The aftermath of passion, where exhilaration leads to vulnerability.
World is moving, young blood
Life is ever-changing and dynamic, emphasizing youthfulness.
Chase it, it won't come, come
Pursue your desires, but recognize that fulfillment may be elusive.
Chase it and don't
Strive for your dreams, yet don't be overwhelmed by the journey.
Genie, habibi, I love you
A term of endearment emphasizing deep affection and intimacy.
Genie, habibi, I love
Affirming love and passion towards a significant other.
Genie, habibi, I
Expression of connectivity and emotional bond.
Genie, habibi, I love
Reiterating the depth of feeling in our relationship.
Genie, habibi, I love you
A heartfelt declaration of love that transcends words.
Genie, habibi, I love, you
Emphasizing the importance of you within my life.
Ana, ana
A refrain signifying presence and identity in the moment.
Ana, ana
Reiterating one's essence and existence within this connection.
Ana, ana
Continued affirmation of self and experience shared.
Ana, ana
An echo of belonging and intertwining lives in this moment.
Ana, ana
A chant symbolizing connection, resonance, and love.
Ana, ana
Reiteration of identity and significance in this relationship.
Ana, ana
Reaffirming the connection through simple expression.
Ana, ana
Echoes of intimacy, calling out one's essence.
Ana, ana
The rhythmic reminder of presence and belonging.
Lyrics © O/B/O DistroKid
Written by: Sergio Garcia
Lyrics Licensed & Provided by LyricFind
@mscrux
完璧ですね！ 弾いている途中で「アレ！何回目だったかな？」 なんて、思わなかったですか？（笑） 良い響きに仕上がっています。 アップ、ありがとうございます。