Eminent Brazilian erudite composers like Radamés Gnattali, Marlos Nobre, Edino Krieger, and Francisco Mignone have dedicated pieces to them and so did Roland Dyens, Nikita Koshkin, and Ástor Piazzolla. Their father, a mandolinist and chorão (choro genre player), initiated them in the mysteries of the violão in 1966. With all the family moving in 1969 to Rio de Janeiro, the two brothers took classical guitarist and lutenist Monina Távora (former Andrés Segovia disciple) as teacher for seven years. In 1973 they won the Brazilian Symphonic Orchestra competition for young soloists. In 1977 they recorded an LP for the first time with the Orquestra Armorial. They would record more than 21 solo albums in the duo's career and appear in important releases such as Yo Yo Ma's Soul of the Tango CD (1997). In 1979 they debuted in the U.S. Their start in Europe came with the winning of a major prize that same year at the "Rostrum of Young Interpreters" in Bratislava, Czechoslovakia (with the recording of a solo album). In 1983, having established their international career solidly, they settled in that continent. Performances (some of them with orchestra) throughout Scandinavia, Australia, Finland (Turku Music Festival, 1987), Great Britain, Turkey (Istambul festival, 1987), Taiwan, Luxembourg, Slovenia, Germany, Austria, Portugal, Greece, Poland, France (Paris, 1982, Les Musiques du Monde festival), Belgium, Italy, Spain, Switzerland, Holland, Hong Kong, Denmark, Norway, Sweden, Canada, Israel, Japan, Argentina, and Brazil followed. The duo played with the following orchestras, among others: Orquestra Sinfônica Brasileira, Adelaide Symphonic Orchestra (Australia), Buenos Aires Symphonic Orchestra (Argentina), RAI (Italy), and Belgium National Orchestra. In 1993 and 1994 they performed at the Carnegie's Weill Recital Hall in New York. In 1995, they toured North America, performing at Toronto's Ford Centre, Phoenix, Nashville, the Wolf Trap Foundation in Vienna, Virginia, and New York City. In the next year, they played at Pasadena's Ambassador Auditorium and in San Francisco, Seattle, Miami, and New York City.
Dreams
Sérgio & Odair Assad Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With a thin white girl
Who was overprotective, of herself
It all happened inside of a cabin where both of our families camped out
Started with a no, but I felt a maybe
We sought each-other out
We were both playing
Human affection
Tension was beautiful
I asked this lady
Have you ever watched Clearance
She looked at me crazy
Then asked, why, is it because I look like Amy
I shook my head with a smirk
She stared at me fierce, but was unbothered
Then when packing up to leave
She said, You do the dishes, I'll pack groceries
What a great idea, we both did peacefully
Me in front, and her behind me
Then before we left
She asked me if we could, hang out again
I smiled, we exchanged numbers
The vibe was so genuine
Then as I walked out that door
I woke up
It was all a dream
Maybe me posting this is a joke
Maybe I should be a man and have a heart of stone
But deep down, there's a romantic that swims around my soul
Who sheds a tear when watching romantic movies at night alone
Whose missing love for the first time
That childhood, what is this feeling that I feel inside
That innocence of two who carry nothing in their minds
No lusting, fuck that fucking shit, save it for another time
Before my heart was exposed to the numbness of this life
I want something pure and innocent
In “Dreams,” the singer reflects on a poignant memory of a romantic encounter with a girl who epitomizes a blend of youthful innocence and emotional complexity. The initial attraction is described through the lens of innocence and adolescent curiosity, symbolized by the setting of a cabin where both families camp. The juxtaposition of a “thin white girl” who is “overprotective” of herself hints at layers of vulnerability beneath a seemingly confident exterior. The interplay of “no” and “maybe” signifies the uncertainty and hesitance typical of young love, where feelings blossom amid constraints and social expectations. The act of seeking one another out suggests an innate longing for connection, a timeless facet of the human experience that is at once exhilarating and daunting.
The exploration of human affection leads the singer to recognize how it can make one’s mind lazy, possibly hinting at the distractive nature of infatuation. The phrase “Tension was beautiful” encapsulates the thrill of flirtation and the delicate dance between attraction and reserve. The seemingly mundane, yet intimate encounter of discussing a simple animated show (“Clearance”) provides a relatable moment infused with humor and connection. When the girl responds in a way that reveals her self-awareness, linking her appearance to another figure (Amy), it adds layers of complexity to her character, suggesting a blend of self-assuredness and vulnerability. The shared chores symbolize the ease of companionship—an everyday act transformed into a delightful partnership, emphasizing the beauty found in shared tasks and simple joys.
As they exchange numbers before parting, the thrum of genuine connection is palpable. There is a sense of earned closeness that is highlighted by the phrase “the vibe was so genuine,” underscoring the authenticity of their budding friendship, one free from ulterior motives and societal pressures. However, this ethereal moment subsequently fades away as the singer awakens to the realization that it was merely a dream. This awakening signifies a poignant loss; dreams of connectivity often clash with the stark realities of life. The transition from the vibrancy of the dream world to the waking state evokes a sense of longing and wistfulness, illuminating the universal desire to preserve moments of innocence and passion.
The closing reflections reveal a deeper conflict within the singer—a battle between the yearning for emotional connection and the heart's self-protection against the harshness of reality. The acknowledgment of possessing “a heart of stone” reflects a societal pressure to suppress vulnerability, a common struggle in adulthood. The singer's identification as a romantic who can still feel pain points to a resistance against emotional detachment—a desire that juxtaposes harsh adult realities with the pure and innocent longing for love reminiscent of childhood. The lines speak to an enduring quest for genuine affection amidst a world that often prioritizes superficial connections and numbing experiences. Ultimately, the singer longs to return to innocence, highlighting a universal human desire for authenticity and meaningful connection, free from the burdens of cynicism and despair.
Line by Line Meaning
I fell in love
I experienced the profound emotion of romantic love.
With a thin white girl
My affection was directed towards a specific individual characterized by her physical appearance.
Who was overprotective, of herself
She exhibited a cautious approach towards her own emotions and vulnerabilities.
It all happened inside of a cabin where both of our families camped out
The connection developed in a nurturing environment shared by our families, which fostered familiarity.
Started with a no, but I felt a maybe
Our initial interaction suggested reluctance, yet I sensed an underlying possibility.
We sought each-other out
We actively pursued each other's company and attention.
We were both playing
We were engaging in a lighthearted exploration of our feelings.
Human affection
The natural emotional connections between individuals.
It drives the mind lazy
Such emotions can lead to a relaxed, perhaps complacent state of thought.
Tension was beautiful
The unresolved feelings and complications between us added an aesthetic quality to our interaction.
I asked this lady
I initiated a conversation with her.
Have you ever watched Clearance
I inquired whether she was familiar with a particular show or movie, suggesting a shared cultural reference.
She looked at me crazy
Her expression indicated surprise or disbelief at my question.
Then asked, why, is it because I look like Amy
She responded defensively, questioning if my comment was related to her appearance.
I shook my head with a smirk
I responded playfully, indicating that I was joking.
She stared at me fierce, but was unbothered
Her intense gaze conveyed intrigue tempered by an unaffected demeanor.
Then when packing up to leave
As we prepared to depart from our shared environment.
She said, You do the dishes, I'll pack groceries
She proposed a division of labor that demonstrated cooperation in our activities.
What a great idea, we both did peacefully
We found harmony and mutual satisfaction in this arrangement.
Me in front, and her behind me
We moved in tandem, symbolizing our connection and companionship.
Then before we left
As we were on the brink of separation.
She asked me if we could, hang out again
She expressed a desire to continue our relationship.
I smiled, we exchanged numbers
I responded positively, and we shared our contact information as a sign of connection.
The vibe was so genuine
The atmosphere between us felt authentic and sincere.
Then as I walked out that door
In the moment of departing from that intimate space.
I woke up
I realized that the preceding experience was not reality but a dream.
It was all a dream
The events I experienced were merely figments of my imagination.
Maybe me posting this is a joke
I question whether sharing these thoughts is trivial or lighthearted.
Maybe I should be a man and have a heart of stone
I contemplate embracing emotional detachment as a perceived strength.
But deep down, there's a romantic that swims around my soul
Beneath the surface, I possess a lingering desire for romance and connection.
Who sheds a tear when watching romantic movies at night alone
I find myself emotionally affected by love stories, particularly in moments of solitude.
Whose missing love for the first time
This longing signifies a newfound awareness of the absence of love in my life.
That childhood, what is this feeling that I feel inside
I reflect on the innocence and confusion of experiencing love for the first time.
That innocence of two who carry nothing in their minds
The purity of young love, untainted by complexity or ulterior motives.
No lusting, fuck that fucking shit, save it for another time
I reject superficial desires and prioritize a deeper emotional connection.
Before my heart was exposed to the numbness of this life
I long for love that hasn’t been tarnished by life's harsh realities.
I want something pure and innocent
My desire is for a relationship rooted in genuine emotions, free from complications.
Lyrics © O/B/O DistroKid
Written by: Sergio Garcia
Lyrics Licensed & Provided by LyricFind