Mendes is married to Gracinha Leporace who regularly performs vocals for her husband and can also be heard on his 2006 version of the song Mas Que Nada with the Black Eyed Peas.
Early career
The child of a physician in Niterói, Brazil, Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antônio Carlos Jobim (whom he regarded as a mentor) and many U.S. jazz musicians who toured Brazil.
Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 196. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the name Sergio Mendes and Brasil '65 with Capitol Records and Atlantic Records.
Brasil '66
When sales were tepid, he replaced his Brazilian born vocalist Wanda de Sa with the distinctive voice of Chicago native Lani Hall (who learned Mendes' Portuguese material phonetically), switched to Herb Alpert's A&M label, and released Herb Alpert Presents Sergio Mendes and Brasil '66, an album that went platinum based largely on the success of the single "Mas Que Nada" (a Jorge Ben cover) and the personal support of Alpert, with whom Mendes toured regularly.
The original lineup of Sérgio Mendes & Brasil '66 was Mendes (piano), vocalists Lani Hall and Janis Hansen, Bob Matthews (bass), Jose Soares (percussion), and Joao Palma (drums). John Pisano guested as guitarist. This lineup recorded three albums between 1966-1968 (including the best-selling Look Around LP), before there was a major personnel change for their fourth album Fool on the Hill.
Karen Philipp replaced Hansen as the second female vocalist, while veteran drummer Dom Um Romão teamed with Rubens Bassini to assume percussionist duties. Sebastiao Neto was the new bassist and Oscar Castro-Neves the guitarist. This lineup had a more orchestral and big band sound than their predecessors. Most significantly, in the early 1970s, lead singer Hall pursued a solo career and became Alpert's second wife. Some accounts claim that Mendes was upset with Alpert for years for "stealing" Hall away from his group.
Though his early singles with Brasil '66 (most notably "Mas Que Nada") met with some success, Mendes really burst into mainstream prominence when he performed the Oscar-nominated Burt Bacharach and Hal David song The Look of Love on the Academy Awards telecast in April 1968. Brasil '66's version of the song quickly shot into the top 10, peaking at #4, and eclipsing Dusty Springfield's version from the soundtrack of the movie, Casino Royale. Mendes spent the rest of 1968 enjoying consecutive top 10 and top 20 hits with his follow-up singles, "The Fool on the Hill" and "Scarborough Fair". From 1968 on, Mendes was arguably the biggest Brazilian star in the world, enjoying immense popularity worldwide and performing in venues as varied as stadium arenas and the White House, where he gave concerts for both Presidents Lyndon B. Johnson and Richard Nixon.
Middle career
Mendes' career in the U.S. stalled in the mid-1970s, but he remained very popular in South America and Japan. His two albums with Bell Records in 1973 and 1974, followed by several for Elektra from 1975 on, found Mendes continuing to mine the best in American pop music and post-bossa writers of his native Brazil, while forging new directions in soul with collaborators like Stevie Wonder, who wrote Mendes' R&B-inflected minor hit, "The Real Thing".
In 1983, he rejoined Alpert's A&M records and enjoyed huge success with a self-titled album and several follow-up albums, all of which received considerable adult contemporary airplay with charting singles. "Never Gonna Let You Go", featuring vocals by Joe Pizzulo and Leza Miller, equalled the success of his 1968 single "The Look of Love" by reaching #4 on the Billboard Hot 100 chart; it also spent four weeks atop the Billboard adult contemporary chart. In 1984, Mendes worked with singer Lani Hall again.
By the time Mendes released his Grammy-winning Elektra album Brasileiro in 1992, he was the undisputed master of pop-inflected Brazilian jazz. The late-1990s lounge music revival brought retrospection and respect to Mendes' oeuvre, particularly the classic Brasil '66 albums. His stature in his native Brazil is reflected by "Cantor de Mambo", a song by fellow Brazilians Os Mutantes, which they regularly dedicate to Mendes in concert.
Later career
Timeless features a wide array of neo-soul and alternative hip hop guest artists, most prominently will.i.am and the Black Eyed Peas. It was released February 14, 2006 by Concord Records.
The album features the Black Eyed Peas, Erykah Badu, Black Thought, Chali 2na of Jurassic 5, India.Arie, John Legend, Justin Timberlake, Q-Tip, Stevie Wonder and Pharoahe Monch.
The 2006 re-recorded version of "Mas que Nada" with the Black Eyed Peas had additional vocals by Gracinha Leporace (Mendes' wife); a version that is included on his album Timeless. In Brazil, the song is pretty well-known for being the theme song for the local television channel Globo's Estrelas.
The Black Eyed Peas' version also contains a sample of their 2004 hit "Hey Mama". The re-recorded song became popular on many European charts. On the UK Singles Chart, the song entered at #29 and rose to and peaked at #6 on its second week on the chart.
Official website of Sérgio Mendes: http://www.sergiomendesmusic.com
That Heat
Sérgio Mendes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
One for the treble
Two for the bass
3 for the ladies
And four for the blaze
Yo yo yo
It's that heat, that heat, that heat, that heat
It's that heat yo
The heat comin' thick down from sao paulo
Bankin' new york shakin' up the apollo
Rhyme like night people bite and swallow
But the way to recite it is soundin' raw hollow
Hollow like empty 40 ounce bottles
Holla at ya boy if you wanna date models
Brazilian beauties wit booties that wobble
Booby like tooties that fog up ya goggles
Yea I keep it hot full throttle
Beats bang out and keep yea head on bobble
Instrumentally I'm rich like lotto
Fundamentally I just can't follow
Or get sentimental when witnessing my bro's
Divin, duckin, dodgin from hollow
Point bullets that turn bodies into john does
I stay positive and rock mics cause I go
[Chorus]
One for the treble
Two for the bass
Three for the ladies
And Four for the blaze
[Repeat: x4]
That Heat
So take off ya clothes
Relax yea soul
Unwind yea spine
It's that heat, that heat, that heat [Repeat: x3]
It's that heat yo
It's that heat comin' in slow motion
Barbecue yea body keep yea body straight roastin'
Light skin hunny's get the sun tan lotion
Dark skin hunny's in the summer no commotion
You can catch me chillin' by the ocean
Wit Brazilian feminines sippin' on potions
Girls lookin' like cinnamon toast
And I got a little chocolate for yah cinnamon toast
I got the notion to get real close
That's a little ? motion don't mind if I boast
Baby I can be yea favorite host
Break yea off wit a single or a freaky double dose
Just don't catch no emotions
I bring heat from coast to coast and
Beats and rhymes is my devotion
I'm turnin' MC's into ghosts
When I talk about
[Chorus]
[Repeat: x2]
It's that heat, that heat, that heat [Repeat: x3]
It's that heat so
The lyrics of the song "That Heat" by Sergio Mendes featuring Will.I.Am is a portrayal of the heat and passion that emanates from Brazilian music and culture. The lyrics suggest that the heat is not just from the weather but also from the music, the people, and the energy that surrounds the Brazilian lifestyle. The opening lines, "One for the treble, Two for the bass, Three for the ladies, And Four for the blaze," indicates the irresistible and contagious nature of the heat that is impossible to ignore. Will.I. Am’s rap outlines the dynamics of the rich culture with Brazil's women, landscape, and beautiful darkness, the sun-kissed bodies resembling culinary dishes on the human grill with sizzling beats to match.
It also gives a nod to the New York music scene and evokes the aura of the Apollo Theater. Will.I.Am's mention of "bankin' new york shakin' up the apollo" is a reference to the famous Apollo Theater in New York, which played a significant role in the history of African American music.
The lyrics also talk about the heat’s ability to bring people together, irrespective of their physical attributes. The way it can captivate anyone and bring them into a state of euphoria. It’s that rhythm and the beat that unites people from different nations, beliefs, and backgrounds.
Overall, the lyrics of "That Heat" celebrate the vibrant and dynamic culture of Brazil, which heats up the spirit, the bodies, the movements, the music and brings individuals from across the globe together to join the celebration.
Line by Line Meaning
One for the treble
The first beat of the song represents the treble.
Two for the bass
The second beat of the song represents the bass.
3 for the ladies
The third beat of the song is dedicated to ladies.
And four for the blaze
The fourth beat of the song represents the blazing heat of the music.
It's that heat comin' thick down from Sao Paulo
The music being played is hot and getting thicker and more intense as it comes from Sao Paulo.
Bankin' New York shakin' up the Apollo
The music is so powerful and impactful that it's shaking up famous music venues like the Apollo in New York.
Rhyme like night people bite and swallow
The rhymes in the lyrics are so good that people are eager to listen and memorize them.
But the way to recite it is soundin' raw hollow
The way the lyrics are recited sounds unrefined and unimpressive.
Hollow like empty 40 ounce bottles
The recitation is so bad that it's even worse than an empty 40-ounce beer bottle.
Holla at ya boy if you wanna date models
The artist is so good at what he does that even models are interested in dating him.
Brazilian beauties wit' booties that wobble
Brazilian women are known for their curvy figures and these women's booties are shaking as they dance to the music.
Booby like tooties that fog up ya goggles
Their curves are so impressive that they are distracting and can even fog up one's goggles.
Yea, I keep it hot full throttle
The singer always brings his best and performs at a high level.
Beats bang out and keep yea head on bobble
The music is so good that the listener can't help but move their head to the rhythm.
Instrumentally I'm rich like lotto
The instrumental part of the song is so good that it's like winning the lottery.
Fundamentally I just can't follow
Despite the instrumental part being great, the artist can't quite keep up with it.
Or get sentimental when witnessing my bro's
The artist feels no emotional attachment towards his fellow musicians despite the great music they're producing.
Divin', duckin', dodgin' from hollow point bullets that turn bodies into John Does
The singer has to constantly dodge and avoid physical threats while performing because people would be turned into unidentified victims otherwise.
I stay positive and rock mics 'cause I go
The singer keeps a positive attitude and is confident while performing because that's what he's meant to do.
So take off ya clothes, relax yea soul, unwind yea spine
The artist is encouraging people to relax and lose themselves in the music.
It's that heat comin' in slow motion
The music is so intense and hot that it feels like it's moving in slow motion.
Barbecue yea body keep yea body straight roastin'
The heat of the music is like a barbecue that's cooking one's body to a crisp.
Light skin hunny's get the sun tan lotion
Light-skinned women are lathering up with sunscreen to avoid getting burned by the intense heat of the music.
Dark skin hunny's in the summer no commotion
Dark-skinned women are already used to the heat and not making a big deal about it.
You can catch me chillin' by the ocean
The singer is relaxing by the ocean and enjoying the beautiful view and weather.
Wit' Brazilian feminines sippin' on potions
The singer is with beautiful Brazilian women, drinking cocktails and having a good time.
Girls lookin' like cinnamon toast
The women are so beautiful and tan that they resemble cinnamon toast.
And I got a little chocolate for yah cinnamon toast
The artist is offering his affection and attention to the women and willing to spend time with them.
I got the notion to get real close
The artist has an idea to get even closer to the women.
That's a little motion don't mind if I boast
The singer is confident in his abilities and success with women and is not afraid to brag about it.
Baby I can be yea favorite host
The singer is offering himself as someone who could be the woman's favorite entertainer.
Break yea off wit' a single or a freaky double dose
The artist is offering the women a good time, either through a single encounter or multiple ones.
Just don't catch no emotions
The artist is advising the women not to get emotionally attached or invested in him.
I bring heat from coast to coast and
The artist is known for bringing his hot music across the country, from coast to coast.
Beats and rhymes is my devotion
The singer is dedicated to his music and spends a lot of time and effort honing his beats and rhymes.
I'm turnin' MC's into ghosts
The artist is so much better than other MCs that they are figuratively disappearing and becoming obsolete.
When I talk about
The singer is about to get into the chorus of the song and talk more about the heat in the music.
One for the treble
As before, the first beat of the song represents the treble.
Two for the bass
As before, the second beat of the song represents the bass.
Three for the ladies
As before, the third beat of the song is dedicated to ladies.
And Four for the blaze
As before, the fourth beat of the song represents the intense heat in the music.
It's that heat, that heat, that heat
Reiterating the theme of the song, that the music is incredibly hot and intense.
It's that heat yo
Ending the song by once again emphasizing how hot the music is.
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: WILL ADAMS, NORMAN GIMBEL, HENRY MANCINI
Lyrics Licensed & Provided by LyricFind
@kimdurrant6003
I was brought up on Sergio Mendes & Brazil 66….Will i am is an absolute genius to have created such an amazing collaboration which brought such joy, dance and emotion to both my dad, myself and my son who is 19 years old. My husband nearly started to dance!!! Words can’t say and it is not appreciated enough 🥰
@tfarrington
This album was slept on.
@xm6476
Cara Will e Sérgio... mistura clássica. Esqueçam, nunca mais teremos isso.
@dionatamatteo7376
Lindo ver o amor de wil pelo Brasil e nossa cultura, amo-os, Sérgio Mendes uma lenda viva de nossa cultura!! 🇧🇷😍
@sephius1999
Adding Erykah Badu to any song is always a positive
@wagie95
This songs NEEEEEDS more views...
@filipecassiano5407
Desperately, fellow🇧🇷🖤.
@LoneStoneMaalik
On my soul. 💯
@Iamfoxbrown
Sergio Mendes do Brasil. The great musician, producer, composer with double nationality. É isso aí. We made it.
@troyesguerra
I remember watching this music video on MTV more than a decade ago. I never imagined we'll end up like this in 2020, Quarantined and binge-watching old songs on Youtube