While Supuration delivers more powerful riffage and Death Metal oriented material, S.U.P. displays more dark wave/cold wave oriented influences alongside Doom Metal. In each case, the band succeeded in suggesting its own unique atmospheres, resulting of innovative and hypnotic riffage, and an ambitious blend of traditional cavernous Death Metal voices and Cold/Dark Wave vocals.
One of many particularities of this seamy band is their ritual of first writing a story in plain French, then transformating them into English lyrics from which the actual music is composed. Thus, every Supuration/S.U.P. album relates a story, inspired by the hypothetical after-death in the case of Supuration; more about Science-Fiction when the S.U.P. aspect is concerned…
It is considered one of the most influential bands of French death metal, inspiring successful French acts such as Carnival in Coal, Division Alpha,Gojira, Kalisia, ...
Chronology:
Supuration put out its first album ‘Sultry Obsession’ in 1990, autoproduced and limited to 1000 copies. In 1991, they recorded 8 tracks, that would eventually end up on various EPs, and would be compiled later on the still autoproduced ’9092’, limited to 500 copies with 3 tracks recorded in 1992, and also appeared on the ‘Obscurum per Obscurus’ compilation.
In 1992, September, Supuration signed with Reincarnate Records, leading to the release of the first full-length album ‘The Cube’ in Feb, 1993. It was followed in Apr. 1994 by a “Maxi” named ‘Still in the Sphere’, including an infamous doom-metal cover of ‘Shout’, by Tears for Fears… Meanwhile, the band was contacted for the soundtrack to the movie ‘Jacques le fataliste’, without any further distribution.
Then started an European tour side to side with Suffocation, and the first broadcast of the track ‘The Crack’, on MCM.
Fall 1994, free from its previous contracts, Supuration signs on PIAS France. In July 1995, Supuration releases its second album ‘Anomaly’, switching name to ‘Spherical Unit Provided’ (S.U.P.) for the occasion. They begin touring France co-headlining with Coroner. In April 1996, the maxi ‘Transfer’ was released, containing various tracks from ‘Anomaly’ reprocessed into acoustic/ electro / demo versions.
In 1996, the contract with PIAS records expired, allowing to sign with Holy Records. Then began a great collaboration, eventually leading to three more albums:
‘Room Seven’ (1997), the vision of an autistic person through his dreams
‘Chronophobia’(1999), the coldest album, which unveils the story of twins separated at birth through time and space. A deadly countdown which will bring them together forever. The band claims that it isn’t a pessimistic way of seeing life, but merely an original fiction via a claustrophobic musical experience.
‘Angelus’ (2002), well received in both the international and national press. It questions the origin of Man and his religions.
Holy Records also released a « live » Album, ‘To Live Alone’(2001), two re-releases of ‘The Cube’(1998), and ‘Anomaly’ (2000).
This successful career led to a series of concerts throughout Europe with Anathema from Dec. 1999 to Jan. 2000, then in France with Gloomy Grim and Division Alpha in April.
In May 2002, the band made a second attempt at an original soundtrack, for the short movie ‘Insanity’, by Fabrice Lambot. It was shown in various international festivals. (Buenos Aires, Belgrade, London, Toronto …) and was released in Jan. 2003.
From 2002 to June 2003, they performed many concerts and festivals, becoming an emblematic figure of French Metal which still seduces and surprise album after album.
At the end of 2003, the group takes back its former identity, Supuration, to write a worthy follow-up to the extremely renowned ‘The Cube’ …: ‘Incubation’.
‘Incubation’ plunges both the band and their fans in nostalgia, the ideal moment to re-release ‘90-92’, with a DVD as bonus in 2004, and mark the end of a cycle. Time has come for Supuration to let S.U.P. reappear: S.U.P. proposes ‘Imago’, at the perfect time to see the chrysalis turn into a stunning Butterfly … A long-awaited rebirth !
In 2007, S.U.P. delivers its last release to date: a live DVD ‘Traces Part 1’, with a number of previously released tracks, and covers (notably from Division Alpha).
In 2008, the band released a new album, Hegemony.
Line-up:
Ludovic Loez : Guitars/Vocals
Fabrice Loez : Guitars/Vocals
Thierry Berger : Drums
Frederic Fievez : Bass (live only) (also plays in Division Alpha)
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External Links:
http://www.myspace.com/supuration
http://www.supuration.com/
Vertigo
S.U.P. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Turn it up loud, captain
Lights go down, it's dark
The jungle is your head, can't rule your heart
A feeling's so much stronger than a thought
Your eyes are wide and though your soul, it can't be bought
Your mind can wander
Hello, hello (hola)
I'm at a place called Vertigo (¿dónde está?)
It's everything I wish I didn't know
Except you give me something
I can feel, feel
The night is full of holes
'Cause bullets rip the sky of ink with gold
They twinkle as the boys play rock and roll
They know that they can't dance, at least they know
I can't stand the beat, I'm asking for the check
Girl with crimson nails has Jesus around her neck
Swinging to the music, swinging to the music (whoa, whoa)
(Whoa, whoa, whoa)
Hello, hello (hola)
I'm at a place called Vertigo (¿dónde está?)
It's everything I wish I didn't know
But you give me something
I can feel, feel
Checkmated
Just fun
She made it in, yeah
All of this, all of this can be yours
All of this, all of this can be yours
All of this, all of this can be yours
Just give me what I want and no one gets hurt
Hello, hello (hola)
We're at a place called Vertigo (¿dónde está?)
Lights go down, and all I know
Is that you give me something
I can feel your love teaching me how
Your love is teaching me how
How to kneel
Kneel
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah
The lyrics to "Vertigo" by S.U.P. are a mix of surreal imagery and commentary on fame and desire. The song opens with the count of "Uno, dos, tres, catorce", which is Spanish for "one, two, three, fourteen". This has been interpreted as either a mistake by lead singer Bono or a nod to the fact that the band is now entering their 14th year of performing. The lyric "The jungle is your head, can't rule your heart" suggests a struggle between rational thinking and emotional impulses. The next line, "A feeling's so much stronger than a thought", emphasizes the power of desire and emotion over reason.
The song then shifts to a party scene at a place called Vertigo, where the singer is caught up in the excitement and energy of the moment. The "girl with crimson nails" who has "Jesus around her neck" hints at religious overtones or conflicting desires. The chorus repeats the line "It's everything I wish I didn't know" to suggest a yearning to escape from the pressures of fame and desire, but being unable to resist.
The final verse is more sinister, with the repeated line "All of this can be yours, just give me what I want and no one gets hurt". This suggests a darker side to the party scene, and highlights the potential risks and dangers of pursuing fame and success.
Overall, "Vertigo" is a complex mix of surreal imagery, catchy hooks, and commentary on the pitfalls of fame and desire.
Line by Line Meaning
Unos, dos, tres, catorce
The song starts with a counting intro that supposedly represents a musical shift from the previous era to the modern/pop era.
Lights go down, it's dark
The stage lights go down, signaling the start of the show or performance.
The jungle is your head, can't rule your heart
The chaos or confusion in one's mind/emotions can overpower or cloud their judgment or decision-making.
A feeling's so much stronger than a thought
Emotions tend to be more powerful and influential than logical thinking in decision-making processes.
Your eyes are wide and though your soul, it can't be bought
Being in awe or excitement at a particular experience, yet feeling intrinsically fulfilled by it and not being swayed by any external materialistic desires or persuasion.
Your mind can wander
In times of excitement or distraction, the mind can easily drift off from its current focus or task.
Hello, hello (hola)
A greeting, likely to someone or something that is not physically present.
I'm at a place called Vertigo (¿dónde está?)
A state of feeling dizzy or out of balance, may symbolize a tumultuous mental or emotional state of being.
It's everything I wish I didn't know
The artist is struggling with their current experiences, potentially regretful or overwhelmed by things they have learned or discovered.
Except you give me something I can feel, feel
Despite the artist's inner turmoil, there is someone or something that is providing them with a genuine feeling of positivity or hope.
The night is full of holes
A metaphor for the imperfections and flaws that exist within a seemingly perfect or polished situation/experience.
'Cause bullets rip the sky of ink with gold
A metaphor for fireworks, which can both beautify and destroy (like bullets) the night sky.
They twinkle as the boys play rock and roll
The excitement and energy of a lively rock concert or performance can be likened to the excitement of fireworks.
They know that they can't dance, at least they know
Acknowledging one's own limitations, yet still making the most of what they can do or enjoy.
I can't stand the beat, I'm asking for the check
The singer is not enjoying the music or experience, and therefore wants to leave inconveniently early.
Girl with crimson nails has Jesus around her neck
Description of a fashion accessory, which may or may not be meaningful to the person wearing it, but can still be interpreted in different ways by an observer.
Swinging to the music, swinging to the music (whoa, whoa)
The artist describes someone else enjoying the music, likely in a way the artist themselves cannot appreciate.
Checkmated
A metaphor for a situation where one has been outsmarted, or recognizes that they are no longer in control of their situation.
Just fun
Despite the loss or defeat, the singer finds enjoyment in the experience itself.
She made it in, yeah
The Speaker acknowledges someone's achievement or success at something.
All of this, all of this can be yours
A temptation or offer of material wealth or success.
Just give me what I want and no one gets hurt
A threat or ultimatum, suggesting that if the artist's demands are not met, there will be consequences.
We're at a place called Vertigo (¿dónde está?)
The singer extends the Vertigo metaphor to include the audience or listener, suggesting they too may be feeling out of balance or overwhelmed.
Lights go down, and all I know
The end of the show, where the lights go down once again, bringing closure to the experience.
Is that you give me something I can feel your love teaching me how
Closing the song with a repetition of an earlier sentiment- despite inner turmoil and chaos, what has helped the singer through is a genuine feeling of love and connection that has taught them something.
Your love is teaching me how
Final affirmation of the positive impact of love, specifically that of another person, in helping and guiding the singer through a confusing or tumultuous time.
Lyrics © Universal Music Publishing Group
Written by: Adam Clayton, David Evans, Paul Hewson, Laurence Mullen
Lyrics Licensed & Provided by LyricFind