Sam Hulick is a BAFTA nominated and multiple award-winning composer, best k… Read Full Bio ↴Sam Hulick is a BAFTA nominated and multiple award-winning composer, best known for creating the signature music for BioWare’s epic sci-fi franchise Mass Effect and the dramatic score for Tripwire Interactive’s groundbreaking Red Orchestra 2: Heroes of Stalingrad. With a penchant for injecting powerful emotions and memorable themes, Sam’s original scores range from sweeping sci-fi and orchestral bombast to fantasy landscapes.
Graduating from Indiana University as a computer programmer, Sam sought to combine his passion for writing imaginative music and interactive media. In 2003 he won the Game Audio Network Guild award for young composers. His first foray into the profession of scoring music for video games was Capcom’s Maximo Vs. Army of Zin.
Sam’s career propelled to new heights when he was approached to co-write the score for Mass Effect with Jack Wall. Sam penned various memorable compositions such as the iconic “Mass Effect Theme,” as well as “From the Wreckage,” “Sovereign’s Theme,” “Victory,” “Uplink,” and many more. The ‘80s inspired electronic score was lauded by critics as “One of the most memorable and unique soundtracks in gaming,” (Game Informer) and won Best Original Score awards from IGN, GameSpy and GameSpot.
For Mass Effect 2, Sam was again tapped for his adept skill of inventive blending of analog synths with orchestral instrumentation. The soundtrack featured a suitably darker and more cinematic musical experience to complement the sequel’s heavier subject matter. Mass Effect 2 received British Academy (BAFTA) and Spike TV VGA nominations for Best Original Score.
After enjoying the collaborative process on the Mass Effect franchise, Sam branched out as a solo composer, composing ninety minutes of classical-influenced orchestral score for Red Orchestra 2: Heroes of Stalingrad. Sam composed the evocative, emotional and haunting music that sets the mood for one of the most brutal battles in all of human history – the battle for Stalingrad. Red Orchestra 2 features a unique dynamic music system that adapts the emotional mood of the soundtrack to match the morale of the player based on the flow of the battle. To highlight the differences between the two warring powers Sam wrote a completely unique soundtrack for both the German and Russian perspectives.
In 2012 Sam returns to the sci-fi genre, contributing original music for the highly anticipated Mass Effect 3. The soundtrack features gripping musical arrangements that set the captivating tone for Commander Shepard’s struggle to take Earth back from an ancient alien race known as the Reapers.
Sam resides in Chicago and is currently writing his debut artist album.
Graduating from Indiana University as a computer programmer, Sam sought to combine his passion for writing imaginative music and interactive media. In 2003 he won the Game Audio Network Guild award for young composers. His first foray into the profession of scoring music for video games was Capcom’s Maximo Vs. Army of Zin.
Sam’s career propelled to new heights when he was approached to co-write the score for Mass Effect with Jack Wall. Sam penned various memorable compositions such as the iconic “Mass Effect Theme,” as well as “From the Wreckage,” “Sovereign’s Theme,” “Victory,” “Uplink,” and many more. The ‘80s inspired electronic score was lauded by critics as “One of the most memorable and unique soundtracks in gaming,” (Game Informer) and won Best Original Score awards from IGN, GameSpy and GameSpot.
For Mass Effect 2, Sam was again tapped for his adept skill of inventive blending of analog synths with orchestral instrumentation. The soundtrack featured a suitably darker and more cinematic musical experience to complement the sequel’s heavier subject matter. Mass Effect 2 received British Academy (BAFTA) and Spike TV VGA nominations for Best Original Score.
After enjoying the collaborative process on the Mass Effect franchise, Sam branched out as a solo composer, composing ninety minutes of classical-influenced orchestral score for Red Orchestra 2: Heroes of Stalingrad. Sam composed the evocative, emotional and haunting music that sets the mood for one of the most brutal battles in all of human history – the battle for Stalingrad. Red Orchestra 2 features a unique dynamic music system that adapts the emotional mood of the soundtrack to match the morale of the player based on the flow of the battle. To highlight the differences between the two warring powers Sam wrote a completely unique soundtrack for both the German and Russian perspectives.
In 2012 Sam returns to the sci-fi genre, contributing original music for the highly anticipated Mass Effect 3. The soundtrack features gripping musical arrangements that set the captivating tone for Commander Shepard’s struggle to take Earth back from an ancient alien race known as the Reapers.
Sam resides in Chicago and is currently writing his debut artist album.
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Devils in the Tower
Sam Hulick Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Stoopid
the title is a reference to an account written by a german soldier describing how their attack on a grain elevator turned into a disaster
he wrote about how the entire thing was lit on fire and artillery smashed into and no human could have survived, only devils in the tower
LOUDcarBOMB
Here's 2 pages I found from both sides. Here y'all are:
http://ww2today.com/18th-september-1942-the-fight-for-the-stalingrad-grain-elevator
https://weaponsandwarfare.com/2016/05/17/the-grain-elevator-stalingrad/
Snafu
Was the guy Willi Hoffman? He said that 'Those are not people in the elevator, they are devils, and no bullets nor fire can stop them."
Chinaski
U got any proof on this reference? sounds thrilling.
Facehurt
apparently they got access to the real grain elevator and basically modeled it 1:1
Stoopid
@Ivan Lee I mean maybe. The grain elevator map is based off a real grain elevator and its probably the case however there might be more in the city.
Newtz
0:06 Always when a tank rolls into the streets..
Kurt Paille
Smoke to blind him, or arty. At least you can shoot the track with this shity anti tank rifle.
Merxo the Conqueror
exactly. Just wandering around the map and then a t34 or a panzer 4 rounds the corner. Even my high level cant save me there
xXE4GLEyEXx
this always means : start camping down the respawn supply is about to run out :D