Phillips began her musical career as a vocalist in the early 1980s, singing background parts for Christian artists such as Mark Heard, Randy Stonehill, and others. After a short time, Phillips was signed to a solo contract with Myrrh Records (under her given name) where she went on to record four Christian pop albums: Beyond Saturday Night, Dancing with Danger, Black & White in a Grey World, and, The Turning, which teamed her with producer and future husband T-Bone Burnett. Throughout the Myrrh period, Phillips wrote more and more of her own songs and several were Top 10 singles on Christian radio.
Since Cyndi Lauper was popular at the time and also had an high-pitched, idiosyncratic vocal style, Myrrh insisted on promoting her as "the Christian Cyndi Lauper." Phillips was never comfortable with this image, and it was a bone of contention between her and the label. She began using the name "Sam" professionally in 1988 when she left Myrrh Records and signed with Virgin Records, partially in order to distance herself from her somewhat embarrassing Myrrh-imposed persona.
Like many Christian artists before her, she expanded into more secular content at the new label. She released The Indescribable Wow, which featured the orchestrations of Van Dyke Parks. Cruel Inventions, which was released in 1991, included a guest appearance from close friend Elvis Costello, and she (with her husband) supported Costello on his 1991 tour. 1994's Martinis & Bikinis was widely praised by music critics and was even nominated for a Grammy Award; this was Phillips' first nomination.
In 1995, Phillips made her silver screen debut in the Bruce Willis blockbuster Die Hard With a Vengeance, in which she played a mute terrorist. She was originally supposed to have a speaking part in the film but it was decided that her character would be silent, since it made her appear much more imposing and lethal, although it also placed her in a more stereotypically femme fatale role at the same time.
In 1996, Phillips released Omnipop (It's Only a Flesh Wound Lambchop), which was more experimental musically and ended up being her worst-selling album to date. After releasing a contractual obligation "best-of" album for Virgin in 1999, the label dropped Phillips from their roster.
In 2001, Phillips signed with Nonesuch Records and released a stripped-down acoustic album called Fan Dance, which featured some of the most critically acclaimed songwriting of Phillips' career. Van Dyke Parks contributed string arrangements for a track or two. Phillips also began writing music for and scoring the television series Gilmore Girls, and even appeared on-screen during the final episode of season six, performing Taking Pictures. In 2004 she released A Boot and a Shoe, another collection of acoustic cabaret songs in the same vein as her previous album.
Sam returned with a new album don't do anything in 2008. In October 2009 Sam launched Long Play, an exclusively web-based membership site which promised subscribers 5 digital EPs and 1 full-length digital album over the course of about one year. A physical "best of" compilation of Long Play songs, titled Solid State, was released in June 2011.
Zero Zero Zero!
Sam Phillips Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I close my eyes
I never count a large amount
my lucky number is below one
you never know when you might need a zero
the zero in my hand
is nothing to lose
love with power
everything that I'm not is all that I've got
The opening lines of Sam Phillips's Zero Zero Zero suggest a sense of detachment and resignation, as the singer watches "big numbers go by" and chooses not to engage with them. The idea of never counting a large amount seems to reflect a degree of disillusionment with the idea of success or accumulation, as if the singer has learned that material possessions or achievements have little meaning. Instead, their "lucky number" is below one, which could be interpreted as valuing the small, personal moments that make life meaningful. The repeated refrain of "you never know when you might need a zero" adds a layer of wry humor to the lyrics, as if acknowledging the arbitrary nature of the "big numbers" that dominate our cultural narratives of success.
The lines "the zero in my hand / is nothing to lose" suggest that the singer has embraced a certain freedom, perhaps by relinquishing the desire for traditional measures of success. However, the next two lines, "it's hard to confuse power with love / love with power," complicate this idea. There is a recognition that the pursuit of power can often obscure more important values, like love or compassion, and that it can be difficult to discern the difference between the two. The final line, "everything that I'm not is all that I've got," could be interpreted in different ways - perhaps as an admission of failure or incompleteness, or as a recognition that we are more defined by what we lack or can't have than by what we possess.
Overall, Zero Zero Zero presents a quiet, introspective commentary on the cultural forces that drive us, and the complexities of finding meaning in a world that often values the superficial over the substantive.
Line by Line Meaning
big numbers go by
I am not concerned about large numbers, they are insignificant to me
I close my eyes
I am not focused on materialistic things and choose to ignore them
I never count a large amount
I don't put much importance on the value of money or other possessions
my lucky number is below one
I don't need big numbers or luck to be happy, my happiness comes from within
you never know when you might need a zero
Even something that seems insignificant like a zero, can be important in certain situations
the zero in my hand
I have nothing, but I am not worried or unhappy about it
is nothing to lose
I have nothing to lose because I don't place my value on physical possessions
it's hard to confuse power with love
Power and love are two very different things and people often confuse them
love with power
Sometimes people use love to gain power over others or to manipulate them
everything that I'm not is all that I've got
I don't have materialistic things or power, but my true self is enough for me to be happy
Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Written by: LESLIE A PHILLIPS
Lyrics Licensed & Provided by LyricFind