Early life
Samuel George "Sammy" Davis, Jr. was born in New York City, New York to Elvera Sanchez (1905-2000)[1], a Puerto Rican tap dancer, and Sammy Davis, Sr. (1900-1988), an African-American entertainer. The couple were both dancers in vaudeville. As an infant, he was raised by his paternal grandmother. When he was three years old, his parents split up. His father, not wanting to lose custody of his son, took him on tour. During his lifetime Sammy Davis, Jr. stated that his mother was Puerto Rican and born in San Juan.[2] As a child he learned how to dance from his father and his "uncle" Will Mastin, who led the dance troupe his father worked for. Davis joined the act as a young child and they became the Will Mastin Trio. Throughout his long career, Davis included the Will Mastin Trio in his billing.
Mastin and his father had shielded him from racism. Snubs were explained as jealousy, for instance. When Davis served in the United States Army during World War II however, he was confronted by strong racial prejudice. As he said later, "Overnight the world looked different. It wasn't one color anymore. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for eighteen years, a door which they had always secretly held open."
Career
While in the service, however, he joined an integrated entertainment Special Services unit, and found that the spotlight removed some of the prejudice. "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking," he said.[3]
Sammy Davis, Jr. (left) with Roy Wilkins (right) at the 1963 Civil Rights March on Washington, D.C.
After he was discharged, Davis rejoined the dance act which played at a wide variety of spots around Portland Oregon, and began to achieve success on his own as he was singled out for praise by critics. The next year, he released his second album. The next move in his growing career was to appear in the Broadway show Mr. Wonderful in 1956.
In 1959, he became a member of the Rat Pack, which was led by his old friend Frank Sinatra, and included such fellow performers as Dean Martin, Joey Bishop, Peter Lawford, and Shirley MacLaine. Initially, Sinatra called the gathering of fast-living friends "the Clan," but Sam voiced his opposition, saying that it invoked thoughts about the Ku Klux Klan. Sinatra renamed the group "the Summit"...but nevertheless, the media kept on calling it the Rat Pack all along.
Davis was a headliner at The Frontier Casino in Las Vegas, Nevada for many years, yet was required to accept accommodations in a rooming house on the west side of the city, rather than reside with his peers in the hotels, as were all black performers in the 1950s. For example, no stage dressing rooms were provided for black performers, so they were required to wait outside by the swimming pool between acts. [4]
During his early years in Las Vegas, he and other African-American artists like Nat King Cole and Count Basie could entertain on the stage, but often could not reside at the hotels at which they performed, and most definitely could not gamble in the casinos or go to the hotel restaurants and bars. After he achieved superstar success, Davis refused to work at venues which would practice racial segregation. His demands eventually led to the integration of Miami Beach nightclubs and Las Vegas casinos. Davis was particularly proud of this accomplishment. [5]
Although James Brown would claim the title of "Hardest Working Man in Show Business," the argument could be made that Sammy Davis, Jr. deserved it more. For example, in 1964 he was starring in Golden Boy at night and shooting his own New York-based afternoon talk show during the day. When he could get a day off from the theater, he would either be in the studio recording new songs, or else performing live, often at charity benefits as far away as Miami, Chicago and Las Vegas, or doing television variety specials in Los Angeles. Even at the time, Sam knew he was cheating his family of his company, but he couldn't help himself; as he later said, he was incapable of standing still.
Although still a huge draw in Las Vegas, Davis' musical career had sputtered out by the latter years of the 1960s, although he had a #11 hit (#1 on the Easy Listening singles chart) with "I've Gotta Be Me" in 1969. An attempt to update his sound and reconnect with younger people resulted in some embarrassing "hip" musical efforts with the Motown record label.[6] But then, even as his career seemed at its nadir, Sammy had an unexpected worldwide smash hit with "Candy Man". Although he didn't particularly care for the song and was chagrined that he was now best known for it, Davis made the most of his new opportunity and revitalized his career. Although he enjoyed no more Top 40 hits, he did enjoy some extra popularity with his performance of the theme song from the T.V. series Baretta (1975-1978) which was not released as a single but was given extensive radio play and he remained a successful live act beyond Vegas for the remainder of his career. He would still occasionally land television and film parts, including high profile visits to the All in the Family series playing himself. In the 1970s, he also appeared in a series of memorable commercials in Japan for Suntory whiskey.
On December 11, 1967, NBC broadcast a musical-variety special entitled Movin' With Nancy. In addition to the Emmy Award-winning musical performances, the show is famous for Nancy Sinatra and Sammy Davis, Jr. greeting each other with a kiss, one of the first black-white kisses in U.S. television history.[7]
In Japan, Davis appeared in television commercials for coffee, and in the U.S. he joined Sinatra and Martin in a radio commercial for a Chicago car dealership.
Davis was one of the first male celebrities to admit to watching television soap operas, particularly the shows produced by the American Broadcasting Company. This admission led to him making a cameo appearance on General Hospital and playing the recurring character Chip Warren on One Life to Live for which he received a Daytime Emmy nomination in 1980. He was also a game show fan, making a cameo on the ABC version of Family Feud in 1979, and hosting a question with Richard Dawson watching from the sidelines. He appeared on Tattletales with third wife Altovise Davis in the 1970s. He also made a cameo during an episode of the NBC version of Card Sharks in 1981.
Davis was an avid photographer who enjoyed shooting family and acquaintances. His body of work was detailed in a 2007 book by Burt Boyar. "Jerry [Lewis] gave me my first important camera, my first 35 millimeter, during the Ciro's period, early '50s," Boyar quotes Davis. "And he hooked me." Davis used a medium format camera later on to capture images. Again quoting Davis, "Nobody interrupts a man taking a picture to ask... 'What's that nigger doin' here?' ". His catalogue of photos include rare shots of his father dancing onstage as part of the Will Mastin Trio. Also, intimate snapshots of close friends: Jerry Lewis, Dean Martin, Frank Sinatra, James Dean, Nat "King" Cole and Marilyn Monroe. His political affiliations also were represented in his images of: Robert Kennedy, Jackie Kennedy, Martin Luther King Jr. His most revealing work comes in photographs of wife May Britt and their three children, Tracey, Jeff and Mark.
(Credit Wikipidia.org)
It's A Musical World
Sammy Davis Jr. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Never any symphony
The sound surrounds
Miracles of melody
Are bound around us too
It's a musical world
Such a musical world
Listen to the rhythm
Of a storm in summer
Hear the mellow melody
When church bells chime
"Once upon a time"
It's a musical world
Such a beautiful world
Ding, dong, sing a song of spring and summer
Bring some summer song and opera new
I love music, and I know that you do too
It's a musical world
Such a beautiful world
Yeah
The world was made for music
Everything contributes to the rare concerto
Elephants and butterflies have their concertos too
It's a beautiful world
It's a musical world
Listen to the music of a lonely seashore
Hear a certain company to speak up for
Make it have an orchestra where every sound belongs
It's a musical world
Such a beautiful world
Ding, dong, sing a song of spring and summer
Sing some summer song and opera new
I love music, and I know that you do too
Yeah
It's a musical world
I love music, and I know that you to too
Yeah
It's a musical world
Such a beautiful world
The lyrics of Sammy Davis Jr.'s "It's A Musical World" convey an appreciation for the power and omnipresence of music in everyday life. The song suggests that music is not limited to just what is heard in a concert hall or on a recording, but is instead woven into the fabric of the world. Davis Jr. sings that the "sound surrounds" us, and that "miracles of melody / are bound around us too". The imagery throughout the song evokes different forms of music and sound, including the "rhythm of a storm in summer", the "mellow melody" of church bells, and the "music of a lonely seashore."
The chorus is simple and memorable, repeating the line "It's a musical world / such a beautiful world". The bridge of the song suggests that even animals have their own "concertos", highlighting the idea that music is present in all aspects of the natural world. The lyrics also express a shared love of music, with Davis Jr. stating "I love music, and I know that you do too".
Overall, the song's message is one of celebration and appreciation for the power of music to enhance, enliven, and imbue beauty into the world.
Line by Line Meaning
The world is made of music
Music is an integral part of the world
Never any symphony
Music is not necessarily limited to orchestras or organized ensembles
The sound surrounds
Music is all around us and envelops us
Miracles of melody
Music has the capability to create amazing moments and feelings
Are bound around us too
These moments and feelings are not just limited to certain places or people
It's a musical world
The world is truly full of music
Such a musical world
The abundance of music in the world is truly remarkable
Listen to the rhythm
Pay attention to the beat and flow of music
Of a storm in summer
Even the most natural occurrences have their own unique music
Hear the mellow melody
Take in the peaceful and soothing sounds of music
When church bells chime
Even religious elements can convey their own music
"Once upon a time"
Music plays a significant role in storytelling and narration
Ding, dong, sing a song of spring and summer
Even the simplest of sounds can make music and elicit emotions
Bring some summer song and opera new
The diversity and range of music is vast
I love music, and I know that you do too
The appreciation and enjoyment of music is something shared by many people
The world was made for music
Music is an inherent part of the creation and purpose of the world
Everything contributes to the rare concerto
All elements and aspects of the world come together to create a beautiful harmony
Elephants and butterflies have their concertos too
Even animals and insects have their own unique music and sounds
Listen to the music of a lonely seashore
Even the quietest of places have their own beautiful music
Hear a certain company to speak up for
Even people's voices and conversations can produce their own music
Make it have an orchestra where every sound belongs
All sounds can come together to create a beautiful composition
It's a beautiful world
The world is inherently beautiful due to the presence of music
I love music, and I know that you to too
The appreciation of music is something that brings people together
Yeah
An affirmation of the love and enjoyment of music
Such a beautiful world
The world is made even more beautiful by the presence of music
Lyrics © Universal Music Publishing Group
Written by: ANTHONY NEWLEY, LESLIE BRICUSSE
Lyrics Licensed & Provided by LyricFind