Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philo… Read Full Bio ↴Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organ, piano, strings, and woodwinds – often involving de-familiarization through processing. Her work considers the experience of enveloped sonic dwelling, utilizing extended durations, psychoacoustic manipulations, and simple harmonic structures that emphasize variations in overtone complexity and natural phasing patterns.
Her work as a music researcher concerns aspects of experimentalism, organology and archival study, and phenomenology and perception, and has been published and presented within Canada, the United States, and the United Kingdom. Since 2007, Davachi has also had the unique opportunity to work for the National Music Centre (formerly Cantos Music Foundation) in Calgary as an interpreter, content developer, and archivist of their collection of acoustic and electronic keyboard instruments. Additionally, she has worked for the Western Front in Vancouver as an assistant in archival audio digitization, and has lectured at Simon Fraser University and Vancouver Film School. She has held artist residencies at The Banff Centre for the Arts (Banff, Canada), STEIM (Amsterdam, Netherlands), WORM (Rotterdam, Netherlands), EMS (Stockholm, Sweden), and OBORO (Montréal, Canada), and is the recipient of grants from the Canada Council for the Arts, the Alberta Foundation for the Arts, and SOCAN. Davachi currently resides between Vancouver, BC, Canada and Montréal, QC, Canada.
Her work as a music researcher concerns aspects of experimentalism, organology and archival study, and phenomenology and perception, and has been published and presented within Canada, the United States, and the United Kingdom. Since 2007, Davachi has also had the unique opportunity to work for the National Music Centre (formerly Cantos Music Foundation) in Calgary as an interpreter, content developer, and archivist of their collection of acoustic and electronic keyboard instruments. Additionally, she has worked for the Western Front in Vancouver as an assistant in archival audio digitization, and has lectured at Simon Fraser University and Vancouver Film School. She has held artist residencies at The Banff Centre for the Arts (Banff, Canada), STEIM (Amsterdam, Netherlands), WORM (Rotterdam, Netherlands), EMS (Stockholm, Sweden), and OBORO (Montréal, Canada), and is the recipient of grants from the Canada Council for the Arts, the Alberta Foundation for the Arts, and SOCAN. Davachi currently resides between Vancouver, BC, Canada and Montréal, QC, Canada.
Feeler
Sarah Davachi Lyrics
We have lyrics for 'Feeler' by these artists:
Anxious Arms Bind my hands and watch me fly with scrapes and…
Crimson Cloud Why don't you just drive off the stage, yeah Come join…
Murray Pete Got inside my head today I felt you Said my imaginations…
Pete Murray Got inside my head today I felt you Said my imaginations…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Jonathan Conway
One of her most deep and profound works. I find myself returning to this often.
jmilesweb97
Damn, ordinal is so heartbreaking and comforting
Alain Turbide
Another astounding and outstanding musical selection. Thank you SA!
Destroy Date
This is a gem. It's changes to the end are thrilling. SD is #1!
Alejandro Magaña
Imagine if this was what mainstream music platforms would play? What a different world it would be....it is OK to dream I guess!
Rob San
@Real Life Ambience elitism is one thing but some music really is trashy crap.
markus e. lipka
@Real Life Ambience u nailed it!
JAMALAN
This is a mainstream music platform, and this is what they play.
Real Life Ambience
@virtual ghetto I like this and Cardi B. It's all a matter of personal taste and mood, elitism doesn't help anyone.
honeysucklecat
@virtual ghetto I disagree. Pop music has been weird before, and very complex. Now it’s drug addicts bragging about their money and hoes.
On purpose.
Quality music is ignored