Sarah Schachner is an American musician who has composed scores for film, t… Read Full Bio ↴Sarah Schachner is an American musician who has composed scores for film, television and video games. Schachner not only composes and arranges scores, but she also performs in them.
Schachner grew up in the suburbs of Philadelphia. When she was five, she first started playing piano and then started playing the violin. She kept learning other instruments, such as viola and cello, and played with both family and in the orchestra and jazz band.
Schachner went to the Berklee College of Music and then moved to Los Angeles. She began to work with composer, Brian Tyler, who worked in film and then started writing video game music. Tyler first brought Schachner in to work on Call of Duty: Modern Warfare 3. Schachner said, "I started doing music on the games for him and I realized how much I loved working on games." Schachner began to incorporate synthesizers with her work on string instruments.
In 2016, Ted Cruz's presidential campaign used one of Schachner's songs, Lens, without permission.[5][6] As the composer, she and the performer, along with a licensing firm, sued the Cruz campaign in May of 2016 for copyright infringement.
Schachner also contributed to the Cassini Finale Music Project, a commemoration of the Cassini mission to Saturn.
Combining her dynamic talents as an accomplished multi-instrumentalist and modular synth artist/programmer, International Film Music Critics Award nominated composer Sarah Schachner has developed a reputation as a bold new force in film and video game scoring for blockbuster titles such as Call Of Duty and Assassin's Creed. Hailed as "A rising star in the soundtrack world" (Game Informer), Schachner's widely acclaimed Baroque classical-action score infused with analog pulses for Assassin's Creed Unity was nominated for Best Original Video Game Score by the International Film Music Critics Association and her evocative theme "Rather Death Than Slavery" featured in HBO's Game of Thrones Season 5 trailer. Schachner also previously collaborated with Ubisoft providing additional music on Far Cry 3 and Assassin's Creed IV: Black Flag, nominated for a 2014 BAFTA Award for Best Original Music.
In addition to her video game work, Schachner has written music for films, trailers, commercials, and TV shows. She has a long-standing relationship with composer Brian Tyler, with whom she wrote additional music and arranging on films such as Iron Man 3, The Expendables 2, Now You See Me, and the indie thriller John Dies At The End, as well as a host of video games including Assassin's Creed IV: Black Flag, Call of Duty: Modern Warfare 3, Far Cry 3, Need For Speed: The Run, and Army of Two: The Devil's Cartel. Schachner made her solo debut into film composition with 2015's The Lazarus Effect, starring Olivia Wilde, Mark Duplass, and Donald Glover.
Schachner grew up in the suburbs of Philadelphia. When she was five, she first started playing piano and then started playing the violin. She kept learning other instruments, such as viola and cello, and played with both family and in the orchestra and jazz band.
Schachner went to the Berklee College of Music and then moved to Los Angeles. She began to work with composer, Brian Tyler, who worked in film and then started writing video game music. Tyler first brought Schachner in to work on Call of Duty: Modern Warfare 3. Schachner said, "I started doing music on the games for him and I realized how much I loved working on games." Schachner began to incorporate synthesizers with her work on string instruments.
In 2016, Ted Cruz's presidential campaign used one of Schachner's songs, Lens, without permission.[5][6] As the composer, she and the performer, along with a licensing firm, sued the Cruz campaign in May of 2016 for copyright infringement.
Schachner also contributed to the Cassini Finale Music Project, a commemoration of the Cassini mission to Saturn.
Combining her dynamic talents as an accomplished multi-instrumentalist and modular synth artist/programmer, International Film Music Critics Award nominated composer Sarah Schachner has developed a reputation as a bold new force in film and video game scoring for blockbuster titles such as Call Of Duty and Assassin's Creed. Hailed as "A rising star in the soundtrack world" (Game Informer), Schachner's widely acclaimed Baroque classical-action score infused with analog pulses for Assassin's Creed Unity was nominated for Best Original Video Game Score by the International Film Music Critics Association and her evocative theme "Rather Death Than Slavery" featured in HBO's Game of Thrones Season 5 trailer. Schachner also previously collaborated with Ubisoft providing additional music on Far Cry 3 and Assassin's Creed IV: Black Flag, nominated for a 2014 BAFTA Award for Best Original Music.
In addition to her video game work, Schachner has written music for films, trailers, commercials, and TV shows. She has a long-standing relationship with composer Brian Tyler, with whom she wrote additional music and arranging on films such as Iron Man 3, The Expendables 2, Now You See Me, and the indie thriller John Dies At The End, as well as a host of video games including Assassin's Creed IV: Black Flag, Call of Duty: Modern Warfare 3, Far Cry 3, Need For Speed: The Run, and Army of Two: The Devil's Cartel. Schachner made her solo debut into film composition with 2015's The Lazarus Effect, starring Olivia Wilde, Mark Duplass, and Donald Glover.
Chandeliers and Carnage
Sarah Schachner Lyrics
We have lyrics for these tracks by Sarah Schachner:
Ragnarok Geyr nú Garmr mjök fyr Gnipahelli, festr mun slitna en freki…
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ACLegacy
Unity has the best score in my opinion seeing as how well it fits the time period and is classical which seems to suit AC so well and this is also shown in Syndicate. Black Flag also did this and it makes them so much more enjoyable and immersive it really makes you feel connected to the action at times. I love each and every AC and each has some amazing soundtracks but to me Ac 1 - 3 and Origins mix electronic and classical at times and to me it just doesn’t fit as well but there are a few which stand out in each game and some that do fit the time period it’s just I find 4, Unity and Syndicate to focus heavily on classical or appropriate to the time period and it just brings me that extra joy to be playing and Assassin’s Creed title! I love that Syndicate focus on strings and I understand that Unity does use electronic too at times but there’s just something about the fact it chooses to keep the key parts of baroque music into the electronic pieces. And lets not forget you don’t get the harpsichord in Syndicate as fitting to the time period the strings are a much popular instrument and the piano has replaced the harpsichord.
fbrg
Mucho texto
Krzypl
Probably, but sadly you barely hear the music, because people and everything are mostly too loud.
Makeitquick
Now odyssey's out. But simply said, the 2 latest games, if you actually listen to the music back then, you will see that it is not the best. Improvisation and electronic music adds to it
Another Rain
i managed to play it with my violin :D
ᚨᚱᚦᚢᚱ ᛞᚢᛗ
Please upload
Shivani Singh
This track is just incredible.
Lemuel Delvalle
Like the time Ichigo and Rukia fought Hallows in a Fancy Ballroom?
annisa sabrina
3:34 oh I've been searching for that exact tune for hours now... finally found it!
Matis Mercier
Yes me to 😆😁 !