Slean recorded her first EP Universe (1997) at the age of nineteen. Since then she has completed a series of albums including: Blue Parade (1998), Night Bugs (2002), and Day One (2004), The Baroness (2008) and the double album Land & Sea (2011).
Night Bugs was her first major label album, co-produced by Slean and Hawksley Workman, and released by WEA in Canada and Atlantic Records in the United States. It was heavily inspired by cabaret music.
In September 2004, Slean released her fourth album, Day One. Here Slean's piano takes a less important spot for the first time in her career. The focus is more on beats, rhythms and guitar, which shines through in the album's first single "Lucky Me". The up-tempo title track "Day One", and "Mary", a song about Slean's grandmother, were released as the second and third singles.
In October 2006, Slean released a mostly-live album, Orphan Music, which consists of songs recorded live at Toronto's Harbourfront Theatre and the Vancouver East Cultural Centre. Other new tracks featuring Slean and the piano were recorded at DNA Recording Facility in Toronto and Kensaltown Studios in the UK.
Also in 2006, she contributed two tracks ("Us and Them" and "Comfortably Numb") to Pink Floyd Redux, a modern 12-track tribute to Pink Floyd.
Her sixth album The Baroness was released March 2008. An EP with outtakes from the album, entitled The Baroness Redecorates, was released in December of the same year.
Another set of B-sides was released in December 2010. For Beauty Lives, fans could vote for their favourite previously unrecorded track. The ten top songs were recorded especially for the collection.
Slean released the double album Land & Sea in September 2011. It is a concept album, where the songs on Land represent grounded topics and are generally more poppy, while the songs on Sea are more ethereal in subject matter and feature classical arrangements.
Slean released Metaphysics in 2017.
For photos and additional information check out Sarah Slean's official website, www.SarahSlean.com.
I Know
Sarah Slean Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Liars, with money and girls
The kind you fit in your pocket
I can't save them from this darkness
My sisters, I love them all
My faeries pinned against the wall
I know what you want
And I know
Doll, made of paint and china
Your worth lies only in these
But you're real to me
Little bones, will you break these legs like twigs now?
There's pain here you'll never have to feel
Never have to feel
I know what you want
And I know what you want
And I know
And I would fight a thousand men
I'd fight fire and wind and rain
I'd cry a river of tears for them
The bodies floating there
Christ-like and bare
Tell me, is that fair?
There are some things I can't forgive
Some things I just can't forgive
Some things
Jesus, I thought we had an understanding
The fact that you can buy a woman
Makes me want to die
Where were you last night?
Jesus, Jesus
Where were you?
And I know what you want
I know it all too well
And I know
I know
The lyrics of Sarah Slean's "I Know" can be interpreted as a commentary on the injustices and harsh realities of the world. The song begins by describing the corrupt and immoral people who are driven by greed and power. These "loud mouth[s], suits and ties" are surrounded by "money and girls," implying that their wealth and influence allow them to indulge in their vices without consequences. The singer acknowledges that these individuals are beyond redemption and cannot be saved from their own darkness.
The second verse of the song shifts focus to the singer's relationships with the women in her life. She refers to them as her "sisters" and "faeries," showing a sense of protectiveness and fondness towards them. However, the use of the phrase "pinned against the wall" may suggest that they are constrained or oppressed in some way. The singer also mentions a porcelain doll, which represents the societal pressure to conform to unrealistic beauty standards. She recognizes that the doll's worth is based solely on her appearance, but still sees her as real.
The chorus of the song repeats the phrase "I know what you want," emphasizing the idea that the singer is aware of the world's injustices and the desires that drive them. The final verses are particularly poignant, as the singer turns to religion to express her frustrations. She addresses Jesus, questioning how he could allow the commodification of women to occur. The use of the phrase "where were you?" implies a feeling of abandonment and betrayal.
Overall, "I Know" is a powerful and thought-provoking song that comments on the darker aspects of humanity and the need for change.
Line by Line Meaning
Loud mouth, suits and ties
People who are wealthy, powerful and often deceitful
Liars, with money and girls
These people are often dishonest and use their wealth and power to take advantage of others
The kind you fit in your pocket
These people are easily manipulated and controlled
I can't save them from this darkness
It is impossible for the artist to rescue these people from their immoral ways
My sisters, I love them all
The artist cares deeply for other women, empathizes with them and wants to see them flourish
My faeries pinned against the wall
The singer sees other women as delicate creatures who are often overlooked by society
I know what you want
The singer understands the motives of those who are wealthy and powerful
And I know what you want
The artist acknowledges that these people have multiple desires and often prioritize their own interests above others
Doll, made of paint and china
The artist is referring to the societal image of women that is often artificial and forced
Your worth lies only in these
Women are often defined by their physical beauty and appearance
But you're real to me
The singer sees the humanity in all women, despite societal pressure to conform to an ideal image
Little bones, will you break these legs like twigs now?
The artist is questioning whether the societal pressure to conform will break the physical and mental health of these women
There's pain here you'll never have to feel
The singer is emphasizing that men are often exempt from the societal pressures and consequences that women face
And I would fight a thousand men
The singer is willing to fight against those who perpetuate the oppression and inequality of women
I'd fight fire and wind and rain
The singer is willing to persevere through all obstacles to achieve equality for women
I'd cry a river of tears for them
The artist is deeply empathetic towards women and their struggles
The bodies floating there
The artist is referencing the prevalence of violence and harm towards women
Christ-like and bare
The singer is drawing a comparison between the suffering of women and the crucifixion of Christ
Tell me, is that fair?
The singer questions the morality of a society that perpetuates the suffering of women
There are some things I can't forgive
The artist acknowledges that there are actions that are too heinous to be forgiven
Some things I just can't forgive
The artist further emphasizes that certain actions are unforgivable
Jesus, I thought we had an understanding
The artist is referencing the moral teachings of Christianity and questioning why these transgressions continue to occur
The fact that you can buy a woman
The singer is criticizing the societal belief that women can be bought and sold like commodities
Makes me want to die
The artist is deeply saddened by the reality of the commodification and exploitation of women
Where were you last night?
The singer is questioning why the teachings of Christianity are not being upheld to prevent the oppression of women
I know what you want
The singer reiterates their understanding of the motives of wealthy and powerful individuals
I know it all too well
The singer is intimately familiar with the consequences of societal inequality and the oppression of women
And I know
The artist stands firm in their understanding, empathy, and desire for change
Lyrics Β© BMG RIGHTS MANAGEMENT US, LLC , Universal Music Publishing Group
Written by: REED PHILIP VERTELNEY, LUTHER VANDROSS
Lyrics Licensed & Provided by LyricFind
MaterialWhirl
To those wondering where this recording came from (not the Universe version), I believe it came from a compilation she did way back in the day called Women and Songs 2. It ended up being a little different than the Universe one. Regardless, just a devastatingly beautiful song.
jmontano9580
It's a little different on the Women and Songs album. I have that one.
Taylor Heart
Yup!!πΉπΉπππ From women & songs. Had those CD'S.
The first few "women & songs " albums were THE BEST!!!ππππππππ
t_ally_s
I have that CD and yes this is the version from it.. It's just so beautiful.
Taylor Heart
Yup!!πππππΊπ»π·π·ππππΊπ»πΆπ€π€
Muktadir Anzan
Amazing!
prrolg
This is really great
archie977
prety good some depth and integrity in the voice :)
Tony Diaz
OMG I'm falling in love
Anna L. Vajda
Haunting.