Weeks and Jason Null formed the band in their small hometown of Corinth, Mississippi in 2004. They met when Weeks, who was in a band, was playing guitar at his best friend’s house, when Null, who was in a rival local group, walked in to rehearse with his band. Within days of that meeting, Null and Weeks were writing and honing the intimate writing style that now defines Saving Abel. In early 2005, the pair’s songs caught the ear of noted producer Skidd Mills (12 Stones, Saliva, Submersed), who took the band into his 747 Studios in Memphis. Mills notes, “It was ‘18 Days’ that hooked me. The first time I heard it I was like, ‘these guys are the real deal; they’ll be doing this for a long time.’ Jason and Jared have always understood that the most important part of the music business is having great songs.”
Saving Abel gradually came together in the final electric lineup of guitarist Scott Bartlett, bassist Eric Taylor, and drummer Blake Dixon, and the band paid its dues both onstage and off. Weeks would toss Saving Abel demos onto the stage when bigger bands played in town, and between playing gigs, working day jobs, and Weeks and Null constantly driving from Mississippi to Memphis to record their self-titled EP with Mills, it was a busy and prolific couple years. Weeks remembers; “I used to work at a hospital. I’d have to be there at 4:30 in the morning drawing blood. I’d wake people up and stick a needle in their arm. I’d be walking around the hospital, singing ‘Addicted’ in my head, writing down the lyrics on patients’ clipboards and doctor script pads.”
Null and Weeks bring in differing songwriting approaches influences, giving Saving Abel a well-rounded sound. Null comes from a musical family, and recalls Saturday nights at the local community center as a child. “We didn’t miss it, ever! It was bluegrass band after bluegrass band. We’d hoot and holler, as we used to say. My brother traded my bike for a guitar for me when I was 6, and I learned ‘Johnny B. Goode’ that night! I go back to Willie and Waylon, but as a kid of the ‘80s, I also love Metallica. Also, Angus Young is one of my main influences, as well as the guitar sound and solos of Seattle bands like Soundgarden and Alice in Chains.” For his part, a teenage Weeks played basketball and went to state twice in tennis before music consumed his life. A big fan of the blues and Southern Rock, Weeks calls himself the more “literal” songwriter of the two, explaining, “If something is really bothering me, or how I’m feeling at that moment, I’ll write about it. For me to get the most out of a song, I have to get it almost to the point I’m ready to cry if I can’t get it out, and that makes people relate to it.”
After shopping their indie EP for almost a year, a copy of ‘Addicted’ found its way to one-time Virgin A&R Consultant Scott Frazier and manager partner Rick Smith. They were so excited that they sent the song to the label’s Chairman/CEO Jason Flom. Flom was impressed upon first listen and immediately sent A&R vet Kim Stephens (Collective Soul, Matchbox 20, Edwin McCain) to see the band in Jackson, Tennessee. The band was signed the next day. Says Stephens, “I was sold on the merit of the songs and instantly recognized this was a band with huge potential.”
Saving Abel, the Virgin debut produced by Mills, features mostly brand-new tunes, plus a few favorites from the indie EP, including the poignant, perfectly crafted “18 Days,” “Running From You,” and “Drowning Face Down.” Null explains that “18 Days” was lyrically inspired by sheriff Buford Pusser of ‘Walking Tall’ fame, while laughingly admitting that the rowdy road trip in “New Tattoo” (“The blue is for the bruise you left in my heart / and the red is for the color we’re about to paint this town”) is “based on a true story.” Null furthers: “Our goals are always to concentrate on the song, not just one cool part to make a kid bop his head. Every person I talk to loves a different song of ours.” Null was also the one who gave the band its name: “I Googled the story of Cain and Abel and found a line about ‘there was no Saving Abel,’ which just jumped out at me.” Everyone agreed and the name stuck…much like Saving Abel's songs get instantly stuck in the minds and ears of everyone who hears them. With a radio-ready sound combining big riffs and memorable melodies, Saving Abel has created a polished combination of Southern and Alternative rock…. 2008 style. Get Addicted. Get Saving Abel. You can go to http://savingabel.com
Beautiful You
Saving Abel Lyrics
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Full of words of wisdom, I'm seeing double vision
From a dead on, head on crash course in collision
A sucker for a kind word, every voice I've heard
This is my answer for you
There you go again being beautiful you
Setting fire to all you hold on to
I'm letting go again, won't be another friend
To a beautiful, a beautiful you
I'm a concept in the human race
A mirrored image, another shade of grace
Molded by pride, barely holding on to life
A prejudice lover always and forever
'Cause this is my answer for you
There you go again being beautiful you
Setting fire to all you hold on to
There's a blaze in my hands portraying one-sided views
I'm letting go again, won't be another friend
To a beautiful, a beautiful you
Well I keep hearing what you said
It keeps playing over and over again
There you go again being beautiful you
Setting fire to all you hold on to
There's a blaze in my hands portraying one-sided views
I'm letting go again, won't be another friend
To a beautiful, beautiful, beautiful, beautiful you
The lyrics of Saving Abel's song "Beautiful You" contain themes of inner conflict, self-doubt, and the struggle to find one's place in the world. The opening lines, "I'm a free fall, straight up out of control" suggest that the singer feels lost and unsure of themselves. This is reinforced by the line "full of words of wisdom, I'm seeing double vision", which implies that the singer is confused and struggling to make sense of their thoughts.
The chorus of the song, "There you go again being beautiful you", speaks to the idea of comparison and envy. The singer sees someone who they perceive as having it all together, who is "setting fire to all they hold on to" and feels jealous or lesser in comparison. However, the line "there's a blaze in my hands portraying one-sided views" suggests that the singer is aware of their own limitations and biases, that they are not seeing the full picture.
The bridge of the song, "Well I keep hearing what you said, it keeps playing over and over again" suggests that the singer is reflecting on something that was said to them, perhaps by the person being referred to in the chorus. The repetition of this line implies that the words were impactful and have stuck with the singer. Overall, the song is a reflection on the struggle to find oneself and to come to terms with one's own limitations and insecurities.
Line by Line Meaning
I'm a free fall, straight up out of control
I am falling uncontrollably, with no direction or guidance.
Full of words of wisdom, I'm seeing double vision
Even though I have knowledge, my judgment may be impaired.
From a dead on, head on crash course in collision
I am headed towards a destructive path that may result in a catastrophic collision.
A sucker for a kind word, every voice I've heard
I am easily influenced and swayed by kind words and flattery.
This is my answer for you
This is my response or reaction to you.
There you go again being beautiful you
You are once again being yourself and shining in your unique beauty.
Setting fire to all you hold on to
You are igniting passion and setting ablaze everything that you cherish or value.
There's a blaze in my hands portraying one-sided views
I am holding on to biased opinions and presenting them as the only truth, fueling the fire in your hands.
I'm letting go again, won't be another friend
I am relinquishing control and refusing to be another friend or supporter.
To a beautiful, a beautiful you
To a stunning, remarkable version of you.
I'm a concept in the human race
I am a socially constructed idea or notion within humankind.
A mirrored image, another shade of grace
I am a reflection of others, embodying a different perception of grace.
Molded by pride, barely holding on to life
I am shaped by ego and self-importance, barely clinging to existence.
A prejudice lover always and forever
I am a lover with preconceived biases, always and forever affected by them.
Well I keep hearing what you said, It keeps playing over and over again
I keep replaying your words in my mind, unable to forget or move on from them.
To a beautiful, beautiful, beautiful, beautiful you
To a stunning, remarkable, and breathtakingly beautiful version of you.
Lyrics © BMG Rights Management, Capitol CMG Publishing
Written by: JARED WEEKS, JASON TODD NULL, SKIDD MILLS
Lyrics Licensed & Provided by LyricFind