Weeks and Jason Null formed the band in their small hometown of Corinth, Mississippi in 2004. They met when Weeks, who was in a band, was playing guitar at his best friend’s house, when Null, who was in a rival local group, walked in to rehearse with his band. Within days of that meeting, Null and Weeks were writing and honing the intimate writing style that now defines Saving Abel. In early 2005, the pair’s songs caught the ear of noted producer Skidd Mills (12 Stones, Saliva, Submersed), who took the band into his 747 Studios in Memphis. Mills notes, “It was ‘18 Days’ that hooked me. The first time I heard it I was like, ‘these guys are the real deal; they’ll be doing this for a long time.’ Jason and Jared have always understood that the most important part of the music business is having great songs.”
Saving Abel gradually came together in the final electric lineup of guitarist Scott Bartlett, bassist Eric Taylor, and drummer Blake Dixon, and the band paid its dues both onstage and off. Weeks would toss Saving Abel demos onto the stage when bigger bands played in town, and between playing gigs, working day jobs, and Weeks and Null constantly driving from Mississippi to Memphis to record their self-titled EP with Mills, it was a busy and prolific couple years. Weeks remembers; “I used to work at a hospital. I’d have to be there at 4:30 in the morning drawing blood. I’d wake people up and stick a needle in their arm. I’d be walking around the hospital, singing ‘Addicted’ in my head, writing down the lyrics on patients’ clipboards and doctor script pads.”
Null and Weeks bring in differing songwriting approaches influences, giving Saving Abel a well-rounded sound. Null comes from a musical family, and recalls Saturday nights at the local community center as a child. “We didn’t miss it, ever! It was bluegrass band after bluegrass band. We’d hoot and holler, as we used to say. My brother traded my bike for a guitar for me when I was 6, and I learned ‘Johnny B. Goode’ that night! I go back to Willie and Waylon, but as a kid of the ‘80s, I also love Metallica. Also, Angus Young is one of my main influences, as well as the guitar sound and solos of Seattle bands like Soundgarden and Alice in Chains.” For his part, a teenage Weeks played basketball and went to state twice in tennis before music consumed his life. A big fan of the blues and Southern Rock, Weeks calls himself the more “literal” songwriter of the two, explaining, “If something is really bothering me, or how I’m feeling at that moment, I’ll write about it. For me to get the most out of a song, I have to get it almost to the point I’m ready to cry if I can’t get it out, and that makes people relate to it.”
After shopping their indie EP for almost a year, a copy of ‘Addicted’ found its way to one-time Virgin A&R Consultant Scott Frazier and manager partner Rick Smith. They were so excited that they sent the song to the label’s Chairman/CEO Jason Flom. Flom was impressed upon first listen and immediately sent A&R vet Kim Stephens (Collective Soul, Matchbox 20, Edwin McCain) to see the band in Jackson, Tennessee. The band was signed the next day. Says Stephens, “I was sold on the merit of the songs and instantly recognized this was a band with huge potential.”
Saving Abel, the Virgin debut produced by Mills, features mostly brand-new tunes, plus a few favorites from the indie EP, including the poignant, perfectly crafted “18 Days,” “Running From You,” and “Drowning Face Down.” Null explains that “18 Days” was lyrically inspired by sheriff Buford Pusser of ‘Walking Tall’ fame, while laughingly admitting that the rowdy road trip in “New Tattoo” (“The blue is for the bruise you left in my heart / and the red is for the color we’re about to paint this town”) is “based on a true story.” Null furthers: “Our goals are always to concentrate on the song, not just one cool part to make a kid bop his head. Every person I talk to loves a different song of ours.” Null was also the one who gave the band its name: “I Googled the story of Cain and Abel and found a line about ‘there was no Saving Abel,’ which just jumped out at me.” Everyone agreed and the name stuck…much like Saving Abel's songs get instantly stuck in the minds and ears of everyone who hears them. With a radio-ready sound combining big riffs and memorable melodies, Saving Abel has created a polished combination of Southern and Alternative rock…. 2008 style. Get Addicted. Get Saving Abel. You can go to http://savingabel.com
Parachute
Saving Abel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Thinkin’ I’m gonna be the crash on the sea
Don’t look down now
Just enjoy the fall (Just enjoy the fall)
Yea, I know I will sore
When I pull on the chord
When I pull the string
Don’t let me go now
Heaven will be waiting on me
Slow me down, I’m landing
Whether you’ll save me, whether I’ll fall
If you push me out or if I jump at all
I won’t look back now, won’t look back at all
Yea, I know I will sore
When I pull on the chord
When I pull the string
Heaven will be waiting on me
Don’t let me go now
Heaven will be waiting on me
Slow me down, I’m landing
We can take it with us
And we can fight it all
If we can fight the currents
To just take the fall
It might feel a little dangerous
Yes, I’m afraid too hard
Here we go
Here we go
When I pull the string
Heaven will be waiting on me
Don’t let me go now
Heaven will be waiting on me
Heaven will be waiting on me
Don’t let me go now
Heaven will be waiting on me
Slow me down, I’m landing
Saving Abel's song "Parachute" is about taking risks and living life to the fullest, even if it means taking a leap of faith. The lyrics describe someone who is jumping out of an airplane, feeling the rush of adrenaline as they fall towards the ground. Despite the inherent danger of the situation, the person singing the song is enjoying the feeling of free-falling, and they know that if they pull the parachute string, it will slow them down and they will safely land. The person expresses a desire to be saved, but ultimately acknowledges that their fate is in their own hands.
The song takes on a deeply philosophical tone, as it explores the concept of free will and the choices we make in life. The chorus serves as a reminder that no matter what happens, there is always a sense of comfort and security, knowing that we are in control of our own destiny. The line "Don't let me go now, heaven will be waiting on me" could be interpreted as a plea for help, or a reassurance that even in the face of danger, there is always hope.
"Parachute" is a powerful reminder to seize the moment and take risks in life, even if it means facing the possibility of failure. The song encourages us to let go of our fears and embrace the thrill of the unknown. It serves as a reminder that we are in control of our own destinies, and that with the right attitude and a willingness to take risks, we can achieve anything we set our minds to.
Line by Line Meaning
I’m always parachutin’ from an airplane
I'm always taking risks and jumping into the unknown
Thinkin’ I’m gonna be the crash on the sea
I'm always afraid that my risks will end in failure and disaster
Don’t look down now
Don't focus on the potential negative outcomes, just let go and enjoy the moment
Just enjoy the fall (Just enjoy the fall)
Just embrace the journey and trust that everything will work out
Yea, I know I will sore
I know there will be pain and struggles along the way
When I pull on the chord
When I take action and make a move
When I pull the string
When I take control and make a decision
Heaven will be waiting on me
Regardless of the outcome, I will have peace and support from a higher power
Don’t let me go now
Don't give up on me and let me fall
Slow me down, I’m landing
Help me transition and ease me into the next phase
Whether you’ll save me, whether I’ll fall
Whether I succeed or fail, I'm willing to take the risk
If you push me out or if I jump at all
Whether I force myself to take action or someone else motivates me, I'm still taking the leap
I won’t look back now, won’t look back at all
I won't second guess my decision and will commit to moving forward
We can take it with us
We can bring our experiences and lessons learned with us on our journey
And we can fight it all
We can overcome any obstacle or challenge that comes our way
If we can fight the currents
If we can go against the norm and take a different path
To just take the fall
To take a risk and embrace the unknown
It might feel a little dangerous
Taking a risk can feel scary and uncertain
Yes, I’m afraid too hard
I'm also fearful and hesitant, but I'm still willing to try
Here we go
Let's take the leap and see what happens
Heaven will be waiting on me
Regardless of the outcome, I will have peace and support from a higher power
Slow me down, I’m landing
Help me transition and ease me into the next phase
Lyrics © O/B/O APRA/AMCOS
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