In 2005 he released his third studio album, The Trinity, and collected another #1 hit, 'Temperature'. Sean Paul's 2002 sophomore album, Dutty Rock, is his most successful, with 4 top 20 hits, including the worldwide smash "Gimme The Light", "Get Busy", "Like Glue" & "I'm Still In Love With You" were also huge hits, keeping the Dutty Rock album a best seller throughout 2003. "Temperature," from his 2005 follow-up cd, The Trinity, was a Billboard #1 Hot 100 hit.
Sean Paul has Portuguese heritage from his paternal grandfather, Sephardic Jewish heritage from his paternal grandmother, African heritage from his maternal grandfather, and Chinese heritage from his maternal grandmother. Both his parents are Jamaican natives. His nicknames include Zion Lion and King of Israel. Because of his mixed heritage, some consider him a personification of the Jamaican Motto "Out of Many, One People". Sean Paul's voice and style of singing is often compared to Jamaican 1990s dancehall sensation Super Cat.
He played for the Jamaican national water polo team and alleges to be related to King Solomon through his father.
In 1996, Paul and Spanner Banner recorded the Jamaican chart-topper, "Ladies Man", through the singer's Sweet Angel Productions. The song resulted in his embarking on sessions with Jeremy Harding, a then little-known producer who burst on the scene with his production of Beenie Man's crossover hit "Who Am I". The producer released the dancehall favorite "Baby Girl." The following single, "Infiltrate", joined the singer's combination hit in the Jamaican top charts.
A new version of Paul's "Punkie" track from the Dutty Rock album featuring Tego Calderón appeared on a recent (February 2005) Promo Only album with automaten spiele. April 2005's Promo Only Caribbean Series album included a new song by Paul ("We Be Burnin'"). Recently, Paul also collaborated with Nina Sky for his song "Touch My Body". Sean Paul has just recently released his new album, The Trinity. Sean Paul was a feature artist on Beyonce's number one hit, "Baby Boy."
Here Comes The Boom
Sean Paul Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom, boomin', bouncin', stalkin' much walkin'
Hit 'em like a mountain
Split 'em, have 'em spittin' up blood like a fountain
Look at me like that we just might fight back
And if I might end up in me takin' your life back
I don't go for the bullshit 'cause divin' down
And time is just too important to be fuckin' around
Chump nigga, I stomp a mud hole in your face
Muthafucka, rip your butthole outta place
C*** the glock to your head, let off about two in it
Yea, it's a dirty job but I just love doin' it
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
All gangsta you, me want fe, se, yuh, guns high
Nuh, cyata fi nuh fassy 'cause a fassy nah try
Mek dem skins cry
Marrow haffi fly, splash it out in a da sky
All gangsta you, me want fe, se, yuh, guns high
Nuh, cyata fe nuh fassy 'cause a fassy, nah, try
Mek dem skins cry
Marrow haffi fly, splash it out in a da sky
Fram da dutty know dem, dem a totta, man a shotta
An a got a lot a powa well, juss tell me fe gwaan
Marrow fly like storm mek dem haffa get flatta
Seh deese are de sweetest times
Nuff punk a get murda, a only dutty cup de dmx an die do
Enjoy the killing times, shot hotta dan peppa
Mr. Cleva an' me, glock it a guh, talk fe me crew
All gangsta you, me want fe, se, yuh, guns high
Nuh, cyata fe nuh fassy 'cause a fassy, nah, try
Mek dem skins cry
Marrow haffi fly, splash it out in a da sky
All gangsta you, me want fe, se, yuh, guns high
Nuh, cyata fe nuh fassy 'cause a fassy, nah, try
Mek dem skins cry
Marrow haffi fly, splash it out in a da sky
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Wha do da claffe dey and da bait ya
Like a scared retch, we leff dem fe laytaw
We keep goin' on an on an on
Fill dem body a ole juss like straina
Suh mek dem know we have a shootin' gallery
Killin' is fun an we nuh need not a salary
Full up a de hamma suh nuhbody cyaan falla we
An we nuh owe nuh apology, yo, well
I did more crimes than war crimes
More times than in war times
And way before time, you know it's sad man
That I'm such a madman, badman
With the boom you never had man
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
All gangsta you, me want fe, se, yuh, guns high
Nuh, cyata fe nuh fassy 'cause a fassy, nah, try
Mek dem skins cry
Marrow haffi fly, splash it out in a da sky
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
Here comes the boom
The song "Here Comes The Boom" by Sean Paul is a hard-hitting and aggressive track, featuring lyrics that are predominantly about violence and confrontation. The song's hook, "Here comes the boom," is repeated relentlessly throughout the song, adding to the menacing cadence of the track. The song's verses are similarly aggressive, with lyrics about hitting people until they're bloody and killing people who disrespect him. The lyrics paint a picture of a person who is not to be messed with and who is willing to use violence to assert power and defend themselves.
The message of the song is controversial and not without its detractors. Some have accused Sean Paul of glorifying violence and encouraging destructive behavior, while others see the lyrics as an expression of righteous anger and defiance in the face of oppression. The song's overall meaning is likely to be different for different listeners, depending on their personal experiences and interpretations.
All in all, "Here Comes The Boom" is a song that is sure to get people fired up and energized, with its hard-hitting beats and aggressive lyrics. It's a track that's not afraid to push boundaries and provoke strong reactions, and it's a testament to Sean Paul's talent as a rapper and a provocateur.
Line by Line Meaning
Here comes the boom
The singer is announcing the arrival of an intense and explosive event
Here comes the boom, boomin', bouncin', stalkin' much walkin'
The singer is describing the approach of the powerful and confident presence that they embody
Walk with the bouncin', hit 'em where it counts man
The singer encourages others to act boldly and strategically to achieve their goals
Hit 'em like a mountain
The artist urges others to exert their full strength and make a significant impact
Split 'em, have 'em spittin' up blood like a fountain
The artist suggests that their opponents will be defeated so thoroughly that they will be physically harmed
Look at me like that we just might fight back
The singer warns that aggression or disrespect towards them could lead to a violent reaction
And if I might end up in me takin' your life back
The singer acknowledges that their behavior may have serious consequences for their opponents
I don't go for the bullshit 'cause divin' down
The artist rejects trivial or meaningless activity or conversation
And time is just too important to be fuckin' around
The artist values their time and energy and does not want to waste it on unproductive or unfulfilling activities
Chump nigga, I stomp a mud hole in your face
The artist threatens physical violence towards anyone who tries to intimidate or disrespect them
Muthafucka, rip your butthole outta place
The singer continues to describe violent and vulgar actions that they would take towards their enemies
C*** the glock to your head, let off about two in it
The artist describes in detail an act of violence they could commit with a gun
Yea, it's a dirty job but I just love doin' it
The singer suggests they relish the opportunity to act violently or aggressively
All gangsta you, me want fe, se, yuh, guns high
The singer addresses their compatriots and expresses their desire for them to be armed and bold
Nuh, cyata fi nuh fassy 'cause a fassy nah try
The singer cautions their allies to not hesitate to act forcefully against anyone who might challenge them
Mek dem skins cry
The artist emphasizes the power and efficacy of their violent actions
Marrow haffi fly, splash it out in a da sky
The artist describes in graphic detail the physical effects of their violent actions
Fram da dutty know dem, dem a totta, man a shotta
The singer insults and denounces their enemies, suggesting they are dirty and undeserving of respect
An a got a lot a powa well, juss tell me fe gwaan
The singer boasts of their own power and influence and challenges others to test it
Marrow fly like storm mek dem haffa get flatta
The artist continues to describe the physical effects of their violent actions
Seh deese are de sweetest times
The artist suggests that they are living in a time of power and opportunity
Nuff punk a get murda, a only dutty cup de dmx an die do
The artist continues to boast of their own violent actions, emphasizing the demise of their enemies
Enjoy the killing times, shot hotta dan peppa
The singer suggests that they enjoy inflicting harm on others, and further emphasizes their violent actions
Mr. Cleva an' me, glock it a guh, talk fe me crew
The artist suggests they are part of a larger group that is armed and ready to act violently if necessary
Wha do da claffe dey and da bait ya
The singer asks those who oppose them what they are planning or thinking
Like a scared retch, we leff dem fe laytaw
The singer suggests that they do not fear their opponents, and will defeat them easily
We keep goin' on an on an on
The singer emphasizes their continued power and drive
Fill dem body a ole juss like straina
The artist continues to describe the physical effects of their violent actions
Suh mek dem know we have a shootin' gallery
The artist warns their opponents that they are armed and ready to act violently
Killin' is fun an we nuh need not a salary
The singer suggests that they enjoy inflicting harm on others without any material compensation
Full up a de hamma suh nuhbody cyaan falla we
The singer suggests that they are well-prepared and will not be easily defeated
An we nuh owe nuh apology, yo, well
The artist does not apologize or regret their actions, but rather takes pride in them
I did more crimes than war crimes
The artist reflects on their own history of violence and aggression
More times than in war times
The artist suggests that their own violence rivals or even surpasses those committed in war
And way before time, you know it's sad man
The singer reflects on the extent and longevity of their own violent tendencies, expressing a degree of regret or sadness
That I'm such a madman, badman
The artist acknowledges and embraces their own reputation as a violent and aggressive person
With the boom you never had man
The singer emphasizes that their own power and impact is unparalleled
Contributed by Eli N. Suggest a correction in the comments below.
Osas Ogbeide
on Get Busy
debamonday@yahoo.com