In 2005 he released his third studio album, The Trinity, and collected another #1 hit, 'Temperature'. Sean Paul's 2002 sophomore album, Dutty Rock, is his most successful, with 4 top 20 hits, including the worldwide smash "Gimme The Light", "Get Busy", "Like Glue" & "I'm Still In Love With You" were also huge hits, keeping the Dutty Rock album a best seller throughout 2003. "Temperature," from his 2005 follow-up cd, The Trinity, was a Billboard #1 Hot 100 hit.
Sean Paul has Portuguese heritage from his paternal grandfather, Sephardic Jewish heritage from his paternal grandmother, African heritage from his maternal grandfather, and Chinese heritage from his maternal grandmother. Both his parents are Jamaican natives. His nicknames include Zion Lion and King of Israel. Because of his mixed heritage, some consider him a personification of the Jamaican Motto "Out of Many, One People". Sean Paul's voice and style of singing is often compared to Jamaican 1990s dancehall sensation Super Cat.
He played for the Jamaican national water polo team and alleges to be related to King Solomon through his father.
In 1996, Paul and Spanner Banner recorded the Jamaican chart-topper, "Ladies Man", through the singer's Sweet Angel Productions. The song resulted in his embarking on sessions with Jeremy Harding, a then little-known producer who burst on the scene with his production of Beenie Man's crossover hit "Who Am I". The producer released the dancehall favorite "Baby Girl." The following single, "Infiltrate", joined the singer's combination hit in the Jamaican top charts.
A new version of Paul's "Punkie" track from the Dutty Rock album featuring Tego Calderón appeared on a recent (February 2005) Promo Only album with automaten spiele. April 2005's Promo Only Caribbean Series album included a new song by Paul ("We Be Burnin'"). Recently, Paul also collaborated with Nina Sky for his song "Touch My Body". Sean Paul has just recently released his new album, The Trinity. Sean Paul was a feature artist on Beyonce's number one hit, "Baby Boy."
Time After Time
Sean Paul Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You done know baby girl a tease me
Tell her fi a while it's time to rent a tile
Style, buddi-bang-bang-bang-bang
Beres
Woman, you can't leave me like this, no
Not when the night is so young, girl
You can't leave me like this, no (baby girl)
You got to give it a shot (I like you a lot)
Seany P hold her pon di spot (yeah, yeah)
Tell you this
A rebel time under the bass and treble time
Baby girl, don't you worry, nor fret, yeah
See the sign and every time we combine
Girl, you know seh we keep it fresh, woii
Loving the way that you be looking tonight
Girl, you're keeping it fly
Girl when you in that dress
Oh yes, and as the night does progress
I know you feeling all right under your rum and sess
Empress, don't leave The Dutty in a mood like this
Beres
Woii, now me seh one more drink to mi head (buss a bokkle)
Or should I have a big spliff instead? (Blaze dem)
A me seh, one more drink to mi head, whoa, aye, aye (buss a bokkle)
Tell dem
Woman, you can't leave me like this, no (mek them know)
Please stay, baby girl
When the dance is getting so hot, no, no, no, no, no (volcano)
You can't leave me like this, no (don't dweet)
You got to give it a shot (I like you a lot)
Seany P hold her pon di spot (pon di spot)
She press it back and now the sweat wall-to-wall
And her body keep calling me
Ready fi give her the vibe and put all in
Me know me not stallin', me give her the love properly
Free the lock 'cause I got the key
Don't let this moment go to waste (don't do it)
Tell you that would be wrong, girl
Tonight can never be replaced (say it)
Buddi-bang-bang-bang-bang
Rub-a-dub it never feel like that
Rub-a-dub it never smooth like that, no
Rub-a-dub never feel like that
Rub-a-dub-a never
Cha-cha-cha-cha-cha-cha-cha, ayy
Woman, you can't leave me like this, no
Not when the night is so young, girl
When the dance is getting so hot, no, no, no, no, no (like fire)
You can't leave me like this, no (baby girl)
You got to give it a shot (I like you a lot)
Seany P hold her pon di spot (pon di spot, yeah, yeah)
Tell you this
A rebel time under the bass and treble time
Baby girl, don't you worry, nor fret, yeah
See the sign and every time we combine
Girl, you know seh we keep it fresh, woii
Free up yuhself and let it flow (freely)
You have to understand the dancehall to know how it flow (lifestyle)
Free up yourselves and let it flow (baby girl)
Everything Jamaica does, the world follows (buddi-bang-bang, girl)
Woii, now me seh one more drink to mi head (buss a bokkle)
Or should I have a big spliff instead? (Blaze dem)
A me seh, one more drink to mi head, whoa, aye, aye (buss a bokkle)
Tell dem
Rub-a-dub it never feel like that (mek them know)
Rub-a-dub it never smooth like that, no
Rub-a-dub never feel like that (buddi-bang-bang-bang-bang)
Rub-a-dub-a never
Cha-cha-cha-cha-cha-cha-cha, ayy
Woman, you can't leave
No
In the first verse of the song "Time After Time" by Sean Paul, the lyrics convey a sense of ease and relaxation, comparing the atmosphere to the Caribbean breeze. The singer expresses his attraction to a woman who is teasing him, suggesting that it is time for them to enjoy themselves and have a good time together. The lyrics mention the familiar sounds of Beres Hammond, a prominent reggae artist, adding a sense of nostalgia and cultural connection to the song.
The second verse focuses on the urgency of the moment, as the singer pleads with the woman not to leave him while the night is still young and the dance floor is heating up. The lyrics emphasize the passion and desire between the two, with the singer declaring his affection and urging the woman to take a chance on their connection. The mention of holding her "pon di spot" suggests a desire to keep her close and continue enjoying each other's company.
In the third verse, the lyrics delve into the exhilarating feeling of being in the moment and enjoying the music and dance together. The singer reassures the woman not to worry or stress, as they have a special connection that keeps things fresh and exciting. The lyrics also highlight the woman's beauty and confidence, with the singer admiring her appearance and the way she carries herself throughout the night.
The final verse incorporates elements of Caribbean culture, with references to enjoying drinks and possibly a spliff (marijuana joint) to enhance the experience. The lyrics continue to emphasize the intensity of the connection between the singer and the woman, with a focus on physical attraction and the energy they share on the dance floor. Overall, the song "Time After Time" by Sean Paul captures the essence of a passionate and carefree moment shared between two people, set against a backdrop of Caribbean rhythms and playful flirtation.
Line by Line Meaning
Easy like the Caribbean breezy
Smooth and carefree, much like the refreshing winds of the Caribbean.
You done know baby girl a tease me
You already know, girl, that you're playfully tantalizing me.
Tell her fi a while it's time to rent a tile
Let her know that for a moment, we should enjoy the celebration.
Style, buddi-bang-bang-bang-bang
With flair and enthusiasm, it's a lively party atmosphere.
Beres
This is a nod to the renowned Jamaican artist Beres Hammond, signaling good music is flowing.
Woman, you can't leave me like this, no
Girl, please don’t abandon me in this moment.
Not when the night is so young, girl
It’s still early in the evening, and we have so much time ahead.
When the dance is getting so hot, no, no, no, no, no (like fire)
The energy on the dance floor is rising, it’s intensely exciting, like flames.
You can't leave me like this, no (baby girl)
Please stay; I can’t handle being left alone right now.
You got to give it a shot (I like you a lot)
You should take a chance on this connection because I’m really into you.
Seany P hold her pon di spot (yeah, yeah)
Let me, Sean Paul, keep you right here with me.
Tell you this
Let me share something important with you.
A rebel time under the bass and treble time
It’s a lively rebellion of sound, with an engaging rhythm that moves us.
Baby girl, don't you worry, nor fret, yeah
There's no need for you to feel anxious or uneasy.
See the sign and every time we combine
Recognize that when we come together, it’s evident that it’s special.
Girl, you know seh we keep it fresh, woii
You understand that our vibe remains exciting and new.
Loving the way that you be looking tonight
I admire your beauty and how you present yourself this evening.
Girl, you're keeping it fly
You’re stylish and impressive, standing out in the crowd.
Girl when you in that dress
When you're wearing that outfit, it’s captivating.
Oh yes, and as the night does progress
As the evening continues to unfold,
I know you feeling all right under your rum and sess
I can see you’re enjoying yourself, feeling good with your drinks and the vibe.
Empress, don't leave The Dutty in a mood like this
Goddess, please don't leave me feeling disheartened like this.
Beres
Once again referencing the influential musician, reinforcing the good vibes.
Woii, now me seh one more drink to mi head (buss a bokkle)
I'm saying let's enjoy another drink (pop a bottle).
Or should I have a big spliff instead? (Blaze dem)
Alternatively, should I indulge in a large joint instead?
A me seh, one more drink to mi head, whoa, aye, aye (buss a bokkle)
Once again, I’m suggesting another drink, let’s keep the party alive.
Tell dem
Let everyone know what’s happening.
Woman, you can't leave me like this, no (mek them know)
Girl, you can’t leave me feeling like this; make sure they understand.
Please stay, baby girl
I’m pleading with you to remain here with me.
When the dance is getting so hot, no, no, no, no, no (volcano)
As the excitement heightens on the dance floor, it’s incredibly intense.
You can't leave me like this, no (don't dweet)
Please don’t do this to me; don’t walk away.
You got to give it a shot (I like you a lot)
You should truly take a chance on this connection.
Seany P hold her pon di spot (pon di spot)
Let me, Sean Paul, keep you right next to me.
She press it back and now the sweat wall-to-wall
She’s moving closer to me, and the heat is palpable.
And her body keep calling me
Her movements are drawing me in, inviting a connection.
Ready fi give her the vibe and put all in
I’m prepared to fully engage with her and share my energy.
Me know me not stallin', me give her the love properly
I’m not hesitating; I’m ready to show her sincere affection.
Free the lock 'cause I got the key
Unlock your heart; I have the means to connect with you.
Don't let this moment go to waste (don't do it)
We should cherish and seize this opportunity.
Tell you that would be wrong, girl
I’m expressing that it would be a mistake to pass this up.
Tonight can never be replaced (say it)
This evening is unique and irreplaceable, don’t forget it.
Buddi-bang-bang-bang-bang
The rhythm continues with vibrant energy.
Rub-a-dub it never feel like that
This kind of dance and connection feels exceptionally special.
Rub-a-dub it never smooth like that, no
It’s never been this smooth or effortless before.
Rub-a-dub never feel like that
Experiences like this are rare and should be cherished.
Rub-a-dub-a never
This kind of connection is unparalleled.
Cha-cha-cha-cha-cha-cha-cha, ayy
Let’s celebrate with fun and lively energy.
Woman, you can't leave me like this, no
Once again, I emphasize that you can’t walk away from this.
Not when the night is so young, girl
It’s still early; let’s enjoy this together.
When the dance is getting so hot, no, no, no, no, no (like fire)
The excitement and heat of the dance are undeniable, akin to flames.
You can't leave me like this, no (baby girl)
I repeat, please don’t abandon me during this vibrant moment.
You got to give it a shot (I like you a lot)
I’m urging you to take a chance, as my feelings are strong.
Seany P hold her pon di spot (pon di spot, yeah, yeah)
I, Sean Paul, want you to stay right here with me.
Tell you this
Let me share something I believe is important.
A rebel time under the bass and treble time
This is a revolution of sound, pulsating with bass and treble.
Baby girl, don't you worry, nor fret, yeah
You have no reason to be anxious.
See the sign and every time we combine
Recognize our chemistry every time we come together.
Girl, you know seh we keep it fresh, woii
You know our connection remains dynamic and exciting.
Free up yuhself and let it flow (freely)
Relax and allow the music and joy to guide you.
You have to understand the dancehall to know how it flow (lifestyle)
Embrace the dancehall culture to truly enjoy its rhythm.
Free up yourselves and let it flow (baby girl)
Let go and enjoy the moment wholeheartedly.
Everything Jamaica does, the world follows (buddi-bang-bang, girl)
Jamaican culture sets trends that resonate globally.
Woii, now me seh one more drink to mi head (buss a bokkle)
Let’s indulge in another drink to keep the energy up.
Or should I have a big spliff instead? (Blaze dem)
Or maybe it’s better to smoke a large joint instead?
A me seh, one more drink to mi head, whoa, aye, aye (buss a bokkle)
I’m insisting on another drink, it’s time to celebrate.
Tell dem
Let others know that the party continues.
Rub-a-dub it never feel like that (mek them know)
This kind of dance feels uniquely amazing; make sure they hear it.
Rub-a-dub it never smooth like that, no
This is an exceptionally smooth experience, unlike any before.
Rub-a-dub never feel like that (buddi-bang-bang-bang-bang)
Such feelings are rare and should be treasured.
Rub-a-dub-a never
This level of enjoyment and connection is unmatched.
Cha-cha-cha-cha-cha-cha-cha, ayy
Let’s dance and rejoice with rhythm and cheer.
Woman, you can't leave
Again, I emphasize, do not walk away from this vibrant moment.
No
A firm reminder that this is not the time to leave.
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: Andre Gray, Davol Orlando Fletcher, Hugh Beresford Hammond, Jason Henriques, Lowell Dunbar, Nigel Staff, Nyann Lodge, Sean Paul Henriques, Shaun Anderson, Terrence Harold
Lyrics Licensed & Provided by LyricFind
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