Wold was born in Oakland, California. When he was four years old, his parents split up. His father played boogie-woogie piano and Wold tried to learn when he was five or six, but could not. At the age of eight, he learned to play the guitar from K. C. Douglas, who worked at his grandfather's garage, later realizing that he had been taught the blues. Douglas wrote the song "Mercury Blues" and had played with Tommy Johnson in the early 1940s. Wold left home at 13 to avoid abuse at the hands of his stepfather, and lived rough and on the road in Tennessee, Mississippi and elsewhere, until 1973. He would travel long distances by hopping freight trains, looking for work as a farm labourer or in other seasonal jobs, often living as a hobo. At various times, Wold worked as a carnie, a cowboy and a migrant worker. Paraphrasing H. L. Mencken, Wold described this time of his life by saying "Hobos are people who move around looking for work, tramps are people who move around but don't look for work, and bums are people who don't move and don't work. I've been all three."
When asked about his nickname, Wold has said: "because it's just true: I always get seasick". When he was ill on a ferry from Norway to Copenhagen, later in his life, a friend began playfully using the name and, despite Wold not rising to it for a while, it stuck. When asked about his name on British Sunday morning television show, Something for the Weekend, he replied, "I just get sick on boats". On Top Gear, when asked about his name, Wold replied "Well, I guess I just don't like boats!"
Wold made his first UK television appearance on Jools Holland's annual Hootenanny BBC TV show on New Year's Eve 2006. He performed a live rendition of "Dog House Boogie" on the "Three String Trance Wonder" and the "Mississippi Drum Machine". After that show his popularity exploded in Britain, as he explained in an interview:
"I can't believe it, all of the sudden I'm like the cat's meow!"
He was well received in the UK, winning the 2007 MOJO Award for Best Breakthrough Act and going on to appear at major UK festivals such as Reading, Leeds and Glastonbury. In 2007 he played more UK festivals than any other artist.
Wold toured early in 2008, playing in various venues and festivals in the UK. He was joined on stage by drummer Dan Magnusson. KT Tunstall also dueted with Wold at the London Astoria in January 2008.[20] Wold also played many other festivals throughout the world in 2008, including Fuji Rock in Japan, East Coast Blues & Roots Music Festival in Australia, also in April 2008,[21] and Roskilde in Denmark.
Wold's major-label debut, I Started Out with Nothin and I Still Got Most of It Left was recorded with Dan Magnusson on drums, was released by Warner Music on September 29, 2008, and features Ruby Turner and Nick Cave's Grinderman.
He has toured the UK extensively since 2007 being supported by Duke Garwood, Gemma Ray, The Sugars, Billie the Vision and the Dancers in January 2008, Amy LaVere in October 2008, Melody Nelson at the Brighton Dome on 7 October, and Joe Gideon & The Shark in January 2009. His tours in October 2008 and January 2009 were all sold out and included performances at the Royal Albert Hall, the Edinburgh Queen's Hall, the Grand Opera House in Belfast, the Apollo in Manchester, the City Hall in Newcastle and the London Hammersmith Apollo.
In 2009, Wold was nominated for a Brit Award in the category of International Solo Male Artist, That same year, BBC Four broadcast a documentary of Wold visiting the southern USA entitled Seasick Steve: Bringing It All Back Home. On January 21, Wold hosted "Folk America: Hollerers, Stompers and Old Time Ramblers" at the Barbican in London, a show that was also televised and shown with the documentary on BBC Four as part of a series tracing American roots music.
In an interview with an Australian magazine, Wold attributes much of his unlikely success to his cheap and weather-beaten guitar, "The Trance Wonder" and reveals the guitar's mojo might come from supernatural sources. "I got it from Sherman, who is a friend of mine down in Mississippi, who had bought it down at a Goodwill store. When we were down there last time he says to me, 'I didn't tell you when you bought it off me, but that guitar used to be haunted'. I say, 'What are you talking about, Sherman?'. He says, 'There’s 50 solid citizens here in Como who'll tell you this guitar is haunted. It's the darnedest thing – we’d leave it over in the potato barn and we'd come back in and it would be moved. You'd put it down somewhere and the next morning you’d come back and it would have moved. When you took that guitar the ghost in the barn left'. He told me this not very long ago and I said to him, 'Sherman! Why didn't you tell me this before?' and he said, 'Well the ghost was gone – I didn't want it around here no more!'"
On January 3, 2010, Wold appeared on the popular BBC motoring show Top Gear as the Star In A Reasonably Priced Car. He was the last star to drive in the blue Chevrolet Lacetti.
In February 2010, Wold was nominated for a Brit Award in the category of International Solo Male Artist for the second consecutive year.
In 2010, Wold made numerous festival appearances throughout the summer, including the Pyramid Stage at the Glastonbury Festival, the main stage at V Festival, the main stage at the Hop Farm Festival and many more.
In February 2011, Wold signed to Play It Again Sam to release his new album with the exception of the US, where it will be released on Third Man Records. Subsequently his new album You Can't Teach an Old Dog New Tricks was released on his new labels and it was announced that former Led Zeppelin bassist John Paul Jones had played on the new album, and performed alongside Wold to promote it.
On 16 August 2014 he was the headline act at Beautiful Days in Exeter, UK, and on the 24th August he headlined at 'Victorious Festival' in Southsea, Portsmouth, UK.
My Youth
Seasick Steve Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
All my youth
Yeah, walked on down the road
Well it packed the bag
With all my dreams
And it left me alone and cold
But I got my memories
Yes, I got my memories
And that's somethin' no one can't steal
Well, it gone
All my youth
Yeah, walked on down the road
The lyrics to "My Youth" by Seasick Steve are a reflection on the passage of time and the loss of youth. The song starts with the lines "Well, it gone / All my youth / Yeah, walked on down the road." The use of casual and colloquial language creates a sense of personal intimacy between the singer and the listener. The singer talks about how his youth has packed up all his dreams and left him alone and cold. His dreams and aspirations, too, are gone with his youth.
Despite feeling the loss of his youth, the singer finds solace in his memories. He says, "But I got my memories / And that's somethin' no one can't steal." The idea that memories can't be taken away is a powerful one. The singer is acknowledging that while he can't bring back his youth, he can hold onto the memories that he made. The song's simple yet earnest lyrics create an atmosphere of reflection and contemplation.
In conclusion, "My Youth" is a heartfelt song about the inevitability of time's passing and the loss of youth. The singer shares his feelings of sadness and loss, but ultimately finds comfort in his memories.
Line by Line Meaning
Well, it gone
My youth has gone by, it's no longer present in my life
All my youth
My younger years, when I was full of energy and dreams
Yeah, walked on down the road
My youth passed by, leaving me behind as time marches on
Well it packed the bag
My youth left me, taking all my youthful aspirations and hope with it
With all my dreams
My youth took all my ambitions and desires with it as it left
And it left me alone and cold
Without my youth, I feel lonely and empty, like the warmth has been sucked out of me
But I got my memories
Although my youth has gone, I still have my memories of it to hold onto
And that's somethin' no one can't steal
Memories are precious and can never be taken away or lost, they always stay with us
Yes, I got my memories
Reaffirming the fact that he still possesses his memories of his past, despite the passing of time
And that's somethin' no one can't steal
Reiterating how valuable memories are, as they are immune to the changes and losses of life
Well, it gone
The song ends as it began, with the acknowledgement that his youth is long gone and not coming back
All my youth
The repetition of this line cements the idea that his younger years have truly passed
Yeah, walked on down the road
The final line emphasizes the idea that his youth has disappeared into the past, leaving him behind in the present
Contributed by Madelyn R. Suggest a correction in the comments below.