Sentimiento Muerto was a rock band formed in the Venezuelan city of Caracas… Read Full Bio ↴Sentimiento Muerto was a rock band formed in the Venezuelan city of Caracas in 1983. With a long history and several published discs, Sentimiento Muerto is regarded as one of the most popular and influential bands in the Venezuelan rock music scene. Their legacy has resulted in numerous tributes and reissues of their records. Some members were occasionally met to play old songs of the band, although these presentations have opted for using the name of El Último Sentimiento.

Few bands have had such an important influence on the Venezuelan rock music movement as Sentimiento Muerto; It was the first band with a group of hardcore followers (groupies), the first to have a coherent approach both musically and image and marketing. Typical disagreements and differences of style and direction that would take the band, coupled with the lack of support from their label, led to the split of the band.

Pablo Dagnino began a solo career in 1996 and early 2000 the group Pixel; Wincho went to study in the United States, on his return has participated as bassist in other groups (including Sur Carabela); Cayayo, Sebastián Araujo and Héctor Castillo formed the band Dermis Tatú, recording an album in Argentina. Cayayo Troconis, one of the most revered guitarists in Venezuela, died on November 17, 1999, shortly after turning 31, of respiratory failure.

Group Members

Last Formation:

Vocals: Pablo Dagnino
Guitar: Carlos "Cayayo" Troconis
Bass: Héctor Castillo
Drums: Sebastián Araujo.

Ex-Members:

Guitar: Edgar Jiménez (Early 80's to 1987)
Bass: Wincho Schaeffer (Early 80's to 1990)
Drums: Alberto Cabello (Early 80's to 1988)
Guitar: José Echezuría "Pinguino" (1987-1992).

Discography:

1. El Amor Ya No Existe (1987)
2. Sin Sombra No Hay Luz (1989)
3. Infecto De Afecto (1991)
4. Fin Del Cuento 1981-1993 (1993)
5. Aunque Usted No Lo Quiera (1996)

Ayug Paye
Sentimiento Muerto Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Cantos serenos de cautivas voces,
están en ti,
están en mí,
en la antigua procesión a tu lado.
En la antigua procesión a tu lado.
En la antigua procesión a tu lado.

Son, emoción,

magia de ausente sensación,
tumbas de nuestro abecedario,
cuentos para siempre olvidados.
Están en ti, están en mí,
en las tumbas de nuestro abecedario.
Están en ti, ay, están en mí,
en las tumbas de nuestro abecedario.

Están en ti, están en mí,
en las tumbas de nuestro abecedario.
Están en ti, ay, están en mí,
en las tumbas de nuestro abecedario,
en las tumbas de nuestro abecedario,
en la antigua procesión a tu lado,
en la antigua procesión a tu lado.

Son, emoción,
la magia de ausente sensación,
tumbas de nuestro abecedario,
cuentos para siempre olvidados,
en antigua procesión a tu lado,
en antigua procesión a tu lado.

Ayug, Paye.

Overall Meaning

The lyrics of Sentimiento Muerto's song Ayug Paye are poignant and thought-provoking. The singer begins by describing the serene chants of captive voices that are present within both themselves and the listener. These voices are reminiscent of an ancient procession, and the repetition of "en la antigua procesión a tu lado" emphasizes the importance of this procession. The singer seems to be describing something beyond our current understanding, something inexplicable, but that still connects us all in a profound way.

The next verse delves deeper into the emotion behind this procession. The singer talks about the magic that comes from a feeling of absence, and the graves of our alphabet ('tumbas de nuestro abecedario') that represent stories that are forgotten forever. The idea of forgotten stories seems to be an allegory for the feeling of losing a part of oneself, or of one's community, something that the procession seems to be trying to prevent.

Overall, the song seems to be emphasizing the idea that there's something intangible and yet essential that connects all of us, and that it's important to honor that connection. The procession represents our collective human experience - both past and present - and the voices within it represent the stories that we've all shared.

Line by Line Meaning

Cantos serenos de cautivas voces,
Soft songs of captive voices,

están en ti,
They are in you,

están en mí,
They are in me,

en la antigua procesión a tu lado.
In the ancient procession by your side.

Son, emoción,
They are emotion,

magia de ausente sensación,
Magic of absent sensation,

tumbas de nuestro abecedario,
Tombs of our alphabet,

cuentos para siempre olvidados.
Tales forever forgotten.

Están en ti, están en mí,
They are in you, they are in me,

en las tumbas de nuestro abecedario.
In the tombs of our alphabet.

Están en ti, ay, están en mí,
They are in you, oh, they are in me,