Serge Gainsbourg (April 2, 1928 – March 2, 1991) was a French poet-songwrit… Read Full Bio ↴Serge Gainsbourg (April 2, 1928 – March 2, 1991) was a French poet-songwriter, singer, actor, novelist, painter and director. Gainsbourg's varied style and individuality made him difficult to categorize. Although famous in France for many years, he did not achieve his first No. 1 album until 1979, when he released Aux Armes et caetera more than twenty years after his music career had begun. But since the 1980s, his legacy has been firmly established.

He was born Lucien Ginzburg in Paris, France, the son of Jewish Russian parents who fled to France after the 1917 Bolshevik uprising. His childhood was profoundly affected by the occupation of France by Nazi Germany, during which he and his family, as Jews, were forced to wear the yellow star and eventually flee from Paris. He had a daughter, Charlotte Gainsbourg, with English singer and actress Jane Birkin; and a son, Lulu, with his last partner, Bambou (Caroline Von Paulus, who is related to Friedrich Paulus). Before he was 30 years old, Lucien Ginsburg was a disillusioned painter but earned his living as a piano player in bars. Daughter Charlotte would later become an actress and singer.

His early songs were influenced by Boris Vian and were largely in the vein of "old-fashioned" chanson. Very early, however, Gainsbourg began to move beyond this and experiment with a succession of different musical styles: jazz early on, English pop in the 60's, reggae in the 70's, even hip-hop in the 80's.

Success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest. Performed by French teen singer France Gall, it won the grand prize. (The song was covered in English as "A Lonely Singing Doll" by British teen idol Twinkle.) He arranged other Gall songs and LPs that were characteristic of the late 1960s psychedelic styles, among them Gall's '1968' album. Another of Serge's songs "Boum Bada Boum" was entered in by Monaco in the 1967 contest, sung by Minouche Barelli; It came 5th.

In 1969, he released what would become his most famous song in the English-speaking world, "Je t'aime... moi non plus", which featured simulated sounds of female orgasm. The song appeared that year on an LP, "Jane Birkin/Serge Gainsbourg". Originally recorded with Brigitte Bardot, it was released with future girlfriend Birkin when Bardot backed out. While Gainsbourg declared it the "ultimate love song," it was considered too "hot"; the song was censored in various countries, and in France, even the toned-down version was suppressed. Even the Vatican made a public statement citing the song as offensive. Its notoriety led it to reaching no. 1 in the UK singles chart. A long-standing rumor maintains that Gainsbourg and Birkin were actually having sex during the recording session (asked about it in an interview, Gainsbourg answered that if this was true, the song would have lasted longer than 4 minutes).

The seventies
His most influential work came near the start of the seventies with Histoire de Melody Nelson, released in 1971. This concept album, produced and arranged by Jean-Claude Vannier, tells the story of a Lolita-esque affair, with Gainsbourg as the narrator and Jane Birkin as the eponymous English heroine. It features prominent string arrangements and even a massed choir at its tragic climax. At the time, sales were poor, but the album has proven influential with artists such as Air, David Holmes and Beck.

In 1975, he released the album Rock Around the Bunker, a rock album written entirely on the subject of the Nazis. Gainsbourg used black humour, as he and his family suffered during World War II. While a child in Paris, Gainsbourg himself had worn the Yellow badge as the mark of a Jew.
The next year saw the release of another major work, L'Homme à la Tête de Chou (Cabbage-Head Man), featuring the new character Marilou and sumptuous orchestral themes.
In Jamaica in 1978 he recorded "Aux Armes et cetera," a reggae version of the French national anthem "La Marseillaise", with Robbie Shakespeare, Sly Dunbar and Rita Marley. This song earned him death threats from right-wing veterans of the Algerian War of Independence who were opposed to certain lyrics. Shortly afterwards, Gainsbourg bought the original manuscript of La Marseillaise. He was able to reply to his critics that his version was, in fact, closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus.

The next year saw him in the new look of Gainsbarre, officially introduced in the song "Ecce Homo."

Final years
In the 1980's, approaching the end of his life, Gainsbourg became a regular figure on French TV. His appearances seemed devoted to his controversial sense of humour and provocation. He would frequently show up drunk and unshaven on stage. Perhaps his most famous incident came when, on Michel Drucker's live Saturday evening show with the American singer Whitney Houston, he exclaimed, "I want to fuck her."

During this period he released Love On The Beat and his last studio album, You're Under Arrest, (which saw him adapt his style to the hip-hop genre), as well as two live recordings. His third and last Eurovision Song Contest entry came in 1990 with the French entry "White and Black Blues", sung by Joëlle Ursull. It came second in a tie with Ireland. His songs became increasingly eccentric in this period, ranging from the anti-drug "Les Enfants de la Chance" to the duet with his daughter Charlotte called "Lemon Incest (Un zeste de citron)." The title of the latter demonstrates Gainsbourg's love of puns (another example is "Bowie, Beau oui comme Bowie").

Discography :

1958 : Du Chant À La Une !
1959 : Serge Gainsbourg N°2
1961 : L'étonnant Serge Gainsbourg
1962 : Serge Gainsbourg N° 4
1963 : Gainsbourg Confidentiel
1964 : Gainsbourg Percussions
1968 : Initials B.B.
1968 : Bonnie And Clyde ( with Brigitte Bardot )
1969 : Jane Birkin-Serge Gainsbourg
1971 : Histoire de Melody Nelson ( with Jane Birkin )
1973 : Vu de l'extérieur
1975 : Rock around the bunker
1976 : L'Homme à tête de chou
1979 : Aux armes et cætera
1981 : Mauvaises Nouvelles Des Étoiles
1984 : Love on the Beat
1987 : You're Under Arrest

Harley Davidson
Serge Gainsbourg Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Je n'ai besoin de personne
En Harley Davidson
Je ne reconnais plus personne
En Harley Davidson
J'appuie sur le starter
Et voici que je quitte la terre
J'irai peut-être au Paradis
Mais dans un train d'enfer

Je n'ai besoin de personne
En Harley Davidson
Je ne reconnais plus personne
En Harley Davidson
Et si je meurs demain
C'est que tel était mon destin
Je tiens bien moins à la vie
Qu'à mon terrible engin

Je n'ai besoin de personne
En Harley Davidson
Je ne reconnais plus personne
En Harley Davidson
Quand je sens en chemin
Les trépidations de ma machine
Il me monte des désirs
Dans le creux de mes reins

Je n'ai besoin de personne
En Harley Davidson
Je ne reconnais plus personne
En Harley Davidson
Je vais à plus de cent
Et je me sens à feu et à sang
Que m'importe de mourir
Les cheveux dans le vent!

Que m'importe de mourir
Les cheveux dans le vent!

Overall Meaning

The song "Harley Davidson" by Serge Gainsbourg is a celebration of freedom and rebellion. In the lyrics, Gainsbourg proclaims that he needs no one when he's riding his Harley Davidson motorcycle. He feels disconnected from the outside world and is only tuned into the inner workings of his machine. He even suggests that he may not recognize anyone anymore when he is absorbed in the thrill of the ride. Gainsbourg is so entranced with the power of his motorcycle that he is willing to risk his life for it.

Gainsbourg uses powerful imagery to convey his feelings of passion and danger. He describes his motorcycle as a "terrible engin" that gives him such intense vibrations that he experiences physical desires in his body. He also indicates that he is willing to die for this experience, as though it is worth more to him than his own life. The chorus of the song, "Je n'ai besoin de personne en Harley Davidson," reinforces the idea that Gainsbourg is independent and self-sufficient when he is on his motorcycle.

Overall, "Harley Davidson" is a powerful tribute to the power of freedom and the thrill of risk-taking. Gainsbourg's lyrics convey both the danger and the excitement of riding a motorcycle, and suggest that these strong emotions help him escape from his mundane existence. The song has become an anthem of sorts for motorcyclists around the world, capturing the spirit of the open road and the sense of adventure that comes with it.

Line by Line Meaning

Je n'ai besoin de personne En Harley Davidson
I don't need anyone with me when I'm riding my Harley Davidson, it's just me and my bike.

Je ne reconnais plus personne En Harley Davidson
When I'm riding my Harley Davidson, I feel disconnected from everyone else and enjoy the solitude.

J'appuie sur le starter Et voici que je quitte la terre J'irai peut-être au Paradis Mais dans un train d'enfer
When I start my bike and rev up the engine, I feel like I'm leaving the ground and going to heaven, but at breakneck speed.

Et si je meurs demain C'est que tel était mon destin Je tiens bien moins à la vie Qu'à mon terrible engin
If I were to die tomorrow, it would be because fate had it in store. I value my motorcycle more than my life.

Quand je sens en chemin Les trépidations de ma machine Il me monte des désirs Dans le creux de mes reins
As I feel the vibrations of my bike while riding, it awakens a certain passion within me.

Je vais à plus de cent Et je me sens à feu et à sang Que m'importe de mourir Les cheveux dans le vent!
When I ride to speeds over 100 mph, I feel alive and invigorated. I am not afraid of dying with the wind in my hair.

Lyrics © MELODY NELSON PUBLISHING, Sony/ATV Music Publishing LLC, SIDONIE, RESERVOIR MEDIA MANAGEMENT INC, Warner Chappell Music, Inc.
Written by: Serge Gainsbourg

Lyrics Licensed & Provided by LyricFind

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Comments from YouTube:

Florian MADON DEFAYE

3y↑12

Le meilleur passage du DVD... Et oui quand tu es né en 92 la plupart des légendes sont soit décédé, soit déjà âgées, du coup tu dois te rabattre sur les archives remasterisé😅

Patrice Hervaux

tu n as pas tord toute ma jeunesse y avait des bon telephone thiefaine et beaucoup d autre mainant il faut aimer la soupe

Jules Vernes

Moi je suis né en 81, j'ai eu de la chance de connaître un peu, déjà petit j'adorais Gainsbourg!

grimble

3y↑3

Gainsbourg was so raw. he rocked harder than 99% of heavy metal rockers. I just love people who live with no safety net. They have a certain charm and sense of humor and relaxed freedom to their personality.