He was born Lucien Ginzburg in Paris, France, the son of Jewish Russian parents who fled to France after the 1917 Bolshevik uprising. His childhood was profoundly affected by the occupation of France by Nazi Germany, during which he and his family, as Jews, were forced to wear the yellow star and eventually flee from Paris. He had a daughter, Charlotte Gainsbourg, with English singer and actress Jane Birkin; and a son, Lulu, with his last partner, Bambou (Caroline Von Paulus, who is related to Friedrich Paulus). Before he was 30 years old, Lucien Ginsburg was a disillusioned painter but earned his living as a piano player in bars. Daughter Charlotte would later become an actress and singer.
His early songs were influenced by Boris Vian and were largely in the vein of "old-fashioned" chanson. Very early, however, Gainsbourg began to move beyond this and experiment with a succession of different musical styles: jazz early on, English pop in the 60's, reggae in the 70's, even hip-hop in the 80's.
Success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest. Performed by French teen singer France Gall, it won the grand prize. (The song was covered in English as "A Lonely Singing Doll" by British teen idol Twinkle.) He arranged other Gall songs and LPs that were characteristic of the late 1960s psychedelic styles, among them Gall's '1968' album. Another of Serge's songs "Boum Bada Boum" was entered in by Monaco in the 1967 contest, sung by Minouche Barelli; It came 5th.
In 1969, he released what would become his most famous song in the English-speaking world, "Je t'aime... moi non plus", which featured simulated sounds of female orgasm. The song appeared that year on an LP, "Jane Birkin/Serge Gainsbourg". Originally recorded with Brigitte Bardot, it was released with future girlfriend Birkin when Bardot backed out. While Gainsbourg declared it the "ultimate love song," it was considered too "hot"; the song was censored in various countries, and in France, even the toned-down version was suppressed. Even the Vatican made a public statement citing the song as offensive. Its notoriety led it to reaching no. 1 in the UK singles chart. A long-standing rumor maintains that Gainsbourg and Birkin were actually having sex during the recording session (asked about it in an interview, Gainsbourg answered that if this was true, the song would have lasted longer than 4 minutes).
The seventies
His most influential work came near the start of the seventies with Histoire de Melody Nelson, released in 1971. This concept album, produced and arranged by Jean-Claude Vannier, tells the story of a Lolita-esque affair, with Gainsbourg as the narrator and Jane Birkin as the eponymous English heroine. It features prominent string arrangements and even a massed choir at its tragic climax. At the time, sales were poor, but the album has proven influential with artists such as Air, David Holmes and Beck.
In 1975, he released the album Rock Around the Bunker, a rock album written entirely on the subject of the Nazis. Gainsbourg used black humour, as he and his family suffered during World War II. While a child in Paris, Gainsbourg himself had worn the Yellow badge as the mark of a Jew.
The next year saw the release of another major work, L'Homme à la Tête de Chou (Cabbage-Head Man), featuring the new character Marilou and sumptuous orchestral themes.
In Jamaica in 1978 he recorded "Aux Armes et cetera," a reggae version of the French national anthem "La Marseillaise", with Robbie Shakespeare, Sly Dunbar and Rita Marley. This song earned him death threats from right-wing veterans of the Algerian War of Independence who were opposed to certain lyrics. Shortly afterwards, Gainsbourg bought the original manuscript of La Marseillaise. He was able to reply to his critics that his version was, in fact, closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus.
The next year saw him in the new look of Gainsbarre, officially introduced in the song "Ecce Homo."
Final years
In the 1980's, approaching the end of his life, Gainsbourg became a regular figure on French TV. His appearances seemed devoted to his controversial sense of humour and provocation. He would frequently show up drunk and unshaven on stage. Perhaps his most famous incident came when, on Michel Drucker's live Saturday evening show with the American singer Whitney Houston, he exclaimed, "I want to fuck her."
During this period he released Love On The Beat and his last studio album, You're Under Arrest, (which saw him adapt his style to the hip-hop genre), as well as two live recordings. His third and last Eurovision Song Contest entry came in 1990 with the French entry "White and Black Blues", sung by Joëlle Ursull. It came second in a tie with Ireland. His songs became increasingly eccentric in this period, ranging from the anti-drug "Les Enfants de la Chance" to the duet with his daughter Charlotte called "Lemon Incest (Un zeste de citron)." The title of the latter demonstrates Gainsbourg's love of puns (another example is "Bowie, Beau oui comme Bowie").
Discography :
1958 : Du Chant À La Une !
1959 : Serge Gainsbourg N°2
1961 : L'étonnant Serge Gainsbourg
1962 : Serge Gainsbourg N° 4
1963 : Gainsbourg Confidentiel
1964 : Gainsbourg Percussions
1968 : Initials B.B.
1968 : Bonnie And Clyde ( with Brigitte Bardot )
1969 : Jane Birkin-Serge Gainsbourg
1971 : Histoire de Melody Nelson ( with Jane Birkin )
1973 : Vu de l'extérieur
1975 : Rock around the bunker
1976 : L'Homme à tête de chou
1979 : Aux armes et cætera
1981 : Mauvaises Nouvelles Des Étoiles
1984 : Love on the Beat
1987 : You're Under Arrest
Jane B.
Serge Gainsbourg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeux bleus
Cheveux châtains
Jane B.
Anglaise
De sexe féminin
Âge : entre vingt et vingt et un
Apprend le dessin
Yeux bleus
Cheveux châtains
Jane B.
Teint pâle, le nez aquilin
Portée disparue ce matin
À cinq heures moins vingt
Yeux bleus
Cheveux châtains
Jane B.
Tu dors au bord du chemin
Le couteau de ton assassin
Au creux de tes reins
The above lyrics are from Serge Gainsbourg's song Jane B., which tells a story of a young English girl named Jane B. who is missing, and her description is given in the first stanza. The second and third stanzas are addressed to Jane herself, with the singer finding her sleeping on the side of a road with the knife of her assassin in the hollow of her back.
The song is filled with mystery and intrigue, as the listener is left guessing what led to Jane's disappearance and who her murderer may be. The lyrics also explore the darker aspects of human nature, such as violence and death. Gainsbourg's somber delivery adds to the melancholic and eerie tone of the song.
Overall, "Jane B." serves as a haunting reminder of the fragility of life and the dangers that may lurk in even the most ordinary situations.
Line by Line Meaning
Signalement
Description
Yeux bleus
Blue eyes
Cheveux châtains
Chestnut hair
Jane B.
Jane Birkin, the subject of the song
Anglaise
English
De sexe féminin
Female
Âge : entre vingt et vingt et un
Age: between twenty and twenty-one
Apprend le dessin
Learning to draw
Domiciliée chez ses parents
Living with her parents
Teint pâle, le nez aquilin
Pale complexion, aquiline nose
Portée disparue ce matin
Reported missing this morning
À cinq heures moins vingt
At twenty minutes to five
Tu dors au bord du chemin
You're sleeping on the side of the road
Le couteau de ton assassin
The knife of your assassin
Au creux de tes reins
In the hollow of your lower back
Lyrics © EMI Music Publishing
Written by: SERGE GAINSBOURG
Lyrics Licensed & Provided by LyricFind
@smokeybutterfly3522
English lyrics:
Particulars
Blue eyes
Chestnut hair
Jane B.
English
Sex, female
Age: between twenty and twenty one
Studying drawing
Living with her parents
Blue eyes
Chestnut hair
Jane B.
Pale complexion, aquiline nose
Reported missing this morning
At twenty to five
Blue eyes
Chestnut hair
Jane B.
You sleep at the side of the road
A flower of blood at your hand
Alternative last line:
The knife of your killer
In the small of your back
@smokeybutterfly3522
French lyrics:
Signalement
Yeux bleus
Cheveux châtains
Jane B.
Anglaise
De sexe féminin
Âge : entre vingt et vingt et un
Apprend le dessin
Domiciliée chez ses parents
Yeux bleus
Cheveux châtains
Jane B.
Teint pâle, le nez aquilin
Portée disparue ce matin
À cinq heures moins vingt
Yeux bleus
Cheveux châtains
Jane B.
Tu dors au bord du chemin
Une fleur de sang à la main
Le couteau de ton assassin
Au creux de tes reins
@briandupuis8022
Putain mais quel époque !! Les années yéyé, jimmy hendrix, gainsbourg, les 30 glorieuses ... putains quel époque !!
Aujourd'hui c'est à vomir !!!
@tato5336
Удивительной красоты женщина в молодости была-покойся с миром Джейн
@2001mimil
Farewell Jane B. .. R.I.P. .. today this was this is the song played during the ceremony today.. sad day.. extra-ordinary person and artist.. what a unique life.. avant-garde.. daring.. sensitive.. generous.. fighting for the people who need it.. beautiful in & out.. so beautiful.. Jane.. Jane B. .. Jane Birkin.. with you is gone the iconic couple of Jane & Serge Gainsbourg.. freedom of mind.. intelligence.. pure beauty and genius.. you will be so missed.. see you in heaven, dear Jane..
@danieldesmedt1883
Une beauté rare et une voix électrique qui vous transperce 💌
@user-hd2yd2nt5v
I love of SOVIET UNION!!!!
ЕЁ ЛЮБИЛ ВЕСЬ СОВЕТСКИЙ СОЮЗ!!!!!
@michaela2904
I love this song, her delicate fairy voice and her girlish beauty. Serge Gainsbourg was just great. Jane had her basket with her, her trademark at the time. Rest In Peace Jane Birkin ❤🦋🌹💜
@susyste-croix4758
Une artiste sublime , voix esquis , actrice formidable ❤❤
@ytukike
Portée disparue ce matin, RIP Jane, we will miss you.
@MARVIT-mf6yo
Che meraviglia ❤
@Maksimir
Красивая была женщина. Но время не жалеет никого.