He was born Lucien Ginzburg in Paris, France, the son of Jewish Russian parents who fled to France after the 1917 Bolshevik uprising. His childhood was profoundly affected by the occupation of France by Nazi Germany, during which he and his family, as Jews, were forced to wear the yellow star and eventually flee from Paris. He had a daughter, Charlotte Gainsbourg, with English singer and actress Jane Birkin; and a son, Lulu, with his last partner, Bambou (Caroline Von Paulus, who is related to Friedrich Paulus). Before he was 30 years old, Lucien Ginsburg was a disillusioned painter but earned his living as a piano player in bars. Daughter Charlotte would later become an actress and singer.
His early songs were influenced by Boris Vian and were largely in the vein of "old-fashioned" chanson. Very early, however, Gainsbourg began to move beyond this and experiment with a succession of different musical styles: jazz early on, English pop in the 60's, reggae in the 70's, even hip-hop in the 80's.
Success began to arrive when, in 1965, his song "Poupée de cire, poupée de son" was the Luxembourg entry in the Eurovision Song Contest. Performed by French teen singer France Gall, it won the grand prize. (The song was covered in English as "A Lonely Singing Doll" by British teen idol Twinkle.) He arranged other Gall songs and LPs that were characteristic of the late 1960s psychedelic styles, among them Gall's '1968' album. Another of Serge's songs "Boum Bada Boum" was entered in by Monaco in the 1967 contest, sung by Minouche Barelli; It came 5th.
In 1969, he released what would become his most famous song in the English-speaking world, "Je t'aime... moi non plus", which featured simulated sounds of female orgasm. The song appeared that year on an LP, "Jane Birkin/Serge Gainsbourg". Originally recorded with Brigitte Bardot, it was released with future girlfriend Birkin when Bardot backed out. While Gainsbourg declared it the "ultimate love song," it was considered too "hot"; the song was censored in various countries, and in France, even the toned-down version was suppressed. Even the Vatican made a public statement citing the song as offensive. Its notoriety led it to reaching no. 1 in the UK singles chart. A long-standing rumor maintains that Gainsbourg and Birkin were actually having sex during the recording session (asked about it in an interview, Gainsbourg answered that if this was true, the song would have lasted longer than 4 minutes).
The seventies
His most influential work came near the start of the seventies with Histoire de Melody Nelson, released in 1971. This concept album, produced and arranged by Jean-Claude Vannier, tells the story of a Lolita-esque affair, with Gainsbourg as the narrator and Jane Birkin as the eponymous English heroine. It features prominent string arrangements and even a massed choir at its tragic climax. At the time, sales were poor, but the album has proven influential with artists such as Air, David Holmes and Beck.
In 1975, he released the album Rock Around the Bunker, a rock album written entirely on the subject of the Nazis. Gainsbourg used black humour, as he and his family suffered during World War II. While a child in Paris, Gainsbourg himself had worn the Yellow badge as the mark of a Jew.
The next year saw the release of another major work, L'Homme à la Tête de Chou (Cabbage-Head Man), featuring the new character Marilou and sumptuous orchestral themes.
In Jamaica in 1978 he recorded "Aux Armes et cetera," a reggae version of the French national anthem "La Marseillaise", with Robbie Shakespeare, Sly Dunbar and Rita Marley. This song earned him death threats from right-wing veterans of the Algerian War of Independence who were opposed to certain lyrics. Shortly afterwards, Gainsbourg bought the original manuscript of La Marseillaise. He was able to reply to his critics that his version was, in fact, closer to the original as the manuscript clearly shows the words "Aux armes et cætera..." for the chorus.
The next year saw him in the new look of Gainsbarre, officially introduced in the song "Ecce Homo."
Final years
In the 1980's, approaching the end of his life, Gainsbourg became a regular figure on French TV. His appearances seemed devoted to his controversial sense of humour and provocation. He would frequently show up drunk and unshaven on stage. Perhaps his most famous incident came when, on Michel Drucker's live Saturday evening show with the American singer Whitney Houston, he exclaimed, "I want to fuck her."
During this period he released Love On The Beat and his last studio album, You're Under Arrest, (which saw him adapt his style to the hip-hop genre), as well as two live recordings. His third and last Eurovision Song Contest entry came in 1990 with the French entry "White and Black Blues", sung by Joëlle Ursull. It came second in a tie with Ireland. His songs became increasingly eccentric in this period, ranging from the anti-drug "Les Enfants de la Chance" to the duet with his daughter Charlotte called "Lemon Incest (Un zeste de citron)." The title of the latter demonstrates Gainsbourg's love of puns (another example is "Bowie, Beau oui comme Bowie").
Discography :
1958 : Du Chant À La Une !
1959 : Serge Gainsbourg N°2
1961 : L'étonnant Serge Gainsbourg
1962 : Serge Gainsbourg N° 4
1963 : Gainsbourg Confidentiel
1964 : Gainsbourg Percussions
1968 : Initials B.B.
1968 : Bonnie And Clyde ( with Brigitte Bardot )
1969 : Jane Birkin-Serge Gainsbourg
1971 : Histoire de Melody Nelson ( with Jane Birkin )
1973 : Vu de l'extérieur
1975 : Rock around the bunker
1976 : L'Homme à tête de chou
1979 : Aux armes et cætera
1981 : Mauvaises Nouvelles Des Étoiles
1984 : Love on the Beat
1987 : You're Under Arrest
Tata Teutonne
Serge Gainsbourg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pleine de tics et de totos
Qui s'autotète les tétés
En se titillant les tétons
Et sa mitrailleuse fait
Ratatatata tata
Ratatatata
Ratatatata tata
Assez porté sur la tortore
Il s'tape des tonnes de steak tartare
Puis Otto rote et jette hautain
Son étron au trou des tinettes
Son gros pétard pète et fait
Ratatatata tata
Ratatatata
Ratatatata tata
Ratatatata
Pour ce teuton tout est torture
Tata ayant tâté de tout
Otto fait les tasses à tâtons
Oui mais question tutu tintin
Une voix derrière lui fait
Ratatatata tata
Ratatatata
Ratatatata tata
Ratatatata
The song "Tata Teutonne" by Serge Gainsbourg is a satirical portrayal of a German woman named Tata Teutonne, who is depicted as eccentric and sexually deviant. The first verse describes her as having tics and habits, such as self-suckling her breasts while fondling her nipples. She also carries a machine gun that fires off in rapid succession, making a "ratatatata" sound. The second verse suggests that Tata Teutonne has a particular fondness for raw meat, specifically steak tartare, and frequently engages in flatulence and defecation. Finally, the third verse implies that Tata Teutonne has a history of experimentation with various sexual practices and that she is approached by someone who questions her involvement with a "tutu tintin" (which could refer to cross-dressing or BDSM). Overall, the song paints a vivid, provocative, and somewhat unflattering portrait of an unconventional, carnal, and possibly disturbing character.
One interesting fact about "Tata Teutonne" is that it was initially banned from radio and television play in France in 1979 due to its explicit and controversial content. The song's sexual themes and references to Nazism were considered offensive by some, and led to protests and complaints from conservative groups. Another noteworthy fact is that the song was included on Gainsbourg's album "Aux armes et cætera," which was a reggae-influenced reinterpretation of the French national anthem "La Marseillaise." This album received mixed reviews and was also criticized for its provocative lyrics and perceived lack of patriotism.
Line by Line Meaning
Otto est une tata teutonne
Otto is a German nanny
Pleine de tics et de totos
Full of quirks and idiosyncrasies
Qui s'autotète les tétés
Who self-suckles her breasts
En se titillant les tétons
While tickling her nipples
Et sa mitrailleuse fait
And her machine gun goes
Ratatatata tata
Ratatatata tata
Assez porté sur la tortore
Quite fond of tortore (possibly a typo or slang term)
Il s'tape des tonnes de steak tartare
He eats tons of steak tartare
Puis Otto rote et jette hautain
Then Otto burps and snobbishly throws away
Son étron au trou des tinettes
His excrement in the toilet hole
Son gros pétard pète et fait
His big gun goes off and makes
Pour ce teuton tout est torture
For this German, everything is a torture
Tata ayant tâté de tout
Nanny having touched everything
Otto fait les tasses à tâtons
Otto fumbles blindly with cups
Oui mais question tutu tintin
Yes, but when it comes to tutus, no go
Une voix derrière lui fait
A voice behind him says
Ratatatata tata
Ratatatata tata
Contributed by Isaiah O. Suggest a correction in the comments below.
Elian
on Ford Mustang
We're swapping spits / We're snorting lines [double entendre] (On s' fait des "lines")
In a Ford Mustang
And then, "Bang"
We're banging in [triple entendre]
To the plane trees / And then, "Bang," we're getting high ("embrasser les platanes = planer" [ French] (=to get high)
"Mus" to the left
"Tang" to the right
And to the left, to the right
A windshield wiper
A pack of Kool
A badge with the inscription
"Keep Cool"
A bar of
Chocolate
A Coca-Cola
We're swapping spits / We're snorting lines
In a Ford Mustang
And then, "Bang"
We're banging in
To the plane trees
"Mus" to the left
"Tang" to the right
And to the left, to the right
A bottle
Of make-up fluid
A flashgun
A Browning (automatic pistol)
A phonograph
A volume
Of Edgar A. Poe
And a plain brass ZIPPO
We're swapping spits / We're snorting lines
In a Ford Mustang
And then, "Bang"
We're banging in
To the plane trees
"Mus" to the left
"Tang" to the right
And to the left, to the right
An edition
Of Superman
A nut from
Paco
Rabanne
A pic of
Marilyn
A tube of aspirin
We're swapping spits / We're snorting lines
In a Ford Mustang
And then, "Bang"
We're banging in
To the plane trees
"Mus" to the left
"Tang" to the right
And to the left, to the right