Sha Na Na is an American rock and roll ensemble, its members often outfitte… Read Full Bio ↴Sha Na Na is an American rock and roll ensemble, its members often outfitted in gold lamé, leather jackets, and pompadour hairdos. The group has performed a song and dance repertoire of classic 50s pop and rock for several decades, both acting as retro revivalists as well as quirky parodists of old-time NYC street culture. The 'Sha Na Na' syndicated variety series that ran from 1977 to 1981 brought them much fame, as did the inclusion of their work in the famous 'Grease' soundtrack as well.

The group began singing as part of the longstanding Columbia University a cappella group "Kingsmen", but the ensemble changed their name due to the popularity of the Pacific Northwest rock band of the same name (see: "The Kingsmen"). Conceived by George Leonard, then a graduate student in Humanities, Sha Na Na began performing in 1969, at the height of the hippie counterculture. The guys achieved national fame after playing at the Woodstock Festival, where they preceded Jimi Hendrix. In fact, the ever friendly and genial Hendrix stuck out his neck for the group, insisting the band be allowed to take the stage even after festival’s promoters wanted to cut them from the bill at the last minute, and Sha Na Na members have since credited him for 'saving' them from obscurity almost single-handed.

Their ninety-second appearance in the popular Woodstock concert film brought the group national attention, and they were a part of the 50s nostalgia craze of the era. Similar artists both in the Americas and in the U.K. appeared (examples being Alvin Stardust and Gary Glitter). The Broadway musical 'Grease' and the TV show 'Happy Days' both also displayed the same ethos as Sha Na Na.

The degree to which their act was truly nostalgic, as opposed to the degree to which it was "invented nostalgia" for joking purposes has been called into question. Still, the group appeared in the movie 'Grease' (based off of the musical of the same name) as "Johnny Casino & The Gamblers", gaining them even more attention. Sha Na Na was also successful with the hit syndicated television show of the same name that the guys did from 1977 to 1982. The program featured guests with much 70s fame such as soul and funk star James Brown and the popular punk band Ramones; musicians from rock & roll's golden era such as Little Richard and Chubby Checker also appeared.

The original band line-up featured twelve performers: Alan Cooper (bass vocals), Rob Leonard (vocals), Frederick 'Denny' Greene (vocals), Henry Gross (guitar), John 'Jocko' Marcellino (drums), Joe Witkin (piano), Scott Powell aka Captain Outrageous aka Tony Santini (vocals), Donald 'Donny' York (vocals), Elliot Cahn aka 'Gino', (rhythm guitar), Rich Joffe (vocals), Dave Garrett (vocals) and Bruce 'Bruno' Clarke. The act has often involved three "up front" dancers/singers in gold lamé and the other nine in "greaser attire", such as rolled up t-shirt sleeves, leather jackets, tank tops, et cetera. During their long-running career, the ensemble has gone through multiple line-up changes. Most recently, co-founder John 'Jocko' Marcellino has served as the group's central frontman. Their latest release is 2013's 'Sha Na Na Greaser High School Hop', with them still touring even decades upon decades after their foundation.

Also that year, Sha Na Na was notably a part of the "Grease Sing-A-Long" event, which is held annually at the Hollywood Bowl. During the 35th anniversary of the beloved movie, they performed several of their tracks from the work's famous soundtrack. "This has become a family event," Marcellino remarked, "They all come dressed up greased with their Pink Lady outfits on, their T-Birds leather jackets, and it’s fabulous that a fourth generation is learning these songs and loving these songs."

Examples of former members:
Vinnie Taylor (1949 - 1974) (real name Chris Donald), who replaced Henry Gross as the lead guitarist in 1970, died from a heroin overdose on April 17, 1974, after a concert at University Hall at the University of Virginia.[citation needed] He was found in a Holiday Inn hotel room in Charlottesville, Virginia.[citation needed]

Former Sha Na Na bass player, from their television show lineup, Dave "Chico" Ryan, died in 1998.

Former Sha Na Na guitarist, from their television show lineup, Danny "Dirty Dan" McBride, died in 2009.

Founding member of the band Robert Leonard is a professor of linguistics at Hofstra University, and had an appearance as a qualified expert in linguistics for the murder case of Charlene Hummert in the episode "A Tight Leash" of the TV medical detectives series Forensic Files in 2004.[citation needed]

The group's first guitarist, Henry Gross, went on to become a solo performer, and had a hit single with "Shannon" in 1976. Another founding member, Alan Cooper, the lead singer in the group's performance of "At the Hop" in the Woodstock film, also went on to an academic career. He taught religious studies for ten years at McMaster University in Hamilton, Ontario, Canada, was a professor of Bible studies at Hebrew Union College-Jewish Institute of Religion in Cincinnati, and now serves as the Elaine Ravich Professor of Jewish Studies and provost at the Jewish Theological Seminary.[citation needed]

Long time member Jon "Bowzer" Bauman replaced Alan Cooper and became a recognizable member of the group as he taunted audiences while he flexed his muscles, burped and spat in the direction of the bass player. For two years in 1983 and 1984 he served as the host of the game show Hollywood Squares between the retirement of longtime host Peter Marshall and the last host John Davidson. Today, Bowzer continues to tour under his own banner.

Elliot Cahn, the group's original rhythm guitar player and musical arranger, later became the first manager of Green Day. "Screaming" Scott Simon replaced Joe Witkin, the original keyboard player (and singer of Teenager in Love on their first album). Today, Witkin is an emergency room physician living with his family in San Diego, California and playing with a band called "The Corvettes"[3] doing an oldies revue. Witkin's son, Brian Witkin, went on to become the founder of Pacific Records.

Joe Witkin left the band in 1970 to finish medical school, and subsequently moved to San Diego in 1975 to do his internship and residency at the University of California in San Diego. He worked at Scripps Hospital East County from 1978 to 2000 as an ER physician, and currently holds the same position at Sharp Grossmont Hospital in La Mesa.

Scott Powell today is a specialist in orthopedic surgery and sports medicine.[4] He performed on the TV show under the stage name "Santini" (which he changed from his previous alias, "Captain Outrageous"). Powell left the band in 1980 and returned to Columbia to take pre-medical courses.[citation needed] He is a member of the medical staff of U.S. national soccer teams, and is the team physician for the Federation Women’s National Team and an associate clinical professor at USC.[citation needed] While Powell was with Sha Na Na, he sang the bulk of the Elvis revival songs.

Frederick "Denny" Greene left the group to pursue studies in law.[citation needed] After graduating from Yale Law School, he became the vice president of production and features at Columbia Pictures.[citation needed] He is currently a professor at the University of Dayton. Greene was known for his skilled dancing, and sang the lead in "Tears on My Pillow", "Duke of Earl" and others.

Bruce "Bruno" Clarke is now a professor of English at Texas Tech University in Lubbock, Texas.

Get a Job
Sha Na Na Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Yip yip yip yip yip yip yip yip
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Yip yip yip yip yip yip yip yip
Mum mum mum mum mum mum
Get a job, sha na na na, sha na na na na

Ev'ry morning about this time
She get me out of my bed
A-crying, get a job
After breakfast ev'ry nay
She throws the want ads right my way
And never fails to say
Get a job, sha na na na, sha na na na na

Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Yip yip yip yip yip yip yip yip
Mum mum mum mum mum mum
Get a job, sha na na na, sha na na na na

And when I get the paper
I read it through and through
And my girl never fails to say
If there is any work for me
And when I go back to the house
I hear the woman's mouth
Preaching and a-crying
Tell me that I'm lying
'Bout a job that I never could find

Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Yip yip yip yip yip yip yip yip
Mum mum mum mum mum mum
Get a job, sha na na na

And when I get the paper
I read it through and through
And my girl never fails to say
If there is any work for me
And when I go back to the house
I hear the woman's mouth
Preaching and a-crying
Tell me that I'm lying
'Bout a job that I never could find

Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Sha na na na, sha na na na na
Yip yip yip yip yip yip yip yip
Mum mum mum mum mum mum
Get a job, sha na na na, sha na na na

Sha na na na, sha na na na na
Sha na na na, sha na na na na

Sha na na na, sha na na na na
Sha na na na, sha na na na na

Overall Meaning

The lyrics of Sha Na Na's song "Get a Job" depict a young man who is persistently chided by his mother and girlfriend to get a job. The song's "Sha na na na" chorus emphasizes this message through catchy repetition, and the verses describe the man's daily routine of job hunting and his frustrations with his female companions' constant demands. The man seems to be trying to find work, but his unsuccessful job search leads to friction in his personal relationships.

The song is often interpreted as a commentary on the challenges of finding work in the United States in the 1950s and 1960s, when the song was first popular. The lyrics reflect the frustration and hopelessness that many young people must have felt when faced with unemployment during this time. The song's upbeat, doo-wop style music, however, suggests a sense of resilience and determination despite difficult circumstances.

Line by Line Meaning

Yip yip yip yip yip yip yip yip
Repetitive vocalization

Sha na na na, sha na na na na
Repetitive vocalization

Yip yip yip yip yip yip yip yip
Repetitive vocalization

Mum mum mum mum mum mum
Repetitive vocalization

Get a job, sha na na na, sha na na na na
Encouragement to find employment with repetitive vocalization.

Ev'ry morning about this time
Every morning at this time

She get me out of my bed
She wakes me up

A-crying, get a job
She cries and tells me to get a job.

After breakfast ev'ry nay
After breakfast every day

She throws the want ads right my way
She gives me the want ads

And never fails to say
And always says

Get a job, sha na na na, sha na na na na
Encouragement to find employment with repetitive vocalization.

And when I get the paper
And when I receive the paper

I read it through and through
I read it thoroughly

If there is any work for me
If there's any work available for me

And when I go back to the house
And when I return home

I hear the woman's mouth
I hear the woman's voice

Preaching and a-crying
Preaching and crying

Tell me that I'm lying
Accusing me of lying

'Bout a job that I never could find
About a job that I could never find.

Sha na na na, sha na na na na
Repetitive vocalization

Yip yip yip yip yip yip yip yip
Repetitive vocalization

Mum mum mum mum mum mum
Repetitive vocalization

Get a job, sha na na na, sha na na na na
Encouragement to find employment with repetitive vocalization.

Sha na na na, sha na na na na
Repetitive vocalization

Lyrics © Kanjian Music, Sony/ATV Music Publishing LLC, Songtrust Ave, Warner Chappell Music, Inc.
Written by: Earl Beal, Raymond Edwards, William Horton, Richard Lewis

Lyrics Licensed & Provided by LyricFind

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Comments from YouTube:

@zmaninpgh

2y↑6

Grew up watching Sha Na Na on TV and my parents took us to the Stanley theater in Pittsburgh around 1978 to see them live. I grew up listening to doo-wop music with my parents. Every once in a while I watch them play these songs to remind me of them

@LisaKoffler

2y↑10

I love how they take turns singing this song!

@suemaydock

1y↑1

Formerly this song was sung by Eliott "Gino" Cahn who was about to leave the band a couple of weeks later. He sang it at Woodstock.
I suppose they didn't want to replace him by an only lead singer.