Sharon Isbin has been acclaimed for expanding the guitar repertoire with so… Read Full Bio ↴Sharon Isbin has been acclaimed for expanding the guitar repertoire with some of the finest new works of the century. She has commissioned and premiered more concerti than any other guitarist, as well as numerous solo and chamber works. Her American Landscapes (EMI/Virgin Classics) with the SPCO conducted by Hugh Wolff is the first-ever recording of American guitar concerti and features works written for her by John Corigliano, Joseph Schwantner, and Lukas Foss. (In November 1995, it was launched in the space shuttle Atlantis and presented to Russian cosmonauts during a rendezvous with Mir.) She has also recorded the Schwantner with Leonard Slatkin and the St. Louis Symphony. In January 2000, she premiered the ninth concerto written for her: Concert de Gaudí by Christopher Rouse with Christoph Eschenbach and the NDR Symphony, followed by performances with Andrew Litton and the Dallas Symphony, and David Zinman at the Aspen Music Festival. Among the many other composers who have written for her are Joan Tower, David Diamond, Ned Rorem, Aaron Jay Kernis and Leo Brouwer. In 2003, Sharon Isbin premiered the Joan Baez Suite written for her by John Duarte.
Ms. Isbin performs 60-100 concerts a season, and her 2005-6 highlights include a month-long U.S. tour with the Zurich Chamber Orchestra, as well as performances in New York’s Town Hall, Washington D.C.’s Kennedy Center, Boston, St. Paul, Madison, Rome and many other cities. 2004-5 highlights included performances with the Pittsburgh, Pacific Symphony (Los Angeles), Memphis, Maryland, Oklahoma and Milan Verdi orchestras, a tour with the Tonkünstler Orchestra in Vienna’s Musikverein and throughout Austria, recitals in New York’s 92nd St. Y, St. Louis, Aspen, California, Indiana, Italy and Prague Spring Festival, and a week of concerto and recital performances presented by the Théâtre du Châtelet in Paris, including a world premiere composed by and performed with rock guitarist Steve Vai. On September 11, 2002, Ms. Isbin performed at Ground Zero for the reading of the names memorial and internationally televised broadcast, which included Yo-Yo Ma, Gil Shaham and the Juilliard String Quartet.
Ms. Isbin has appeared as soloist with over 160 orchestras, including in the United States with the New York Philharmonic, National Symphony, Baltimore, Houston, Dallas, Pittsburgh, Minnesota, St. Louis, New Jersey, Indianapolis, Milwaukee, Phoenix, Utah, Memphis and Honolulu Symphonies, the Rochester, Brooklyn, and Buffalo Philharmonics, as well as the St. Paul, New York, and Los Angeles Chamber Orchestras.
Ms. Isbin performs 60-100 concerts a season, and her 2005-6 highlights include a month-long U.S. tour with the Zurich Chamber Orchestra, as well as performances in New York’s Town Hall, Washington D.C.’s Kennedy Center, Boston, St. Paul, Madison, Rome and many other cities. 2004-5 highlights included performances with the Pittsburgh, Pacific Symphony (Los Angeles), Memphis, Maryland, Oklahoma and Milan Verdi orchestras, a tour with the Tonkünstler Orchestra in Vienna’s Musikverein and throughout Austria, recitals in New York’s 92nd St. Y, St. Louis, Aspen, California, Indiana, Italy and Prague Spring Festival, and a week of concerto and recital performances presented by the Théâtre du Châtelet in Paris, including a world premiere composed by and performed with rock guitarist Steve Vai. On September 11, 2002, Ms. Isbin performed at Ground Zero for the reading of the names memorial and internationally televised broadcast, which included Yo-Yo Ma, Gil Shaham and the Juilliard String Quartet.
Ms. Isbin has appeared as soloist with over 160 orchestras, including in the United States with the New York Philharmonic, National Symphony, Baltimore, Houston, Dallas, Pittsburgh, Minnesota, St. Louis, New Jersey, Indianapolis, Milwaukee, Phoenix, Utah, Memphis and Honolulu Symphonies, the Rochester, Brooklyn, and Buffalo Philharmonics, as well as the St. Paul, New York, and Los Angeles Chamber Orchestras.
Dedicatoria
Sharon Isbin Lyrics
We have lyrics for 'Dedicatoria' by these artists:
Bob da Rage Sense Acende a chama do desejo, nada vejo No eskuro farejo cheiro…
Chullage (Pa tudo nha people na xon Pa tudo nha people na…
Joztan Quisiera decirte tanto que no se ni que decir Sé…
Mind Da Gap Tudo bem no país à beira mar plantado Até aparecer algo…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Lucas GuitarLAV
Muy buena interpretación...
Michajeru
That was really well played. Sharon is amazing.
Matthew Purpura
She did great! It was just her interpretation of the waltz. Everyone plays it different... look at all of the greats, David Russell, John Williams and countless others-they all play it with a slightly different feel. Love your playing Sharon!
carystrings
Very fine interpretation. There is lots of room for interpretation in Barrios...that's why we all want to play it!
kinggimped
In that case, Yngwie makes the impossible possible. I actually love musicians with great technique like Malmsteen (e.g. Joscho Stephan), I just prefer a little subtlety rather than all-out showmanship. Different strokes for different folks. Unfortunately, playing Guitar Hero isn't a particularly authoritative qualification for musical dissection, but thanks all the same. :)
Arya Eshraghi
Steve Vai? Lack of emotion? These two don't belong in the same sentence! He is a wonderfully technically rounded musician with a great capacity for expression. As for Yngwie, he does play somewhat emotionally, although sometimes it is lost in his speed.
kinggimped
Never trust YouTube comments. Never in my life have I ever seen a repository of such idiocy. She can obviously play. Anybody who can't hear that is deaf. I thought it was a beautiful interpretation and rendition. Sadly some will always prefer thrashers devoid of emotion like Yngwie Malmsteen.
Marina Alexandra
I agree,so said to have such a great technique and such a little sence of waltz.
Pedro Ivo .Gouveia
beautiful
zumbinis
I am not a musician: all you who are comenting "bad tone"--do you mean the piece is badly played, or badly recorded? I have seen Ms. Isbin play live from second row of an intimate setting and was thrilled with the seeming precision and passion of her playing. This seems most likely to be a muffled recording or reproduction.