Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz … Read Full Bio ↴Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist. She collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work.

Shirley Horn was born and raised in Washington, D.C.. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her there. Horn formed her first jazz piano trio when she was 20. Horn's early piano influences were Erroll Garner, Oscar Peterson and Ahmad Jamal, and moving away from her classical background, Horn later said that "Oscar Peterson became my Rachmaninov, and Ahmad Jamal became my Debussy." She then became enamored with the famous U Street jazz area of Washington (largely destroyed in the 1968 riots), sneaking into jazz clubs before she was of legal age.

Horn first achieved fame in 1960, through her association with Miles Davis. Davis' praise had particular resonance in two respects: because he was so highly respected as a musician, and because he rarely offered public praise for fellow musicians at that time. Horn had, though, recorded several songs with violinist Stuff Smith in 1959 both as a pianist and a singer. After her discovery by Davis, she recorded albums on different small labels in the early 1960s, eventually landing contracts with larger labels Mercury Records and Impulse Records. She was popular with jazz critics, but did not achieve significant popular success.

Quincy Jones attempted to make Horn into a pure vocalist in several recording sessions, something he later hinted may have been a mistake. Horn was also disturbed by the changes in popular music in the 1960s following the arrival of The Beatles. Largely rejecting efforts to remake her into a popular singer, she stated: "I will not stoop to conquer."[4] From the late-1960s, she concentrated on raising her daughter Rainy with her husband, Shepherd Deering (whom she had married in 1955), and largely limited her performances to her native Washington, D.C.

Miles Davis made a rare appearance as a sideman on Horn's 1991 album You Won't Forget Me. Although she preferred to perform in small settings, such as her trio, she also recorded with orchestras, as on the 1992 album Here's to Life, the title song (lyrics by Phyllis Molinary, music by Artie Butler) of which became her signature song. A video documentary of Horn's life and music was released at the same time as "Here's To Life" and shared its title. At the time, arranger Johnny Mandel commented that Horn's piano skill was comparable to that of the noted jazz great Bill Evans. A follow-up was made in 2001, named You're My Thrill.

Horn worked with the same rhythm section for 25 years: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".

Her albums Here's to Life, Light Out of Darkness (A Tribute to Ray Charles) and I Love You, Paris all reached number one on the Billboard jazz charts.

Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) led her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her.[citation needed] It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.

A breast cancer survivor, she had been battling diabetes when she died of complications from the condition, aged 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.

Horn was nominated for nine Grammy Awards during her career, winning the Grammy Award for Best Jazz Vocal Performance at the 41st Grammy Awards for I Remember Miles, a tribute to her friend and mentor (the album's cover featuring a Miles Davis drawing of them both).

She was officially recognized by the 109th US Congress for "her many achievements and contributions to the world of jazz and American culture", and performed at The White House for several U.S. presidents. Horn was awarded an honorary Doctor of Music degree from the Berklee College of Music in 2002.

She was awarded the National Endowment for the Arts Jazz Masters Award in 2005 (the highest honors that the United States bestows upon jazz musicians).

Gee Baby Ain't I Good to You
Shirley Horn Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

What makes me treat you the way I do
Gee, baby ain't I good to you
There's nothing in the world
Too good for a girl that's good and true
Gee, baby ain't I good to you
Bought you a fur coat for Christmas
A diamond ring
A big Cadillac car

And everything
It's love that makes me treat you the way I do
Gee, baby ain't I good to you

What makes me treat you the way I do
Gee, baby ain't I good to you
There's nothing in the world
Too good for a guy that's good and true
Gee, baby ain't I good to you
Fur coat for Christmas
A diamond ring
A big Cadillac car
And everything
There's nothing in the world that I wouldn't do
Gee, baby ain't I good to you
What makes me treat you the way I do
Gee, baby ain't I good to you
There's nothing in the world
Too good for a girl that's good and true
Gee, baby ain't I good to you
Fur coat for Christmas
A diamond ring
Big Cadillac car
And everything
It's love that makes me treat you the way that I do

Gee, baby ain't I good to you
Gee, baby ain't I good to you

Overall Meaning

The lyrics of Shirley Horn's "Gee Baby Ain't I Good to You" express a sentiment of affection and devotion from the singer towards their partner. The repetition of the question, "what makes me treat you the way I do?" implies an awareness of the extraordinary gestures of love and generosity that the singer has shown towards their partner. They list these gestures, including buying a fur coat and diamond ring for Christmas, as well as a big Cadillac car, and claim that "there's nothing in the world too good for a girl that's good and true." The final line, "it's love that makes me treat you the way that I do," acknowledges that these actions are motivated by love and the desire to show appreciation and care for their partner.

Line by Line Meaning

What makes me treat you the way I do
I'm wondering what motivates me to treat you as well as I do

Gee, baby ain't I good to you
Wow, I'm really treating you phenomenally

There's nothing in the world
There is nothing in existence

Too good for a girl that's good and true
That is too good for a woman who is both righteous and virtuous

Bought you a fur coat for Christmas
I purchased a fur garb for you during Christmastime

A diamond ring
A piece of jewelry featuring a precious diamond

A big Cadillac car
A large automobile manufactured by Cadillac

And everything
And all other material possessions

It's love that makes me treat you the way I do
My actions are motivated by the pure, unadulterated love I feel for you

There's nothing in the world that I wouldn't do
There is nothing that I would not be willing to do

Too good for a guy that's good and true
That is too good for a honorable and trustworthy man